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Lollies: An Interview with Liz Pichon, author of Tom Gates

LolliesThe Laugh Out Loud Book Awards (Lollies) is a celebration of the very best and funniest books for children, voted by children themselves after judges choose the shortlist.

The Lollies are a relatively new award in the world of children’s books, started in 2016 as a riposte to the demise of the Roald Dahl Funny Book Prize. So many children rate the value of a book by its comedy, with 63% of children surveyed for the Scholastic Kids Reading Report 2014 indicating that they wanted a book that made them laugh. This was their top priority, the next criteria was identifiable characters.

This year, the four shortlisted titles in the 9-13 years shortlist are Football School Season 2: Where Football Saves the World by Alex Bellos and Ben Lyttelton and Spike Gerrell, Uncle Shawn and Bill and the Almost Entirely Unplanned Adventure by AL Kennedy and Gemma Correll, My Mum’s Growing Down by Laura Dockrill and David Tazzyman and Tom Gates Epic Adventure (Kind Of) by Liz Pichon.

I took my own epic adventure and asked Liz Pichon some questions, on your behalf, as a celebration of her shortlisting, and also as part of the Lollies Blog Tour (when many book bloggers each take a different title on the shortlist and celebrate it for a day).

Tom Gates Epic AdventureHi Liz. You’ve won numerous awards for Tom Gates, including the Roald Dahl Funny Prize, Waterstones, Blue Peter Book Award etc. What does it mean to be shortlisted for a Lollies prize – you must be pleased humorous books are being recognised again.

I’m THRILLED! I love the fact it’s a prize for funny books too. It’s a great list so I’d encourage everyone to read them all and have a really good laugh!

Before Tom Gates, you worked on greetings cards with Giles Andreae in his Purple Ronnie days. Are you now happy working as author and illustrator on your own – or have you thought about making a book that’s a collaboration?

That’s right I did. I took my portfolio of designs to the Spring fair in Birmingham where all the companies who make cards and gift items sell into shops. Giles was on one of the stands and he looked at my work and then I got commissioned to do a range of cards which sold pretty well (I think!).

I used to illustrate other people’s work, but now I like illustrating my own stories as it means I can think about every aspect of what the book will look like. But never say never!

The doodling illustrations of Tom Gates are highly distinctive, and you often wear Tom Gates decorated accessories. Do you draw things in other styles any more or is Tom forever in your mind (and hand)?

Yes I do – I’m about to start work on a completely NEW story which will look different to the Tom Gates books – still funny hopefully, but different characters.

Does this mean the end is in sight for Tom Gates? And will Tom ever grow up – like Harry Potter?

Tom will remain the same age for now – like Bart Simpson I think. I have lots of ideas left for Tom and the family still – as long as I’m enjoying it and the readers are too – I’ll keep going. 

Apparently Tom Gates is headed for the stage with a brand new story in 2019. How involved are you in this venture and how different is it from producing a book?

So far I’ve been very involved and it’s SO exciting! I’ve been working a lot on the script which is a brand new story and my husband Mark is doing the music for the play. Some of the songs already feature in the books – but we have new ones too.

It’s The Birmingham Stage Company who’ll be taking the play on tour and Neal Foster – who runs it – has been amazingly collaborative. They already do Horrible Histories and Gangsta Granny – so they are experts at putting on fantastic children’s theatre. It’s going to be amazing I know.

It’s quite different from the books in some ways because this is the chance to find out different things about the characters and bring them to life. I have loved the process so far. It’s on tour all next year – so go and see it!

Are you surprised by the popularity of Tom Gates? Is it particularly pleasing to have Tom Gates books recommended as being for reluctant or struggling readers?

You always HOPE that the books will do well – but until they’re out in the world you really have no idea!

I love that kids who don’t think reading is for them seem to be enjoying the stories and being creative too. That’s been amazing – watching the way children have got into the doodling and making stuff from the back of the books as well. All I wanted to do – was to make a book that I would have loved at that age and every time I start a new book, that’s what I keep in my head.

Lastly, I have burning question from one of my blog readers’ children, who is a big fan of Tom Gates: “Please ask Liz if she used to play the caramel wafer trick on her parents and if not, where did she get the idea for it?

Good question! I used to play this trick on one of my sisters and she’d do it to me too. We’d use club biscuits as well (other biscuits available!). They worked really well because they used to have an outer wrapper that you could slide the EMPTY biscuit back into and then put it on a plate. The other thing that would DRIVE everyone crazy is if we had a box of chocs – I’d pinch the good ones from the bottom layer as well! Ha! Ha!

With huge thanks to Liz Pichon for her time, and good luck in the awards. The winning book in each category will be decided solely by children’s votes, with schools and parents encouraged to help kids get involved and vote via the Lollies website.

The winning books will be announced in January 2019. If you haven’t read Tom Gates: Epic Adventure (Kind of), you can buy it here.

Beetles, Other Creatures and Conservation

For some children, their way into reading is not through love of story but rather through a particular interest, such as beetles, creatures or conservation. I recently had a client who was concerned about her son’s reading and begged me to find books on turtles – it was the only way in. For other children, their concern for their own future and the future of the planet is a key concern and although watching David Attenborough is fascinating and game changing – so is reading a book that teaches about conservation. My headline book this week is borne out of a fiction trilogy, although it very firmly sticks to the facts.

beetle collectorsThe Beetle Collector’s Handbook by MG Leonard, illustrated by Carim Nahaboo
This is an excellent extension of a make-believe world, yet despite the fictional author named in the front and the Beetle Boy characters’ printed scrawlings in the margins, the book is above all a bonafide non-fiction book on beetles, comprehensively written by Leonard and fact checked by leading experts. For those unaware, the Beetle Boy trilogy is a great adventure story about Darkus Cuttle, in which beetles play a large role. This book, The Beetle Collector’s Handbook, is referenced within the text as a key non-fiction handbook, and now Leonard has created her fictional reference as a real book.

Not only does it give further insight into the Beetle Boy characters with their margin annotations, but it gives detailed information on a selection of beetles, complete with annotated illustrations and rather wonderful tables and records of species. The illustrations show the actual size of some of the beetles, and the text supplies facts in a friendly, non-patronising and welcoming way.

The author’s voice comes through loudly and clearly, not only in her (or his, if you go with the fictional author Monty G Leonard) explanation that this is a book for both genders, but also in her instructionals on how to catch, study, but mainly respect these insects. As one would expect from someone who views beetles as insect superheroes with their own costumes and skills, the book is enormous fun, and genuinely encourages the reader to seek out beetles – which luckily for most means simply going to a local garden or park, in which at least fifty different species live apparently. This is an inspirational book, but also highly researched, so that a child will come away with scintillating knowledge but also enthusiasm and enjoyment. The book is packaged in a chapter-book style to sit neatly on the shelf next to the fiction trilogy (if you so desire), but also with a nod to the fiction behind it – it’s hardback with foil embossed cover and pages inside that are tinted so that it feels ‘old’. Clever, attractive and necessary. Like beetles themselves. Add it to your collection here.

survivalSurvival by Louise McNaught and Anna Claybourne, and produced in association with Tusk, is a phenomenal visual warning about the plight of some of the planet’s endangered and vulnerable animals. Some of the artwork in the book is taken from Louise McNaught’s art show, also called Survival, and features the creatures’ energy – some are so stark they seem almost like photographs – but are hand painted with incredible detail. What’s more the animals are fading into or rather out of a bright background, so the image of the tiger looks as though the animal is emerging from the green foliage, at the same time as perhaps being gradually faded out by an invisibility cloak – or rather the threat of extinction.

The book showcases each visual with a reference page that highlights the status of the animal (The Siberian Tiger is endangered) as well as giving key facts about population, Latin name, habitat and location in a small box. A paragraph of text gives context and illuminates the history but also conservation of the animal (action being taken to protect them), and their importance on Earth.

The artwork in the book is breathtaking – quite inspirational. If you hadn’t already worried about the future of the Hawksbill Turtle, you will after seeing its vulnerability portrayed with the upward drips of paint around its vivid, striking body. Age 7+ years. You can buy it here.

turtles, snakes and other reptiles
Turtles! When I spoke to that aforementioned client, there were only a few books around that met her son’s need. Now, there are more and more. I’d start with Turtles, Snakes and other Reptiles by Alice Pattullo and Amy-Jane Beer. This pocket guide with high production quality gives a comprehensive look at all things reptile, despite being quite pocket-sized for a non-fiction title. Full colour illustrations throughout, and mentions for lesser-well known species make this an excellent guide to reptiles. Each creature is given an introductory paragraph but also panels including ‘A Closer Look’ and ‘Did you know’, Latin names and captions and annotations. For the older amongst us, some of the small text is hard to read against the dark coloured backgrounds, but for its readership, this is a fascinating and worthwhile little series, in conjunction with Britain’s Natural History Museum. Age 7+ years. You can buy it here.

hello world animals

Three titles for younger children with an initial emerging interest in animals and seeking further understanding include Hello World: Animals by Nicola Edwards, illustrated by L’Atelier Cartographik. This companion piece to Hello World by Jonathan Litton is a novelty lift-the-flap title that explores the wonder and richness of the world around us. The book divides into the different continents, with maps overlaid by small images of animals, which when lifted give the name and a brief sentence. Brevity is of the essence here. I did enjoy the longer explanation as to where the European wilderness has gone, as well as the oddities of the Galapagos. The book features over 180 animals, pointing out when some are endangered, how some of them feed, and an interesting range of other facts – a good primer for primary school geography and exploration of the life sciences, and great for kids who like to dip into books to glean regurgitate-able facts. Age 7-9 years. You can buy it here.

There’s a Rang Tan in my Bedroom is actually a 90 second animated film narrated by Emma Thompson, but Greenpeace have released an accompanying book, which tells the rhyming story of a baby orang-utan who is homeless because of deforestation – the clearing of natural habitat to make way for palm tree oil cultivation. Sadly, although they sent me a copy, I can’t find one for you to buy, but you can watch the video here.

peek and seek
For a proper book, complete with flaps, full colour illustrations, and interactivity, little ones will like Peek and Seek by Charlotte Milner. At first appearance the spreads look empty – a landscape of houses, inhabitants silhouetted, and a tide of colourful trees behind. When the reader lifts the flap, a flock of birds and information appear as if by magic. The information describes roosting, group epithets, and migration, all on a hardy board book background. Further spreads include wolves, ants (although alliteration has won out over factual accuracy on this spread – using army rather than colony), fish, monkeys and rabbits: an eclectic mix with no apparent reason. There are also charts with things to find in the illustrations – a nice engaging bit of interactivity. A shame to find a spelling error on a key word in the factfile, but perhaps it will be picked up on reprinting. A gentle introduction for exploring eyes. Age 4+. You can buy it here.

 

 

The Plight of the Refugee

the day war cameThe Day War Came by Nicola Davies, illustrated by Rebecca Cobb
This is a powerful book that works because it touches the ordinary in each of us. Cobb is an illustrator in the ilk of Judith Kerr and Shirley Hughes – she draws her characters and situations with a crayon childlike warmth, summoning a familiar feeling of domesticity, with her children’s faces expressing the wonder and hope so redolent of innocent childhood. Yet, as in her best work, including Paper Dolls and The Something, she manages to create the darkness and uncertainty that can befall a child, whether it be the bittersweet passing of time in Paper Dolls, or the fears that lurk within the depths of imagination in The Something, or indeed war in The Day War Came.

She complements Nicola Davies’ text wonderfully, which itself tells this story with an acute simplicity, stirring the heart because it bears inside it the pang of extreme suffering. There is a superior energy and force behind the text and illustrations’ understatement:

“I drew a picture of a bird.

Then, just after lunch, war came.”

The war itself feels brutal, as does the journey to flee it. The girl is shown in distress, and there are symbols throughout – of domesticity altered, destroyed and damaged – red shoes adrift on the tide, orange flowers echoing the orange flames leaping from the buildings, children’s drawings strewn in a blast.

the day war came
But even more haunting are the images and words afterwards – the internal war that follows the child in the doors shut in her face, the turning away of people. The image of hope comes in the end with an empty chair borne by a welcoming boy.

The picture book came out of a campaign called #3000chairs, after 3000 child refugees were refused entry to the country in 2016. Nicola Davies’ poem started the ball rolling, and artists contributed drawings of chairs. You can read more about this campaign here, but the picture book will have an effect for years to come – changing minds and moving hearts about the plight of children caught up in war. You can buy a copy here, £1 from every copy sold goes to the charity Help Refugees.

boy at back of classThe Boy at the Back of the Class by Onjali Q Rauf, illustrations by Pippa Curnick
An empty chair starts this book too, but it is soon filled with a Syrian refugee. The narrator (who remains anonymous in name and gender until fairly near the end of the book) is empathetic towards him, and soon envelopes him within the friendship group. What begins as a mundane look at an outsider fitting into a new school, complete with language barriers, a bullying problem, and sympathetic teachers, turns into an interesting political commentary on the UK’s treatment of refugees, all told within the neat confines of a children’s adventure story.

The narrator and his/her friends pick up on attitudes and information from the grown-ups and news broadcasts around them, and their naivety and misunderstanding leads the group of friends to find a rather far-fetched solution to reuniting Ahmet with his parents (whom it is presumed are waiting to cross the border into the UK to be with their son again).

The differing views on refugees and acceptance dominate the book, and cleverly, by keeping the narrator anonymous, the reader will find their own views challenged in the presumptions they have made about the protagonist, which comes to a head at the climactic point of the novel.

Above all though, this is a neat, well-told story that explores the power of small actions to initiate change – that calls upon the role of the individual in society, and the impact that kindness can have.

There are nods to other children’s books, but what the author has done most wisely is perfect the innocence and openness of the narrator’s voice in encapsulating the simplicity of school life as seen through a nine year old’s eyes, alongside the complexity of issues in wider society. Suitable for 8+ years, and you can buy this novel here.

tomorrowTomorrow by Nadine Kaadan
Another child who has had his domestic routine disrupted is Yazan, a Syrian boy, in this wordy picture book by Nadine Kaadan, herself from Damascus. At first the war curtails his activities and routines, confining him to the house and subjecting him to boredom. Then, it intrudes his confined space – coming into his house in dark poignant watercolour abstract shapes leaking from the loud noise of the TV news. When Yazan escapes outside in the hope of riding his bicycle to the park he sees only emptiness, and buildings that seem to tower over him, confining him in a different way.

There is much to explore in the imagery here, with anxiety and fear portrayed within a deconstructed urban landscape – buildings are blood red and crooked, or grey and strewn with cracks – even Yazan’s parents are drawn with buildings as their clothes as if the destruction outside is eating them up, the war-torn streets projected inside their circle of domesticity.

As Rebecca Cobb, Kaadan looks to the everyday domestic images – a child’s paper aeroplane, the excitement of a red bike and its bell to express an affinity with this ‘everychild’. Kaadan reaches for a hopeful ending, pictured in the illustrations of happy colourful days and the limitless freedoms of nature and the park in the imaginations of mother and child.

A fascinating exploration of how an illustrator can take one symbol of war and use it throughout a book, whilst also showing her characters with sympathy, humanity and depth. You can buy a copy here.

World Mental Health Day

It is World Mental Health Day today, and research from University College London shows that the number of children and young people with long-standing mental health issues is soaring, rising six fold from 1995 to 2014. Whether it’s pressure from school, social media, or the pace of our world, it’s clear that all agencies are interested in building resilience and promoting emotional and mental wellbeing in our children. There’s only so much schools can do (despite the govt promising training for teachers in dealing with mental health issues in the classroom), so much of it is left to parents.

I’ve been listening to Ester Perel’s psychology podcast, and although she’s known for her books on grown up relationships and fidelity, this particular podcast was on parenting. Her advice is stellar; insightful and sympathetic whilst being wise and objective. How do we make sure our children grow up to be happy and confident, yet also thoughtful and good citizens? How do we make sure that they come and talk when they are scared or sad and how do we listen so that we don’t show a matching fear or sadness or disappointment? I think whenever I need help with anything I turn to those closest to me, but I also receive much wisdom from books.

70 Ways to Boost Your Self Esteem70 Ways to Boost Your Self-Esteem by Jenny Alexander
I’ve started with this excellent book for two reasons. Firstly, having good self-esteem is essential to mental well-being. If you love and feel proud of yourself, you will recognise your own value and importance and consequently you will take good care of yourself, make good decisions and have a positive outlook. Don’t we all want that for our children? Secondly, self-help books can be rather worthy enterprises – for author and reader. We read the book and think, hmm that sounds good, but we never actually put it into practice. Especially when it’s an abstract concept. It’s one thing following a recipe in a diet book, quite another thing to improve one’s self esteem. But this book not only explores what self-esteem is, and why it’s good, but sets tasks at the end of each chapter to achieve good self-esteem. And the tasks are fun.

It splits the steps to gaining self-esteem into seven parts – each with its own designated chapter, example, and tasks. For example: being the hero of your own story; getting life goals; recognising weakness; and celebrating oneself. There’s also a chapter about awareness of others and respect for other people, because although this is about the individual, it’s important that each individual can operate within the real world and work in collaboration with others.

What’s more the tone is friendly – certainly not patronising, with a quirky personality shining through, so that you feel as if the author is a real person talking to you. With some quizzes, diagrams and funny cartoons, the book is set out with plenty of breaks in the information flow so that the reader doesn’t feel overwhelmed. There’s good advice on setting goals and addressing failure, but most importantly clarity and perspective on being one’s own person and getting to know oneself. Having listened extensively to Yuval Noah Harari on our changing world, one of the most important qualities a person will need is self-knowledge and awareness. Why not start them young? For 7+ years (I would add, with parental guidance too). You can buy it here or visit Jenny Alexander’s website and buy it there.

the book of no worriesThe Book of No Worries by Lizzie Cox and Tanja Stevanovic
Speaking of Yuval Noah Harari (whose adult books are excellent btw), this book starts with a section on mindfulness. If you have a child who lies awake at night worrying, or who frets like AA Milne’s old sailor: “There was once an old sailor my grandfather knew, Who had so many things which he wanted to do That, whenever he thought it was time to begin, He couldn’t because of the state he was in,” then this book might help.

With full-colour throughout and bite-size chunks of information, Q and A’s and lists, this is an interesting book that aims to dip in and cover lots of subjects with the intent of calming worries. There are so many topics though, that the advice can feel a bit fleeting, the issues skimmed. However, for short attention spans, this might serve well.

Of course the thing about worries is that they can multiply like bacteria – so honing worries is hard. The book addresses surface worries about school, stress, friends, appearance, puberty, family and love. The advice is slim, but picks out the key points – particularly on social media, by explaining that likes don’t measure worth, and when to stop looking at the phone.

I think what I like best about the book is that in almost all scenarios, one of the key pieces of advice is to talk to someone. For a snapshot of dealing with life’s worries for those approaching and going through puberty, this is a good dip-in guide. You can buy it here.

sign hereSign Here by Gabrielle Djanogly, illustrated by Adele Mildred
This intriguing new activity book is what I’d call a self-help book by stealth. Appparently inspired by playing with mini post offices when little, Djanogly has created a book of forms to fill in that encourages a child to express their emotions, albeit surreptitiously through play. Djanogly imagines a new world of bureaucracy, including The Department of Regret, Remorse and Reconciliation, the Union of Childhood Revenue, the Ministry of Dreams and so on, although this is not some Orwellian nightmare of red tape and officialdom, but a neat way for a child to express emotions and thoughts that may not be so easy to articulate. Thus, saying sorry or thank you, and even filling out the form titled ‘Declaration of Sad’ may better hone a child’s feelings and enable them to decipher where they are coming from and even what’s causing them. There is a tick box for ‘I don’t know, I just feel sad’ as well.

There are plenty of forms for happy occasions too, including the Birthday Party form issued by the Board of Celebration, which my youngest has no problem putting into words, but I’m sure she’d delight in this ‘official form’ to hand over requesting which cake etc. All the forms have authenticity stamped all over them, with logos, frames, tick boxes, signatures, a variety of fonts and so on, and each is neatly printed on good quality paper that is easily detached from the book via its perforated edging. The publisher even recommends photocopying the forms so that they can be re-used.

As well as declarations of sadness, fear and happiness, there are also forms to say sorry, to say thank you, to request a raise in pocket money, a contract with a babysitter, a Christmas present request form, a lost property form, a pet request form and a tell me a story form, as well as many more. Because the deeper emotions are sat alongside the everyday requests, it normalises the emotions and helps to make them everyday things to be shared. There are also ideas for making things better – the Acknowledgement of Anger Form includes tick boxes for requesting a hug or stomping around. Both can be ticked! Lots of asterisks in places allows the author to interject with warmth and comfort:

“**sometimes needing a hug is tricky to admit. If you want a hug, make a BIG tick in the box so that it can be spotted quickly.”

A fun way to express oneself. Apply for your forms here.

 

 

Books of Wonder: Information and Knowledge

When I was growing up there was a television series called The Wonder Years, and very often I hear adults talking about a child’s sense of wonder at the world around them. I don’t know who first attributed the wonder quality to childhood, but if a child is less jaded, more open to being amazed or dazzled by the world than adults, then they’ll be even more entranced with this selection of books than I am.

atlas of adventures wonders of the worldatlas of adventures wonders
Atlas of Adventures: Wonders of the World, illustrated by Lucy Letherland, written by Ben Handicott

I first came across Lucy Letherland’s Atlas of Adventures in a school hall in 2014, reviewed it as one of my first books of the week, and since then my blog, and Letherland’s series has gone from strength to strength. The Wonders of the World title, however, is truly awesome, or should I say wonderful. Veering off the path of the traditional wonders of the world, Ben Handicott has picked his own; choosing 30 destinations from as far apart as Death Valley to The Forbidden City.

Introducing his wonders, Ben makes the point of explaining that wonder can be found in the simplicity of a flower blooming in your backyard as much as in the intricacies of the Sagrada Familia, but explains that some wonders are worth travelling for.

Letherland’s full page illustrations of each wonder, drawn from different and intriguing perspectives, and following on from maps of each geographical area, are truly magnificent; each populated with a raft of tourists, indigenous peoples and animals in an imaginative out-of-this-world harmony. And Handicott’s text not only introduces the site with a couple of paragraphs and snapshot information, but illuminates single sentence facts around the illustrations. His annotations on the illustration of Neuschwanstein Castle, thought to be an inspiration for Walt Disney’s fairy tale castle, highlight the modern fixtures and fittings within.

This is a bold book, in the choice of wonders and also in the guilty irreverence of some of the illustrations, (Merlin at Stonehenge, for example), but all provoke fascination in the reader. Maps fix the natural and man-made wonders firmly in their geographical position. Watch for the tourists posing at the Leaning Tower of Pisa or the bears in Yosemite. I found a marathon runner on the Great Wall of China. Can you? Find your wonder here.

welcome to our world
Welcome to Our World: A Celebration of Children Everywhere by Moira Butterfield and Harriet Lynas
With illustrations and theme reminiscent of Disneyworld’s It’s a Small World ride, this is a colourful look at childhood around the world, highlighting differences but above all sending the message of what humans have in common. The first page highlights flags, then the author looks at various ways of saying hello in different languages (with a phonetic spelling for pronunciation), as well as showcasing types of names, foods, homes, pets, and transport in different countries. For any child wanting to see how others live, this is a great introduction. There are quirks, as well as that which is familiar and relevant to children, such as school uniform, musical instruments etc. The quirks include cures for hiccups, phrases, manners and playground games. With their saucer faces and big black button eyes, the illustrations are doll-like and immensely colourful, reminding me of the collection of native dress dolls that I had as a child. Appealing and eclectic, this is a great fact-finder for the very young – kids will enjoy the celebration cakes from around the world. There’s a list of countries featured at the end of the book, and great production values throughout. Age 4+. Welcome to your world here.

one day so many ways
One Day So Many Ways by Laura Hall, illustrated by Loris Lora

Not so dissimilar is this large-size illustrated guide to 40 children from around the world, also looking at a 24 hour period, in which it compares lifestyles and habits, including houses, meals, transport to school, playtime and so on. The illustrations of the children here are slightly less doll-like, but also stylised to look similar despite their differences – almond eyes, simple bodies – they reminded me of Topsy and Tim in that last-century-retro-way. Features that differentiate from the book above include a spread called Quiet Time, which features prayer, reading time and meditation amongst other pursuits, and asks the reader to contemplate their own life features. Weekend jobs, family time, helping out and reading are also explored, as well as the more mundane foods, bedtime, friends and homework. The Highlights page showcases the highlights of some of the children’s days, and it’s clear that weather can play a large part in how children live their lives. There’s a list of countries at the back with flags and facts, and this will be a good addition in showing children the different cultures and ways of life around the world, despite the inherent similarities of childhood. You can buy it here.

wonders of the world
Wonders of the World by Isabel Otter and Margaux Carpentier
Where best to find wonder than in the traditionally designated ‘seven wonders of the world’? This book is much smaller and squarer than Lucy Letherland’s Atlas of Adventures: Wonders of the World and is aimed at younger children, highlighting the Ancient Wonders and Modern Wonders, exploring all 14 in a colourful lift-the-flap informative book. Each wonder receives a full page, with introductory text, and some supplementary information in small paragraphs, such as exploring that the Colossus of Rhodes was the inspiration behind the modern Statue of Liberty.

An interactive wheel displays the plants of the Hanging Gardens of Babylon, as well as the features of the Lantern Room on the Lighthouse of Alexandria. This is a colourful dip into the beautiful buildings that defined their eras, and the colour palate matches well with the romance behind each – pink and patterned egg blue for the Taj Mahal, deep orange and yellow for the Great Pyramid of Giza. This cardboard novelty book has a page at the end detailing some natural wonders too. Age 7+. Find a wonder here.

treasure hunt house
Treasure Hunt House by Kate Davies and Becca Stadtlander
Not all wonders are to be found in distant places and time. This book is both a game, in that it’s a literal treasure hunt – readers must lift the flaps to solve the clues – but also a treasure trove in that it gives fascinating facts about the wonders to be found in a domestic realm. Two children go to visit their Great Aunt Martha in her house – this is not an ordinary house though, containing a music room, conservatory, library and hall of inventions. More like a stately home, although many of the items are to be found in every domestic environment, and the book gives the history behind the telephone, fridge, toilet and bath as well as stepping into the more eclectic, such as exploring a Chinese lacquered mirror, platform shoes, Renoir painting and more.

This is exploration and history and activity all in one book. The illustrations themselves are like a treasure hunt – detailed, fascinating and rather intricate – they immerse the reader in the book. The readership is hard to define here – it’s probably something that could span a host of ages – the clues are very easy to solve, but the text in some places feels older. Age 7+. Find your treasure here.

curiositree
The Curiositree: Human World: A Visual Compendium of Wonders from Human History by Amanda Wood and Mike Jolley
A second in this series – the first Curiositree explored the natural world – now we are into human history. Divided into sections – with three colour-matching ribbons to bookmark a reader’s place – each spread is labelled as a ‘chart’. This is down to the fact that the book is remarkably visual. There is a glut of information on each topic, and although the typeface is minuscule, each ‘chart’ is different from the one before and includes many illustrations, infographics and diagrams to showcase the topic.

The three colours of the ribbons, like the colour-coding inside, represent the three strands of discovery in the book: human history, art and culture, science, trade and technology. I expected more page cross-referencing across the topics, but was nicely surprised by the depth of knowledge on individual items, such as the history of metal usage, breakthrough thinking ie in maths, and the over-riding themes of the history of farming and music.
curiositree writing
It’s difficult to showcase thousands of years of human development in a 112 page book for children and the authors do an admirable job. Of course there’s much missing, and I had rather hoped for a little more information on religion and philosophical thought before launching into Stonehenge, ancient temples and tombs, but on the whole this is a great resource, and I suppose why it is a compendium rather than an encyclopedia.

Towards the end there is information on printing and world exploration – because the book travels up to the early 1600s only. Although this is clearly aimed at much older children, in that it introduces complex themes, has a complicated layout (for dipping and researching), and articulates in a non-patronising but technically more sophisticated manner, younger readers will enjoy the detailed and colourful illustrations throughout. Aimed at 8+ years and older. Stimulate your curiosity here.

transport and travelfoods of the world
Transport and Travel Mini Hardback by Sandra Lawrence, illustrated by Jem Maybank and Foods of the World: Mini Hardback by Libby Walden and Jocelyn Kao.
For those who prefer their factual information to be more bitesize and topic-based, these two excellent little companions will be useful for curious children wondering about the world, and useful as classroom resources. Rather than holding an encyclopaedic knowledge of the topic, these dip in with illustrations dominating each page, and a couple of sentences at the top to give background.

The transport book divides nicely into wheels, rail, air and water and picks out where transport has become rather famous – the San Francisco tram, the Shinkansen railway network in Japan. There’s also a nice mix of history – the Viking longboats, and future – the jet pack. Foods of the World is even more random in its choice of information. There are customs and traditions, celebratory food and a strange section called ‘playing with food’, with quirky facts such as competitive eating, food fights and the accidental creation of bubble gum. More fun than fodder for thought, this is a good title to have in the KS1 classroom. Age 5+ years. You can buy them here and here.

National Poetry Day 4th October 2018

poetry for a change

It’s National Poetry Day on 4th October, and the first ever official National Poetry Day Anthology, Poetry for a Change, illustrated by Chie Hosaka, has been published to celebrate. It holds a fantastic variety of poems on the topic of ‘change’ by a selection of exciting modern poets. Not only are their poems included, but they have each chosen to share the reasons or inspiration behind their poetry in a short paragraph, as well as a companion piece from the classical canon, and their motivation for choosing it.

This neat conceit showcases how older, classical poems and poets can spark ideas and provide inspiration for new poems. Our modern poets explore not only their reasons for choosing the classical poem but they also make it accessible. The poems are not too long, and the accompanying explanations are in bitesize format.

There is a special impact that poetry can have upon young children – some who find a whole novel difficult to grasp or wade through, can find solace in a poem’s small chunks of text, can see possibility in the lack of right or wrong answer for their interpretation. Poetry provides time to dream, time to think, time for the mind to seek connections.

And the theme of change is topical. Politically, it feels as if the world is going through huge changes, but sometimes it’s the little individual changes that can make a difference – a change in an approach, a change in emotions, a change in the way we present ourselves, a change in the way we see others, a change in behaviour…

Poetry for a Change is simply illustrated too, with black line drawings that give an extra dimension to the poetry, an extra resource. Below, I’m delighted to share Rachel Rooney’s poem, explanation and companion poem. Her theme is a changing life cycle – the caterpillar.


Also, readers might like to take a look at A Kid in My Class, poems by Rachel Rooney, illustrations by Chris Riddell. This unique, daring selection features a poem on each different child within a class – the daydreamer, the new boy, the one who fidgets, the cool kid, the joker and so many more. The genius lies in the fact that the poems will resonate for the teacher of the class, but each child will see some of their own character in some of the poems – there’s an artist in some of us, a drama queen in others, a best friend too. Full of both emotion, and knowledge of the classroom, this is a superb collection, brilliantly illustrated by Riddell, who has also managed to pick out the unique look of each child. If nothing else, it will certainly make you wince in recognition, and laugh at the wit. Poetry has never seemed more alive and more relevant. You can buy Poetry for a Change here, and A Kid in My Class here.

a kid in my class

 

 

Autumn 2018 Picture Book Round-up 1


The Best Sound in the World by Cindy Wume
A debut picture book that will strike a chord with readers, it tells a simpatico tale of a lion who wants to capture the best sound in the world. He tries to imitate the sounds he hears by reproducing them on his violin – but nothing sounds quite right, particularly with annoying neighbour Jemmy dancing, clapping or singing along to the music. Roy the lion leaves on a mission to find the most beautiful sound and explore the world, but realises in the end that the most beautiful sound is back home – the music he makes with his neighbour, and now, friend.

Wume’s gouache, coloured pencil and ink illustrations are detailed and wondrous, conveying precisely the mood of each page – from the monkeys leaping in the forest to the train rumble in the city. What’s more, her vocabulary pitches perfectly when pulling out each sound – from the pling of the rain to the chitter-chatter of the market. There is much to explore and disseminate here, from the mix of rural and urban, to the clever use of movement to convey dance and sound. The message of course, is that friendship wins out, and what you’re looking for is often within rather than in the outer world, but there are also subtler issues around observation and subjectivity. If nothing else, it will make the reader appreciate the sounds around him/her in the everyday world. Aesthetically astute, intelligently observed and warm. You can buy it here.


Sing to the Moon by Nansubuga Nagadya Isdahl and Sandra van Doorn
Even from the front cover, reality mixes with magical realism in this universally themed book of what to do on a rainy day. Ever since before The Cat in the Hat: “The sun did not shine, it was too wet to play. So we sat in the house all that cold cold wet day,” the weather has been a source of inspiration for writers. Used well, it can dictate mood, create atmosphere, and influence plot. This rainy day is during the rainy season in Uganda, and the source of inspiration for the child’s use of time is not a cat in a hat, but the child’s Jjajja – the grandfather.

This is a good introduction to Ugandan life. This child completes chores with his Jjajja, from packing peas to clearing the veranda, but all the while is engrossed with the tales his grandfather tells. The day passes quickly, and is filled with the dreams and stories of the past and the future.

Domestic detail sings from the pastel illustrations, but there are also wishes and dreams spun and illustrated as the boy thinks of the adventures he would take. The illustrative stickmen figures with large heads create a further dreamlike status, and the text rhymes in a rhythmic fashion, almost as if to the beat of the rain itself. Children will appreciate the mischievous white dog on each page – but I particularly enjoyed the descriptive language: ‘the clouds spread like a charcoal stain’, and ‘the drops…muddle the view’. Comforting and illuminating. You can buy it here.


The Dress and the Girl by Camille Andros, illustrated by Julie Morstad
We are taken back in time in this lyrical story of immigration, which begins in a slightly idyllic Greece, with donkeys, blue skies and days of freedom at sea and in the fields. But these large vistas with their white buildings and flowered landscapes are not enough and the family long for change. The family immigrate to New York, and upon arrival the girl and her beloved dress are separated. Here, the dress takes on its own persona and searches for the girl. Years later, they are reunited and the dress fits the girl’s own daughter.

Nostalgic illustrations give good period detail, and tell a tale with their muted colours at Ellis Island. At the same time there is a clarity and sharpness to the drawings, as if they have been rendered with a precision that conjures months and years in small pen strokes.

This is not a refugee story of migration, but a desire for an easy passage and a better or even just different way of life, which makes an interesting contrast to recent picture books about modern migration, such as The Journey. The Dress and the Girl is worth examining for the opening and closing spreads and their theme of separation and reunion – a complete circle if you will, as well as an examination of memory and possession. You can buy it here.


Daddy Hairdo by Francis Martin and Claire Powell
A light-hearted look at hair in this delightful picture book about overlong hair and the passing of time. Amy doesn’t have much hair when she’s born, and her Dad has plenty. But then her hair grows, and her Daddy’s seems to disappear. After considerable searching for it, they settle on dealing with the problem of Amy’s hair, which is becoming inconvenient due to its length. Amy’s Dad comes up with some incredible solutions, before reason kicks in.

This is a wonderfully amusing book for anyone who’s ever de-tangled a web of hair, and a cool nod to crazy fashions. Francis Martin lets loose his inner child with some excellent wordplay – hair-raising of course, while Powell has immense fun illustrating hairstyles with aplomb – accentuated by wonderful facial expressions. This is a fun, giggling-inducing picture book, and one which also celebrates the father/daughter relationship with zest and affection. You can buy it here.


Fearless Mirabelle by Katie Haworth and Nila Aye
Perhaps it’s the celebration of individuality, or having confidence in your own unique skill set, or looking after your sibling, but this picture book appeals on so many levels. There’s the circus element, which is always a winner, and the attention to quirky detail, such as Mirabelle balancing on a galloping horse on one leg, whilst eating a bowl of cereal.

Mirabelle and Meg are identical twins, but although Mirabelle is fearless in the circus, Meg is scared of heights. When they realise that Meg’s asset is her ability to speak in front of a crowd (which terrifies Mirabelle), the girls realise that together they can be a supreme double act.

The limited colour palette of primary colours, with black and white, makes for a distinctive look – the characters look a little like friendly Coraline’s, and children will delight in the veneer of simplicity in the scribbled illustrations – they are stylish and endearing – like sugar candy with an edge. Different typefaces explore direct speech, capitals are used for emphasis. Much to look at, just like the circus. You can buy it here.


How to be a Lion by Ed Vere
Or how not to conform to type in this fairly new picture book from Vere. Here, Leonard the Lion isn’t a roary hunter but the sort of lion who likes to ponder upon his ‘thinking hill’, and write poetry. When bullied by the pride for not devouring a duck whom he has taken as a friend, Leonard and Marianne the duck collaborate on a poem to explore individuality.

It may sound whimsical but Vere’s thick black outlines convey a ruggedness to the story, and the book publishes at an apt time as society rethinks its stereotypical view of masculinity. It’s a call to not bend to peer pressure, and the tightness of the text brings the message home without sentimentality. A celebration of creativity and words too, and of the benefits of thinking rather than being the loudest voice in the room. Bold oranges and yellows bring to mind the African Savannah, and as always with Vere, there is abundant humour tucked in with the message, wit in both text and picture, and a great understanding of the rhythm of the language. A proud and majestic picture book. You can buy it here.


Can You See a Little Bear by James Mayhew and Jackie Morris
A new gift edition for 2018 with phenomenal production quality, this much-loved picture book first published in 2006. Aimed at younger children, with its delightful premise of ‘seeing’ not only the little bear in different imaginative landscapes, but also spying patterns and colours, contrasts and opposites within Morris’s exquisitely beautiful illustrations, this also feels relevant for older children and artwork students because of the theatrical and circus settings, and the sumptuousness of the watercolours.

The text rhymes, and its intent is to pull you into the pictures, leading the reader to spy and spot certain things, but it also captures the soporific tone that has affected the bear – this is a dreamscape after all. The incredible detail of the illustrations, depicting medieval scenes, wild landscapes and exotic buildlings, before gently falling back into the more domestic sphere of bathtime and bedtime under the moon, will entrance adult and child alike. You can buy it here.

Bookwandering with Anna James

Pages & CoPages & Co: Tilly and the Bookwanderers by Anna James is the first in a trilogy that tells the story of eleven-year-old Matilda (Tilly) Pages, who has lived with her grandparents above their bookshop ever since her mother disappeared shortly after Tilly was born. If you’ve ever witnessed a child completely immersed in a book so that they don’t even hear their own name being called, then you’ll understand the type of character Tilly is. She loves books, and with good reason. Her grandparents’ bookshop is an idyll – with nooks and hidden corners, chairs to nestle into, and all the time the permeating aroma of hot chocolate and fresh baking from the café.  

But there is more magic to the bookshop than great cakes and good books. Before long, Tilly is seeing characters from books come alive inside the shop – at first they speak to just her grandparents, but before long she meets Alice (from Wonderland) and Anne (from Green Gables). And then, to her surprise, she finds she can accompany them back to their own worlds too – and her book wandering adventures begin.

The premise of the book is delightful for book lovers – to literally escape into the book, and James is brave here – writing words into Alice’s and Anne’s mouths, even writing a tea party scene from Wonderland, in which Tilly meets the Mad Hatter. James pulls this off with aplomb, capturing the essence of the classic characters in both their speech and their mannerisms. She also executes the rules of her bookwandering world with skill – adeptly laying out for the reader (and Tilly) when it’s possible to enter a book, how to exit, and how the whole system is managed.

Tilly discovers that bookwandering doesn’t just happen in her grandparents’ bookshop, Pages & Co, but in many others, and the management of bookwandering happens in the underbelly of The British Library, where she is eventually invited to learn the rules. (A really wonderful scene here, in which Tilly has to learn to bookwander by starting in an early reader, Peter and Jane book, in which nothing happens).

The book leaps into even more adventurous territory when Tilly discovers that bookwandering may explain her mother’s disappearance.

This is a wonderfully engaging and cosy book with adventure, magic and friendship, and may encourage children to venture towards the classics mentioned above (and also A Little Princess). Today, I’m delighted to welcome Anna James onto MinervaReads to tell you about the real places that inspired Pages & Co:

Anna JamesReal life inspired Pages & Co in several ways (and probably in many other subconscious ways I’m not even aware of). I’ve pulled from people, places, and feelings to try and make the world of the book feel as real as possible, despite the magic going on. There’s one place I literally just stole, but several others inspired some of the locations of the plotlines of the book; here are five that had the biggest impact.

  1. My grandparents house

Tilly’s grandparents are hugely important to her, and to the story. Tilly lives with them in their bookshop and they are essentially her parents. While all of the characters are fictional, Tilly’s grandparents are the most directly inspired by real people; my grandparents. Sadly they didn’t live in a bookshop, but they did live in a farmhouse that they converted themselves, in the Scottish Borders. It was a house with a real fire, with Grandad’s emerald velvet armchair in front of it, full of bookshelves, and the kitchen in Pages & Co is basically their kitchen with its pantry, big table and Grandma making gooseberry crumble

  1. Masons of Melrose

Linked to my grandparents house is Masons of Melrose, their local independent bookshop. When we visited we used to walk from their house down the River Tweed to Melrose where we’d visit the bookshop and then walk back to eat and read in front of the fire. This bookshop is also where my Grandad used to choose our Christmas books, and the booksellers there recommended me, via him, to read Northern Lights and Harry Potter when I was 10.

  1. The University of Birmingham

I studied Modern and Medieval History at the University of Birmingham and I specialised in the early modern period; the Reformation and Tudor History, especially the history of printing and the impact it had on the period. The university is a beautiful red brick campus and the Great Hall, where I graduated, was one of the buildings I used when I was creating the British Underlibrary. I also spent a lot of time in the library, which has since been updated and modernised, but the old red brick building that was at the centre of the campus is my library, and the one that influenced the Underlibrary (more on that later).

  1. North London

I’ve lived in north London for just over three years now and I love it. Hampstead Heath, Alexandra Palace, my local high street full of independent coffee shops – when I started writing Pages & Co the only place I could imagine it, was near where I live. It is entirely impossible it could be, with its four floors and architectural dubiousness, but it’s still where it is in my imagination. It’s also, crucially, near to Kings Cross St Pancras which leads me on to the last real place which inspired me.

  1. The British Library

I write mostly at my local coffee shop or at the British Library, whose airy quiet reading rooms are perfect to get you in the right mood for writing. When I needed a location for a secret community of bookwanderers, I knew straightaway that it needed to be concealed somehow at this beautiful library. In the centre of the atrium there is The King’s Library, a tower of very old books, which is not accessible to the public, and it seemed the perfect place to hide a magical, apparently out of order, lift…

With huge thanks to Anna James for mapping her inspirational geography for MinervaReads. You can buy a copy of Pages & Co here.

 

Magical Mythological Maps and Monsters

Why are myths still relevant to us, and why do we explore them so much in children’s literature?

One reason that we still buy stories of myths from long-ago cultures or faraway places is that they hold within them certain universal truths or explanations of our natural world and our human behaviours. Myths hold messages that stretch across barriers, which reach down through generations and connect people across time and geography.

But at the same time they can also teach us about different cultures, show us how people once lived, or how they live now in different societies. Japanese myths often refer to mythical creatures in the sea, which makes sense for an island nation. The Yoruba believe that before people and animals existed, there was the realm of the deities, and an empty realm filled with nothing but sky and marshy water – which makes sense when you realise that the Yoruba live in Western Africa under beautiful African skies.

In myths told as stories for children, the reader learns alongside the characters; they follow that journey with them, make decisions with them. They forge their own identity whilst learning of another’s. Children feel the pain of Icarus wanting to fly; they wonder if they too would have survived the twelve labours of Herakles.

Two books that bring myths to children in an exciting, spellbinding and aesthetically beautiful way are Myth Atlas and Myth Match.

myth atlasMyth Atlas by Thiago de Moraes is one of the most beautiful books for children I’ve seen this year. Each of the twelve cultures covered is illustrated and explained within a map that shows how that culture viewed the world. For example, The Greek world shows a flat Earth surrounded by a large sea, with the heavens above and Hades beneath. De Moraes idea of Hades is brilliant, kind of hanging upside down under a ridge of the main world, and populated of course by Cereberus and Charon, and showing Persephone and Orpheus there too – explained with simple text how their stories led them there. The Yanomani World is shown as four planes shaped like discs, stacked on top of one another – the upper sky, middle sky, earth and underworld. De Moraes excels in his depictions of people and creatures – both the people of the culture, and then creatures that exist in their mythical tellings, such as the Brooribe, the ghosts of dead Yanomani, and the Oineitib, the dwarves of the underworld.

This book will educate, elucidate, stimulate and inspire wonder all at the same time. I couldn’t stop looking through it. The illustrations are painstakingly detailed, and use colour in an intelligent and colourful way without being garish or overstated. And each has a very simple number key to show the reader the accompanying text, which is simply but well told. In between the maps of each culture, there are a few chosen stories highlighting particular myths. In the Slavic World there is the story of Vasilisa and the Magic Doll, in the Aztec World, the story of the Five Suns. Each is highly illustrated with full colour spreads, and with extra boxes of information about monuments or temples. Each ‘world’ is given their own introductory page explaining the culture, the map and where the people were originally, and each ‘world’ ends with details about creatures and artefacts. This is an all-encompassing enthralling journey, with a clever navigation guide at the beginning and a wonderful introduction explaining how this is just a taste of the mythical world, and can’t, of course, cover every culture and every myth.

But what a taste! It’s a gastronomic feast for the eyes and brain, and I’ll be sampling it again and again. You can buy your own copy here.

myth matchThe second book, Myth Match by Good Wives and Warriors, follows in the tradition of the hugely popular Mixed Up Fairy Tales books by Hilary Robinson and Nick Sharratt. Here, instead of Goldilocks falling into Red Riding Hood’s story, we have an information book of mythical creatures that turns into a clever mash up of blending one mythical creature with another.

The reader can read it straight by encountering some weird and wonderful creatures from around the world, each sumptuously illustrated with masses of detail and colour. The trick though is to flip the front half or back half and pair up different parts of the different mythical creatures, hence creating your own – after all, myths are all about imagination and evolution. What’s more, the accompanying descriptive text (just a few lines) matches up too, whichever parts you fit together, giving a whole new description for the new creature. For instance a unicorn and a phoenix could become a uninix or a phoecorn! Good production, unlikely to rip with frequent usage. Buy yours here.

Winner of the 2018 Klaus Flugge Prize

klaus fluggeThe winner of the 2018 Klaus Flugge Prize for the most promising and exciting newcomer to children’s book illustration was announced last night, Wednesday 12 September. I’m delighted to tell you that the prize went to Kate Milner for My Name is not Refugee (Barrington Stoke), and I was lucky enough to ask her about her win.

Kate studied illustration at St Martin’s College as a young woman – and illustrated magazines on Commercial and Housing Law for a while, but spent most of her career as a librarian. Cuts to the library service resulted in her losing her job, and that prompted her to do an MA in children’s book illustration at Anglia Ruskin University. She created the story that was to become My Name is Not Refugee as part of her degree show, and with it won Student Illustrator of the Year in the V&A Illustration Awards.

And now the prestigious Klaus Flugge. How do you feel?

I am absolutely delighted and quite astonished. I really did not think I had a chance.

my name is not refugeeThe award-winning book is called My Name is Not Refugee. In modern history there have always been refugees. Why do you think your book has been so popular/ caused such a reaction now?

I wrote the book to explain to children what a refugee is. I wanted to get a tool into the hands of teachers, parents and librarians to help them define the term for children and give some small hint of what the experience might be like. The issue has become much more contentious recently because many on the right like to depict refugees as invaders or spongers, not people in real need. I wanted to provide something to be used by people with a more balanced view.

You said you felt quite angry when you were drawing the illustrations for the book, in particular the one with the caption ‘We’ll sleep in some strange places’, but that the anger hasn’t filtered through in the final book – it’s stripped back. Which emotion would you like children to feel when reading the book?

I would like children to feel sympathy for the plight of refugees and curiosity about why they are in such a difficult situation. It was important to me not to make this an angry book, children don’t need adult’s anger; they need clarity.

Did it take a long time to write and illustrate the book? And did the stripped back illustrations and limited palette come naturally as you were planning?

I certainly wrote and illustrated the first draft ridiculously quickly with, lets be honest, not very much planning at all. I thought of the idea about twelve days before the final critique for my MA at Cambridge. It was obviously supremely stupid to embark on a new project so close to the end of the course; I tried to stop myself but I failed. The stripped back quality comes, partly, from trying to make a book that applies to all sorts of refugee situations so trying to avoid specific details like domestic interiors. At that stage it didn’t really have a palette, that evolved later in discussion with the publishers.

Do you feel that your book has a happy ending or is it ambiguous?

It is happier than the reality of most refugees lives would suggest. I wanted children to be able to read it as happy, and the boy at the centre of the book is a cheerful, outgoing character so I think he would flourish. I’m not sure his mother would find it so easy.

Is there a need for more political books for young children?

I don’t think children care much about party politics, and who can blame them, but they are curious about an increasingly complicated and inter-connected world. Picture books are a very flexible and relatively cheap way of introducing all sorts of new ideas, emotions and information. Nice, decent adults tend to feel that children should be shielded from politics, and I can see their point but, if we’re not careful the only voices they hear on these subjects are ignorant and shouty.

kate milnerYou started life as an illustrator but then became a children’s librarian. Do you think you have a special insight into what children want from a picture book by being blessed with these two different but rewarding careers?

Working in a library certainly made a huge difference to me. Being surrounded by children’s books all day was really inspiring. My job involved reading out loud to groups of children and reading a book out loud is such a good way of discovering if it works or not. Too much detail about the thoughts and feelings of farmyard animals bored me as well as the children I was reading to.  Knowing something about children has been a huge advantage in one respect, I know that they are curious about many more things than they are sometimes given credit for.

Can you tell MinervaReads readers a little bit about your next project/book?

I am working on a very different kind of book for Pushkin Press, a novel for middle grade children with illustrations. It’s called Duncan and the Googleys and it’s a serious book with jokes about the way modern media works for children and against them. I am also looking forward to doing more projects in the vein of My Name is Not Refugee and I’m working on an idea at the moment.

What is your favourite picture book?

My current passion is for The Railway Passage by Charles Keeping published in 1974. It is a  strange tale about a group of old people winning money on the football pools and the perils of wealth. I love it because it conjures a whole world of people and places, and because the drawing is superb.

What advice would you give budding illustrators or authors?

The very worst plan is to produce work that you think will be commercial. It won’t be, it will just be derivative and stale. Make work that matters to you, make it as fun and lively and real and magical as you possibly can.

Congratulations again on your win, and thank you for answering my questions. You can buy Kate Milner’s My Name is Not Refugee here.