Some environmental good news last week when scientists declared that thinning in the ozone layer is starting to heal. But it’s not all good. Whilst the Friends of the Earth are now calculating our bee population for 2015-2016, there has been a serious decline in bee populations over the last few years.
Bees are essential to our way of life. They pollinate plants and are a crucial part of our food cycle. In fact, 85 per cent of the UK’s apple crop relies on bees.
But how to explain this to children? Britta Teckentrup takes on the challenge in this beautifully colourful, highly visual exploration of the journey of a bee.
Bee by Britta Teckentrup focuses on one bee, seen through a die cut hole on the cover, and revealed on a flower half way through, before being seen in another die cut hole, finally revealed atop a field brimming with plants and flowers.
Each spread is lovingly drawn with bursts of colour, from the poppies at dawn to the bright daisies, roses and foxgloves showing the bee alighting on different flowers. The text accentuates the bee’s journey explaining her intelligence – how she knows her route, how she navigates using the sun – but all in lush rhyming couplets. These hints about bee behaviour will inevitably lead to questions from readers afterwards, but during the reading they will be immersed and won over by the text, with lines such as:
“As she travels here and there,
A gentle thrumming fills the air.”
The vocabulary is startlingly effective in that it drops clues about the bee, but also takes on a soothing rhythm, as if the reader were lulled by the gentleness of a breeze in summer. Scientific facts are dropped like raindrops into the rhyme – including pollen carrying, and how bees leave a trace, and of course the most important denouement – that bees give life to all the plants and flowers. The double page spread shows a field teeming with colour – it’s really beautiful.
The die cut is hexagonal-shaped of course, which is just another question that the reader may want answered; reading this aloud to a group of children will demand some knowledge on behalf of the reader.
But in essence the book explores the symbiosis of bees and plants with a symphony of colour, and that’s good enough to provoke thought in any reader. You can buy it here.
Look out too for The River by Hanako Clulow, with more rhyming text couplets by Patrica Hegarty. Working on a similar principle of a die cut hole with a magical swimming fish appearing throughout the book (via a hologram), the book explores the different fauna and flora that appear in the changing seasons in, and next to, a river. As the river flows through different landscapes and different times, the river follows the fish on a journey to the sea (complete with a sparkly shoal of fish). The readers who sampled this book with me were spellbound at the hologram and the glitter, and wanted re-reads for this purpose, but beneath the gloss is a nature tale worth telling, and sumptuous illustrations of wildlife scenes. You can buy it here.
Another environmental message is contained in a new picture book, The Fox and the Wild by Clive McFarland. Although experts cite that the number of urban foxes isn’t actually rising, there does appear to be a prevalence. However, this is more to do with behaviour than it is increasing populations. Foxes are becoming more used to humans, and braver. In my case, brazen, as they frolic in my garden in broad daylight. Also, of course, and more to the point of Clive’s picture book, our urban sprawl is becoming larger, so more foxes are ‘urban’ rather than dwelling in the wild.
Fred is a city fox in the book, but there are dangers and annoyances in the city. It’s polluted with smoke, there is noisy and dangerous traffic, and humans are unhappy with them. When Fred loses his pack, he longs for the freedom of the birds who can fly to the wild. But, after searching in vain, Fred wonders if ‘the wild’ truly exists.
Children will love the bold graphics of this book – the familiar city scenes, the camaraderie and conversation between different animals, and the juxtaposition of town and country. The depiction of the digger is particularly effective. McFarland cleverly plays on the different senses as he compares the noise of the city with its metal monsters to the sound of scurrying animals in the undergrowth; as well as polluted versus fresh air, and even the feel of the ground beneath the fox’s feet.
With a style reminiscent of Chris Haughton – those eyes – this is a new picture book to be cherished for content and style. You can buy it here.
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