The Eye of the North by Sinead O’Hart

Eye of the NorthA timeless, icy, steampunk adventure, this is a really interesting and intriguing debut novel.

Arresting from the first sentence, O’Hart tells the story of Emmeline, a girl constantly on her guard, taking ‘always be prepared’ to the next level. So when she is kidnapped, and stolen away on a ship to the far north to be used as a bargaining chip to get her scientist parents to awaken a giant mysterious creature (the Kraken) buried deep beneath the ice, she must use her wits and her anxiety to whittle herself free.

The book is dense, and surprisingly gripping, and positively teems with ideas. Emmeline meets a stowaway on her first sea voyage, a nippy little figure named Thing, as well as an organisation trying to prevent the evil kidnapper from taking further control of the world – this organisation is named The Order of the White Flower (with headquarters in Paris). With tentative allusions to underground opposition groups in World War Two, such as The White Rose, the complexity of O’Hart’s plot begins to show itself here.

The reader learns that this underground organisation has many members who have been working against Dr Bauer (the kidnapper) for a long time, but little detail is given, although the group sound intriguing and each member fascinating; O’Hart keeps the reader completely in the dark (to the end). One member has built an intensely complex flying machine, which Thing endeavours to fly to rescue Emmeline. As with everything within this detailed and wondrous book, my issue is that the contraption sounds so terrific, so fantastical, that it is difficult to envisage in one’s mind’s eye. The same happens numerous times – with the denouement, in which Dr Bauer constructs an engineering contraption to extract the Kraken from beneath the ice, using mirrors  – the idea is so highfalutin, that it is difficult for the reader to picture.

As Emmeline moves through her adventure, so O’Hart throws more and more at the reader. We learn that the world has been submerged in much water (presumably the effects of global warming), and so Paris is much nearer the sea than it is in the real world. As with the characters of The Order of the White Flower, this idea isn’t completely developed though, which is a pity.

At every stage in the adventure, from Emmeline meeting an almost mythological horse, (which sounds as if inspired by the old Guinness advert in which the horses morph into waves – powerful like the gods), to Emmeline meeting the Northwitch, who splinters into ice shards and then re-forms with a spellbindingly cold evil chill, the inventiveness is powerful and spellbinding, and O’Hart smashes the imagery out of the park. The only issue is that the images are so extreme that the fantastical is hard to pin down in one’s imagination.

There are some wonderful touches – the tribal people living on the ice, with their sledges and their fear of outsiders, although again, this is underdeveloped as a concept, which is a shame.

The Eye of the North is a sensational story, but this book alone could probably have been developed into about three volumes – so that each part could be extrapolated more.

It touches on humans’ environmental impact on the world, scientific explorations and contraptions, evil beneath the ice, mythical horses, an evil ice queen, good versus evil organisations, greed and power, as well as anxiety and bravery.

It fits beautifully into the zeitgeist of the moment, with a wintry landscape, a future blighted by our environmental impact on the world, and a protagonist with parent scientists who have high stakes in the action. Blending a timelessness with technology and environment, and featuring children who perpetuate their scientist parents’ ideas by attempting to prevent harmful agents, but taking the best part of the science and seeing it through.

The two children are intensely likeable. They are feisty and free-thinkers. Emmeline’s character is strong at the beginning; she is determined, holds onto her comforts, remains quick-thinking and suspicious, but I wanted even more character development from her. Likewise with Thing, who has issues with his haunting past, yet has a strong determination to hold onto a person with whom he’s made a connection. Because their characters ring so true, the reader wants to stay with them.

This is a storming adventure story for the age group, ambitious and hugely entertaining, and there’s no denying this is a powerful book. I just think it could have been about three. You can buy it here.

Sky Chasers by Emma Carroll

Sprung from The Big Idea Competition, and Neal Jackson’s story idea ‘The First Aeronauts’, Emma Carroll’s latest historical fiction sees her entering the world of France in 1783, when the Montgolfier brothers launched the first hot air balloon flight over Versailles. Carroll has woven their story seamlessly with a wonderful adventure narrative that manages to be fresh and modern, incorporating ideas of gender politics, science, identity and social class. Although Sky Chasers is fiction, Carroll writes with an acute sense of history, with huge attention to detail and period.

Carroll’s novels are all well put together, but this one in particular is as brilliantly executed as the guillotine. The protagonist is Magpie, an orphan girl, who pickpockets and thieves to make her way in the world. The book uses the Magpie nursery rhyme: One for Sorrow, Two for Joy, to delineate the sections of the book, and not only does usage of this version of the rhyme fit the gender play of the story ‘three for a girl, four for a boy’, it wonderfully ties into the theme of birds, because the first living beings to fly in a basket hitched to a hot air balloon were a duck, a rooster and a sheep:

Magpie can’t believe her eyes when she sees a boy dancing in the sky. When she realises that he’s ‘flying’, hanging onto a rope from the prototype balloon, she knows she wants a part in it. Of course, it’s not that simple for an orphan girl, especially when the boy is the son of Joseph Montgolfier, and she’s already been inside their house – thieving!

Integrated in the plot of how Magpie, her rooster, the boy Pierre, and his duck end up in the first balloon flight over Versailles are all sorts of elements, including pistols at dawn, suspicion of English spies, and mistaken identity. Carroll has great fun bringing in period details and playing with historical character – the reader first meets Marie Antoinette eating cake at Versailles.

There is also the wonder of science and invention. The Montgolfier brothers have made headway by the time Magpie arrives, but Carroll plays with Magpie’s powers of observation allowing her to spot details they might have missed. She has the idea for lift from undergarments drying in the kitchen for example. These ‘accidental’ details feed into the invention of balloon flight, and bring science down to a basic, and yet exciting level. Invention, quite often, comes about by accident.

A baddie lurks in the background of the novel too, underpinning the suspense – difficult sometimes to conjure in historical fiction where the outcome is already known. But here, the baddie is not all as she seems – indeed there are many cases of mistaken identity within the novel, both good to bad, boy to girl, which makes the reader think carefully about each character’s motivation, intention and ambition. Carroll has also pinned down the Montgolfier brothers quite spectacularly despite her brevity, as in this story they are but secondary characters to the children.

Add to that a profound sense of alienation and belonging, be it nationhood, social class or family, and the reader sees that this is an adventure novel with multiple layers. Carroll is a master of historical fiction, painting a vivid picture of the time with colour and period detail, but also bringing in themes, such as belonging, that still resonate today.

But above all, it is the wonder of flight that pulls in the reader. In fact, reading the fantastic description of flight, one can see how this melds into the view an author might have of their novel – as Magpie sees the gardens of Versailles and fields beyond laid out beneath her like toys, so the landscape of a book enables the author and reader to garner a larger world view, an encompassing picture of who they are compared to history.

The power of possibility is held aloft in this soaring novel. As it is sent wind borne into bookshops, you can catch your own here.