middle grade (age 8-13yrs)

It’s Raining Cats and Dogs

I don’t have a pet, which means we often play a hypothetical game: if you had to choose, which would you be – a dog family or a cat family?

the dog who saved the worldThe Dog Who Saved the World by Ross Welford
This is another cracking read from a premier storyteller of our time. Eleven-year-old Georgie befriends an eccentric scientist hiding beneath an old entertainment centre, and becomes a guinea pig in her virtual reality 3D future. But when a deadly disease threatens the life of all dogs, and Georgie’s own dog gets sick, it’s a race to find a cure – a cure which most probably lies in the future.

Welford’s writing is always clever and engaging, rattling through his plots with pace, humour and pathos, and it’s the kind of book you want to devour in one gulp. But to fully appreciate its modern sensibility and its heft as a meaty children’s book, it’s the little details that, when put together, make this an absolute belter of a book. Georgie’s friend is a refugee from ‘Nowhere-stan’ as he calls it himself, a country so decimated and of such  little interest to the people here. But he’s an upbeat boy, with a raft of funny lines, a fully developed character who’s a great friend.

The eccentric doctor is a social media billionaire technologist in hiding, who makes wonderful wisecracks about kids today;  even the bit-part owner of the corner shop is named Norman Twokids by the kids for his ‘no more than two children at a time’ policy. Add to this the moments of sweetness and empathy – the relationship between Georgie and her teen big brother, the small satisfaction that comes from a dog wagging its tail as it greets you – this is a slick, brilliant novel and even if dogs aren’t your thing, you’d be mad to miss it. For ages 9+ years. You can buy it here.

collecting catsCollecting Cats by Lorna Scobie
When I was little I had to learn the poem Cats Sleep Anywhere by Eleanor Farjeon, and recite it in front of an audience. I still remember the first line, and it leads into a rhythmic romp through the places cats inhabit. I think if I had closed my eyes and imagined the illustrations, they would have looked like something out of Collecting Cats, a humorous riot of cat personalities. The anonymous narrator wants to collect cats, and starts with cheese. Cheese leads to mice, which leads to cats. And unfortunately for the narrator, then big cats. As well as a clowder of cats in a vast array of different colours and personalities, there is also a quirky collection of grabby mice. Scobie’s text is simple and logical with just the right amount of toned down humour, and her illustrations are flush with character, story and insight. For cat collectors, or picture book collectors, or simply readers. You can buy it here.

lulu gets a catLulu Gets a Cat by Anna McQuinn, illustrations by Rosalind Beardshaw
An exemplary first experience book in the Lulu series, which showcases the responsibility involved in owning a pet. Lulu’s appeal is not only that her adventures are embedded in the family core, but books about her also highlight those things that are important in small lives. The visit to a library to find out more, a tick list at home giving her life structure and order, a loving and caring relationship with her parents, and a grounding in real life. One or two simple sentences per page, with the main focus being on the colourful illustrations of familiar situations – sitting on a parent’s lap looking at a laptop together, everyday dressing up for the fun of it, helping with shopping, and feeling secure in one’s bedroom. This particular episode in Lulu’s life points up the preparation needed before getting a cat, and its slow integration into the family. Wonderful. You can buy it here.

danny and the dream dogDanny and the Dream Dog by Fiona Barker, illustrated by Howard Gray
Danny’s mother isn’t as easily persuaded as Lulu’s, and Danny’s only dog is a dream dog. That is, until a new neighbour moves in next door who needs help with walking her dog. This seems like a perfect solution until Danny starts walking Maximus and realises that it isn’t as wonderful as he thought it’d be. Especially when it rains, or Maximus pulls on the leash and wants to chase rabbits. Before long though, Danny comes to see that it’s the community he embraces whilst walking Maximus that makes it a dream job, and the cosy chats with his new elderly neighbour afterwards.

In essence, of course, this is a picture book about friendship, being community minded, and neighbourliness. The illustrations are warm and wholesome, creating whole immersive scenes on almost every spread – tea with the neighbour shows her life through a series of family photographs on the wall behind, scenes in the park demonstrate the diversity of the people there and the things they do. There are also many elements of humour wrapped into the book – squirrels threatened by the dogs, dog-shaped slippers. It’s a little dream of a picture book. You can buy it here. 

tiger walkTiger Walk by Dianne Hofmeyr and Jesse Hodgson
There are no domestic pets in this art-inspired picture book, but a tiger who oscillates between tame and wild in order to rid the young boy, Tom, of his fears. Tom visits an art gallery and sees the painting Surprised! by Rosseau. At home, he tries to copy the picture, and at night the tiger springs from the picture, and carrying Tom on its back, takes him on adventures through the jungle. It’s a neat conceit, in that every time the tiger suggests what to do next, Tom is scared – of swimming, of the cold, of the dark, of beasts. The tiger reassures him, and in the end Tom realises that of course he isn’t scared – he’s ridden a fearsome beast all through the night.

Brought to dramatic life by sumptuous illustrations that seem to have burst from the Rousseau painting, the colours are bold and expressive, not only traversing between fear and curiosity, wild and tame, but also real and dreamlike. This is a clever picture book with sumptuous text that bears out the artistry in the illustrations too – moonlight shines, icicles crackle, tigers have swishing tails and flashing eyes.  Aglow with natural beauty, this tiger comes close to winning a top spot in the heart, even if this one doesn’t come into the kitchen and devour all the tea. You can buy it here.

A Pinch of Magic by Michelle Harrison

a pinch of magicThere’s a purposeful foggy dark atmosphere to this magical new adventure from Michelle Harrison, award-winning author of The Thirteen Treasures, which makes it all the more mysterious and adventurous. Set on a series of fictional islands, often enveloped by a ghostly mist, and surrounded by marshes and rocks with the nearest neighbour an eerie prison, this is a tale of curses and sorcery, of magical objects and imprisonment, and yet through the fog, a tale of sisterhood and teamwork, boldness and bravery shines brightly.

The three Widdershins sisters, Betty, Fliss and Charlie, dazzle like a ray of sunshine in the mist, living and working with their grandmother in a busy pub. From the rowdy beginning on the night of Betty’s 13th birthday (unlucky for some), she and Charlie are first encountered galloping down the stairs, Halloween costumes billowing, dancing happily. The sisters are bubbly, proactive protagonists, particularly Betty, the novel’s focus, and she’s an absolute gem of a heroine. On her birthday, Betty learns that her family is cursed, and she endeavours to break the curse and set them all free.

The three sisters each possess a magical object that has been passed down to them through their family heritage – a carpet bag, a set of wooden nesting dolls, and a gilt-framed mirror – all of which they can use to help break the curse. In children’s literature there are many enchanted objects that have a role in directing plot or character, and the more ordinary the object, the more exciting their magic. A wardrobe perhaps (The Lion, The Witch and the Wardrobe), a ring (Lord of the Rings), or a mirror (Snow White). Here, the bag feels Mary Poppins-esque, and does indeed go deep. The mirror may be seen to be vain, but holds power, but Betty’s object is the wooden nesting dolls – which have always felt slightly spooky and enchanting to me – the hidden quality, the addictive nature of lining up the seams.

Harrison has great fun weaving the objects’ magic abilities into her narrative, but the bulk of the plot centres around the strangely powerful and dark prison. Believing a prisoner holds the key to breaking the curse, Betty endeavours to bargain his freedom for the answer, only to discover that it’s very easy to make mistakes on a prison break. With a delightful cast of prison villains, shadowy wardens, and suspicious townspeople, the atmosphere simmers with menace.

To embellish the story, and the atmosphere, Harrison has a special attachment to names. The three sisters live in The Poacher’s Pocket on the isle of Crowstone. Their surname, Widdershins, means to go in the wrong direction and is considered unlucky. Crowstone belongs to the Sorrow Isles, among which are the isle of Repent on which lies the prison, and the isle of Lament with its graveyard. These small details punctuate the text providing atmosphere and portent.

But with three intrepid brave girls working together, a rat called Hoppit and a cat called Oi, the darkness of the setting is always going to be overwhelmed by the beauty of the girls’ inner natures – their ability to help others when necessary, pull together in times of conflict, and use their wit and intelligence to break their curse. Harrison writes with more than just a pinch of magic – this is a compelling magical adventure that spellbinds the reader into believing in a whole other world, and understanding that envy, betrayal and prejudice are the real evils, whereas foggy marshes and spooky crumbling prison towers are merely landscapes.

A rich, charming tale for ages 9+.

Cover illustration by Melissa Castrillon

Charlie Changes Into a Chicken by Sam Copeland, illustrated by Sarah Horne

charlie changes into a chickenMassively hyped already, with marketing material yelling ‘for fans of David Walliams’, this first of a brand-new series actually does live up to the hype. 

Aimed at a young fiction readership, aged seven and up, Charlie Changes into a Chicken is a delight. A genuinely funny, pacey adventure story that has a healthy dollop of pathos and heart from a writer who obviously understands and spends time with young children.

Charlie McGuffin worries about everything. He worries about his brother, who is not very well in hospital, his parents, who are worried about his brother, and he’s worried about garnering any attention from the school bully. Then he finds another thing to worry about – when he worries, he turns into an animal. At first, he metamorphosises into a spider (and with far more anxiety about his situation than displayed by Kafka’s protagonist). Before long though, this change is happening more often, and at the most inopportune times. With the help of his three friends, Charlie must find a way to stop the transformations happening, and prevent the school bully from revealing his secret.

One of the best features of this young fiction title is Copeland’s approach to the writing. It reads as if Copeland is telling the story to the reader personally, and with this intimacy comes reassurance, which is exactly the effect wanted. This is not a new device – in fact it’s in part what made Dahl so successful in his novels.

Here, the intimacy inspires confidence in the writer as a storyteller but also as a warm, approachable understanding adult, so important when, deep down, this book is about overcoming and dealing with anxious thoughts.

On the surface though, the story’s a laugh a minute. From the footnotes in which Copeland gets to extrapolate silly facts or simply extend his jokes, to the plot structure itself which gets funnier and more enjoyable the greater variety of animals Charlie turns into and the places in which he does so. The pigeons in the playground incident is particularly amusing, as is Charlie turning into a rhinoceros in his somewhat small bedroom (and needing to go to the toilet). Indeed, there are toilet jokes a-plenty, but nicely packaged within the overwhelming anxiety Charlie feels, so that they are there for a purpose. There are nail-biting moments too – the incident in the Head’s office, for example.

But what many readers will find succour in, is the friendship group. Charlie summons the courage to share his strange ‘superpower’ with his diverse, hilarious friendship group with all their vastly different personalities. My favourite is Flora, who attempts to discover the reasons behind Charlie’s metamorphosis – her theories fail at first, but she perseveres. As well as teaching a valuable lesson, her attempts provide a raft of laughs.  

Even after the book has finished, Copeland continues to address the reader with a series of fake questions from readers and answers from himself, as well as a letter from the publishers. All induced an amused wry smile.

Copeland is certainly a writer with impeccable comic timing, but also one who understands plot structure. Coming from a literary agent (Copeland’s day job), this shouldn’t be a huge surprise, in that he understands how a book works, but what is refreshing is the intimacy formed with the reader, the light touches, and the insightful imagination. Charlie feels real, despite the ludicrousness of the plot, and his group of friends just like yours or mine.

Sarah Horne’s black and white illustrations feature throughout, and are injected with just the right amount of zaniness. Horne excels at quirky and her characters are differentiated, appealing and expressive: the step-by-step transformation into a pigeon particularly funny.

The book works thrice. Firstly, as a good read for the age group with lots of plot, a fun premise and laughs-a-plenty. Secondly, as an antidote to anxiety – it shows how problems are often entangled with embarrassment about sharing them – the fact that Charlie’s anxiety manifests as an embarrassing problem itself is the whole point – and Copeland shows that fiction can be a calming and positive way to highlight mental health issues. And thirdly, as a conversation with the author. Sometimes, under stress or needing escape, books can become friends themselves. And with such a calm and witty author hand-holding the reader’s way throughout the book, this is one novel that children will embrace again and again.

No wonder there’s hype. This is a cracking novel, brilliantly funny, warmly reassuring. You can buy it here

Holocaust Memorial Day

Today is Holocaust Memorial Day. So it’s fitting that in primary school library book club this week we were looking at the theme of diaries. My Y6 cohort embraced this with gusto, reading everything from The Wimpy Kid to Artichoke Hearts to Anne Frank’s Diary. Which brings us back to the Holocaust. They spent the first five minutes debating how old Anne Frank would be if she were alive today and where she might be living. It was a memorable and emotional discussion.

peter in perilPeter in Peril by Helen Bate is a graphic novel that aims to show how the people swept up in the Holocaust were ordinary people. This is a tame book for a young audience though, and doesn’t go into any detail on the camps or genocide, but instead illuminates the dangers and changes that one Jewish boy went through during the Second World War, hiding from the Nazi’s. Despite the fear and darkness, Peter is one of the lucky ones. Perhaps why the book is subtitled: Courage and Hope in World War Two.

The story is written in first person by Peter, a young boy living in Budapest, who loves football and cake. Like Anne Frank, he too is forced into hiding, but unlike most Jewish people, he is reunited with his parents and his former home by the end of the war.

Because it is told from a young person’s perspective, there is an ignorance to what is actually happening around him – but from the action the reader will understand that Peter survived round-ups of Jewish people by moving hiding places several times, the only constant being a colouring book; he frequently faces hunger and cold. Despite the removal of the more harrowing elements of the Holocaust, the reader will understand that this was a horrific time, challenging and frightening for even the luckiest child.

The novel is in graphic novel/comic book style, which makes it very easy to follow for the most reluctant reader; in fact the book’s pictures working best when they aren’t annotated with incidental dialogue.

This is a true story, and the background of what happened in Budapest during the war is given at the back, as well as a summation of what happened to the real Peter. Many of Peter’s extended family were killed in the death camps, although miraculously he and his parents and baby brother survived and continued to live in Hungary.

My only wish is that the figures involved in deportation were explained. In March 1944, there were more than 800,000 Jews living in Hungary (as a result of annexations from Slovakia, Romania and Yugoslavia). In May 1944 deportations began and in just eight weeks, 424,000 Jews were deported to Auschwitz-Birkenau. (Yad Vashem statistics). 

You can buy a copy of Peter in Peril here

TomiThere are fewer and fewer survivors of the Holocaust now living, and it’s important to hear their accounts. Tomi Reichental’s Holocaust Story has been retold by Eithne Massey for young readers age 10+. Tomi describes Tomi’s life in Slovakia, at first pretty idyllic, but then it deteriorates rapidly, firstly because of the taunting Anti-semitism from schoolmates, and then from restrictive laws passed forbidding Jewish people to go to school. Then the arrests start, and finally Tomi is captured and sent to Bergen-Belsen. Amazingly, Tomi survived, (although 35 members of his extended family were killed). As above, this is told through the eyes of a child, and so shies away from the absolute horror of Bergen-Belsen, but is still a devastating read, (much more so than Peter in Peril) although Tomi is appropriate for children, in that it explains the Holocaust in a powerful yet simple way.

Told in narrative format, novel-like in its prose, yet with a slight distance to protect the reader, the book describes graphic events – the death in the carriage on route to the camps, the whips of the guards, death and disease within the camps.

There’s a clear balance needed between explaining the truth of what happened – even to young children during the Holocaust – and protecting today’s children from nightmares and fear. And yet, there is also a duty to make sure we and our children ‘never forget’. In a time of rising anti-Semitism again, it is crucial that these true accounts are shared widely, absorbed, and lessons learnt. As Tomi says “I realised that, as one of the last witnesses, I must speak out. I owe it to the victims that their memory is not forgotten.’ We owe it to Tomi to read and understand his story. You can buy Tomi here. 

Mike by Andrew Norriss

mikeThere is something special about this book, and I’m not sure whether it’s the message behind it, the story itself or the style of writing. It could be the combination of all three, although I’m edging towards the last, simply because it’s not often that I finish a book in one sitting – but this hooked me almost by magic.

The prose is so faultlessly lucid, like the cascade of a clear waterfall, and I was spellbound by the fluidity with which the words flowed on the page.

Fifteen-year-old Floyd is training to be a tennis champion – a talented and dedicated sportsman and the star of the under-eighteens circuit. The reader first meets him in the midst of a tennis tournament, and swiftly learns that tennis is his life and that he’s destined to be a professional tennis player. But as we meet Floyd, so Floyd sees Mike again, walking along the top row of tiered seating, his black coat billowing behind him (which rather made me think of Christian Slater in The Breakfast Club, with that haunting yet inviting look in his eyes). At first, Floyd thinks that Mike is a nuisance, an over-eager fan perhaps. But it becomes apparent to the reader, and to Floyd’s great surprise, that only he can see Mike.

Before long, Floyd is seeing a psychologist to try to eke out why he is seeing ‘Mike’ at his tennis practice and during tennis matches.

With straightforward clarity, Norriss and by default, the pleasantly authentic and sympathetic psychologist explore parental pressure, and life choices. There’s philosophy underpinning this story – a sort of moral guide to how we make choices, how we steer our lives through fate or instinct, and an exploration of our conscious and unconscious minds. Most particularly, Norriss touches upon our connections with other people and how that affects our journeys through life. With Floyd and Mike, the reader will come to understand a little bit about their own self – what we are doing for ourselves, or for others, and how to come to an understanding of serving both.

But there is no heaviness to this novel, no preaching, no deep philosophy. Instead, with remarkable pace and with much humour and levity, the reader is steered through Floyd’s path – from tennis through to marine biology, and although written with a breezy simplicity, Floyd’s path is far from easy. Without delving too deeply into the angst, Norriss shows us the difficulties Floyd faces, the lessons he has to learn, the pain that sometimes must be experienced.

Whether this is in part inspired by the movie Harvey with James Stewart (referenced in the text), or in part by Jiminy Cricket or other such fictional guides that give the character a steer through life, this is a fascinating look at finding oneself and one’s true desires and seeking and owning the power and responsibility to make one’s life’s choices.

Norriss’s characters feel real and likeable, the book almost true in its matter-of-factness.

I actually can’t recommend this book enough – it’s now out in paperback and I suggest you all read it – young and old. It’ll definitely make you think, and might turn the most reluctant reader into a reader. If only all books were like Mike. Suggested for age 12+ years. You can buy it here.

Little Bird Flies by Karen McCombie

little bird fliesIt takes a certain amount of bravery, imagination, and sometimes desperation, to want to leave a remote island home that’s been base for a family for many years, and uproot from its rural idyll to the grimy urban streets of Glasgow, or for the new dawn of America – particularly in 1861. But that’s what the Little Bird of the title wishes in this new historical series from children’s books author Karen McCombie.

Bridie is a crofter’s daughter (her father occupies and works a small landholding known as a croft, rented from the landlord, or laird). She lives with her family on the little Scottish island of Tornish, an island that appears almost as a character itself within the novel.

With a wasted arm and leg, a deceased mother, two older sisters and a younger brother, life is hard, but also rewarding. Bridie very much sees the positives in life – not only her island idyll of rough seas and craggy landscapes, cherishing the views and wildlife – but also always working with the positive side of her disability. She doesn’t let it impede her, but rather uses it to her advantage where possible.

But things change in Tornish when the current laird dies suddenly, and a new family take over. Even then, Bridie sees positives in her new friendship with a ward of the new family, and a portrait painter drafted over to paint the new laird, but life gets harder for all the crofters and before long her dream to leave Tornish comes true – although perhaps not quite in the way she had envisaged. At this point the novel speeds up spectacularly – as though McCombie is in a hurry to leave it positioned for book two.

This is quite a unique book, documenting a particular way of life in a particular place, and written with a huge amount of understanding of the time and location, as well as with clear passion. This shines through in Bridie’s own pride in where she comes from.

The book is modern in its telling though – Bridie’s outlook is contemporary – she sees goodness in difference rather than shunning it, she’s up for adventure and exploration, and she feels almost feminist in outlook – the women in this story dominate and are strong risk-takers, working to do good and make their mark. There’s a feeling of class injustice with the portrayal of the privileged and careless wealthy gentry, who can be seen in a way as invaders – destroying the isolated island way of life – and forcing the residents to change how they live, or flee.

And so despite the strong traditions highlighted in the first part of the novel, McCombie portrays a world in flux. Changes come to old ways of life, people move on and move away.

With skill, McCombie presents this tear in the fabric of the crofters’ reality – the striving for modernity and adventure combined with the nostalgia for a simpler and more idyllic way of living. The history of the Scottish isles feels captivating – the landscape rugged and real, forging onwards even when the people themselves are long gone. And although the reader is thrust forwards into Little Bridie’s seagoing adventure, it’s the island that stays behind in the reader’s mind – a timeless sliver of land that feels just within reach. Particularly for little birds that fly, and McCombie gives the reader wings to do just that. You can buy it here.

Little Bird Flies: A Guest Post from author Karen McCombie

McCombie Little BirdWhat Do Sheep, Queen Victoria and Drunkenness All Have in Common?

Well, they all feature in Karen McCombie’s latest novel, stirring historical adventure Little Bird Flies, the story of a young girl coming of age on a remote Scottish island in the 1860’s. MinervaReads will review on Sunday (keep your eyes peeled). In the meantime, it’s well worth reading Karen’s explanation and Little Bird Flies‘ background detail below; she illuminates key features in a book that’s clearly close to her heart: 

  • Sheep?

Yes, sheep. Sheep are essentially one of the (unwitting) bad guys of my story. All Scottish schoolchildren learn about the Highland Clearances, a period of around a century when the lairds, ie landowners, in the Highlands and Islands of Scotland realised they could make a lot more money if they cleared the tenant farmers and communities off their lands and replaced them with sheep. Over that period, it’s estimated that over half-a-million Highlanders were made to leave – very often brutally forced off – the land their ancestors had farmed for generations. So where did they go? Some headed for the teeming streets of newly industrialised Glasgow, but many found themselves packed on sailing ships bound for countries like Nova Scotia, Canada and Australia. In Little Bird Flies, twelve-year-old Bridie’s family think their island has escaped the fate of so many other areas of the Highlands… till a new Laird arrives, heralding a time of huge change and danger at every turn.

  • Queen Victoria

On a visit to the Highlands with Prince Albert, Queen Victoria fell in love with the peace, the quiet and the beauty of the rugged landscapes. The royal couple bought a manor house, which they transformed into the grand, turreted Balmoral castle, and escaped there as often as they could with their growing family, enjoying a chance to break away from royal duties in London and the formal life they lived there. In doing so, Queen Victoria suddenly made Scotland, and the Highlands and Islands in particular, a tourist destination. I couldn’t resist featuring the Queen in Little Bird Flies, even if it is just a very, very small, barely there appearance.

Of course, Queen Victoria’s descendants carried on the tradition of escaping to Balmoral where they can live an almost ordinary life… a few years ago, I slowed to pass a Range Rover on a narrow country road near the Castle, and realised it was being driven by none other than Queen Elizabeth herself!

little bird flies

  • Drunkenness

When Bridie and her family make the move to the teeming streets of Glasgow, Bridie finds herself handing out leaflets for her sister’s employer, Mrs Lennox. Mrs Lennox is involved in the Temperance Movement – an anti-drunkenness initiative – which sprang up all over Britain in the Victorian era. In busy, industrialized Glasgow, the problem with alcohol was particularly bad, as whisky was being mass-produced, and pubs and drinking houses were popping up at an alarming rate. Lots of religious or just socially-minded men and women like Mrs Lennox were worried about the effects of drink – and the money spent on it – on poorer families, especially the children.

Apart from livestock, royalty and too much whisky, my novel is also full of drama, daydreamings and danger; friendship, family loyalties, and of course, flight…

Little Bird Flies by Karen McCombie is out now, from publishers Nosy Crow. Click back on Sunday for my review – this is possibly McCombie’s best book to date, full of passion and, as you can see, fascinating social history. You can buy it here

Vote for Effie by Laura Wood

vote for effieWhen I was at school I was voted most likely to be prime minister when I grew up. Looking at the haggard face of Mrs May I’m very glad I’m not, but I have pursued my own little political activism agenda. When the council demolished my local playground for fears it was unsafe, I lobbied them to build another. They told me if I wanted one, I needed to do it, so I secured a lottery grant and did so. When I wanted my local primary school to build a library, they said if I wanted one, I should do it, so I did.

And I was ready to paint black and white lines on the road outside the school, until the council said that installing a zebra crossing was actually something they’d do themselves. I’ve even tried lobbying my son to play less Fifa and do more homework, but it turns out he’s more stubborn than the council, and that’s saying something.

Anyway, to local acts of political activism in fiction and Vote for Effie by Laura Wood is a welcome addition to the canon. Effie joins a new school and instead of quietly observing how she could fit in, sees an injustice on day one, jumps straight in and fights to become Student Council President.

Effie is an exuberant, outgoing and forthright character, who speaks from the heart and wins the reader’s vote straight away, although it takes a bit longer for her to convince her peer cohort.

Wood’s breezy prose – the story is told in a wonderful first person narrative that is purposefully and woefully unself-aware – lends passion and conviction to Effie, who wants to change perceived ideas of sports and gender, bring awareness to student body about the benefits of recycling and libraries, and shake up the status quo.

There are wonderful moments of comedy throughout the novel, (pasting her face onto the body of Emmeline Pankhurst on a campaign poster, for example) but serious undertones too, not only in the issues that Effie addresses within her school, but also the gentle sidebars to her story – the loneliness of the elderly as exemplified by her interested next-door neighbour, the benefits of immigrants to society.

The text veers off prose too – interspersing the story with newspaper articles, notes, and minutes from the school council meetings to further the plot and beautifully twist points of view. Wood has a deft touch in children’s comic writing – she understands fully that the most important element of school life is not academics, or team sports or even gender equality, but FOOD.

In all seriousness, this is a great novel showcasing women’s leadership, youth political engagement, and the hope that springs from children that they can make a difference, that they can make the world a kinder and better place – and don’t we need that at the moment! 

You can read Laura Wood’s thoughts on writing the novel here and buy the book here.

Laura Wood: A Q&A about Vote for Effie

laura woodLaura Wood has certainly made her mark in the world of children’s literature. From the Poppy Pym series to last year’s triumphant YA title, A Sky Painted Gold, Wood can plot an adventure, create a dreamy 1920s landscape, and make the reader laugh. Vote for Effie (review coming tomorrow on MinervaReads.com) is a laugh out loud look at school council elections, with a bold exploration of female leadership. Here, Laura explores what made her turn from 1920’s Gatsby parties to present day school room drama:

What inspired you to write VOTE FOR EFFIE?

There were a few things that inspired me to write Vote for Effie. In my job I’m so lucky that I get to go into different schools and meet loads of brilliant students, and something I was noticing was how incredibly politically engaged and switched on these young people were. I think that when I was eight years old I would have struggled to tell you who the Prime Minister was, and yet even the youngest children I work with know so much about what’s going on in the wider world – about Brexit, and Trump and the refugee crisis. And not only do they know, they CARE. This was really crystalised for me when the first Women’s March took place in 2017. Seeing so many young people taking part, hearing the stories of young activists, made me feel hopeful during a dark time. I wanted to write a book that was about that, about a character who is an optimistic force of nature, one who sees things that need changing and does something about it.

vote for effieWere you like Effie when you were at school?

There are definitely bits of my personality in Effie, and we share a love of musicals, Disney films and glitter glue, but I think Effie is a lot braver than me. We didn’t have student council, but I don’t think I could have handled the high-stakes rollercoaster of an election campaign… I’m much more of a behind-the-scenes person!

If you could join Effie’s campaign team, what role would you want?

I’d love Angelika’s job as campaign manager. Running the campaign, organising things, and owning lots of colour coordinated post-it notes and shiny ring binders would be ideal!

Do you have any tips for young people who want to make a difference at their school?

I think the first thing is to make a manifesto, to think about the things that you want to change and why. Once you have a practical, manageable list of issues you want to tackle then it’s much easier to start taking action. At first Effie finds it difficult to narrow down her list of issues, but talking things over with her friends always helps her to make sense of things.

With thanks to Laura Wood, and publishers Scholastic. To buy a copy of Vote for Effie, click here, and to read my review, come back tomorrow! 

When Good Geeks Go Bad: A Q&A with author Catherine Wilkins

when good geeks go badIt all started with a pair of trainers. Ever had an argument with your child over their choice of shoes for school? Or about an accessorised piece of school uniform? When I was a child I wore a brightly-coloured coat to school as a clear mark of rebellion against my school’s black coat policy. Today, I see various attempts to challenge authority with hair style, or key rings on bags, or shoes!

When Good Geeks Go Bad begins with Ella’s Dad refusing to buy her a cool pair of shoes or let her stay up late. And yet she’s always been a good girl. So Ella decides to go bad. Perhaps then she can get her own way. But being bad is more than just a few detentions and she’s soon losing control.

In fact, she’s already lost control at home, where her parents are spending time apart. So when her best friend wants to spend time apart from her too, she wonders if it really is best being bad, or if being geeky was good after all.

This highly-relatable, funny read from comedienne and writer Catherine Wilkins is an excellent look at a young teen fitting in at school, and finding her own place at home, as well as working out which identity she’s going to carry through her teen years. Who to be friends with and for what reasons? It poses the sorts of questions many children ask of themselves in Year 8, on the cusp of being full-blown teenage. Wilkins understands how to write funny as well as how to explore the pathos in harder family scenarios, and she creates a highly identifiable character in Ella.

Written in first person, Wilkins captures the wishes and desires, the nuances of Ella’s life and thoughts, almost in diary-style, as well as those of her peers, so that the reader can often see more of their motivations than Ella can herself – giving the reader even more laughs, and also understanding. Here, Catherine Wilkins answers some questions on the book, and her own ‘funny’ life:

Were you Good at school or were you Bad?

A bit of both. I was a slightly mischievous younger child. When I started secondary school I became shy and quite well behaved. Then I eventually rebelled again a little bit. Like Ella, I wore trainers to school. I think there’s something about testing where the line is that all kids do. (Also I really liked my trainers at the time).

In When Good Geeks Go Bad, Ella’s dad refuses to let her have cool shoes. Was there an item you wanted in your childhood that you never got bought? 

There were many, many items I wanted that I never got. From a sooty puppet to a frosty the snowman ice slushie maker. We never had money for crazy purchases, but my parents encouraged me to save up for things, or wait for birthdays, so sometimes I got lucky too. (The downside of this is that when I wanted a shell suit, I eventually got one. And I still have not managed to burn all the photos of it.)

In the book there’s also some serious stuff about separated parents. Do you think all comedy should go dark at some stage?

I would never legislate that all comedy should do anything. I think comedy is subjective and everyone has different taste. I find when things in my life go a bit dark, it can help me to laugh at them, make them less scary, make sense of them and bring them back into the light. But that might not work for everyone. Comedy can be used in many different ways. I like that it can be a coping mechanism, to cheer things along, or satirical beacon shining a light on hypocrisy and corruption. And you can enjoy dark comedy and still like slapstick too.

Also I feel like in this book, there are genuinely serious bits, that we’re not laughing at, but they are then undercut or contrasted with the more funny bits.

You write comedy for kids – does being funny come naturally to you? Are you the funniest in your house?

I live in such a fun house that it unfairly throws off the grade curve. My three-year-old daughter is probably the funniest. She’s always making up jokes and dances and clowning around. She has comedy chops. Then my one-year-son is pretty funny, but more in a cute way. Then my husband is a comedian and writer too, and they all play funny games together. I might be somewhere at the back, just after the cat (who is actually really funny at falling off things and then looking to see if anyone saw).

What’s the scariest thing about doing stand-up comedy?

The profit margin. BOOM. (Jokes). For me, the scariest thing would be never having tried doing it. But lots of people would say performing in front of other people is nerve-wracking. I didn’t find that so much when they were strangers, but as I climbed the ladder a bit, and there’s accountability because the gig matters and you have to impress the next booker or reviewer, that’s when I would get nervous and lose my spark. But when I started, the thrill of testing a new joke and getting a laugh made up for everything.

Which fictional character do you wish you could be (for a while)?

This is a really hard question to answer because there’s so much to choose from. Maybe I’d like to be Alice and check out Wonderland for a while, and have some adventures.

What advice would you give budding comedy writers?

You are probably already a fan of comedy, so keep doing that and consume as much comedy as you can. Keep a notebook about your person to write down your funny thoughts and observations. I think sometimes with comedy it can be ‘spotting’ the joke, as much as making it up, seeing if you can spot something that no one else has connected in that exact way.

If you have a friend who has the same sense of humour as you, sometimes it helps to pretend you are trying to make them laugh. Or even collaborate with funny friends and try and write stuff together. (When I was at school I was often trying to force friends to do comedy with me, but they weren’t always as into it).

But also it’s important to write about what you think is funny, not what you think other people might laugh at, or what’s expected. It’s yours. Your jokes, your voice.

And lastly, is the next book simmering – will we see Ella again? Or is there something new?

There is a new book on the horizon, but it’s something brand new, not Ella. But never say never, it might be fun to see what Ella gets up to next in the future as well.

With thanks to Catherine Wilkins for her time. When Good Geeks Go Bad is published today, 10th January, and you can buy it here.