It’s awards season. Sandwiched between the BAFTAs and the Oscars, and following hot on the Costa Book Award, was yesterday’s Federation of Children’s Book Groups’ Red House Children’s Book Awards 2015. There were no designer frocks, no red carpet, and a distinct lack of paparazzi, but the event was a warm embracing ceremony, with excited children lining up to have a chat with their favourite authors, and to get their much cherished books signed. For the authors, not only were they shortlisted for the national prize voted for by children, but they were also presented with a portfolio of feedback – pictures, poems, reviews and letters all from their readers. I’m sure these are just as precious as any metal trophies.
The shortlist was as follows, for Younger Children: Dragon Loves Penguin by Debi Gliori (review here), The Day the Crayons Quit by Drew Daywalt, illustrated by Oliver Jeffers (review here), Go to Sleep or I Let Loose the Leopard by Steve Cole, illustrated by Bruce Ingman, and That Is Not a Good Idea! By Mo Willems. The winner is The Day the Crayons Quit.
For Younger Readers, the shortlist was Baby Aliens Got My Teacher! By Pamela Butchart, illustrated by Thomas Flintham, The Bomber Dog by Megan Rix, and Demon Dentist by David Walliams, illustrated by Tony Ross. The winner is Demon Dentist.
For Older Readers, the shortlist was Noble Conflict by Malorie Blackman, Prince of the Icemark by Stuart Hill and Split Second by Sophie McKenzie. The winner is Split Second.
The overall winner is The Day the Crayons Quit
And this all made me think. What are awards ceremonies for? Why do we do it? Of course, there is massive attention paid to the books/films/artworks which win awards, all of which drive value or sales, and so it’s a marketing person’s passion to be on the shortlisted or winning team. But for an author, what does it say? For how do we judge a good work of fiction? Being in a bookgroup, or chatting to anyone else who reads, it’s clear that what suits one doesn’t suit another. I love the Bronte sisters but I don’t love Dickens. Reading fiction is obviously completely subjective. On what criteria is it that we judge books when we give them awards? Similarly, what criteria makes a child’s piece of creative writing deserve an A rather than a B grade? There might be a checklist, but it’s totally dependent on the judges isn’t it?
One of those million dollar questions bandied about by authors and such, is ‘Would you rather write a bestseller or win the Booker prize?’ Of course winning the Booker might make you a best seller, but how about the Nobel Prize for Literature? Ie. would you rather be read by millions, or read and judged to be best by a few?
The Red House Children’s Book Award is great because it’s voted for by the readers – so it kind of ticks both boxes. Even then, pitting books against each other in an age range is hard. Whether it’s fantasy against contemporary, or funny against historical, are we right to rate them against each other, when some children don’t even like one of those genres?
The author SF Said recently raised the question of whether children’s books should be considered for the top book awards too – not just judged for the Carnegie Medal. Is it right that there’s a women author only prize? (Bailey’s, previously the Orange). The Booker has just started accepting novelists from the US as entrants as well as the original Commonwealth-only criteria, but should it even be judging different genre books against each other at all. It aims to judge ‘the best novel in the opinion of the judges’. Therein lies the rub. The judges.
In conclusion, we each make a judgement when we read a book, so why not celebrate our opinions with award ceremonies. They grab that elusive media attention – they pull people in to reading books, they drive sales of books. We’ve been telling stories since the Bible and before, and we will continue to do so. And if the RHCBA brings together children’s authors and their readers and celebrates children’s books, as the culmination of the Imagine Children’s Literature Festival, then I’m all for it.
Judge away. Tell everyone which are your favourite children’s books. The children who accompanied me had a fantastic time meeting authors they admired, and hearing readings and seeing live drawings. I came away from the event with recommendations for even more great children’s literature. And some beautiful autographs too.
Stuart Hill and Malorie Blackman pose laughing for a photograph
Thomas Flintham and Pamela Butchart show off their shortlisted book