newly independent readers

Sam Wu: A Conversation

Sam WuSometimes the best ideas come from collaboration. The junior fiction Sam Wu series is a lively and fun introduction to chapter book fiction for newly emergent readers. Featuring a truly funny main character in Sam Wu, with a loveable and realistic family including younger, and more confident, little sister Lucy, and wise grandma NaNa, this depiction of a Chinese family is refreshing and comes from author experience. Katie and Kevin Tsang have developed their winning main character and his group of friends in three books now, as Sam and companions lurch from adventure to adventure.  In Sam Wu is Not Afraid of the Dark by Katie and Kevin Tsang, illustrated by Nathan Reed, Sam and his friends take a camping trip away from Lucy and NaNa, but the book roots itself firmly within Sam’s tight friendship group. The Tsang author team showcase the magnificence of children’s imaginations, as more often than not Sam and his friends make their own adventures by imagining the scarier elements of life, all the time remaining within the safe sphere of their childhoods. With dynamic type and graphics, illustrations on almost every page, and lots of jokes, this is a great little series to enthuse young readers for chapter books.

A camping trip is a marvellous way to explore the bridge between childhood security and their growing independence, and as with Pamela Butchart’s There’s a Werewolf in my Tent, Sam and his friends imagine all the horrors that might come up to their tent in the dark. They also take a brave trip to a cave, and attempt to stay awake all night around the campfire in order to see off any nasty creatures or aliens that might share the woods with them. In the end, of course, all creepy noises are easily explained, and Sam Wu lives to breathe another day. Here, Katie and Kevin interview each other to explore the enjoyable elements of Sam Wu, their enthusiastic banter indicative of the fun, energy-filled dialogue within the book:

Photographer: Chris Close

KATIE AND KEVIN INTERVIEW 

Katie: I’m excited to interview each other!

Kevin: Me too!

Katie: I’ll go first. What are you most afraid of?’

Kevin: Sharks!! Researching for SAM WU IS NOT AFRAID OF SHARKS was very scary. But I also think sharks are awesome!

Katie: You really are very afraid of sharks.

Kevin: Okay, my turn. In SAM WU IS NOT AFRAID OF GHOSTS, Sam serves his friends Chinese food. What Chinese dish would you serve your friends?

Katie: I wish I was better at cooking Chinese food! I would probably take them to a Chinese restaurant. We’d either go out for dim sum (one of my favourites!) or to Sichuan (super spicy!) or for Peking duck. Like Sam, I love roast duck!

Katie: I’m stealing your excellent question that you asked me about what Chinese food I’d serve my friends. What would you serve?

Kevin: I’d take them for Peking Duck, like Sam! And I’d also make them try turnip cake.

Katie: I don’t believe that you’d make them try turnip cake

Kevin: That is just because you don’t like it.

Katie: Sometimes I do! It just isn’t my favourite.

Kevin: Speaking of favourites, who is your favourite character in Sam Wu?

Katie: Lucy is my secret favourite. I love how brave and bold she is. It was important that we portrayed positive sibling relationships. I also love NaNa.

Kevin: I have to admit, my favourite character is SAM.

Katie: Well, what is your favourite part about writing Sam Wu?

Kevin: Working with you!

Katie: Other than that, because that is obvious.

Kevin: I love seeing Nathan’s illustrations! He’s SO good. And the design team at Egmont is amazing too.

To buy a copy of Sam Wu is Not Afraid of the Dark, click here.

Charlie Changes Into a Chicken by Sam Copeland, illustrated by Sarah Horne

charlie changes into a chickenMassively hyped already, with marketing material yelling ‘for fans of David Walliams’, this first of a brand-new series actually does live up to the hype. 

Aimed at a young fiction readership, aged seven and up, Charlie Changes into a Chicken is a delight. A genuinely funny, pacey adventure story that has a healthy dollop of pathos and heart from a writer who obviously understands and spends time with young children.

Charlie McGuffin worries about everything. He worries about his brother, who is not very well in hospital, his parents, who are worried about his brother, and he’s worried about garnering any attention from the school bully. Then he finds another thing to worry about – when he worries, he turns into an animal. At first, he metamorphosises into a spider (and with far more anxiety about his situation than displayed by Kafka’s protagonist). Before long though, this change is happening more often, and at the most inopportune times. With the help of his three friends, Charlie must find a way to stop the transformations happening, and prevent the school bully from revealing his secret.

One of the best features of this young fiction title is Copeland’s approach to the writing. It reads as if Copeland is telling the story to the reader personally, and with this intimacy comes reassurance, which is exactly the effect wanted. This is not a new device – in fact it’s in part what made Dahl so successful in his novels.

Here, the intimacy inspires confidence in the writer as a storyteller but also as a warm, approachable understanding adult, so important when, deep down, this book is about overcoming and dealing with anxious thoughts.

On the surface though, the story’s a laugh a minute. From the footnotes in which Copeland gets to extrapolate silly facts or simply extend his jokes, to the plot structure itself which gets funnier and more enjoyable the greater variety of animals Charlie turns into and the places in which he does so. The pigeons in the playground incident is particularly amusing, as is Charlie turning into a rhinoceros in his somewhat small bedroom (and needing to go to the toilet). Indeed, there are toilet jokes a-plenty, but nicely packaged within the overwhelming anxiety Charlie feels, so that they are there for a purpose. There are nail-biting moments too – the incident in the Head’s office, for example.

But what many readers will find succour in, is the friendship group. Charlie summons the courage to share his strange ‘superpower’ with his diverse, hilarious friendship group with all their vastly different personalities. My favourite is Flora, who attempts to discover the reasons behind Charlie’s metamorphosis – her theories fail at first, but she perseveres. As well as teaching a valuable lesson, her attempts provide a raft of laughs.  

Even after the book has finished, Copeland continues to address the reader with a series of fake questions from readers and answers from himself, as well as a letter from the publishers. All induced an amused wry smile.

Copeland is certainly a writer with impeccable comic timing, but also one who understands plot structure. Coming from a literary agent (Copeland’s day job), this shouldn’t be a huge surprise, in that he understands how a book works, but what is refreshing is the intimacy formed with the reader, the light touches, and the insightful imagination. Charlie feels real, despite the ludicrousness of the plot, and his group of friends just like yours or mine.

Sarah Horne’s black and white illustrations feature throughout, and are injected with just the right amount of zaniness. Horne excels at quirky and her characters are differentiated, appealing and expressive: the step-by-step transformation into a pigeon particularly funny.

The book works thrice. Firstly, as a good read for the age group with lots of plot, a fun premise and laughs-a-plenty. Secondly, as an antidote to anxiety – it shows how problems are often entangled with embarrassment about sharing them – the fact that Charlie’s anxiety manifests as an embarrassing problem itself is the whole point – and Copeland shows that fiction can be a calming and positive way to highlight mental health issues. And thirdly, as a conversation with the author. Sometimes, under stress or needing escape, books can become friends themselves. And with such a calm and witty author hand-holding the reader’s way throughout the book, this is one novel that children will embrace again and again.

No wonder there’s hype. This is a cracking novel, brilliantly funny, warmly reassuring. You can buy it here

Animal Fun

anthology of intriguing animals
An Anthology of Intriguing Animals by Ben Hoare, illustrated by Daniel Long, Angela Rizza, and Daniela Terrazzini
This beautiful book looks as if it belongs in some treasured library, with its foil cover, gold edges and hefty weight, but inside it feels modern, spacey and fresh. The book aims to be encyclopedic with a twist, not only showcasing the visual image of the animal, and exploring facts about them, but also including myths and stories too. Initially, some of the animals don’t seem to be ‘intriguing’, after all there is an ant listed, which feels fairly ordinary, until you read the text about ant colonies, and honeypot ants that once sucked as sweets in Australia and North America. Written by a wildlife journalist and with huge images, this is quite a collection. The piranha looks so three-dimensional on its full page that I had to turn the page to stop it looking at me. A phenomenal book that goes beyond the ordinary facts. (Buy it just to see the adorable picture of the koala asleep). You can buy it here.

clue is in the poo
The Clue is in the Poo by Andy Seed, illustrated by Claire Almon
The title may be enticing for some children, offputting for older children, but this book is much more than a book about animal droppings. It aims to create a nature detective in the reader, teaching them how to track or tell an animal from its faeces, but also revealing the other tracks and traces animals leave in their wake, as well as exploring animal homes, animal eggs and feathers, bird pellets and more. With occasional quizzes to test knowledge, and pages that are neatly broken up into different colourful boxes, diagrams, captions and annotations, this is packed full of information. I love the ‘leafy lunch menu’ which explores how to tell if a leaf is being nibbled by a minibeast, as well as the spread entitled ‘Do Bears poo in the woods?’ to which the answer is a definitive ‘yes’ but covers other signs for bears and things they eat. This page is enhanced by the gorgeously cartoon-like illustrations, which show bears climbing trees, digging a hole, and yes, pooing. With a title like this, the text inside needs to convey humour, and matched with the witty illustrations, this is a fun animal read. You can buy it here.

we build our homes
We Build Our Homes by Laura Knowles and Chris Madden
I’ve long been a fan of Laura Knowles’ picture books, which offer information and a message in a simple yet ultimately stylish way, and this is a treat for natural architect fans everywhere, particularly when the reader realises that some of these animals build their intricate homes afresh every year – they can’t simply give it a lick of paint or hang new curtains! The book showcases a range of animals and their homes from the obvious, such as the beaver, to the more unknown such as Darwin’s Bark Spiders or Edible-Nest Swiftlets. But what’s really incredible is Knowles’ prose style, which verges into poetry as she writes, as if each animal is talking to the reader (first person narrative) and manages to rhyme in places, as well as provide perfect metaphor. The Ovenbirds build their nests out of mud so that the summer sun bakes them hard “Like pots in a kiln. Like biscuits in an oven.”  The illustrations bear a tone of softness and understanding, as if the reader is a respectful voyeur, an invited observer. There is no white space on the page – each landscape floods to the edges. The book ends with a look at humans, a world map and a fact file. You can buy it here.

who are you calling weird
Who Are You Calling Weird? By Marilyn Singer and Paul Daviz
More unusual animals in this bold vibrant collection of animal profiles, including the aye-aye, boxer crab and Mwanza flat-headed agama. Each animal is featured with a large computer-graphic style illustration in its own landscape; the platypus swims towards the reader with bubbles escaping from its mouth. A few paragraphs sum up each animal, explaining why they are ‘weird’ and explaining how the quirk serves a purpose. The proboscis monkey’s large nose is not only attractive to the female but the larger his nose, the more noise he can make, scaring away enemies. There’s lots of information here; each animal is described in terms of their behaviour, diet, and habitat. The book is colourful in aesthetics but also in language – it feels bold and outgoing, friendly and lively – asking questions of the reader, speaking in second person at times, almost in dialogue so that the reader feels they are being gently led by the hand into the animal kingdom. The last page features the human – what’s so weird about us you might ask – you’ll have to read it to find out. You can buy it here.

when the whales walked
When the Whales Walked (And Other Incredible Evolutionary Journeys) by Dougal Dixon, illustrated by Hannah Bailey
For something slightly more complex, this is a fascinating look at evolution, using 13 case studies to explore evolution of species, including the transformation of dinosaurs into birds, and documenting the earliest elephants. Each journey takes a few pages of the book – there are details that need extrapolating. Experienced author Dixon takes the reader through each journey carefully, explaining and guiding so that the reader is assured about the evidence and progress through time. Dixon references bones and fossils, and gives boxes of detailed species information including pronunciation of names, period lived and size, as the journey proceeds. The whys are also explained – Why are elephants so large? Elephants reached their large size for protection. Other data showcases large numbers too  – elephants evolved to their current size over 25 million years – but the other information is just as incredible. I love the detailed drawings of cats’ teeth, and the head shapes of birds. Each page is more fascinating than the last, and there is annotation, timeline, maps and diagrams to help the reader understand. Compelling. You can buy it here.

Younger Fiction

There have been some beautiful stories for younger children recently – books for newly independent readers (those comfortable enough to tackle chapter books by themselves).

legend of kevinThe Legend of Kevin by Philip Reeve and Sarah McIntyre

Reeve and McIntyre, of Cakes in Space fame, bring their zany storytelling to this new magical tale about a rotund flying pony, blown from the outermost West to a tower block in Bumbleford. The over-riding theme is friendship but there’s a pervasive feeling of community throughout, and an understanding of providing solutions for problems, no matter how peculiar the problem (mermaid hair styling), and how outlandish the solution. There’s acceptance of difference, and an emphasis on ordinary heroes.

The success of this author/illustrator pairing, and there are those who wait ravenously for each new book, is that the text and pictures work perfectly in harmony. Gaps in the text are filled by the pictures, humour in the pictures is enhanced by the text. The pair know exactly how to pace the book, when to digress and when to pull back to the plot. With their trademark mermaids and naughty sea monkeys, this is a delight (for slightly younger audiences than their previous books), and marks a determined shift towards reality, as the Outermost West comes to a city not unlike the reader’s, complete with mundane shops, headmasters and mayors. You can buy it here.

sherlock and baker street curseSherlock and the Baker Street Curse by Sam Hearn

Super sleuthing comes to the younger fiction department in this glorious play on the trope of Sherlock Holmes. Transported into a school, the Baker Street Academy, Sherlock is just a school boy solving mysteries. But it’s the use of media that works so well here. The plot is relayed through a series of different text formats – Watson’s diary, comic strip illustrations, notice boards, webchats, emails etc. There’s a mystery to solve of course – and the reader can solve alongside Holmes, Watson and Hudson, as long as they don’t get misguided by a red herring.

In this book in the series, Sherlock and his friends have to solve a ghost mystery, dating back to when the school building was a family home. There is a great warmth that exudes from the text, and the dialogue feels authentic and friendly. A slick introduction to mysteries. You can buy it here.

ivy and beanIvy and Bean: One Big Happy Family by Annie Barrows, illustrated by Sophie Blackall

I had my favourite American characters when I was little – Ramona Quimby and Amelia Bedelia spring to mind instantly. I don’t know if it was their spunky characters or their derring-do adventures, or perhaps the setting – in a school grade system I didn’t understand, with towns boasting large white houses with sweeping driveways, and vibrant lawns with tyre swings hanging from trees. For the next generation, and slightly more down-to-earth, is Ivy and Bean. This delightful friendship between quiet Ivy and rambunctious Bean, two seven-year-olds who live in the same street, is a celebration of old-fashioned values and community America. But mainly it’s just a fun chronicle of two girls and their neighbourhood adventures. What appeals most is the amount of free time the girls have to indulge their passions and make their own fun – rather like The Secret Seven did.

Barrows seems to have an understanding of the limitless possibilities offered by the best childhoods, and she includes all the fabulous childhood obsessions from glitter, to being made to tidy up, to sharing. This eleventh book in the series celebrates being an only child, or rather not being spoiled. You can buy it here.

first prize for worst witchFirst Prize for the Worst Witch by Jill Murphy

Another series that should be celebrated for its longevity is The Worst Witch. Not only bearing my favourite character names, Mildred Hubble’s and enemy Ethel Hallow’s images are burned onto my brain – those illustrious illustrations of schoolgirl witches hanging on broomsticks with plaits flailing behind them, dangling untied shoelaces, and the haughty thinness of Miss Hardbroom. The utter enjoyment of seeing Mildred learning from her mistakes continues to this day, with Mildred battling to be chosen as Head Girl, against all the odds. Although the first in the series was published in 1974, this latest (and reportedly last) lives up to the high standard set by the first, and is an utter nostalgic joy for the adult reader, and an excellent gentle introduction to chapter books for new readers – it’s humorous, accessible and still relevant. You can buy it here.

nelly and monster sitterNelly the Monster Sitter: the Grerks at No. 55 by Kes Gray, illustrated by Chris Jevons

Repackaged in August with new illustrations, although the original text was first published in 2005, these hilarious books sit comfortably between Horrid Henry and The Bolds as accessible, funny, highly illustrated chapter books just right for newly independent readers. Nelly likes monsters, and happily takes care of the little monsters in the neighbourhood after school whilst the parent monsters take some time off. She’s in high demand, but has no idea of the type of monster she’ll encounter before she arrives. Each adventure showcases Nelly’s wit and quick-thinking – she’s a brave, down-to-earth and likeable protagonist, and as one would expect from Kes Gray, there is plenty of word play, great visual description (enhanced by the illustrations), and a lively exuberance that permeates the text. The winning formula here is that the monsters’ lives are so mundane. You can buy it here.

oscar and catastropheOscar and the CATastrophe by Alan MacDonald, illustrated by Sarah Horne

Another skilled writer for this age group is the indomitable Alan MacDonald, author of the Dirty Bertie and Superhero School series, among others. His straightforward easy to understand style is great for flourishing readers, and enables them to zip through his books at speed, promoting confidence and fluency. Oscar and the CATastrophe is the third in this series about Oscar the talking dog and his owner Sam. In this latest adventure, Oscar has been shocked to silence by the appearance of a neighbourhood cat and Sam is worried about the jewel thief in town. Gentle humour and basic plotting, but perfect for growing readers. You can buy it here.

Zebras and Lollipops

On route to take my younger children to school, we have to cross four roads. Two are minor, and two are main roads, neither of which two years ago had a zebra crossing. I decided to use my campaigning skills to petition the council and Transport for London to install one on the school’s road. And to my delight, a year later, they did. Now I use it about four times a day, and it serves the local park too.

phantom lollipop manAnother school that has a zebra crossing outside, is Izzy’s school in the Pamela Butchart book, The Phantom Lollipop Man, illustrated by Thomas Flintham. This seventh book in the ‘Baby Aliens’ series continues the exploits of Izzy and her friends and their school. In this title the friends are shocked to discover that their lollipop man has disappeared. Instead, they feel an unsettling coldness even when wearing tights, and start to see wispy clouds in the playground. Could he have died and now be haunting the school? So Izzy and her friends determine to find out.

On the surface, this is another exuberant adventure from brilliant comedy writer Pamela Butchart. The text flows with Izzy’s characteristic breathlessness, driving the reader through the plot and as always staying true to the brilliant friendship group, each member clearly distinguished by their character traits.

But what makes the book so endearing, other than the CAPITAL LETTERS, illustrations and energetic use of dialogue, is Butchart’s complete comprehension of schools. From her understanding about the importance of blu tack through to school office workers’ signs and the attitude of lunch supervisors, this is imperative as young readers feel a sense of familiarity with the world being created.

And although the books are hilarious – this one in particular had me laughing out loud every few pages and is definitely the funniest so far – there is an insightful compassion for the community of a school – the way that each component is dependent on another, and some real truths about what we value in society.

Izzy and her friends point to the lack of value we place upon certain people – lollipop workers included (but also perhaps, the school officer workers, the librarians, careworkers etc) and how important their roles are, and how they should be recognised. It’s a subtle message underlying the hugely comedic text, but a vital one. And Butchart also points out the loneliness that can be experienced in old age – when juxtaposed with the intense intimacy of Izzy and her friends, it becomes even more apparent.

This is a superb book that deals with community, values and society, and rounds off nicely with good use of the library and empathy for other people. A riotous, happy, storming success. A really top series for newly independent readers. I hope they keep coming. You can buy it here.

zebra crossing soul songOn a similar theme, but for teen readers is Zebra Crossing Soul Song by Sita Brahmachari. This is a book published by dyslexia specialists Barrington Stoke, and is suitable for a reading age of 8, even though its subject matter is for teens. But it’s an enjoyable read for all.

Lenny has spent most of his eighteen years crossing the nearby zebra crossing, aided by the singing ‘zebra man’ Otis. But when Otis isn’t there anymore, Lenny, who is himself struggling as he sits his psychology A-level, looks back on his memories of them together, through music, and finds a way to move forwards.

Cleverly, the fixed point of the zebra crossing gives a clear focus for Lenny to look back on his school years from nursery to A-Level as he reaches a crossroads in his life. And the shared passion of music gives Lenny and Otis a clear bond, and also a vehicle for Brahmachari to use music as a distinguishing feature in her novel, as the story is written in music memory tracks – music as a recall mechanism, but also as a form of writing in its own right – like a poem.

When Otis disappears, Lenny uses his knowledge of psychology and memory, as well as music to find out what happened in Otis’s past to affect his future, and discovers that not only does music hold a bond with the past, but a vital component of Lenny’s life going forwards.

This is a cleverly woven piece, with a sympathetic bond between two people, and, as in Butchart’s light-hearted book, an awareness that although some people aren’t highly valued by society, they are highly valuable as individuals and in the role they play. Lollipop men and women are there to save lives – and sometimes literally do, and they play a positive role in shaping the community they serve. Sometimes it’s the quiet people who make the difference. You can buy it here.

 

 

Peter Pan by JM Barrie, retold in rhyme by Caryl Hart, illustrated by Sarah Warburton

Peter PanI have a confession to make. I decided to read the worthy classic Peter Pan by JM Barrie to my first child at bedtime one year and picked out an exceptionally beautiful edition of the original. And yet a few pages in, I found myself précising the text, rewording it, changing sentences and skipping bits – the prose just wasn’t as captivating as I thought it should be. It had all the elements in the plot – removable shadows, pirates with hooks, crocodiles with clocks and fairies with attitude, yet it didn’t zing along.

So when this latest version came through the post, I wished that it had arrived years earlier, but settled for reading it to the youngest child instead. What a delight. Hart has used her extensive experience in rhyming picture books to retell the story in her own energetic style, and it is a joy to read aloud:

“Our tale begins in London
in a house on Bloomsbury Street.
Inside there lived a family,
the nicest you could meet.”

Hart not only retells the story, but imbues it with a narrator’s warmth, gently guiding the readers as Peter guides Wendy through the sky. There’s much plot and little description, but the setting is neatly filled in with Warburton’s filmic illustrations, rendering the mermaids mischievous with a flick of an eyebrow, the pirates both comedic and threatening with their sometime mean, sometime dozy expressions, and their excessive facial hair.

With pure pantomime timing, Hart executes all the finer details of the plot, and the familiar phrases – as children the land over clap their hands to save Tinkerbell, and there is much walking the plank, the introduction of the ‘Wendy’ house, and of course lots of fighting. But she also pulls out the dramatic pantomime hilarity of the story – Pan poking Hook from behind, then inciting him to climb the crow’s nest where he immediately feels dizzy. Child readers and listeners will be both engrossed with the fast-paced plot but also cheered with the numerous nods to win their humour. Hart also makes use of much onomatopoeia, building drama wherever possible with the ticks of the clock and the snaps of the crocodile, the canon’s boom and the water’s splosh.

The text is split neatly into four line verses, at times each illustrated separately, and sometimes illustrated with a full double page spread landscape. The production is superb – the pages are lush and thick, the colour bursting from the page in wondrous detail – the last spread has Peter almost silhouetted on a rock whilst in the foreground Tinkerbell literally shines and the flowers seem luminous in her wake. Other spreads delight with detail – the pirate ship, but also the lost boys’ underground home with its hammocks, swinging lanterns and shelves of curiosity. This is one you read to a child nestled in your arms – and with a ribbon bookmark and foiled jacket, you’ll both feel spoiled and all set for winter nights in – just keep the windows closed:

“They’d slipped out through the window,
quite ignoring Nana’s warning.
“Second to the right!” they cried.
“Then straight on until morning!”

Find your own way to Neverland here.

Beetles, Other Creatures and Conservation

For some children, their way into reading is not through love of story but rather through a particular interest, such as beetles, creatures or conservation. I recently had a client who was concerned about her son’s reading and begged me to find books on turtles – it was the only way in. For other children, their concern for their own future and the future of the planet is a key concern and although watching David Attenborough is fascinating and game changing – so is reading a book that teaches about conservation. My headline book this week is borne out of a fiction trilogy, although it very firmly sticks to the facts.

beetle collectorsThe Beetle Collector’s Handbook by MG Leonard, illustrated by Carim Nahaboo
This is an excellent extension of a make-believe world, yet despite the fictional author named in the front and the Beetle Boy characters’ printed scrawlings in the margins, the book is above all a bonafide non-fiction book on beetles, comprehensively written by Leonard and fact checked by leading experts. For those unaware, the Beetle Boy trilogy is a great adventure story about Darkus Cuttle, in which beetles play a large role. This book, The Beetle Collector’s Handbook, is referenced within the text as a key non-fiction handbook, and now Leonard has created her fictional reference as a real book.

Not only does it give further insight into the Beetle Boy characters with their margin annotations, but it gives detailed information on a selection of beetles, complete with annotated illustrations and rather wonderful tables and records of species. The illustrations show the actual size of some of the beetles, and the text supplies facts in a friendly, non-patronising and welcoming way.

The author’s voice comes through loudly and clearly, not only in her (or his, if you go with the fictional author Monty G Leonard) explanation that this is a book for both genders, but also in her instructionals on how to catch, study, but mainly respect these insects. As one would expect from someone who views beetles as insect superheroes with their own costumes and skills, the book is enormous fun, and genuinely encourages the reader to seek out beetles – which luckily for most means simply going to a local garden or park, in which at least fifty different species live apparently. This is an inspirational book, but also highly researched, so that a child will come away with scintillating knowledge but also enthusiasm and enjoyment. The book is packaged in a chapter-book style to sit neatly on the shelf next to the fiction trilogy (if you so desire), but also with a nod to the fiction behind it – it’s hardback with foil embossed cover and pages inside that are tinted so that it feels ‘old’. Clever, attractive and necessary. Like beetles themselves. Add it to your collection here.

survivalSurvival by Louise McNaught and Anna Claybourne, and produced in association with Tusk, is a phenomenal visual warning about the plight of some of the planet’s endangered and vulnerable animals. Some of the artwork in the book is taken from Louise McNaught’s art show, also called Survival, and features the creatures’ energy – some are so stark they seem almost like photographs – but are hand painted with incredible detail. What’s more the animals are fading into or rather out of a bright background, so the image of the tiger looks as though the animal is emerging from the green foliage, at the same time as perhaps being gradually faded out by an invisibility cloak – or rather the threat of extinction.

The book showcases each visual with a reference page that highlights the status of the animal (The Siberian Tiger is endangered) as well as giving key facts about population, Latin name, habitat and location in a small box. A paragraph of text gives context and illuminates the history but also conservation of the animal (action being taken to protect them), and their importance on Earth.

The artwork in the book is breathtaking – quite inspirational. If you hadn’t already worried about the future of the Hawksbill Turtle, you will after seeing its vulnerability portrayed with the upward drips of paint around its vivid, striking body. Age 7+ years. You can buy it here.

turtles, snakes and other reptiles
Turtles! When I spoke to that aforementioned client, there were only a few books around that met her son’s need. Now, there are more and more. I’d start with Turtles, Snakes and other Reptiles by Alice Pattullo and Amy-Jane Beer. This pocket guide with high production quality gives a comprehensive look at all things reptile, despite being quite pocket-sized for a non-fiction title. Full colour illustrations throughout, and mentions for lesser-well known species make this an excellent guide to reptiles. Each creature is given an introductory paragraph but also panels including ‘A Closer Look’ and ‘Did you know’, Latin names and captions and annotations. For the older amongst us, some of the small text is hard to read against the dark coloured backgrounds, but for its readership, this is a fascinating and worthwhile little series, in conjunction with Britain’s Natural History Museum. Age 7+ years. You can buy it here.

hello world animals

Three titles for younger children with an initial emerging interest in animals and seeking further understanding include Hello World: Animals by Nicola Edwards, illustrated by L’Atelier Cartographik. This companion piece to Hello World by Jonathan Litton is a novelty lift-the-flap title that explores the wonder and richness of the world around us. The book divides into the different continents, with maps overlaid by small images of animals, which when lifted give the name and a brief sentence. Brevity is of the essence here. I did enjoy the longer explanation as to where the European wilderness has gone, as well as the oddities of the Galapagos. The book features over 180 animals, pointing out when some are endangered, how some of them feed, and an interesting range of other facts – a good primer for primary school geography and exploration of the life sciences, and great for kids who like to dip into books to glean regurgitate-able facts. Age 7-9 years. You can buy it here.

There’s a Rang Tan in my Bedroom is actually a 90 second animated film narrated by Emma Thompson, but Greenpeace have released an accompanying book, which tells the rhyming story of a baby orang-utan who is homeless because of deforestation – the clearing of natural habitat to make way for palm tree oil cultivation. Sadly, although they sent me a copy, I can’t find one for you to buy, but you can watch the video here.

peek and seek
For a proper book, complete with flaps, full colour illustrations, and interactivity, little ones will like Peek and Seek by Charlotte Milner. At first appearance the spreads look empty – a landscape of houses, inhabitants silhouetted, and a tide of colourful trees behind. When the reader lifts the flap, a flock of birds and information appear as if by magic. The information describes roosting, group epithets, and migration, all on a hardy board book background. Further spreads include wolves, ants (although alliteration has won out over factual accuracy on this spread – using army rather than colony), fish, monkeys and rabbits: an eclectic mix with no apparent reason. There are also charts with things to find in the illustrations – a nice engaging bit of interactivity. A shame to find a spelling error on a key word in the factfile, but perhaps it will be picked up on reprinting. A gentle introduction for exploring eyes. Age 4+. You can buy it here.

 

 

Books of Wonder: Information and Knowledge

When I was growing up there was a television series called The Wonder Years, and very often I hear adults talking about a child’s sense of wonder at the world around them. I don’t know who first attributed the wonder quality to childhood, but if a child is less jaded, more open to being amazed or dazzled by the world than adults, then they’ll be even more entranced with this selection of books than I am.

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Atlas of Adventures: Wonders of the World, illustrated by Lucy Letherland, written by Ben Handicott

I first came across Lucy Letherland’s Atlas of Adventures in a school hall in 2014, reviewed it as one of my first books of the week, and since then my blog, and Letherland’s series has gone from strength to strength. The Wonders of the World title, however, is truly awesome, or should I say wonderful. Veering off the path of the traditional wonders of the world, Ben Handicott has picked his own; choosing 30 destinations from as far apart as Death Valley to The Forbidden City.

Introducing his wonders, Ben makes the point of explaining that wonder can be found in the simplicity of a flower blooming in your backyard as much as in the intricacies of the Sagrada Familia, but explains that some wonders are worth travelling for.

Letherland’s full page illustrations of each wonder, drawn from different and intriguing perspectives, and following on from maps of each geographical area, are truly magnificent; each populated with a raft of tourists, indigenous peoples and animals in an imaginative out-of-this-world harmony. And Handicott’s text not only introduces the site with a couple of paragraphs and snapshot information, but illuminates single sentence facts around the illustrations. His annotations on the illustration of Neuschwanstein Castle, thought to be an inspiration for Walt Disney’s fairy tale castle, highlight the modern fixtures and fittings within.

This is a bold book, in the choice of wonders and also in the guilty irreverence of some of the illustrations, (Merlin at Stonehenge, for example), but all provoke fascination in the reader. Maps fix the natural and man-made wonders firmly in their geographical position. Watch for the tourists posing at the Leaning Tower of Pisa or the bears in Yosemite. I found a marathon runner on the Great Wall of China. Can you? Find your wonder here.

welcome to our world
Welcome to Our World: A Celebration of Children Everywhere by Moira Butterfield and Harriet Lynas
With illustrations and theme reminiscent of Disneyworld’s It’s a Small World ride, this is a colourful look at childhood around the world, highlighting differences but above all sending the message of what humans have in common. The first page highlights flags, then the author looks at various ways of saying hello in different languages (with a phonetic spelling for pronunciation), as well as showcasing types of names, foods, homes, pets, and transport in different countries. For any child wanting to see how others live, this is a great introduction. There are quirks, as well as that which is familiar and relevant to children, such as school uniform, musical instruments etc. The quirks include cures for hiccups, phrases, manners and playground games. With their saucer faces and big black button eyes, the illustrations are doll-like and immensely colourful, reminding me of the collection of native dress dolls that I had as a child. Appealing and eclectic, this is a great fact-finder for the very young – kids will enjoy the celebration cakes from around the world. There’s a list of countries featured at the end of the book, and great production values throughout. Age 4+. Welcome to your world here.

one day so many ways
One Day So Many Ways by Laura Hall, illustrated by Loris Lora

Not so dissimilar is this large-size illustrated guide to 40 children from around the world, also looking at a 24 hour period, in which it compares lifestyles and habits, including houses, meals, transport to school, playtime and so on. The illustrations of the children here are slightly less doll-like, but also stylised to look similar despite their differences – almond eyes, simple bodies – they reminded me of Topsy and Tim in that last-century-retro-way. Features that differentiate from the book above include a spread called Quiet Time, which features prayer, reading time and meditation amongst other pursuits, and asks the reader to contemplate their own life features. Weekend jobs, family time, helping out and reading are also explored, as well as the more mundane foods, bedtime, friends and homework. The Highlights page showcases the highlights of some of the children’s days, and it’s clear that weather can play a large part in how children live their lives. There’s a list of countries at the back with flags and facts, and this will be a good addition in showing children the different cultures and ways of life around the world, despite the inherent similarities of childhood. You can buy it here.

wonders of the world
Wonders of the World by Isabel Otter and Margaux Carpentier
Where best to find wonder than in the traditionally designated ‘seven wonders of the world’? This book is much smaller and squarer than Lucy Letherland’s Atlas of Adventures: Wonders of the World and is aimed at younger children, highlighting the Ancient Wonders and Modern Wonders, exploring all 14 in a colourful lift-the-flap informative book. Each wonder receives a full page, with introductory text, and some supplementary information in small paragraphs, such as exploring that the Colossus of Rhodes was the inspiration behind the modern Statue of Liberty.

An interactive wheel displays the plants of the Hanging Gardens of Babylon, as well as the features of the Lantern Room on the Lighthouse of Alexandria. This is a colourful dip into the beautiful buildings that defined their eras, and the colour palate matches well with the romance behind each – pink and patterned egg blue for the Taj Mahal, deep orange and yellow for the Great Pyramid of Giza. This cardboard novelty book has a page at the end detailing some natural wonders too. Age 7+. Find a wonder here.

treasure hunt house
Treasure Hunt House by Kate Davies and Becca Stadtlander
Not all wonders are to be found in distant places and time. This book is both a game, in that it’s a literal treasure hunt – readers must lift the flaps to solve the clues – but also a treasure trove in that it gives fascinating facts about the wonders to be found in a domestic realm. Two children go to visit their Great Aunt Martha in her house – this is not an ordinary house though, containing a music room, conservatory, library and hall of inventions. More like a stately home, although many of the items are to be found in every domestic environment, and the book gives the history behind the telephone, fridge, toilet and bath as well as stepping into the more eclectic, such as exploring a Chinese lacquered mirror, platform shoes, Renoir painting and more.

This is exploration and history and activity all in one book. The illustrations themselves are like a treasure hunt – detailed, fascinating and rather intricate – they immerse the reader in the book. The readership is hard to define here – it’s probably something that could span a host of ages – the clues are very easy to solve, but the text in some places feels older. Age 7+. Find your treasure here.

curiositree
The Curiositree: Human World: A Visual Compendium of Wonders from Human History by Amanda Wood and Mike Jolley
A second in this series – the first Curiositree explored the natural world – now we are into human history. Divided into sections – with three colour-matching ribbons to bookmark a reader’s place – each spread is labelled as a ‘chart’. This is down to the fact that the book is remarkably visual. There is a glut of information on each topic, and although the typeface is minuscule, each ‘chart’ is different from the one before and includes many illustrations, infographics and diagrams to showcase the topic.

The three colours of the ribbons, like the colour-coding inside, represent the three strands of discovery in the book: human history, art and culture, science, trade and technology. I expected more page cross-referencing across the topics, but was nicely surprised by the depth of knowledge on individual items, such as the history of metal usage, breakthrough thinking ie in maths, and the over-riding themes of the history of farming and music.
curiositree writing
It’s difficult to showcase thousands of years of human development in a 112 page book for children and the authors do an admirable job. Of course there’s much missing, and I had rather hoped for a little more information on religion and philosophical thought before launching into Stonehenge, ancient temples and tombs, but on the whole this is a great resource, and I suppose why it is a compendium rather than an encyclopedia.

Towards the end there is information on printing and world exploration – because the book travels up to the early 1600s only. Although this is clearly aimed at much older children, in that it introduces complex themes, has a complicated layout (for dipping and researching), and articulates in a non-patronising but technically more sophisticated manner, younger readers will enjoy the detailed and colourful illustrations throughout. Aimed at 8+ years and older. Stimulate your curiosity here.

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Transport and Travel Mini Hardback by Sandra Lawrence, illustrated by Jem Maybank and Foods of the World: Mini Hardback by Libby Walden and Jocelyn Kao.
For those who prefer their factual information to be more bitesize and topic-based, these two excellent little companions will be useful for curious children wondering about the world, and useful as classroom resources. Rather than holding an encyclopaedic knowledge of the topic, these dip in with illustrations dominating each page, and a couple of sentences at the top to give background.

The transport book divides nicely into wheels, rail, air and water and picks out where transport has become rather famous – the San Francisco tram, the Shinkansen railway network in Japan. There’s also a nice mix of history – the Viking longboats, and future – the jet pack. Foods of the World is even more random in its choice of information. There are customs and traditions, celebratory food and a strange section called ‘playing with food’, with quirky facts such as competitive eating, food fights and the accidental creation of bubble gum. More fun than fodder for thought, this is a good title to have in the KS1 classroom. Age 5+ years. You can buy them here and here.

A Chase in Time by Sally Nicholls, illustrated by Brett Helquist

a chase in timeSally Nicholls, one of our most assured writers for children, has turned her attention to a new series of time-slip adventures for slightly younger readers (confident 7+ years), and the first novel, A Chase in Time, is a delight from start to finish.

Written in an accessible, abundantly clear and precise style, Nicholls wastes no time in diving straight into her plot, but also writes with one eye firmly on modernity, despite the bulk of the book being set in 1912.

Alex and his sister spend every summer at their aunt’s country house, which also doubles as a bed and breakfast. This summer is to be the last; Aunt Joanna is selling the house because money is short, and things are set to be different in more ways than one. Because this summer, when Alex looks in the golden-framed mirror that hangs in the hallway, he sees another boy in the mirror – and it’s not his reflection. Before long, Alex and his sister Ruby are sucked through the mirror back in time, to the same house in 1912. And the people who inhabit it desperately need their help.

Nicholls’ characters always tend to be strong-willed and confident, and Alex is no different. His voice rings wonderfully true, and he feels authentic and real because of his steadfastness and his quality of being incredibly grounded:

“Alex had never believed in those children in books who discovered secret passageways, or Magic Faraway Trees, or aliens at the bottom of the garden, and kept them a secret…What was the fun of a secret passage if you had no one to boast about it to?”

He and his sister constantly refer to their knowledge of time travel – garnered from books and movies; they are immediately self-aware that they are in this predicament to solve a problem, and once it’s been solved they’ll return to their proper time in history.

In fact, Nicholls is clever here. Not only do we really feel Alex’s character through his authentic voice, but she describes time travel with fresh eyes, all the while referencing those that have gone before her in the literary children’s canon. Once Alex realises where he is, he has expectations about the past – that perhaps the rooms would all look rather like a period piece from TV or The National Trust – but he finds that they are more real, more lived-in. He also describes the rooms and people matter-of-factly, but by pointing out the differences with modern day rather than just having a bland description. And when the children arrive back in their own time, reality dawns about what has happened to the people they met in 1912. This is all brilliantly executed by Nicholls and feels like a new way of dealing with time-slip historical fiction. It’s honest and interesting.

The adults whom Alex and Ruby meet are wonderfully eccentric, and the children they meet are as matter-of-fact as them – refusing to be impressed by the modern mobile phone, which of course isn’t that exciting without a signal in 1912. Equally, Ruby and Alex are impressed with some of the childhood freedoms of their 1912 hosts – the freedom to carry matches, for example.

The host of influences behind Nicholls floats in the background of her novel like benevolent shadows – Blyton and Streatfield in particular – with the plot zinging from a fire in the stables to a dangerous car chase (in a very old-fashioned car, wonderfully described with the fresh eyes of Alex), and some criminal catching.

Illustrated by Brett Helquist, best known for his work on A Series of Unfortunate Events, the text is punctuated with roman numerals clocks, ships in bottles, other artefacts, and pencil drawings of the characters – child readers will note the mobile phone held by Ruby and taken with her through the mirror, which she clasps even whilst dressed in Edwardian clothes. The illustrations help to break up the text, which is in rather large typeface: these elements all combining to make this a sumptuous, satisfying and accessible read.

All in all, it’s a modern classic of a book and my top choice for the summer because, in a most intelligent, perceptive and empathetic way, it portrays people who are generally accepting and kind. What a great introduction to reading for pleasure for new young readers. Published 2nd August, you can buy it here.

Summer 2018 Round-Up

It’s hard to believe we’re at another summer break for MinervaReads. The blog doesn’t operate in August, so at the end of July on the home page I leave a full list of summer reads and releases that you might find interesting. There was such a huge selection this year, I found it difficult to make my pick.

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Picture Books

If you’re looking for a picture book that sums up your summer with your pre-schooler, then you’d be hard pressed to find a more endearing, real and funny book than Raj and the Best Day Ever by Seb Brown. Raj and his Dad make a list of what they’re going to do on their day out. But when Dad leaves his wallet behind, they must improvise. With a celebration of a father/son relationship, wonderfully busy cartoon animal illustrations and a sense that fun can be had with a little imagination, this is a funny, up-lit picture book.

Further use of imagination in Petra by Marianna Coppo in this skilfully intelligent, minimalistic picture book. Petra is a pebble with a misguided sense of identity, although gradually she learns she has the potential to be many things thanks to her imagination and her literal journey. The understated-ness of the book lends to its charm, and readers will enjoy exploring Petra’s resilience in adapting to her new discoveries about who she is. Quirky and full of emotion. For a pebble, that’s saying something.

Issues of identity arise in Jarvis’s Tropical Terry too – a picture book fully exploiting the colours and shapes of the sea. Terry is a dull-looking fish, although it makes him excellent at hide-and-seek. But when he dresses up as a tropical fish, he gets more than he bargained for. Being happy with who you are and discovering your strengths, as well as valuing your real friends, is a great message.

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Others to look out for this summer include The Girls by Lauren Ace, illustrated by Jenny Lovlie, which celebrates friendship and inclusion between four little girls with joyful light and breezy illustrations, and Swan Lake by Anne Spudvilas, a dark and brooding visualisation of the ballet story that will haunt and delight in equal measure. The illustrations conjure up the movement of the dance; and the zoom into the chandelier and dresses is simply phenomenal. Sure to cast a spell.

hello horse

The summer is a great time to take up a new hobby. I swear my parents only took me riding for the first time in a freezing cold frosty mid-December to put me off the experience, but youngsters with an eye on the horses will be enthralled with Hello Horse by Vivian French, illustrated by Catherine Rayner. Charming, informative and with the most exquisite illustrations, this is a nature storybook that seeks to inform about aspects of horse care whilst telling a gentle story. The watercolours of the fields and wildflowers exude a sense of summer country days, and the texture of the horse is so appealing and nuanced that it will turn the reader’s head.

Young Fiction/Independent Readers

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For young fiction readers, Pamela Butchart has updated The Secret Seven series by Enid Blyton, and the first is published in July – Mystery of the Skull. Butchart brings her exuberance and fast-paced story-telling, and although it’s stuck with Barbara, Jane and co, and so lacks a modern diversity, the first adventure is jolly good fun, and just as addictive as the original Blyton tellings.

From new publisher Knights Of, comes Knights and Bikes by Gabrielle Kent, illustrated by Rex Crowle. As anticipated, this is a romping energetic adventure story on bikes that explores the wonders of friendship, with a quest to solve, and mentions of water balloons, frisbees and much more. A bit wacky, highly illustrated, and with a computer game to follow, this should be a well-thumbed mystery.

My own kids adore Saturdays, mainly for the postal delivery of the weekly Beano, so this summer will be fabulous when they discover Dennis and the Chamber of Mischief, as told by Nigel Auchterlounie. Full text interspersed with black and white cartoon illustrations, and a chatty interactive adventure in Beanotown. Perfect for a longer read.

Junior Fiction/Middle Grade/Fluent Readers

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Junior fiction or middle grade readers may not want to read Boy Underwater by Adam Baron, illustrated by Benji Davies, next to the swimming pool, but it’s a compelling, sometimes sad read that will keep children hooked. Cymbeline Igloo has never been swimming, and his first foray into the pool alongside his classmates isn’t pretty. But it has longer-lasting effects upon his mother, and before long, old family secrets are exposed, and Cymbeline’s life will never be the same. Baron explores loss with pathos and empathy, but also adds brilliant touches of humour with his narrator’s wry voice, as well as a satirical look at privilege, and wise words about life in general. No wonder it was a Waterstone’s Book of the Month. Unmissable.

If you’re looking for funny, try Planet Stan by Elaine Wickson, illustrated by Chris Judge. A friendship adventure story packed with space facts and diagrams and charts, and yet also with hilarious survival tips. Or Iguana Boy Saves the World with a Triple Cheese Pizza by James Bishop, illustrated by Rikin Parekh about Dylan, whose superpower is being able to speak to iguanas. Perhaps not the best superpower to own. But if there were no other superheroes, it’d all be down to him. Funny, and with comic-strip illustrations.

the goose road

For a sensuous summer read, historical The Goose Road by Rowena House is set during World War I, and explores France through the eyes of Angelique, desperate to hold onto her farm until her brother can return home from the Front. Packed with detail, and charmingly poignant, this triumphs a girl with ultimate resilience in a desperate time.

YA/Teen

its a wrapthe lost witchmud

For YA, the choice this summer is really fantastic. For an accessible, funny, warm teen read you’ll want to devour the Waiting for Callback trilogy by Perdita and Honor Cargill. The third in the trilogy has just been published – It’s a Wrap. The characters are rounded, real and raw, the situations dramatic and often hilarious, and the prose so readable you’ll forget where you are.

The Daddy of YA is back in town – Melvin Burgess has a new novel out for teens called The Lost Witch. His novels have never been for the fainthearted and this is no different – stark imagery that fixes in the mind, an exploration of the power and manipulation in relationships through use of a well-crafted other world, and a prosaic dance with the natural world in looking to what is wild and tame within ourselves. A master of twists and turns, here Burgess has intertwined an adept hand at fantasy whilst still retaining the grittiness of real life. Exciting, dangerous – for older teens.

Other teens will prefer the more contemporary and reality-based Mud by Emily Thomas, with a teen voice that showcases sophistication. Set in 1979, it explores what happens when Lydia’s father announces he is selling their house and moving Lydia and her three older siblings to live on a barge with his new girlfriend and their family. Filled with complicated relationships, forgiveness and learning to make do, this is a fascinating read.

a boy called ocean
From river to ocean, A Boy Called Ocean by Chris Higgins tells the story of Kai from multiple points of view. Kai has always been best friends with Jen since he moved to Cornwall when he was small. But now Kai’s feelings have started to change, and then he makes a snap decision and finds himself stranded at sea. With Jen on land, and an ocean between them, this is a different kind of romance.

Activity Books

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If you’re looking for interactive activity-led books then Seashore Watcher by Maya Plass has a summery feel and handily comes in a ziplock bag for practical use. As well as information about identifying different coral and shells, there are activities, factfiles and more. The full-colour photographs are fascinating and wondrous. Colossal City Count by Andy Rowland is like a Where’s Wally with numbers and world cities. Practise identifying clues and counting villains to solve the crimes committed city by city. Have great fun spotting how many Victoria sponges there are in London!

Lastly, and the one we’ll be taking on holiday, is Hoakes Island by Helen and Ian Friel. This puzzle adventure book – a collection of diary entries, maps, notes, puzzles and all sorts, leads to the clue as to where Henry Hoakes has gone – the owner of the amusement park. There’s a red magnifying piece for assistance, a group of talking animals, and letters that aren’t in order. Maths, comprehension, observation skills are all needed to solve the puzzle – but there’s also an intriguing adventure story within. For ages 7-11. (The answers are at the back, but don’t peek. It’s worth the challenge).

Do come back in September. I have the best books of the year to recommend to you – they’re dropping thick and fast for the autumn. You’re in for a cracking reading time as the nights draw in, and the weather cools down!