insects

Social Action Picture Books

I do firmly believe that starting out with an agenda is not the best way to write a book, but often a cause or an issue catches our attention because of the story behind it. The media know this all too well – putting a human face to a crime, building a narrative around Brexit, giving story examples of health crises are the way we engage with issues. We need stories.

These clever picture books may be issue-based, but they win over the reader with their subtle blend of picture and text, with their bold narratives.

Homelessness:
the old manThe Old Man by Sarah V and Claude K Dubois

A skilful mix of tender illustrations and sparse text portray this issue with pathos and intelligence. Homeless people often feel invisible, and the gentle pencil sketching and sepia tones of this picture book lend an invisibility to the homeless man, but also give the book a sophistication and elegance that makes it attractive.

The book starts with daylight and a girl rising from her bed within her house, but flits quickly to the homeless man also starting his day, in the rain and ignored. It portrays his struggle with hunger and cold, his awkwardness and shame, his loneliness.

For much of the book, the people remain faceless – shown from waist down, or blurred in the rain. It is only at the end when there is human connection between the little girl and the homeless man, that the features begin to be defined. It is one act of human kindness that gives the homeless man the warmth and humanity to go to a shelter, and be recognised for who he is.

This is a brave and touching story, and an excellent picture book for allowing children to explore an issue and see that people are more than just their outward appearance. You can buy it here.

Gender Roles:
looking after williamLooking After William by Eve Coy

This humorously illustrated story takes a look at domestic roles and the workload of a parent in a warm and engaging manner.

The little girl of the story decides to act as ‘mummy’ to William, her stay-at-home Dad. She not only performs everyday tasks, but also sees his potential to be whatever he wants to be when he grows up.

The reader will adore her attempts to look after him – making him breakfast but spilling the milk all over the table, giving him exercise by making him tow her up the hill on his bike, and generally ‘looking after’ him by making him push her in the swing, or take her round the supermarket in the trolley. Her grown up jobs include building blocks, and making tea for her toys.

It’s a gorgeous portrayal of domestic life, with immense wit and warmth. In the end, the little girl decides that her Dad only wants one job, despite all the wonderful things he could achieve – and that, of course, is being her Dad. Uplifting and cute, and dominated with shades of blue, green and yellow – like a soft lamp casting a warm hue across the page. You can buy it here.

Animal Conservation:
hello helloHello Hello by Brendan Wenzel

Wenzel’s first picture book, They All Saw A Cat, took the perspective of the animal in viewing the world and illustrated each page accordingly. Hello Hello also gives animals shape and zest, showing the animal world in amazing variety – in colour, but also in action, with animals leaping, flying, twisting, turning and dancing across the white pages. Reminiscent of Lucy Cousin’s Hooray For Fish with its similar sparsity in rhyming text; the animals address each other with descriptive greetings: ‘Hello Stripes, Hello Spots, Hello Giant, Hello Not’. But Wenzel’s sparklingly colourful exploration of animal life takes the illustrations further by using a huge range of media including cut out paper shapes, oil pastel, computer graphic.

The message is simple – that the animals all share certain traits, despite their vast differences. Many of the creatures featured are endangered and Wenzel lists the animals at the back, stating whether they are vulnerable or not. A vibrant call to action. You can buy it here.

is it a mermaidIs it a Mermaid? By Candy Gourlay and Francesca Chessa

A tale of identity and imagination, in that Benji and Bel find a strange creature on their beach, and although they know it is a dugong, Bel goes along with the dugong’s story when she claims to be a mermaid. The humour lies in the illustrations, which represents the dugong as a fairly lumpen animal, about as far removed from mythical ideas of the mermaid as possible.

When Benji’s negativity causes the dugong to cry, he realises he’s been insensitive, and plays along too. The illustrations are colourful, particularly of the undersea world, and beautifully atmospheric, especially in the change in light depending on time of day, but they also bear out a childlike simplicity. What’s more the children and the dugong are constantly active – so that the picture book feels alive and exuberant.

At the end, the authors remind the reader that both dugongs and sea grass habitats are under threat, and give resources for how to help. Save the world here.

 

Environment Conservation:
the coral kingdomThe Coral Kingdom by Laura Knowles and Jennie Webber

Through simple rhyme, this book manages to explore facts about the coral reef, portraying the colour, diversity and life cycle of the ecosystem. Each page has a simple sentence accompanied by the most detailed and colourful illustration. In this way the book both informs and inspires.

There is much to take in – the dive of the dugong, homes of polyps, sea stars and mantas, turtles and minke whales. The colours and textures are plain to see, and the interweaving of the different creatures and plants make for quite a spectacle.

The shock comes over halfway through, when the beautiful colours are gone – bleached by the warming seas. The remainder of the book explores what humans need to do to protect this environment, with a beautiful pull out spread of how it should be, accompanied by information about conservation on the reverse. From the winners of the Margaret Mallett Award for Children’s Non-Fiction, this is a perfect picture book to teach first steps to conservation. See the coral here.

when the bees buzzed offWhen the Bees Buzzed Off! By Lula Bell, illustrated by Stephen Bennett

With a die-cut front cover, and lift the flaps throughout, this is a nifty book for young children about discovering nature. The insects inside the book are frantic that the bees have disappeared – told in an array of speech bubbles, accompanied by short narrative sentences.

The authors have had fun here: the insects are imbued with personality, and pretentions of comic wit: “the search is fruit-ile” says one, a joke wasted on the very young but wry for the adult reader. Other jokes suit the readership better – the jealousy of tadpoles at different stages, the lying spider.

In the end, the insects learn that bees need certain flowers to enable pollination, and without them our world would be poorer in many ways. You can buy it here.

An Interview with Bren MacDibble

how to beeThe other week, I featured How to Bee by Bren MacDibble as my book of the week. It’s a near-future fictional look at the plight of children in a world in which bees have been wiped out from pesticide use, with a stand-out protagonist in the shape of Peony, a farm child who longs to be a bee (a worker who manually pollinates the trees). Bren MacDibble kindly gave me some time and answered my many questions – the book itself throws up many topics of debate and is a fascinating study, as well as a bold and gripping novel.

How To Bee is a phenomenal story set in the future after the loss of bees has caused an environmental disaster and famine. How did you come up with this idea?

For a long time, I’ve been looking for a farm story (being a farm kid, write what you know and all that stuff), but I love fiction set in the future, so it came about pretty naturally after looking into food security and all the possible threats to our food supplies. Bees and their current plight are definitely worthy of a story, having worked alongside English crops for centuries, and their current situation being so dire.

The future in the novel is fairly bleak, not only the environmental impact, but in terms of a massive divide between rich and poor, and a seeming lack of human rights/right to education/child protection. Did you set out to show this wealth divide for a reason?

I see it happening all around us right now, so a future without it didn’t seem honest. When you have money there are so many ways to use that money to make more money, but the poverty trap is just that, a trap. Once you’re poor, there are so many barriers to getting work, to getting by, to getting ahead. So many people, and societal structures that tell you daily you’re worthless and stupid, adding your own lack of self-worth to the trap. Working for just enough money to keep working is another form of poverty. Maybe you feel safer, because you can buy enough to eat, and the clothes you need to keep working, and pay for the travel to the job that pays just enough to keep you employed.

The poor and the working poor suffer first and suffer most in any catastrophe. Floods, fire, famine. Money, and the insurance it buys, is insulation that carries people through a catastrophe, but the poor don’t have that. They were struggling already to pay rent, to buy food, they didn’t have the funds to plan for the unexpected. That had to be shown if this was going to be an honest story. And I wanted this to be an honest story.

In the novel, Peony, the main character, has a truly distinctive voice, which reflects her lack of schooling and her rural upbringing. Did you find writing the voice easy?

Peony’s voice was so easy. She just got into my head. Her voice was full of the bravado of someone who has mastered her own small world, but also so simple and honest. There were a few elements I had to think about, like that fruit and flowers were precious in this new future so all good things like the children’s names, and the term ‘super-cherries’ had to celebrate fruit or flowers, also I wanted to set it in the future, but I needed them to still speak like farm kids. So it had to be futuristic with words like ‘diz’ for disrespect and ‘Urbs’ for city dwellers, but roughed up and full of farm terms like ‘go stomp yourself,’ which is how they get rid of pests in the future on farms with no pesticides.

The rich people in the novel still have phones and computers and televisions, yet the poor people don’t at all. Do you see our use of technology dying out in the future, rather than extending communication between different people?

In this future, young Esmeralda can play games on her fridge and in her room, and no doubt her parents use technology in their jobs much as we do, but there are so many poor in the post famine world, that I expected any technology they once owned would’ve been swapped/sold/pawned for food long ago. Electricity and internet fees would be further costs that could better go towards food and shelter. Maslow’s hierachy of needs does not have technology in the bottom layers.

In the book’s acknowledgements, you mention that you wished the foreman on the farms had been as nice as you had made Boz, the foreman in the book. How many farms have you lived on and what was your experience? How did you use that experience to form How to Bee?

There were about five farms between the ages of 7 and 17. On one, we lived in little more than a shed, surrounded by an electric fence and a chow chow paddock full of steers. I was alternately electrocuted and chased by young bulls, the bare wooden floor gave me splinters and the water chugged out of the taps brown. At the local school which had two classrooms and four kids in my year level, no one would talk to me because their parents owned land and we were the scruffy kids who lived in a shed in the chow chow paddock. The land owners certainly made it known that we were lesser beings. Whether they were swearing at us to round up sheep faster, or giving us a dressing down for stealing fruit from their orchards, we certainly got the impression that we were feral sub-beings who should just be quiet and behave. The last two farms were better, the land owners were nice, often had things to give away, and would invite us to use their pool on hot days.

You also write school reading books. Is there a big difference between writing these stories and your novels? Is it more restrictive?

I just write what I want, which doesn’t really fit with most publishers in the educational market, just those keen on humour, with fun series. Okay, mainly just one publisher, but their series are hugely popular and sell into the UK and US as well, so I’m very lucky to have found that one educational publisher that likes me. Mostly these are short concise stories and there’s not the room to be intensive with the characters, the way Peony is written.

I’ve read that you have quite a bit of wanderlust. How does travel inform your writing?

I think it’s built into me, this moving on thing. We moved around a lot when I was a child, I backpacked the world in my 20s, travelled across the US on motorbikes recently, and now I live in a bus. I think it does inform my writing because if you’re living how I’m living right now, which is with only the basics, you understand what you really need to get by. Travelling lets me meet a lot of people, see a lot of lives, hear a lot of accents, gather ideas, avoid the need for a full time job, and understand what it is a human really needs to be okay.

What do you think has been the biggest influence on your writing?

Reading. I read widely. I read all the time. I get upset that people think I have to read all the latest and greatest or all the classics because I need time to read all the obscure and wonderful too. It’s a terrible shame our lifetimes are too short to read everything. I read my favourite writers when they talk about what they do and I try to understand how they do it. So basically, finding authors I love, whatever the genre, and listening to their observations. Shoving it all into my head so I can understand how to do what I want to do, which is write with honesty and heart and really connect with readers.

Are you excited to bring your novel to the UK? Do you think readers here see differently from those in your native Australia/New Zealand?

Super excited. In Australia, the bees don’t have the varroa mite and deformed wing virus, yet. The bees are not suffering as much as they are in every other country. So there isn’t as much noise about saving bees as there is in the UK. I think people in the UK are more ready to see the importance of this book. Young readers in Australia and New Zealand have given me absolutely wonderful feedback about How to Bee, and I think young people in the UK will love it too. Peony’s way of talking is universal, being a future/country mash up rather than anything colloquial, and young UK ears will tune into it very quickly given their exposure to accents and slang. It’s been shortlisted/won six awards down under and it’d be super-cherries if it took off in the UK as well.

What are you working on next?

Dry Running is almost done, and comes out this year in Australia. I have created another famine, this time caused by the death of all grass and grains due to a fungus (this was recently reported in Queensland, but I promise I’m not writing these things into existence!). A brother and sister have to escape the city and drive their dog cart, pulled by three Malamutes and two Huskies, 600 km to safety to reunite their family. Two kids, five big dogs, and a wide bare land to cross. It’s going to be an adventure!

With huge thanks to Bren MacDibble for so patiently answering my questions. And I highly recommend How to Bee. You can buy it here

 

How to Bee by Bren MacDibble

how to beeRecently, I’m seeing a great deal of science fiction that’s set in the very near future (mainly in adult fiction, but also in some children’s novels), as if we’re nearing our own dystopian landscape. But generally, this genre works well. It enables the author to envision a future not that different from the present, but tweaking elements to make a specific point. For the reader, it coaxes belief in this imagined world, in that there is a startling familiarity with specific things, despite the larger world being a little different.

In How to Bee, Bren MacDibble goes with the premise that due to widespread use of pesticides, the bees have died out, and to continue growing produce and farming, pollination must be done by children (leaping from tree to tree with special pollinating wands). Based on real practises in Chinese provinces, where humans do actually hand-pollinate pear blossom, and her real-life experience of growing up on a farm, the book feels authentic and disturbing, yet ultimately hopeful.

What shines most from this dazzlingly yellow book is MacDibble’s use of ‘voice’ to tell Peony’s story. Peony is nine years old, a worker on the farm, although not yet a Bee, because to be a Bee a child must be ten and awfully quick. She’s working towards it, but not quite there yet. Her voice, as she tells her story, feels new, fresh, lively, irrepressible but mainly fast, as if she’s scrabbling over the words as she would scrabble across the trees. The voice feels unschooled, unrestrictive, and matches her immense physicality. The play on words of the title sum up Peony’s whole existence. This is a girl bursting with life. She wants to be as much as she wants to bee.

Of course, like all good novelists, MacDibble must throw obstacles in Peony’s way, and this is where things become dark and difficult. Peony is removed to the city, away from her beloved grandfather and little sister and farm, to work with her mother in one of the big city houses. The episode of her removal from the farm is fairly traumatic, and the two worlds – city and country – could not be more disparate.

In fact MacDibble’s vision of the future is fairly bleak. Human rights are eroded – the children of the farm are broadcast ‘lessons’ on loudspeakers in the morning while they work – there is no universal right to education. Once in the city, Peony is a servant rather than merely staff – workers’ rights too seem to have been eroded. What’s more, there is unpoliced domestic abuse and cruelty to children. Poverty is widespread and there is no welfare system net in place.

But for many children, they will not read into the bleakness of this. Peony’s move to the city is an adventure, and she swiftly makes friends with the girl of the house – Peony’s kind nature and selflessness shining through. And there is an uplifting ending with Peony’s love for family and nature winning the day. Mainly because Peony’s voice is so lively and uplifting, and her shining adoration for the farm, her immediate family and nature triumphs against everything dark and evil.

The book is well paced – short sharp chapters, with quick forward movement like the bee pollinators themselves, the reader is propelled forwards on Peony’s adventure. The reader feels an enormous amount of empathy for this small child in a frightening world – having a more all-seeing terrain of her story than Peony does herself.

For all its shortness, MacDibble breathes plenty of life into the book. There are complex dynamics between characters – particularly the mother/child bond, and also an unabashed look at inequalities in society.

MacDibble writes with confidence and ease – the book feels different, atypical, which makes it shine brightly in the field of current children’s fiction. It turns out being is a complicated business, but with books such as this, children will buzz with excitement about their ability to influence their own futures. You can buy your copy here. I would suggest as 9+ years, but beware some of the darker episodes. Young teens who are reluctant readers will love the story’s depth whilst appreciating the brevity of the text.

Animals, Hotels and Crazy Antics

Once they reach an age of reading for themselves, it’s quite delightful to see young readers pick up a series – they can devour book after book, knowing what’s coming next, but also developing an affinity with the characters, and feeling secure in the familiarity. I know that some of the most popular series in the library for these newly independent readers are Claude by Alex T Smith, Isadora Moon by Harriet Muncaster and of course, Horrid Henry by Francesca Simon. But if your little ones have READ ALL THE BOOKS IN THE LIBRARY, as one said to me recently, then you might like to try these new books:

nothing to see here hotelThe Nothing To See Here Hotel by Steven Butler and Steven Lenton
One of the wackiest, zaniest and most inventive books of the new year is this fun, silly, and outrageously colourful adventure from the author of Dennis the Menace books. The Nothing To See Here Hotel sits on the Brighton sea front, but it is enchanted and therefore invisible to the human eye (except for when a seagull flies into one of the invisible towers). Our narrator, busting with the same enthusiasm and energy of the author, is Frankie, one thirty-sixth troll, who lives in a world of magical creatures, and is descended from a long line of trolls, harpies, witches and puddle-nymphs.

Told in a chatty, conversational style, this is an exuberant romp through a day in the life of the hotel, which is owned by Frankie’s parents. A goblin messenger arrives in quite a whirlwind, announcing the imminent arrival of the goblin prince. The hotel is excited, until they see the prince’s mammoth entourage (which reminded me of the entourage song in Disney’s Aladdin), and the stuck-up prince himself, who is hiding a little secret.

The book moves fast – the characters are constantly in action, and Butler piles on the craziness, scene after scene. There is much unexpected plot, as it veers off in different directions, endlessly daft, weird and fun.

Like Phil Earle with his Storey Street series, and Tom Fletcher in The Creakers, Butler weaves himself into the novel by playing with the role of author – exploring elements of story and congratulating the reader on reaching certain points. This is never patronising, but an extension of the fun and games Butler is clearly having with the text. He also invents new vocabulary, along the likes of Dahl, weaving in words such as ranciderous and squivelling. Each addition is exciting, fun and fits the story well.

Hotels are also great fodder for literature – endless rooms, misfit characters, people away from home, and Butler makes full use of his imaginative Brighton resort. The final copy will be highly illustrated by Steven Lenton, but I received a very early review copy without illustrations. You can buy it here.

bee boy
Bee Boy: Clash of the Killer Queens by Tony De Saulles
Another cracking start to a series is this cartoon-based book about a new kind of superhero, a bee-boy. Melvin, by way of a touch of magical surrealism, falls into a bee’s hive that he’s tending, and is nominated protectorate from all anti-bee things by the bees.

It may sound a little strange, but works brilliantly, as De Saulles, illustrator of the Horrible Science series, meshes together ideas of bullying and survival, in Melvin’s experience of school, and the bees’ experience of human and natural dangers.

The parallel might seem extreme, but as Melvin battles with the horrific Norman Crudwell at school, so his bees battle against a myriad of menaces, from killer wasps to hawkmoths. Of course, De Saulles pulls in much ‘bee education’ in this fiction tale, but he manages to keep providing great sting and wit at the same time.

The reader will feel for Melvin as he overcomes his obstacles, but pathos is particularly evoked in the illustrations – Melvin has oversize glasses and sticking-out-teeth but manages to be presented as fairly adorable too. In fact, with the popularity of awkward cartoon-like heroes such as Tom Gates and Wimpy Kid, Bee Boy enters the fray as another contender for most gawky, and will win fans and readers. The book is simply full of illustrations, which gives a fabulous clue to each and every character. Most importantly, check out those endpapers. De Saulles has gone to town with his miniature depictions of Melvin’s classmates – imbuing each with an identity and personality. Lashings of fun, and a wonderful little crush on school friend Priti make this a buzzing read. You can buy it here.

night zoo keeper
Night Zoo Keeper: The Giraffes of Whispering Wood by Joshua Davidson, Giles Clare and Buzz Burman
Will is taking part in a school project to paint a mural at the local zoo, but gets admonished for his creative use of colour. When he returns at night, he opens a portal into the land of the Night Zoo, where animals talk, and danger lurks.

He makes friends with a giraffe called Sam, who explains that not only is Will the Night Zookeeper, but that he must keep the animals safe from the Voids – scarily destructive robotic spiders.

This is a short, fantasy adventure story, with stunning black and white illustrations throughout, but it is also a jumping off point for children and teachers to explore an accompanying website, called NightZooKeeper.com with the idea to stimulate creative writing.

A mix of animals, action, robots and a helping hand from a girl called Riya, the book ends on a cliff-hanger leading into the next story, publishing in August. It’s not ground-breaking storytelling, but my little testers liked it well enough. You can buy it here.

dave pigeon
Lastly, and by no means least, is what happens when a series for newly independent readers takes off (no pun intended). Dave Pigeon (Racer!) by Swapna Haddow, illustrated by Sheena Dempsey is the third title in the successful series about a couple of pigeons who talk their way through their adventures and demonstrate oodles of personality and pigeon wit. In this particular episode, Dave Pigeon is recovering at the vets, having had a prosthetic wing fixed, when he’s challenged to a race by a pirate bird. Playing on the idea of racing pigeons, and with allusions and jokes galore for adults as well as children, this is a sniggertastic read. With language puns, sparkling wit in both text and illustration, your newly independent reader couldn’t ask for more. Unless they want a fourth Dave Pigeon book? You can buy it here.

 

The Very First Spring Picture Books

As the days gradually get longer, and there’s the promise of new beginnings in the air, thoughts often turn to nature. Here are two new picture books that are positively brimming with the idea of spring and natural light, and both feature insects – one anthropomorphed as male, one female.

The Weaver

The Weaver by Qian Shi
Just published this year, The Weaver is one of those special picture books that appeals to the very young with its tone, and yet transmits a message that is for all ages. Stanley the spider is born, and after catching a lift on the wind, starts to build a collection of precious things in his web. But unfortunately, the weather plays havoc with his plans, and blows away his possessions. It’s what he’s left with though, that really touches the heart.

This is a powerful story, illustrated with clean simple lines and colours, which instructs us about the impact of memory. In a world in which we attempt to capture everything on a mobile phone, or through a lens, this is a great reminder that our brains are the best receptacle for what’s precious.

Illustrated pitch perfectly, with a friendly spider who is almost cartoon-like in his demeanour, with expressive legs/arms that Shi has manipulated so that the reader sees the spider’s emotion through the shape of his body and placement of legs as well as his mouth. But it’s also the nature surrounding Stanley that works so well – the simple shapes of plants, the clever fading on the web for effect, and of course the shiny front cover.

Just like Stanley’s collection of objects, this is a book that makes an impression on the memory and will last for some time. A great start to the year. You can buy it here.

Firefly Home

Firefly Home by Jane Clarke and Britta Teckentrup
Another picture book for the very young, this too speaks to the reader, and even asks for interactivity, but there is more than just a simple story in this clever book. Florence is a firefly and she’s lost. The reader is asked to help her find her way home, but every time Florence sees a bright yellow light on the page, when the reader turns over, Florence is disappointed – it’s not the light she’s seeking. Once a moon, once a lighthouse, then a train, then city lights.

None is the home Florence is looking for, and the author makes it very clear that the bright lights of the city are too bright for Florence. This light pollution is making wildlife lose its way. At last, there’s a happy ending and Florence is reunited with her family.

The dazzling yellow in the illustrations works wonderfully – both in the way it shines through a hidden space, but also in the big reveals, when light spills from the top of the lighthouse, or dazzles the reader in the bright city. And Florence, as with Stanley, is endearing and rather human – in that her body language is expressive, her large eyes especially so. By the end, the reader will feel they had a part in helping the firefly, and will probably want to read all over again. Amazing colours in the blue of the sky, the yellow of the lights, and fantastically simple shapes of the buildings and flowers. You can buy it here.

Back to School

The autumn always sees a mega haul of children’s nonfiction – the back to school collections, lists for National Non Fiction November, and of course the Christmas gift treasure troves. This year, unlike the wet harvest, has yielded a bumper crop.

We start the day with maths. Always a slog after the long summer holidays, this book aims to reverse that groan with a rather wonderful premise – from the front cover, the reader is a genius: This Book Thinks You’re a Maths Genius, by Dr Mike Goldsmith, illustrated by Harriet Russell. It aims to prove that if the reader likes patterns, colouring and puzzles, then actually they’re good at maths. Taking basic mathematical concepts, such as geometry, measurements, statistics, and number patterns, it gives the reader activities and games to enhance their knowledge. Most pages have a ‘Where’s the Math’s box’ at the bottom to explain the ‘science’ behind the activity. It feels more heavily weighted towards shapes and patterns than basic numbers, but it was certainly fun to fill in.

Geography next, with two books to explore. The first, Animazes, illustrated by Melissa Castrillon also combines the territory of activity book with non-fiction, as readers can trace the mazes on each page to learn about the migration patterns of different animals. There’s a vibrancy and exuberance to this book – set by the vivid colour palate, which lifts the knowledge from the page. Christmas Island red crabs, wildebeest of the Serengeti, Monarch butterflies, Mali elephants…There’s a wealth of phenomenal facts about these wonderful animals – for general use or project use. Maze answers are given at the back of the book.

For those wanting a more straightforward factual book, Starters: Rainforests by Nick Pierce and illustrated by Jean Claude ticks the box for little ones. Basic layouts and colourful simple illustrations lend this a modern textbook look, and it reads plainly, but overall gives information in a neat concise visual way, with glossary, and index. Great for Key Stage One, and will bring a dazzling intensity of colour to the topic.

After break, it’s biology, using Bugs by Simon Tyler for budding entomologists. With the first 32 pages devoted to dissecting insect life – from anatomy to taxonomy, life cycle to senses, and the rest given to large colourful illustrations of individual species with accompanying small details about size and habitat, this is a comprehensive look at the subject. However, it stands apart with its impressive use of blank space on the page, clean lines, and coloured backgrounds, which all give the book both a vivacity and a clinical feel. Rarely have insects looked quite so engaging, it could almost double as a coffee-table splendour. Inspirational for children, a minibeast triumph.

You can’t beat a good historical narrative for history lessons. Philip Ardagh’s new series sets out to dominate the market here with his ‘faction’ books, illustrated by Jamie Littler. The Secret Diary of John Drawbridge explores the life of a medieval knight with as much tongue-in-cheek humour as sword-in-hand fighting. Written in day-by-day diary form, with footnotes giving factual information or terminology, the next in the series is The Secret Diary of Jane Pinny, Victorian Housemaid.

The Histronauts series aims to mash activity, story and non-fiction in its first two titles, An Egyptian Adventure and A Roman Adventure by Frances Durkin and Grace Cooke. A group of children dive back in time, and through the means of a comic strip, they illuminate facets of historical life. There are activities alongside the narrative, such as learning Roman numerals and how to play merellus, as well as mazes, recipes and a host of other factual information. Packed with detail, these are fun and educational.

For a more visual look, try Unfolding Journeys: Secrets of the Nile by Stewart Ross and Vanina Starkoff. More cross-curricula than anything, this geography/history hybrid aims to explore this part of the world with a fold-out, vividly yellow map of the Nile (not to scale), highly captioned with number points, which are then extrapolated on the reverse of the fold-out. A mixture of ancient and modern facts and points of information make this a tricky landscape for a child to navigate – a few more dates might have helped, (and I’m unsure about the James Bond reference inside) but it’s certainly an intriguing way to look at a place of interest.

After lunch, younger primary school children will be delighted to get their hands on Professor Astro Cat’s Solar System by Dr Dominic Walliman and Ben Newman. A new title in this series, but firmly aimed at a younger age group, this is another gem from publishers Flying Eye. Fantastic, familiar cartoons, accompanied by Professor Astro Cat’s chatty and informative dialogue, this would be my go-to book for teaching KS1 children about space for the first time.

With our first day at school completed, we look forward to a trip out. The National Gallery have two phenomenal companion books to touring – Get Colouring with Katie by James Mayhew, and Picture This! By Paul Thurlby. The Katie books by James Mayhew have long been favourites for introducing the youngest children to art, and this is a great companion title that picks out paintings within the gallery and gives children space on the page to colour a detail in their own way. Katie gives hints and explanations along the way. Paul Thurlby’s spiral bound book explores more of the paintings by featuring a picture of them, and then a small explanation, with occasional questions to the readers. The paintings are grouped in different ways – both historical, but also those featuring children, times of day, fashions etc. It might be frustrating without a knowledge of which room each painting is in (which the book doesn’t give). But the questions it poses are pertinent and thoughtful. You can buy all these books from good local bookshops, or click the Waterstones link on the top left of the page.

 

An Animal Round Up: Spring 2017

Wild Animals of the South by Dieter Braun
Braun made a huge splash with his first book, Wild Animals of the North, because of its gloriously large full-page imagery – and the fact that it was lovingly produced in a cloth-bound luscious hardback with images on uncoated paper. It felt and smelled worthy. This book serves to do the same with animals from the southern half of the globe: from the hot tropical rainforests of Brazil to the cold depths of Antarctica. The portraits dominate the information – so this is a visual treat rather than an information overload. In fact the text is pocket-sized against the largesse of the illustrations, which gives the animals themselves even more emphasis.

The illustrations look tactile, and are highly textured and highly coloured. The artistry is stunning to behold – my favourite a troop of elephants headed directly in the reader’s direction – a backdrop of brown tones, blending with the grey to tea-coloured elephants – with just a suggestion of the dust flying up from their hooves in curvy waves.

The colour is stunning – some animals blended into the background, such as the mantis, others, such as the little egret, standing out proud against its blue watery background. The scratchy illustration and reflections imply a watery feel.

Information is scant, as in the first volume – for example, there is just a picture of the little egret with a naming caption, but text does accompany some – such as the Indian rhinoceros.

Split into regions, there is also a thumbnail index at the rear. A book to inspire and delight for budding illustrators and graphic designers, and a must-buy for those stunned by the beauty of the natural world and who would appreciate that beauty mirrored in a book. You can buy it here.

Safe and Sound by Jean Roussen, pictures by Loris Lora
A book about baby animals for near babes, this is another visual treat from publisher Flying Eye. What’s stunning about these far more simplistic illustrations than those by Dieter Braun above, is that the eyes from each animal stare out of the illustration and pull the reader inside – almost like looking longingly into baby eyes yourself.

The idea is that the baby animals need some protection before they’re ready to face the world, from chipmunks burrowing underground, to kangaroo joeys in comfy pouches. There’s nothing new here, but the information is given in rhyming couplets (some work better than others), and will surprise new readers who will not be aware that baby crocodiles hide inside their mothers’ mouths – not somewhere you’d expect to be that safe.

A delightful start to learning about non-fiction, this is exactly the sort of book schools and parents want more of for their little ones who want stories, but also want facts. You can buy it here.

Neon Leon by Jane Clarke, illustrated by Britta Teckentrup
How ironic! A chameleon who stands out. All the other chameleons change colour to match their surroundings of course, in this book that explains camouflage for the very young. Neon Leon, sadly, can’t turn off his neon glare to blend in. In fact, his fluorescent brilliant orange shows up even in the dark, and Leon soon feels sad and ostracised from the other chameleons. He searches for other animals who might also be bright orange, but as soon as he finds them, they fly away. Will Leon ever find his own happy place?

This book works beautifully. Not only are the colours vivid and glowing, and the illustrations endearing and sympathetic, but the text speaks directly to the reader, provoking interactivity – helping Leon to choose the right colours, or what to do next. As with Safe and Sound, the book works wonderfully for young readers, giving non-fiction a new spin, but it also encourages massive affinity with the book, and the characters within. A great fluid read, bright and engaging. Purchase Leon here.

Bee and Me by Alison Jay
Lastly, and by no means least, a wordless picture book that encompasses a tale of friendship with an environmental message, through fascinating and busy illustrations, telling the story in an almost comic book sequence, but with traditional drawings.

A little girl in a bustling city is disturbed by a bee who accidentally flies in through her window. A natural reaction would be to swat the bee perhaps, or to capture it in a vessel so that it can be safely released. The girl does succumb to the latter, but when she sees it has drooped in its glass cage, she reads a book to work out what to do. What a clever girl! She revives the bee, and lets it go, but when bad weather drives it to her window again, a friendship is struck. Before long, the bee grows, and eventually teaches the little girl all about bees.

The pictures are captivating – both in their execution and in what they’re saying. This is a wonderful way to engage young readers to get them to ‘say what they see’ – telling the story as the narrator, engaging their analytical and storytelling capacities, as well as their empathy. And the book also holds an environmental message about the importance of bees, and pollination. By the end, a kaleidoscope of new butterflies and flowers have emerged in the city.

The book isn’t preachy though, but rather imbued with a grand sense of humour. From looking bedraggled to being pouffed with a hairdryer, our bee is full of personality. And the little girl too – she takes the bee out in her bike basket and gives it an ice-cream lolly, she measures it on a height chart, but best of all the bee enjoys a visit to the florist, and finally a day break from the city. A mellifluous read. Buy it here.

Animal Non-Fiction

I have been wondering about the ratio of children’s non-fiction books about animals, to children’s books about anything else. So many seem to feature animals – in the same way that picture books often use animals as a way of exploring human foibles, or pointing out the differences between humans and animals in a subconscious way. For children, animals can be the way into various topics – geography about where they live, how the food cycle works, our emotions and behaviour (through the differences and similarities with animals), the way we portray animals in art and photography, and the environment and how human behaviour affects it. Animals are an excellent frame of reference. After watching David Attenborough’s Planet Earth 2 with children, it’s easy to see how exciting animal life can be.

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Martin Brown’s Lesser Spotted Animals
From the illustrator of Horrible Histories comes this adorable non-fiction approbation to all the brilliant beasts that never quite make it into your average animal encyclopedia. Who needs further facts about flamingos or information about iguanas when you can read about the Lesser Fairy Armadillo, the Dagger-Toothed Flower Bat or the Yellow-Footed Rock-Wallaby? The latter is not a pop star wannabe, just a wallaby.

Funny from the book’s dedication onwards, Brown separates the ‘celebrity animals’ we all know and love, such as the koala, from the animals featured in his book. Each creature receives a double page spread, with a large illustration and accompanying text and facts – size, eating, habitat, status etc. The text is informative, but also a cry for help – as some of them are endangered.

Brown gives each illustration its own animal personality – with rolled eyes, or sneaky smiles or in the Gaur’s case, a death stare. This makes the book wonderfully amusing at the same time as hugely memorable and informative. I can definitely picture many eight year old children entertaining me with their facts about creatures who may sound made up, but actually exist. It’s telling that this was one of my review copy books that was appropriated by a child almost immediately. I learnt that a male lesser fairy armadillo is called a lister. (if you follow me on Facebook, you’ll see why that tickled me). Buy a copy here and have a good giggle.

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Wilderness: An Interactive Atlas of Animals by Hannah Pang, illustrated by Jenny Wren
Although not purporting to do anything particularly new in the realms of children’s non-fiction, this is a particularly appealing book for the young non-fiction readership. It firmly places animals within their geography, teaching chosen facts about specific animals, as well as placing them within their habitats so that everything from common animals to more exotic, surprising species are highlighted.

Each page is a different environment, from Desert to Fresh Water, for example, and species within the latter include the common frog and the kingfisher as well as the diving bell spider, which spends its whole life underwater. What’s particularly appealing is the 3D visual interactive features of each page – in Fresh Water, the common frog is bullet-pointed with facts about the tadpole-to-frog-story, but enhanced by the visual spinning wheel which illustrates each stage, complete with matching bulleted-numbers for easy reference.

The page on the Hot Savannah features such beauties as the African thorn tree and the sociable weaver bird, but also encourages the reader to go on safari themselves, as hiding beneath the camouflaging grass illustration is information about the grass itself and the lion and zebra. One ostrich egg opens to reveal the number of hen eggs to which it is equivalent in size. Read the book to find out!

Few readers will forget which pole is where, as the Arctic sits firmly on top of the Antarctic -the latter being portrayed upside down.

The first page gives a quick guide introduction – explaining the definition of habitat, giving a key to the different types, and explaining the hemispheres, but all in very simple basic language that is easy to understand.

Each page is a hardy cardboard, allowing for the 3D visual elements – such as the pop-up mountain, but also lending a longevity to this colourful, and thoughtfully put-together animal book. You can buy a copy here.

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Secrets of the Sea: Discover a Hidden World by Kate Baker, illustrated by Eleanor Taylor
The sort of children’s book that doubles as a coffee table manual, or a tome that could be smuggled under the duvet and inspire future generations of marine biologists. From the publishers of Botanicum, Animalium and Historium, comes a new scientific study in illustration – life beneath water.

From rockpools along the shore, to the deepest depths of the ocean, Eleanor Taylor zooms in on fascinating sea dwellers to show the reader the intense beauty and incredible detail of a rarely photographed or illustrated world.

Each page is given over to a different species, from the wondrous pygmy seahorse, ordinarily only 2 cm in size, here magnified to over 20 times, and in a glorious illustration that shows it clinging to its host sea fan by its tail. Text details are given alongside – from its size to Latin name, behaviour, habitat and other facts. The reader can look at even more minute creatures though, such as the 2 mm in size sea butterfly – a marine snail that uses its heart-shaped muscular foot as a pair of wings.

Or perhaps, look at something larger, but under a microscope. Taylor illustrates fish gills as seen under a microscope – they look like feathers, or leaves from an exquisite tree.

The book is split into sections – swimming from the Shallows, through Sea Forests, Coral Gardens and finally into the Deep. The use of background colour throughout the book reflects this, so that by the time the reader is studying creatures in the deepest part of the ocean, the book has turned almost black, yet with a grainy bubbles feeling, a swooshy watery sensation so that the pages almost look as if they are floating in water.

The artworks are a combination of various forms including ink and charcoal, although coloured digitally, and the effect is quite mesmerising. Seeing images in such microscopic detail does make the reader think twice about what exactly it is they are looking at – zooming in at such an intensity magnifies the beauty.

The text is informative, but also fairly descriptive – definitely aimed at a confident and learned reader. However, even the youngest sibling may be enamoured by the description and picture of ‘sea sparkle’, a single-celled organism that lights up the sea at night – otherwise known as ‘sea fire’ or ‘sea ghost’. Who wouldn’t be won over? This is very stunning-looking non-fiction book to inspire future generations and delight older ones. Age 8+ years. Buy your copy here.

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Supersearch Adventures: On the Trail of the Whale by Camilla de la Bedoyere and illustrated by Richard Watson, and Where is the Bear? By Camilla de la Bedoyere and illustrated by Emma Levey
Doubling as an activity book and fact book, this is another non-fiction book in which the reader learns through play and fiction narrative.

The fold out glossy cover flaps show panoramic artwork and creature spotting tick boxes to work through as the reader goes through the book. On the Trail of the Whale follows Otto the Octopus as he tries to find his best friend Hula the humpback whale, whilst Where is the Bear? follows Suki the hare looking to deliver a present to a bear called Ping.

Both books allow the reader to traverse through particular landscapes spotting animals that live there, and finding out facts about them.

The drawings are cartoon-like and colourful, appealing well to the target readership, children aged five and over. The instructions are rhyming, but the facts written clearly, as speech bubbles from the various creatures. The story nicely splits up the facts, so that there is plenty of movement on each page – the adventure doesn’t stop.

There are even some maths problems lineated inside the book, asking the reader to work out numbers of legs and suchlike. Fun, bright, and following a simple narrative. Buy On the Trail of the Whale here and Where is the Bear? here.

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Knowledge Encyclopedia Animal
It may not feature the lesser fairy armadillo, but this is a fairly comprehensive look at the animals of the world, using computer-generated artworks to capture the variety of the animal world, and the details of each individual animal.

Starting with the basic question of what is an animal, the book then breaks it down into classification and explores types of animals with sections on invertebrates, fish, amphibians, reptiles, birds and mammals – colour-coded for ease. Fully comprehensive, there is a scale for sizing, glossary, and a section on general animal science, including parenting and migration.

As this is a DK encyclopedia, the text is accessible without being patronising. It’s not chatty but not too dry either. It feels like a hefty purchase, with a myriad of different ways of putting across information including factfiles, closeups, skeletons and diagrams.

There is lots of white space, illustrations that are sharply annotated and labelled with captions that give oodles of information. The text is concisely edited, giving the maximum amount of information in the fewest words.

The Galapagos tortoise double spread includes fact titbits such as the age it lives to, but also close up of growth rings, the armour plate, information on its bony carapace, its beak and rivalry, as well as the difference between its front and hind feet.

Fully checked by the Smithsonian Institute, the book has also been rigorously looked at to suit the national curriculum up to Key Stage 3, covering components such as habitats and ecosystems as well as senses and respiration. What an incredible way to learn. You can purchase your copy here.

 

The Book of Bees by Piotr Socha, text by Wojciech Grajkowski, translated by Agnes Monod-Gayraud

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In the summer, on the Slate website, Daniel Hahn bemoaned the lack of translated children’s literature; very little foreign literature makes it across the seas and into our children’s hands. Well, thank goodness Thames and Hudson commissioned the translation of The Book of Bees from the Polish. This is quite the most sumptuous and exquisite non-fiction book to have buzzed in from Europe for a while.

Although concentrating on a small insect, this is an over-sized book, standing at 37 cm height, with a comprehensive encyclopaedic amount of information contained within, discussing not only scientific data about the bee, but also the history of this loveable insect, quirky facts and more.

But it’s not dry in any way. Piotr Socha’s drawings take up the majority of each page – the text runs only seven lines deep at the bottom of the page – and the illustrations are huge, and yet beautifully detailed, funny, extensively researched and splendid to behold.

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Socha has a way with facial expressions (he is a famous cartoonist) – the section beginning with ‘When Humans Met Bees’ illustrates a caveman and woman, part cartoon, part portrait in a startlingly funny way; eating honeycomb, but also with a palette of cave paints.

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The text underneath is hugely informative though: evidence of cave paintings showing how the first peoples gathered honey, as well as their motivation, and how they ate bee larvae too, which is a valuable source of protein and fat.

From the Ancient Egyptians to the legend of St Ambrose and the swarm of bees, from Napolean and Josephine’s bee-embroidered capes to traditional beekeeping techniques in Ethiopia and Cameroon, Socha covers the subject comprehensively.

There’s plenty of nature information too – not only anatomy, but also how bees pollinate, how they make honey, as well as why bees are now in danger. Socha is the son of a beekeeper, and knows his facts.

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Fascinating facts include locations of beehives on famous buildings, all the food that bees help to grow, biomimicry and the waggle dance. Socha also features The Daily Buzz, a newspaper type double page spread in black and white with hilarious cartoons to highlight other interesting tidbits, such as bees protecting crops from elephants, Virgil and the bees, and honey as medicine.

The endpapers are beautiful too – just endless bees, giving the book a luxurious feel. Designed like a coffee table book, yet containing the knowledge of an encyclopaedia, and reading like a fun newspaper, this is stunningly executed – my top non-fiction book of the year. For ages 7+ years. You can buy it here.

 

A Nature Story: Bees, Fish and Foxes

Some environmental good news last week when scientists declared that thinning in the ozone layer is starting to heal. But it’s not all good. Whilst the Friends of the Earth are now calculating our bee population for 2015-2016, there has been a serious decline in bee populations over the last few years.

Bees are essential to our way of life. They pollinate plants and are a crucial part of our food cycle. In fact, 85 per cent of the UK’s apple crop relies on bees.

But how to explain this to children? Britta Teckentrup takes on the challenge in this beautifully colourful, highly visual exploration of the journey of a bee.

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Bee by Britta Teckentrup focuses on one bee, seen through a die cut hole on the cover, and revealed on a flower half way through, before being seen in another die cut hole, finally revealed atop a field brimming with plants and flowers.

Each spread is lovingly drawn with bursts of colour, from the poppies at dawn to the bright daisies, roses and foxgloves showing the bee alighting on different flowers. The text accentuates the bee’s journey explaining her intelligence – how she knows her route, how she navigates using the sun – but all in lush rhyming couplets. These hints about bee behaviour will inevitably lead to questions from readers afterwards, but during the reading they will be immersed and won over by the text, with lines such as:

“As she travels here and there,
A gentle thrumming fills the air.”

The vocabulary is startlingly effective in that it drops clues about the bee, but also takes on a soothing rhythm, as if the reader were lulled by the gentleness of a breeze in summer. Scientific facts are dropped like raindrops into the rhyme – including pollen carrying, and how bees leave a trace, and of course the most important denouement – that bees give life to all the plants and flowers. The double page spread shows a field teeming with colour – it’s really beautiful.

The die cut is hexagonal-shaped of course, which is just another question that the reader may want answered; reading this aloud to a group of children will demand some knowledge on behalf of the reader.

But in essence the book explores the symbiosis of bees and plants with a symphony of colour, and that’s good enough to provoke thought in any reader. You can buy it here.

the river

Look out too for The River by Hanako Clulow, with more rhyming text couplets by Patrica Hegarty. Working on a similar principle of a die cut hole with a magical swimming fish appearing throughout the book (via a hologram), the book explores the different fauna and flora that appear in the changing seasons in, and next to, a river. As the river flows through different landscapes and different times, the river follows the fish on a journey to the sea (complete with a sparkly shoal of fish). The readers who sampled this book with me were spellbound at the hologram and the glitter, and wanted re-reads for this purpose, but beneath the gloss is a nature tale worth telling, and sumptuous illustrations of wildlife scenes. You can buy it here.

the fox and the wild

Another environmental message is contained in a new picture book, The Fox and the Wild by Clive McFarland. Although experts cite that the number of urban foxes isn’t actually rising, there does appear to be a prevalence. However, this is more to do with behaviour than it is increasing populations. Foxes are becoming more used to humans, and braver. In my case, brazen, as they frolic in my garden in broad daylight. Also, of course, and more to the point of Clive’s picture book, our urban sprawl is becoming larger, so more foxes are ‘urban’ rather than dwelling in the wild.

Fred is a city fox in the book, but there are dangers and annoyances in the city. It’s polluted with smoke, there is noisy and dangerous traffic, and humans are unhappy with them. When Fred loses his pack, he longs for the freedom of the birds who can fly to the wild. But, after searching in vain, Fred wonders if ‘the wild’ truly exists.

Children will love the bold graphics of this book – the familiar city scenes, the camaraderie and conversation between different animals, and the juxtaposition of town and country. The depiction of the digger is particularly effective. McFarland cleverly plays on the different senses as he compares the noise of the city with its metal monsters to the sound of scurrying animals in the undergrowth; as well as polluted versus fresh air, and even the feel of the ground beneath the fox’s feet.

With a style reminiscent of Chris Haughton – those eyes – this is a new picture book to be cherished for content and style. You can buy it here.

Explore other websites looking at Bee on it’s blogtour.

bee blog tour