Mark Huckerby and Nick Ostler are an Emmy and Bafta-Nominated screenwriting partnership, and scriptwriters of the new and highly acclaimed Danger Mouse. Their first foray into the world of children’s publishing, Defender of the Realm, is published on World Book Day – it doesn’t get much better than that. It’s an action-packed, gripping novel, about fourteen year old Alfie, heir to the throne. What Alfie doesn’t realise is that as well as becoming King, he also assumes the inherited role of ‘Defender’ – superhero, who must battle to save the country from the Black Dragon. My review will be published Sunday, but I had the honour of interviewing the writing duo behind this fab new series. This is what they said.
You’re an award-nominated screenwriting duo. What made you decide to write a children’s book?
Well, we both love books in the fantasy genre for this age and writing a novel was always something we wanted to try. But really, it was the content that dictated the form in this instance. Defender of the Realm takes place in a parallel reality version of Britain and we needed to figure out the big rules for that universe… a universe where monsters are real and Kings and Queens are secret super heroes. We felt only a book would allow us the freedom to explore all of that in depth and get it right!
There are a lot of inventive ideas in the book such as the magic of the crown jewels and playful ideas with the magic of lineage. How did you come up with them?
It all flowed really from the “what if?” idea of Kings and Queens being secret superheroes. That was the big idea and from there, the supporting ideas of magical crown jewels, alternative secret history of Britain and inherited blue blood super powers seemed to come naturally. It was so much fun to work on because of that, you know you’re on to something when the ideas don’t stop. It felt like striking oil! The rules of it all were hard to figure out and pin down but that was part of the job of this book, set out the stall for our world and tell it in a fun and exciting way. We did a lot of research into the royal history of Britain as well. The more we looked into the idea of monarchy, the greater the similarities to superheroes were apparent.
Writing is usually quite a solitary act, how do you pen a novel together? What are your writing practises?
We’ve got immense respect for writers who write on their own. It’s a tough gig keeping a level head when dealing with the ups and downs of the business and keeping yourself fresh, happy and ready to write! So it helps to have someone to laugh with about things- so much of this business is out of your control it’s good to have someone alongside reminding you of that. Work wise, we spend a lot of time talking before writing anything, a habit picked up in screenwriting where producers invariably want to see outlines before you can proceed to script. So we spend hours breaking the story, then we extensively outline to the end and only then do we start writing. We take alternative chapters, then switch over, give notes and plough on, fighting to get that first “dirty draft” done. Then we rewrite. It’s fun seeing each other’s chapters because even with all the detailed outlining, we surprise each other with how we’ve written it.
The book mixes fantasy and reality, with giant powerful lizards and also the paparazzi and a citizen’s viewpoint, in that of Hayley. Is one of you better at fantasy and one reality?
No, it’s part and parcel of the Defender world- those rules I mentioned above. Nailing the level of reality, how the fantasy and reality of the world intersect, was part of the development we did. We both brought ideas to the table, from big action sequence ideas to smaller (but no less important!) character details.
Do either of you plan to write solo at any point? What would you miss most about the other if you did?
I don’t think so. I hope not! Cue Nick announcing a new six part, solo graphic novel. Here’s the thing: the big concept of the King or Queen of Britain as a superhero was Nick’s idea way back when and he unthinkingly and unselfishly let me in on it purely because we’re a writing partnership. It wasn’t called Defender of the Realm then, it was only a germ of an idea and it’s now very much “our” idea now. But I thought it was a great pitch with massive potential. Hopefully people will think the same after reading the book. We always say the best thing about working in a partnership is that you only have to have half a good idea and then the fun is working it up together.
Have you already written the film script for Defender of the Realm, and who would you cast as the Lord Chamberlain (a somewhat staid and grumpy, though very knowledgeable and quite endearing, authoritative character)?
Good question. Before Defender was a book we were thinking it was a big TV show or film and we considered doing it that way. As I said, doing it as a book gave us the freedom and time to explore the world and get it right. Of course, we dream that one day the film rights might sell (!) but who knows, it would be an expensive film to make and make right. I always imagined LC as Ian McKellan myself. Charles Dance would also be perfect. We’re lucky in the UK that we’re spoilt for choice when it comes to actors with great gravitas who would fit the bill. Someone with bearing, hidden depths and possessed of a withering glare!
With thanks to Mark and Nick – you can pre-order your copy of Defender of the Realm here, or you can read my review on Sunday and then buy it!