funny books

Countdown to the Election

General elections throw up a lot of questions. Who shall I vote for? Is our electoral system the right one? Why are television debates so long? It can be hard to answer the questions, and harder still when they are asked of you by your children!

There is so much to cover when explaining politics that I wanted some books to help children navigate the political landscape. Actually I found very few books on politics for children. There are many that serve an agenda, such as highlighting conflict or understanding refugees, but very few that simply define what politics is, what an election is, and how the system works. In the end I chose just three books.

the election

The Election by Eleanor Levenson, illustrated by Marek Jagucki
This picture book for young children explains what happens when two families support two different parties in an election. The parties are simply drawn and illustrated – one is spotty and one is stripy. The book defines an election, campaigning, debating and voting in simple language. The pictures show typical families in an attempt to illustrate that the election is something that affects everyone; there are drawings of a lady in a wheelchair, a person cycling, and people of different ethnicity and age. For the adult reader there are certain jokes contained within, such as a political reference to the Acropolis, the industrial revolution, and more mundane observations such as a Dad about to fall on marbles and various poses of people looking at their mobile phones. It’s not subtle, but it serves its purpose very well, and is the only book of its kind to illustrate a British election so succinctly and simply. Buy it from Waterstones here.

whos in charge whos in charge inside2

Who’s in Charge? How People and Ideas Make the World Go Round
This non-fiction gem explains the idea of politics from power and the different types of leadership through political ideas, the building of society, the economy and people’s rights. For me it works well because to explore politics, you need to have some understanding of history – and that’s what this book gives as well. It illuminates ideas of democracy, theocracy, monarchy, anarchy, and dictatorship, as well as giving definitions of the state, a citizen, government, a politician, and isms. From the timelines showing how different civilisations were borne, to the introduction of monarchies and leadership, populations, and land as a way of explaining how different political systems were thought up and needed, to illustrating the different ideas of the state in a ‘rainbow of ideas’ from communism through to fascism, the book also explores capitalism, the economy and local politics. The beauty of the book is that it speaks in generalisations, rather than homing in on specific countries, leaders and governments, so that the child gleans a view of what is possible and why politics exists without forcing any agenda or giving room for pre-imposed political leanings.
whos in charge inside1
What’s more this isn’t a dry book at all, the graphics are exciting and playful – from a local politics jigsaw to a monopoly board of capitalism, flow diagrams, venn diagrams, comic strips, quizzes and a mix of illustrations and photographs. The foreword is by Andrew Marr, and it is great for reading through cover to cover, or just dipping into for a particular topic. This served its purpose very well too. You can buy it here.

Accidental Prime Minister

The Accidental Prime Minister by Tom McLaughlin
Lastly, I wanted to have some fun with politics. After all, I grew up on Spitting Image – there was no greater vehicle for getting people young and old interested in politics. Tom McLaughlin’s book manages to introduce the idea of politics for a 7+ readership with some serious points, but mainly with laugh-out-loud humour. It tells the tale of Joe, who makes one great speech that goes viral, and he ends up as prime minister. There are slight misrepresentations – most of our prime ministers were voted in, not just handed power – but the book makes some serious points amongst all the silliness. It begins by bringing politics to street level – Joe’s ambitious speech starts because the government want to close his local park, and he wishes to keep it open. Other serious points include those adults who are just in politics for the ego-trip, the ‘spin’ that can be put upon events, and the randomness of war – but essentially the book is packed full of humour – because what would happen if a twelve year old were in charge? There are jetpacks, bouncy castles, a Queen who rollerskates, ice cream and whoopee cushions, and the author’s delight in writing this satire comes across with his very 1980s pop song chapter titles, including Fame, Parklife, Don’t Stop Me Now, as well as his parody of Thatcher’s famous speech: “Where there is grumpiness, may we bring giggles”. A riotous laugh. He also illustrated it himself with some winning cartoons. Grab yourself a copy before the election, click here.

The Unreliable Narrator

Some of my favourite literature has unreliable narrators, The Great Gatsby, Heart of Darkness, Catcher in the Rye, The Adventures of Huckleberry Finn – the latter of which clearly reaches into the children’s literature genre. For children, it can be fun to spot an unreliable narrator and makes for great discussion.

Some narrators are unreliable simply by being young – the story is told from their first person perspective and they are too immature to appreciate everything that’s happening around them. In many ways the reader can see through this and may appreciate that they themselves have a greater understanding of the narrative than the person telling them the story. Diary form novels fit easily into this genre – Wimpy Kid, Emily Sparkes, Dork Diaries. We can see the author’s intent where the first person narrator of the story is playing catch up with the reader.

Then there are more subtle unreliable narrators, perhaps those who are lying to us, to themselves, deliberately or not. I wanted to review two books with unreliable narrators, both of which are for the middle grade readership (9+yrs.) but the two books couldn’t be more different. These are both highly recommended by me.

ivy pocket

Anyone But Ivy Pocket by Caleb Krisp, illustrations by John Kelly
Twelve year old Ivy Pocket is a maid, sacked by her employer at the beginning of the novel, and left destitute in Paris. She is summoned to the bedside of the Duchess of Trinity and asked to deliver a very precious jewel, the Clock Diamond, to Matilda Butterfield in England on the occasion of her birthday for the reward of £500. Ivy agrees, and starts her adventure of gothic charm, ghosts, catastrophe and murder.
The brilliance of the novel though, is not so much the somewhat violent action scenes, twists and turns, and great characterisation, as the way in which the story is told. Ivy Pocket is swamped with the most extravagant case of delusional self-belief, believing herself to be above her station, and brilliant at everything. She is hilariously quirky; ebullient, tongue-in-cheek, absurd and captivating.
She reminded me at times of that long-ago American heroine Amelia Badelia, who does everything she is told completely literally from making sponge cakes with sponges to stamping on letters, but with the best intentions. Ivy too believes she is constantly in the right, and all those around her are ridiculously wrong. She insults, misconstrues and acts dumb in turns, but in the most winning and humorous way, that you love her despite everyone else in the book finding her deeply irritating. The language is deeply satisfying – Kaleb Crisp employs delightfully tongue-in-cheek vocabulary throughout from ‘carbunkle’ and ‘stupendously’ to ‘claptrap’ and ‘bunkum’. Her insults are luscious:
“Lady Elizabeth, there is no great crime in being a dried-up bag of wrinkles. In fact, I’m not even sure it would be kinder to drag you outside and shoot you.”
and
“A great big slug of a woman – part goddess, part hippopotamus…her enormous body spread out on every side like an avalanche”
I wanted to read aloud parts to everyone I met whilst I was mid-read. Ivy Pocket also has stock phrases that she repeats throughout the book, giving her great characterisation, added to the fact that almost everyone else in the book is highly satirical, and you have one of the most fun books I have read in a long time. I’m imagining that a child will have to be quite sophisticated in order to appreciate all the nuances within, but once hooked, they’ll devour this and every sequel that follows. It’s reminiscent of Lemony Snicket’s books, and yet highly distinctive.
You can buy a copy here, the book is published on 9th April 2015

Liar and Spy

Liar and Spy by Rebecca Stead
Where Ivy Pocket is playful and verbose, Liar and Spy is realistic, modern and minimalist. Set in New York, the story is mainly told through dialogue. Liar and Spy is narrated by Georges, a young boy whose family is suffering from financial difficulties. Georges tells us about himself, the difficult time he is having in school, and the family he befriends when his family downsizes into a new apartment block. Georges’ Dad pushes him into joining a ‘spy club’ that they stumble upon in the building, and before long Georges is playing at being a spy on his neighbours in the building.
The humour within this novel is observational. Rebecca Stead has managed to capture the dialogue, worries, and thoughts of young boys particularly well, and it soon becomes apparent to the reader that everything is not as it seems. The cleverness lies in working out, from the small clues that Stead drops throughout the narrative, whom is lying to whom and whether our narrator can be trusted. In the end, it’s for the reader to understand that if our narrator is living under a delusion, then by default, so are we, the readers. It’s a small, clever book that betrays some youngsters’ fears and anxieties in a subtle, non-threatening and understanding way.
Liar and Spy also brings into play how other people live – not just a view of American life for those of us reading it in the UK, but also how different families operate in different ways. It also opens our eyes to some deeper thoughts – what matters in life – how our small actions every day build up to create a bigger picture. It’s a great book, a terrific story, but also makes for interesting talking points as children grow towards the teenage years. Buy your copy here.

An Interview with Tatum Flynn, author of The D’Evil Diaries

The Devil Diaries TatumFlynn (2)

Tatum Flynn is darn witty on twitter. I always feel that twitter users should be witty – the word wit is in the name – but Tatum and her avatar stand out in particular. And then I noticed that she’d written a book for children too – with a deeply compelling title, The D’Evil Diaries, and I knew I had to read it. The book has an intriguing premise – it is set in Hell, features the Devil himself, which is fairly subversive for a children’s book aimed at the 9 yrs+ audience, and even contains conversations between the Devil and God. I realised this was one debut children’s author whom I had to interview. I first asked Tatum if she had set out to do something different by writing her rather rebellious yet highly inventive novel.
I’m not sure if​ any writer sets out to write something different on purpose, we just all *are* different, we all have uniquely odd internal universes. Writers just let the cat out of the bag by putting those internal universes onto the page. I simply set out to write a story that would entertain me, with an eye to eleven-year-old me, and that story happened to be a funny version of Hell because that type of subversion and unlikely juxtaposition is the kind of thing that tickles me.
In the novel there are two very likeable and well depicted children – Jinx, the son of the Devil, and Tommy, a dead child who seems to be in Hell by mistake. Is Tatum more of a Jinx or a Tommy?
All my characters have a bit of me in them – I think they have to, to come alive – but honestly the character that I most identify with is Loiter. [Jinx’s pet sloth] I would happily spend most of my days lounging in a hammock drinking margaritas and reading Calvin and Hobbes. But if I had to choose between Jinx and Tommy, I’d say I was more like Tommy as a kid – I didn’t have her talents for gymnastics or knife-throwing, but I was pretty bouncy and chatty and a crackshot with a pistol.”
Devil Diary illustration2
Pistols aside, there’s some wacky stuff in the book, with superb action scenes from a carousel where evil horses come to life, to woods with dead witches hanging from trees. Above all, there is oodles of humour, and not just common slapstick, but witty intellectual humour, which is so refreshing and wonderful to read in a children’s book:
Humour doesn’t necessarily come naturally to me. Sometimes it does, but sometimes I go back and say, Hmm, this chapter isn’t funny enough, let’s have someone fall on a hellhound and squish them. But that’s the joy of writing – it’s easier to be funny when you have time to think about it! Esprit d’escalier and all that. Humour generally, though, is super important to me. Laughter is the physical manifestation of joy, there should be more of it around. It’s one of the reasons I write kid’s books, because there’s far more humour in them than adult books. Humour is also a great way to take pretention down a peg or two, or mock terrible things happening in the world. I think humour keeps the human race sane, and that’s not an exaggeration.”
Tatum’s book is funny, but also controversial, as Tatum features God as a character in The D’evil Diaries. I wanted to know if she’d hesitated before including Him, as I imagine there may have been consternation among some publishers:
Yes, a little, though probably not for the reasons you might think – I mean, once you set a kid’​s book in Hell you’ve already pushed all your chips in the middle.”
Tatum’s chips reference brings her past as a professional poker player into play. Maybe this helped her look at things from different points of view in the book as well. It is written in first person, from Jinx’s point of view, but Tatum also has scenes between God and Lucifer.
I was unsure about having too many different points of view.​ The first section from His point of view was something I wrote early on, but I took it out. Then I was encouraged by various people to enlarge the Lucifer sections and interstitials, so I put it back in. One of my favourite lines in the book is ‘God was in his pyjamas’, so I’m glad He crept back in, plus I’m fond of the dynamic between Him and Lucifer, where the King of Hell reverts to being a sulky teenager around his Father.”
Devil Diary illustration
I stopped short of asking Tatum about her religion but did venture to query her opinion on the existence of Heaven and Hell:
The epigraph at the beginning of my sequel is:
‘The mind is its own place, and in itself can make a heaven of hell, a hell of heaven.’​
​from Paradise Lost​. That’s the type of heaven and hell I absolutely think exists. I’ll leave the possible existence of other types to the theologians.”
Something that particularly tickled me in the book was Tatum’s imaginative use of chapter titles from chapter 10 ‘Blah Blah Secret Plots Blah Blah’ to chapter 11 ‘Library Cards at Dawn’ but also her references to songs, chapter 14 ‘If You Go Down to the Woods Today’ to chapter 23 ‘Just Another Brick in the Wall’. Which song would Tatum prefer of the two?
Woods, definitely, I always think there’s something slightly deliciously creepy about the teddy bears’ picnic…
Lastly, I asked Tatum which book in the world she wished she had written. Jokingly, she replied…”the new one I’ve just started,” but then proceeded to tell me her favourite influences:
Molesworth, the Addams Family, Tankgirl, Calvin and Hobbes – but I couldn’t have written (or drawn, interesting how they’re all illustrated) those anyway. I’m just glad that they’re out in the world for me to be inspired by. I think most people become writers because the book they want to read doesn’t exist, at least that was partly ​the case with me. So I think the book I wish I had written is one of my own that’s yet to come, one that will be as near to perfect as I can clumsily make it.”
Self-deprecating, witty and clearly talented, I’m delighted to have interviewed Tatum Flynn about her debut children’s book. I’m sure I’ll be talking to her in years to come about how much more she’s achieved.

You can purchase The D’Evil Diaries here and find out more about Tatum Flynn here, including her vagabond past of piloting lifeboats in Venezuela, shooting rapids in the Grand Canyon and almost falling out of a plane over Scotland.

 

 

The D’Evil Diaries by Tatum Flynn

The Devil Diaries

Once in a while a children’s book comes along that is so inventive, and witty, and different, that you want to hug it whilst reading. Twelve year old protagonist Jinx D’evil is just like any other school boy apart from the fact that he is a demon with bright red skin and wings, lives in Hell and is the son of the ruler there, Lucifer. His problem is that he is too angelic – he is no good at being devilish, and runs away from his father after disappointing him one too many times. Whilst on the run, in the outer circles of Hell he meets Tommy, a dead girl, and together they discover a coup to overthrow his father, and finally Jinx has a chance to prove himself a worthy devilish son. The ensuing adventure is fast, furious and fun. The story is gripping, the writing compelling and the jokes clever and witty, so that you can appreciate them as an adult and as a child – it’s not just silly slapstick:
“Now, now, you really needn’t worry. I happen to know that Tafrac, the Patron Demon of Wrath, isn’t home right now. I believe he’s down on Earth, busy making people angry with a new scheme, something to do with website comments.”
Even the chapter headings are well conceived, from ‘A Rare, Lesser-Spotted Dead Girl’ and ‘Blah Blah Secret Plots Blah Blah’ to ‘How Grim Was My Valley’. Throughout the book these chapters are interspersed with scenes of Lucifer himself – sometimes on holiday – sometimes chatting with God. Tatum Flynn’s writing oozes effortless humour, but she manages to deftly mix it with a great plot and loveable and realistic characters. The friendship between Jinx and Tommy is nicely observed and develops well during the novel. This is a great debut book from a new talent. I recommend it both for its irreverence and its crafty humour. There will be high expectations for the sequel.

Illustrations by Dave Shephard

Publishes 2nd April. You can buy the book here.

Thank you to Hachette publishers for sending me a proof copy of this title for review.

Me and My Books: The Grammar Conundrum

grammar
My books and myself? My books and I? Are you finding this difficult to read? And now I’ve started a sentence with ‘and’, which is okay in literary prose isn’t it? Although children are taught that you absolutely mustn’t start a sentence with ‘and’; it’s not deemed to be an acceptable sentence opener.

Seriously though, how much does it bother you? I read a LOT of books. Or a great many books! So many of them contain grammatical errors, particularly when I read them on the kindle, although admittedly many of the ebook errors are typos, which leaves me wondering if the digitisation was just a tad slapdash. Are we making more grammatical errors because our language is evolving and we deem it to be okay to finish a sentence with a preposition, split an infinitive, or use that instead of which, or are we just not taught grammar correctly anymore? Are there less copyeditors (yes, I know it’s fewer) with a good grammatical grounding?

The Super Adventures of Me Pig

Does it matter more if the grammar is correct in children’s books? Some children’s books are supposed to contain grammatical errors. The funniest book in our house at the moment is The Super Amazing Adventures of Me Pig by Emer Stamp. It starts like this:
“Hello.
Me I is Pig. I is 562 sunsets old. Well, I is guessing that is how old I is. I is not brilliant at counting. I got a bit confused around 487.”
The grammar here is not annoying because it’s supposed to be terrible – the author is writing as if he is a rather stupid pig, so the grammar reflects this, and it makes the book funny. The children testers for this book found it hilarious because they knew instinctively that it was grammatically very badly written. However, in order for them to find the style funny, they have to know the correct grammar to start with. But what about if the author is writing from a young child’s point of view, but in the third person narrative voice:
“He did, however, out of the corner of his eye, catch them doing that sarcastic thing they did, where one of them – Barry didn’t like separating TSE into two, as that was kind of recognising that they existed, but if he had to, he would refer to them as Sisterly Entities One and Two – would pretend to write down something he said, as if it was really important. Which of course was their way of saying that it wasn’t important at all. Barry really hated it when they did that.”
The Parent Agency, David Baddiel, illustrated by Jim Field

Heidi

What’s the difference between the book containing grammatical errors or just being badly written? Would a book flow better if the grammar was correct? Take an extract from Heidi by Johanna Spyri. Some might argue that the language is too ‘heavy’ and the style of writing too old-fashioned, and therefore it becomes prohibitive as a modern child needs something lighter. I don’t necessarily agree with that:
“Heidi looked at the jug that was steaming away invitingly, and ran quickly back to the cupboard. At first she could only see a small bowl left on the shelf, but she was not long in perplexity, for a moment later she caught sight of two glasses further back, and without an instant’s loss of time she returned with these and the bowl and put them down on the table.”

Narrative voice should also make a difference. If we can’t excuse David Baddiel for the writing above, would we be more willing to excuse it if he had written the book in the first person instead of the third person? The Adventures of Huckleberry Finn by Mark Twain is acceptable because it’s written in a colloquial way in the narrative first person.
“You don’t know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain’t no matter.”
However, The Adventures of Huckleberry Finn is as much about accent and social commentary as it is about grammar. Do we always need to be grammatically incorrect to talk in a child’s voice? The following books all use grammar incorrectly for effect – to create the child’s personality and they’re all in the first person. Are the grammar mistakes immediately apparent to the average child?

Emily Sparkes

“This is completely a bad start and I am just thinking I need to change the subject quick because she is on an ‘eco-roll’ when it is too late and she says the terrible words.”
Emily Sparkes and the Friendship Fiasco by Ruth Fitzgerald

Clarice Bean Spells Trouble

“I go home in a very downcast-ish mood and even my older brother Kurt says, “What’s the matter with you?”
Which is unusual because usually he doesn’t notice other people’s gloom, he is too busy feeling gloom himself.”
Clarice Bean Spells Trouble by Lauren Child
But then surely, if Clarice is quoting her mother, as she does in the next extract, would her mother, as the adult, speak slightly better than she does here:
“When I ask Mum why he’s so cheerful, she says, “He’s just got himself this weekend job at Eggplant and it has really put him in a good mood.” To me, this still sounds like Clarice Bean – or is Clarice not quoting her mother directly, but twisting it from her memory into ‘Clarice speak’. Is bad grammar excused if it’s in speech marks because it’s representative of how we speak, which is often grammatically different from written prose?

Diary of a Wimpy Kid by Jeff Kinney is American, and so of course a reader should expect Americanisms, but the author also deploys a lack of good grammar for effect – it is a child’s diary after all.
“Us kids have pretty much figured Fregley out by now, but I don’t think the teachers have really caught on yet.”
However, if it’s being an ‘authentic’ kid’s diary – would the spelling all be correct, or should the editor be modifying that too to create ‘personality’? Tricky one, hey? What about apostrophes? They all seem to be correct in the Wimpy Kid books…should they not be? Do your children speak like this? Can readers/writers get inside the head of a youngster without resorting to bad grammar?

I have a child in my house who insists on saying “Me and my friend went swimming” instead of “My friend and I went swimming”. I correct her constantly, which must be ‘super irritating’! However, did she pick this up from reading, or from her other friends? One children’s book, which I read recently, made this one error all the way through, even though the rest of the book was grammatically correct. For effect or just an error? Has our language changed so much from the days of Johanna Spyri that it’s now acceptable for modern literature to have bad grammar littered throughout? Does the expanse of bad grammar in our midst mean that children’s authors have a responsibility to write with even more care for correct grammatical usage to teach our children what’s right in the first place? If our children pick up their language tools from reading, at what point do we think its okay to break the rules for effect? And one day will they even know the difference?

When does bad grammar become a literary style?

 

By the way, last Thursday I guest-blogged on another site, MG Strikes Back, about the role of animals in middle grade fiction. You can read it here. It mentions some of my recent favourite MG books too.

MG STrikes back

The Astounding Broccoli Boy by Frank Cottrell Boyce

Broccoli Boy

An amusing tale involving superheroes, food and school bullies. Rory Rooney is locked up as a medical mystery when he unexpectedly turns broccoli green on a school trip. The scientists aren’t sure if he’s carrying a contagious disease or if his colour is the result of something he ate. When Rory discovers another boy has also turned green, and not only that, but he’s the school bully and they’ve been locked up in isolation together, he realises they will have to work as a team to prove to the world that they are superheroes and must escape – after all, the Incredible Hulk and the Green Goblin were green. Cottrell Boyce manages to make ordinary London extraordinary as the hero and his classmate roam around a vibrant night-time London, having weird and wonderful adventures, their friendship developing and cementing the further into the book you delve. Brimming with humour and likeable characters, this was a gripping read from start to finish. Giggles a-plenty and great visual scenes that almost beg to be made into a movie. Add in some girl power, a penguin and a friendly prime minister and you have an immensely lovable story. Frank Cottrell Boyce has an easy-going natural storytelling voice that manages to weave humour, great adventure and pathos into a book all at the same time. Modern London is adroitly depicted in the book, with the climax reaching the dizzying heights of the Shard. Not to be missed by your children of eight years and over. Publishes 26th March 2015.

Illustrated by the incredibly talented Steven Lenton (unfortunately for me I reviewed this from a very early proof, so didn’t get to see the illustrations – that’s why I’m going to buy my own copy through the link below!)

To buy The Astounding Broccoli Boy, click here

Bridging the Gap

I’m really excited today to have a blog post about four fantastic series of books for newly independent readers. They bridge the gap between picture books and first fiction brilliantly, all with a stunning combination of text and pictures that work so well together they could be described as picture books – and yet they reach new heights by appealing to young readers longing to explore text on their own, and feel as if they are reading ‘grown-up’ chapter books. I must caveat this though, by saying that newly independent readers haven’t grown out of picture books. As I said previously here, one is never too old for a picture book – some picture books work for children all the way through school and into adulthood.

However, first chapter books can be jolly good fun. Some publishers release certain titles as both picture books and chapter books – eg. Winnie the Witch and Mrs Pepperpot.

Claude in the City

One of the most popular series in my school library is Claude by Alex T Smith. These never stay on the library shelves for long – with good reason. This is a series of books about a dog, who is in no way ordinary! Claude in the City exemplifies all that is good and appealing about this series. The stories are exquisite – Claude always notices what’s interesting and different about things – as a child would. The accompanying drawings are terrific– all the humans always look at Claude with a slightly disdainful look, as if a dog shouldn’t be doing the human things that he does. Claude looks perfectly at home in his beret and jacket in whichever place he chooses to go, be it looking at sculpture in an art gallery or sipping his hot chocolate at the table in the café. He is marvellously eccentric and endearing. He has a sock as a pet, whom he takes to hospital in part 2 of Claude in the City, in his own home-made ambulance. The scenes in the hospital are hilarious, from Claude taking temperatures with a banana to the diagnosis of his sock. It’s a fantastic read with both witty and silly humour and a child’s sense of wonder and fun. The titles are printed with one tone colour red, which make them bright and appealing. The text is split into easy bite-sized chunks, but the stories are meaty and fulfilling and often have a separation of parts, which gives the reader a boost of confidence for managing a bigger book. Titles include Claude on Holiday, Claude on the Slopes, Claude in the Spotlight, Claude at the Circus, and Claude in the Country. In fact, Alex T Smith is bringing out a picture book version of Claude in June of this year. The six young fiction titles were enjoyed equally by the children I tested them with – from aged five to aged 10 years. You can buy the Claude books from Waterstones here

squishy mcfluff

Another excellent series, currently with three books out, is Squishy McFluff, The Invisible Cat. This is a rhyming series by Pip Jones and illustrated by Ella Okstad, which is equally enjoyable and endearing, but I won’t say too much more as I’ve already reviewed it here.

wigglesbottom primary

A new series, which I’m really excited about is Wigglesbottom Primary by Pamela Butchart and illustrated by Becka Moor. The first title in the series is The Toilet Ghost, although this book has three stories contained within. Also one-tone colour, this time green, Wigglesbottom Primary relates the happenings of one class at the school from a first person perspective, in a chatty tone as if this child were telling you the story verbatim: “One time Gavin Ross asked to go to the toilet, and when he came back he was completely SOAKED.” The text makes good use of capital letters and much dialogue. I can report that much dialogue in CAPITAL LETTERS does indeed happen in school! The three stories are well-contained, well told and simply plotted, and each one is great fun. The camaraderie of the pupils in the classroom comes across well, as does the joyfulness of school days. Becka Moor’s illustrations highlight the different personalities of the pupils and seamlessly merge with the text. Really hoping for many more in this series…this pairing of author and illustrator really knows how to make children laugh. Another one that stretches across the age band from five to 10 years old. Click to buy

woozy the wizard

Lastly, but by no means least is Woozy the Wizard by Elli Woollard and illustrated by Al Murphy. This is one of those books that screams to be read aloud, in fact when it dropped through the postbox I had to stop myself running into the street and grabbing someone to read it to. Woozy the Wizard: A Broom to Go Zoom is the latest in the series. It’s told in rhyming verse and describes the travails of a wizard called Woozy in a village called Snottington Sneeze. Although aimed at four years and over, I think that much older children will delight in this piece of poetry, which has a combination of excellent vocabulary and made up words. Rhyming is great for newly independent readers who find it helpful as the words just drop into place:
‘Woozy!’ Titch cackled.
‘You nincompoop nit.
Your hoover’s not made yet –
it comes as a kit!
You need globules of glue,
You need screws, you need pliers,
And hammers and spanners and
wrenches and wires.’
Woozy’s clearly as good at flatpack as I am. It appeals to the child in the adult, as well as the child, and full colour pictures make this a pleasure from start to finish. Again, more please! Click to buy.

Squishy McFluff The Invisible Cat: Supermarket Sweep by Pip Jones and Ella Okstad

Squishy McFluff Supermarket Sweep

Never having met Squishy McFluff before, this was my first foray into this invisible cat’s world. Supermarket Sweep is the second book, about Ava’s trip to the supermarket with her mum and her invisible companion cat. A third book called Squishy McFluff Meets Mad Nana Dot was published this week. Squishy McFluff is narrated entirely in rhyme and I was captured from the rhyming introduction, which asks the reader to imagine Squishy.
“Can you see him? My kitten? He has eyes big and round
His miaow is so sweet (but it makes not a sound!)
Imagine him quick! Have you imagined enough?
Oh, good, you can see him! It’s Squishy McFluff!”
It turns out Squishy is a very naughty cat, who leads his owner, Ava, into all kinds of scrapes and trouble, with a mischievous glance at the reader. I loved the relationship between Ava and her mother, I loved the modern references to objects such as mobile phones, and also the fact that Pip Jones certainly knows her audience as she understands what’s appealing to children – Ava will visit the supermarket on the premise that she can ride in the trolley. It is reminiscent of The Cat in the Hat – but only the more pleasing for being so. This is also perfect material for a child looking to start reading independently – the rhyming helps a young child to figure out which word is coming next, and the vocabulary is not too taxing. The book is also split into small chapters, which is helpful if you’re a struggling reader. It’s funny and endearing with superbly fitting illustrations from Ella Okstad. More please.

Friendship: Best Friends Forever

“You have been my friend. That in itself is a tremendous thing.” Charlotte’s Web by E B White.

One of the best things children’s books do is serve as a guide for how to get out of scrapes, and behave in certain situations – they can help children navigate social behaviours. These three books (all of which are part of a series – a big draw for children), depict female characters with whom young girls can identify, and familiar situations in which they may find themselves, all crafted with a touch of humour.

Emily Sparkes

Emily Sparkes and the Friendship Fiasco by Ruth Fitzgerald
The first in a brand new series, Emily Sparkes is a sparkling new addition to children’s literature. She bubbles with witty observations on her friends, her family and teachers, and muddles along in her day-to-day quest to survive school, friendships and parental issues. Emily’s life is not out of the ordinary; she goes to school every day, her parents have just had a new baby, and she worries about schoolwork, friendships and being stuck on the bus with Gross-out Gavin. She is an easily identifiable character, with a clear compass for right and wrong and perceived ills, which stands her in good stead with all those around her.
What I find really refreshing about Emily is that she seems to be a ‘middling child’. She’s not bullied, nor a bully, not the most popular nor the least, not the most academic and not the least – the sort of child whom parents feel often gets ignored. In this, Ruth Fitzgerald proves that the ‘unnoticeable’ should be noticed, as Emily’s wit sparkles in every circumstance in which she finds herself. I particularly liked her astute observations on her parents, and I appreciated the cute illustrations – which make it seem as if Emily has decorated her own book with doodles, drawings and stickers. The Friendship Fiasco starts with Emily’s best friend leaving and relocating with her family, and a new girl starting at school, with whom Emily desperately wants to make friends. All is not quite as it seems with new girl Chloe though, and after some misunderstandings are dealt with, Emily realises that maybe her new best friend has been in the classroom all along. A great new character, with some laugh-out-loud scenes. Publishes February 3rd.

Also to be published later this year, Emily Sparkes and the Competition Calamity

Old Friends New Friends

New Friend Old Friends by Julia Jarman
Julia’s series on friendships takes on a slightly different style, as the stories are narrated piecemeal by the friends in the story – first one, then another. There’s an introduction to each character at the beginning to help the reader navigate around who’s who. This works very well and is quite clever, in that the personalities of the girls begin to shine through; the tone shifting slightly between each child, and the reader has the omniscient eye of knowing what all the girls think. It enables the reader to foresee problems and jealousies that will inevitably arise. New Friend Old Friends introduces Shazia from Pakistan, and relates how the group of friends help her to fit in and adjust to life in England. It’s a fun read with realistic characters and situations. The illustrations are animated and accentuate the girls’ differences.

Also available, Make Friends Break Friends, A Friend in Need, and soon to be published, Friends Forever

Pea's Book

Pea’s Book of Best Friends by Susie Day
There’s nothing like an eccentric family in children’s literature. Almost reminiscent of I Capture the Castle, this glorious encounter with the Llewelllyns is highly visual and engrossing. Pea’s Book of Best Friends introduces Pea and her two sisters, Clover and Tinkerbell and describes their move to London. As with the other books here, the quest is on to find a new best friend, as Pea discovers that her old best friend isn’t missing her as much as she thinks. Pea makes a list of qualities she’d like in her new best friend in London, only to realise that people aren’t usually very well suited to lists – they tend to be slightly more complicated. The roundedness of the story is what appealed to me most – as Pea finds out that not only do her sisters also need to make new friends, but so does their Mum. There are some wonderfully funny touches, and it is a very sweet, and yet slightly quirky book, and Susie Day shows great skill in honing in on a girl’s experience of school and family. This is for a slightly older age group than those above – more 8+yrs.

Also available, Pea’s Book of Big Dreams, Pea’s Book of Birthdays, Pea’s Book of Holidays

 

Thank you to LBKids Publishers for providing me with a copy of Emily Sparkes and the Friendship Fiasco.

Silly Stories for Six and Over

Did you know that 70 per cent of children aged 6-17 years say they want more books that make them laugh? Here are some books I think the youngest in this age bracket might like:

Stinkbomb and Ketchup Face
Stinkbomb and Ketchup Face and the Badness of Badgers by John Dougherty, illustrated by David Tazzyman
This is a gigglefest from start to finish. A self-reflective story that follows Stinkbomb and Ketchup-face as they take part in a silly adventure on the small island of Great Kerfuffle, engaged in a quest decreed by the king to rid the kingdom of the ‘bad’ badgers.  John Dougherty applies wit and endless humour as he employs clever storytelling devices to lead you on a trip through funny chapter headings, allusions to characters realising they are only playing a part in a story, and playfulness on the words themselves. It’s a perfect short read for older reluctant readers, or a good contained story for newly independent readers. The humour is not too juvenile – more witty – which is very refreshing in children’s ‘funny’ stories, and you will have to rein yourself in from wanting to read bits aloud! The story is also suitably matched to David Tazzyman’s illustrations (those familiar with the Mr Gum stories will recognise the illustrator’s style). A brilliant read – with two more in the series already published, and another to come in July 2015.

Pigsticks and Harold

Pigsticks and Harold and the Incredible Journey by Alex Milway
Alex Milway brings to the table a cross-over link between picturebooks and chapter books for first readers with this wonderful full-colour chapter book about a self-important pig and a reluctant hamster and their ill-judged adventures. Pigsticks decides to make his mark and explore to The Ends of the Earth, but realises he’ll need an assistant to carry his gear and cook. Hamster inadvertently gets the job, and they set off on their adventures. The language bears out the characteristics of the pig and hamster brilliantly, and there are numerous laughs both from text and picture. There’s also a lot of cake. Beautifully produced, and wonderfully manageable, this is also a treat to be read aloud and savoured as there are plenty of little in-jokes for adults too. It feeds into the current trend in children’s publishing for more illustrations alongside text, never a bad thing with so many talented illustrators such as Alex Milway in the mix. If there weren’t already a hugely famous pig out there, I would say this lends itself beautifully to a television cartoon too. A second in the series was published in November 2014, Pigsticks and Harold and the Tuptown Thief.

Superhero school

Superhero School: The Revenge of the Green Meanie by Alan McDonald, illustrated by Nigel Baines
From the author of Dirty Bertie comes a new series about a superhero school. Stan Button is an ordinary child who receives a summons to a special school for an interview. Before long he’s enrolled and participating in superhero lessons with his superhero peers. Unfortunately for them, the Green Meanie is on the loose, and battle commences. Almost everyone in the story is inept – from the headmistress to the dinner lady, the students to the baddie, which makes the whole enterprise slapstick and in the end it’s more common sense and teamwork that overpowers the baddie than superskills. This is a good first reader, with the typical bottom jokes that children of this age find so humorous. I must warn though – this book strongly suggests that the tooth fairy doesn’t exist (which some children this age may find upsetting and surprising!) More are promised in this series later this year.

Fish Fingers

The Fabulous Four Fish Fingers by Jason Beresford, illustrated by Vicky Barker
For slightly more advanced readers, this first in a wacky series about four children who are granted their wish to be superheroes is a riotous read from start to finish, packed with groanworthy jokes and laughable antics. Our fabulous four fish fingers, Chimp, Nightingale, KangaRuby and Slug Boy, otherwise known as Gary, Bel, Ruby and Morris, take on evil duo Jumper Jack Flash and the Panteater to stop them stealing all the sweets in the village of Tumchester. What sets this funny story apart from others in the market is twofold: firstly Jason’s inventiveness, which seems to know no bounds, and secondly, the heart behind the book. Each character is imbued with the authors’ immense sense of fun and jauntiness, but there is also incredible feeling, from Ruby with her fear of rabbits, to Morris, aka Slug Boy, who always seems to get the short end of the straw, but inevitably manages to rise above. The underlying theme of the book is teamwork, as the four children discover that you can’t actually become a superhero overnight but need to practise and work as a team to overcome the enemy. Another in the series was published late last year, Frozen Fish Fingers.
13 storey treehouseinside treehouse2 inside treehouse

The 13-Storey Treehouse, by Andy Griffiths and Terry Denton, publishing UK 29th January
First published in Australia, Andy Griffiths’ treehouse books are now making their way to the UK. This is one of the most fun books I have read and I know several Year 3 students in my library who will adore this book and fall about laughing. Actually reading it was not unlike listening to banter between my husband and my son, as the book relates the dialogue between Andy and Terry as they think up what to write about for their latest book. The book is also stuffed full with cartoons, which are full of life, zesty and zany. Andy and Terry live in a 13 storey treehouse complete with lemonade fountain, man-eating shark pool, theatre and library and giant catapult (all simply illustrated). There are pages of detailed cartoons, and pages of simple ones, interspersed with lively laugh-out-loud text. The children who read this were enthralled by the idea that if they didn’t write the book, Andy and Terry would have to revert to working in the monkey house. They were also taken by the fact that the main characters were also the names of the authors. A fabulous laugh – it’s a joy to know there are more titles yet to come.

 

The Fabulous Four Fish Fingers was very kindly sent to me by Bounce marking on behalf of Catnip Publishing.