Two picture books that snuck into the publishing schedule last year, but which have recently come to my attention are both by big hitting American authors, who both dabble in the children’s book market, as well as writing adult fiction. Here, their individual writing styles shine in two profoundly different takes on the picture book and what it can do.
The Bad Mood and the Big Stick by Lemony Snicket, illustrated by Matt Forsythe
There’s nothing new in the idea of a child in a bad mood who passes it on (see my 2015 blog here), but Lemony Snicket is a master at putting his own spin on a premise, especially adding a tongue-in-cheek quirk. What’s more, the illustrations are sensational – from the cover onwards. The little girl on the cover, holding her stick, looks so mad and grumpy, one really feels as if she might wield it at the reader. But it’s the grumpy cloud above her (with matching facial expression) that appeals to the reader too – like the grey cloud above Eeyore, this one looks hard to shift.
Curly is the grumpy girl, and she has her reasons. The bad mood has been with her since she saw an ice cream shop, but was not given an ice cream. The reader sees her with her arms crossed, the bad mood hovering above, and her mother and brother strolling happily ahead. Of course, within pages, Curly has passed the bad mood to her mother (Yes, you’ve guessed it, she poked her brother with the stick, giving her momentary delight and causing her parent stress). The book continues as the bad mood passes from person to person.
Except that’s not the whole story. Snicket uses the catchphrase ‘You never know what is going to happen’, as the book veers off into completely different territory – with the stick as a catalyst, and one particular person breaking the bad mood chain. In the end, Curly gets an ice cream, but the bad mood seems to be hovering again.
The illustrations work well – a multi-coloured bad mood that sets the colour palette for the book, infusing everything with a candy-hued blend and a dominant pastel orange. The cast of characters are shown with a range of emotions – even the animals. This means that the moodiness isn’t isolated; it can spring upon somebody suddenly, but it can also mix with other emotions, providing a contrast, or be diluted itself. Emotions are complex things, but also fleeting…You can buy a copy of the book here.
Her Right Foot by Dave Eggers, illustrated by Shawn Harris
A second title from the end of last year, also American, also by a big-name author. But this, as Dave Eggers explains, is a factual book about the origins of the Statue of Liberty. The pace is fast, the author chatty and self-referential, addressing the reader using the second person ‘you’ as he assumes the reader has a basic knowledge of his topic while he quickly documents how the statue was conceived and built.
But the main thrust of the book, reached halfway through, is the foot of the title, which is shown to be walking. At this point, Eggers wants the reader to use their knowledge to think about the meaning behind this. Why is the Statue of Liberty mid-stride? The story leaves the factual behind and crosses into the territory of extrapolation and discovery. If the statue is for freedom, and she is walking, then she is continuing the fight for freedom, for liberty.
Embracing the culture of immigration, of building a nation for freedom, Eggers has created a picture book manifesto for how he views the United States. In our current political climate, this is a pertinent point well made, and the second half of the book shows the mix of immigrants to the States since the Statue of Liberty was constructed, and the ongoing fight for tolerance and acceptance.
The illustrations throughout show a myriad of peoples, as well as places, but feel poster-like in their construction, and display a sense of humour that matches the author’s. Although the book feels a little preachy in places, it’s a good jumping off point for discussion. And remains timely in 2018. You can buy it here.