newly independent readers

A Chase in Time by Sally Nicholls, illustrated by Brett Helquist

a chase in timeSally Nicholls, one of our most assured writers for children, has turned her attention to a new series of time-slip adventures for slightly younger readers (confident 7+ years), and the first novel, A Chase in Time, is a delight from start to finish.

Written in an accessible, abundantly clear and precise style, Nicholls wastes no time in diving straight into her plot, but also writes with one eye firmly on modernity, despite the bulk of the book being set in 1912.

Alex and his sister spend every summer at their aunt’s country house, which also doubles as a bed and breakfast. This summer is to be the last; Aunt Joanna is selling the house because money is short, and things are set to be different in more ways than one. Because this summer, when Alex looks in the golden-framed mirror that hangs in the hallway, he sees another boy in the mirror – and it’s not his reflection. Before long, Alex and his sister Ruby are sucked through the mirror back in time, to the same house in 1912. And the people who inhabit it desperately need their help.

Nicholls’ characters always tend to be strong-willed and confident, and Alex is no different. His voice rings wonderfully true, and he feels authentic and real because of his steadfastness and his quality of being incredibly grounded:

“Alex had never believed in those children in books who discovered secret passageways, or Magic Faraway Trees, or aliens at the bottom of the garden, and kept them a secret…What was the fun of a secret passage if you had no one to boast about it to?”

He and his sister constantly refer to their knowledge of time travel – garnered from books and movies; they are immediately self-aware that they are in this predicament to solve a problem, and once it’s been solved they’ll return to their proper time in history.

In fact, Nicholls is clever here. Not only do we really feel Alex’s character through his authentic voice, but she describes time travel with fresh eyes, all the while referencing those that have gone before her in the literary children’s canon. Once Alex realises where he is, he has expectations about the past – that perhaps the rooms would all look rather like a period piece from TV or The National Trust – but he finds that they are more real, more lived-in. He also describes the rooms and people matter-of-factly, but by pointing out the differences with modern day rather than just having a bland description. And when the children arrive back in their own time, reality dawns about what has happened to the people they met in 1912. This is all brilliantly executed by Nicholls and feels like a new way of dealing with time-slip historical fiction. It’s honest and interesting.

The adults whom Alex and Ruby meet are wonderfully eccentric, and the children they meet are as matter-of-fact as them – refusing to be impressed by the modern mobile phone, which of course isn’t that exciting without a signal in 1912. Equally, Ruby and Alex are impressed with some of the childhood freedoms of their 1912 hosts – the freedom to carry matches, for example.

The host of influences behind Nicholls floats in the background of her novel like benevolent shadows – Blyton and Streatfield in particular – with the plot zinging from a fire in the stables to a dangerous car chase (in a very old-fashioned car, wonderfully described with the fresh eyes of Alex), and some criminal catching.

Illustrated by Brett Helquist, best known for his work on A Series of Unfortunate Events, the text is punctuated with roman numerals clocks, ships in bottles, other artefacts, and pencil drawings of the characters – child readers will note the mobile phone held by Ruby and taken with her through the mirror, which she clasps even whilst dressed in Edwardian clothes. The illustrations help to break up the text, which is in rather large typeface: these elements all combining to make this a sumptuous, satisfying and accessible read.

All in all, it’s a modern classic of a book and my top choice for the summer because, in a most intelligent, perceptive and empathetic way, it portrays people who are generally accepting and kind. What a great introduction to reading for pleasure for new young readers. Published 2nd August, you can buy it here.

Summer 2018 Round-Up

It’s hard to believe we’re at another summer break for MinervaReads. The blog doesn’t operate in August, so at the end of July on the home page I leave a full list of summer reads and releases that you might find interesting. There was such a huge selection this year, I found it difficult to make my pick.

raj and the best day everpetratropical terry

Picture Books

If you’re looking for a picture book that sums up your summer with your pre-schooler, then you’d be hard pressed to find a more endearing, real and funny book than Raj and the Best Day Ever by Seb Brown. Raj and his Dad make a list of what they’re going to do on their day out. But when Dad leaves his wallet behind, they must improvise. With a celebration of a father/son relationship, wonderfully busy cartoon animal illustrations and a sense that fun can be had with a little imagination, this is a funny, up-lit picture book.

Further use of imagination in Petra by Marianna Coppo in this skilfully intelligent, minimalistic picture book. Petra is a pebble with a misguided sense of identity, although gradually she learns she has the potential to be many things thanks to her imagination and her literal journey. The understated-ness of the book lends to its charm, and readers will enjoy exploring Petra’s resilience in adapting to her new discoveries about who she is. Quirky and full of emotion. For a pebble, that’s saying something.

Issues of identity arise in Jarvis’s Tropical Terry too – a picture book fully exploiting the colours and shapes of the sea. Terry is a dull-looking fish, although it makes him excellent at hide-and-seek. But when he dresses up as a tropical fish, he gets more than he bargained for. Being happy with who you are and discovering your strengths, as well as valuing your real friends, is a great message.

the girlsswan lake

Others to look out for this summer include The Girls by Lauren Ace, illustrated by Jenny Lovlie, which celebrates friendship and inclusion between four little girls with joyful light and breezy illustrations, and Swan Lake by Anne Spudvilas, a dark and brooding visualisation of the ballet story that will haunt and delight in equal measure. The illustrations conjure up the movement of the dance; and the zoom into the chandelier and dresses is simply phenomenal. Sure to cast a spell.

hello horse

The summer is a great time to take up a new hobby. I swear my parents only took me riding for the first time in a freezing cold frosty mid-December to put me off the experience, but youngsters with an eye on the horses will be enthralled with Hello Horse by Vivian French, illustrated by Catherine Rayner. Charming, informative and with the most exquisite illustrations, this is a nature storybook that seeks to inform about aspects of horse care whilst telling a gentle story. The watercolours of the fields and wildflowers exude a sense of summer country days, and the texture of the horse is so appealing and nuanced that it will turn the reader’s head.

Young Fiction/Independent Readers

secret sevenknights and bikesbeano

For young fiction readers, Pamela Butchart has updated The Secret Seven series by Enid Blyton, and the first is published in July – Mystery of the Skull. Butchart brings her exuberance and fast-paced story-telling, and although it’s stuck with Barbara, Jane and co, and so lacks a modern diversity, the first adventure is jolly good fun, and just as addictive as the original Blyton tellings.

From new publisher Knights Of, comes Knights and Bikes by Gabrielle Kent, illustrated by Rex Crowle. As anticipated, this is a romping energetic adventure story on bikes that explores the wonders of friendship, with a quest to solve, and mentions of water balloons, frisbees and much more. A bit wacky, highly illustrated, and with a computer game to follow, this should be a well-thumbed mystery.

My own kids adore Saturdays, mainly for the postal delivery of the weekly Beano, so this summer will be fabulous when they discover Dennis and the Chamber of Mischief, as told by Nigel Auchterlounie. Full text interspersed with black and white cartoon illustrations, and a chatty interactive adventure in Beanotown. Perfect for a longer read.

Junior Fiction/Middle Grade/Fluent Readers

boy underwaterplanet staniguana boy

Junior fiction or middle grade readers may not want to read Boy Underwater by Adam Baron, illustrated by Benji Davies, next to the swimming pool, but it’s a compelling, sometimes sad read that will keep children hooked. Cymbeline Igloo has never been swimming, and his first foray into the pool alongside his classmates isn’t pretty. But it has longer-lasting effects upon his mother, and before long, old family secrets are exposed, and Cymbeline’s life will never be the same. Baron explores loss with pathos and empathy, but also adds brilliant touches of humour with his narrator’s wry voice, as well as a satirical look at privilege, and wise words about life in general. No wonder it was a Waterstone’s Book of the Month. Unmissable.

If you’re looking for funny, try Planet Stan by Elaine Wickson, illustrated by Chris Judge. A friendship adventure story packed with space facts and diagrams and charts, and yet also with hilarious survival tips. Or Iguana Boy Saves the World with a Triple Cheese Pizza by James Bishop, illustrated by Rikin Parekh about Dylan, whose superpower is being able to speak to iguanas. Perhaps not the best superpower to own. But if there were no other superheroes, it’d all be down to him. Funny, and with comic-strip illustrations.

the goose road

For a sensuous summer read, historical The Goose Road by Rowena House is set during World War I, and explores France through the eyes of Angelique, desperate to hold onto her farm until her brother can return home from the Front. Packed with detail, and charmingly poignant, this triumphs a girl with ultimate resilience in a desperate time.

YA/Teen

its a wrapthe lost witchmud

For YA, the choice this summer is really fantastic. For an accessible, funny, warm teen read you’ll want to devour the Waiting for Callback trilogy by Perdita and Honor Cargill. The third in the trilogy has just been published – It’s a Wrap. The characters are rounded, real and raw, the situations dramatic and often hilarious, and the prose so readable you’ll forget where you are.

The Daddy of YA is back in town – Melvin Burgess has a new novel out for teens called The Lost Witch. His novels have never been for the fainthearted and this is no different – stark imagery that fixes in the mind, an exploration of the power and manipulation in relationships through use of a well-crafted other world, and a prosaic dance with the natural world in looking to what is wild and tame within ourselves. A master of twists and turns, here Burgess has intertwined an adept hand at fantasy whilst still retaining the grittiness of real life. Exciting, dangerous – for older teens.

Other teens will prefer the more contemporary and reality-based Mud by Emily Thomas, with a teen voice that showcases sophistication. Set in 1979, it explores what happens when Lydia’s father announces he is selling their house and moving Lydia and her three older siblings to live on a barge with his new girlfriend and their family. Filled with complicated relationships, forgiveness and learning to make do, this is a fascinating read.

a boy called ocean
From river to ocean, A Boy Called Ocean by Chris Higgins tells the story of Kai from multiple points of view. Kai has always been best friends with Jen since he moved to Cornwall when he was small. But now Kai’s feelings have started to change, and then he makes a snap decision and finds himself stranded at sea. With Jen on land, and an ocean between them, this is a different kind of romance.

Activity Books

seashore watchercolossal city counthoakes island

If you’re looking for interactive activity-led books then Seashore Watcher by Maya Plass has a summery feel and handily comes in a ziplock bag for practical use. As well as information about identifying different coral and shells, there are activities, factfiles and more. The full-colour photographs are fascinating and wondrous. Colossal City Count by Andy Rowland is like a Where’s Wally with numbers and world cities. Practise identifying clues and counting villains to solve the crimes committed city by city. Have great fun spotting how many Victoria sponges there are in London!

Lastly, and the one we’ll be taking on holiday, is Hoakes Island by Helen and Ian Friel. This puzzle adventure book – a collection of diary entries, maps, notes, puzzles and all sorts, leads to the clue as to where Henry Hoakes has gone – the owner of the amusement park. There’s a red magnifying piece for assistance, a group of talking animals, and letters that aren’t in order. Maths, comprehension, observation skills are all needed to solve the puzzle – but there’s also an intriguing adventure story within. For ages 7-11. (The answers are at the back, but don’t peek. It’s worth the challenge).

Do come back in September. I have the best books of the year to recommend to you – they’re dropping thick and fast for the autumn. You’re in for a cracking reading time as the nights draw in, and the weather cools down!

Books for Younger Readers

I’m constantly blown away by the quality of books for younger readers, otherwise known as newly independent readers. This, of course, is how it should be. It’s a crucial time to create that love of reading for pleasure. If they actively want to spend time reading at this age and it becomes habit, then their transition to reading longer texts will follow. Here is my round-up of recent texts for newly independents – about age 6-7 years onwards (although each child reads at their own pace and shouldn’t be rushed).

Sam Wu
Sam Wu is Not Afraid of Ghosts by Katie and Kevin Tsang illustrated by Nathan Reed
Sam Wu is afraid of many things, but no one likes to admit being a scaredy-cat. After an incident during a school trip to the science museum, everyone, especially the school bully, figures out that Sam Wu is quite scared. To prove his bravery, Sam opts to keep a pet snake. The only problem is that he’s scared of snakes.

This is a new series by husband and wife team and their compatibility obviously pays off in the writing. Never a dull moment, and packed full of laughs, this is an endearing look at different cultures, friendships, and how to be brave. There are particular stellar characters, including a grandmother and a little sister, who delightfully is not stereotypically annoying, but actually a great help to Sam. There’s a fun layout with large typeface, capital letters to emphasise embarrassing and scary moments, and lots of fantastic illustrations from Nathan Reed. A great introduction to chapter books. You can buy it here.

great telephone mix up
The Great Telephone Mix-Up by Sally Nicholls, illustrated by Sheena Dempsey
An absolutely charming tale about the importance of community, helping your neighbours and reaping the surprising benefits. When the phone wires in a sleepy little village get mixed up, the neighbours start to discover things about each other as they receive the wrong phone calls, and then have to pass on the messages.

It turns out that meeting each other face to face not only brings new friendships, but brings awareness of who in the town is struggling, needs help or may need to find love. Nicholls carefully gets over the problem of mobile phones by explaining there is no signal in the town (a message not entirely lost on rural communities), and so everyone relies on their home phone.

The story is simple, the text well-spaced, and illustrations by Sheena Dempsey positively charming. Each character is well delineated and there’s a diverse mix. A lovely addition to the Little Gems selection. You can buy it here.

noah scape
Noah Scape Can’t Stop Repeating Himself by Guy Bass, illustrated by Steve May
An altogether more nightmarish story from Guy Bass, in which the protagonist can’t get what he wants. Noah decides that if everyone in the world were like him, then that would solve the problem- after all the majority rules, right? It starts, as all school problems do, in the school canteen when Noah is served meat pie instead of spaghetti with tomato sauce.

When Noah wakes the next morning and goes to school, he finds himself already sitting in his seat – there are two of him. And each day the number of Noahs double until finally they get what they want. They also share the same opinions like a modern day echo chamber.

Or do they?

When the original Noah is outvoted by his 63 copies, Noah realises he still isn’t getting his own way. This is a brilliant examination of how to get along with others, as well as a great representation of coping in school when a child is having to manage a mental health issue such as OCD, which dictates that routine is of paramount importance to the day. Of course, there’s the numerical element too. Bass hasn’t quite tied up all the loose ends of the story either, so there’s plenty of room for speculation after reading. A fun, and also highly accessible read. You can buy it here.

happyville high
Happyville High: Geek Tragedy by Tom McLaughlin
One of the most hilarious young fiction titles I have read in a long time, I couldn’t stop sniggering, which of course made all the children near me want to read this too. Tyler is too smart for school and has been homeschooled for much of her life. But when she and her Dad move to Happyville, he enrols her in the local school.

This is no ordinary school though, and Tyler realises there’s something inherently wrong, especially when she reads the motto: “The more popular you are, the happier you become!” Being a bit of a nerd means that Tyler definitely isn’t popular, but she does make two friends in the library, who are equally ‘geeky’. Tyler is enthralled when she discovers that one of them has developed an algorithm to decipher which candy bar is best, with the results laid out on a spreadsheet. (Tyler’s excitement at being invited over to see this knows no limits.)

When the popular kids are struck with an affliction – their right arms elongate to enable them to take better selfies – the three new friends have to use their brains to rid the town of this vain disorder. There is much slapstick and silly humour but also a biting satirical look at the way our society ranks people and behaves. Fabulously funny in many ways and incredibly readable. For slightly older readers than the other books on this blog. Self-illustrated too. You can buy it here.

magical kingdom of birds
Magical Kingdom of Birds: The Sleepy Hummingbirds by Anne Booth, illustrated by Rosie Butcher
A gentler start to a series in this book about magical escapism – something we all might need from the world of selfie-sticks and cool school heroes. When Maya colours in the pages of her colouring book, she is whisked into a magical kingdom filled with the most enchanting colourful birds and their small fairy friends.

But, as with all idylls, trouble is brewing, and the evil Lord Astor has a plan to capture the tiniest, most vulnerable residents and put them into cages. Maya has the privilege and great responsibility of being Keeper of the Book, and she must protect the kingdom and its birds at all costs.

An early introduction to the beauty of the natural world, with each book in the series showcasing a different species, this is a wonderful start to early reading. The pages are exquisitely illustrated in black and white by Rosie Butcher, the text in many cases framed by a leafy border, encapsulating the words and the story in this natural landscape. Beautiful descriptions bring the birds and their habitat to life, and Booth hasn’t been afraid to introduce more difficult vocabulary, explaining words such as torpor, tubular and prophesy. You can buy it here.

unicorn academymuddle the magical puppythe spiderwick chroniclesA quick mention to three other series. Unicorn Academy by Julie Sykes, illustrated by Lucy Truman has hitchhiked perfectly onto the current zeitgeist for all things unicorn. With its sparkly covers and more grown-up illustrations, these reminded me of my adoration and loyalty to all things My Little Pony when I was a child. The Unicorn Academy adventures are school stories in which the girls each have their own unicorn, and each book introduces themes such as friendship, loyalty, and independence. The first in the series, Sophia and the Rainbow, introduces ten-year-old Sophia who finds out that each unicorn has its own special powers. The stories are simple, chapters short, but the series has the magical potential to turn reading into a habit. Likewise with Muddle the Magic Puppy and Cuddle the Magic Kitten series by Hayley Daze. Cute illustrations adorn the front and continue inside, with big eyes as a feature. In Muddle the Magic Puppy: The Magic Carpet, Muddle goes on a flying carpet adventure in Arabia. A long-established children’s writer has penned these, and the story is straightforward. Large typography and short chapters make comprehension easy. Lastly, for more advanced readers, the publisher Simon and Schuster have republished The Spiderwick Chronicles by Tony DiTerlizzi and Holly Black in beautifully illustrated hardback editions. This gothic fantasy series is a great choice for fluent readers who want to expand their literary landscape – with a richly imagined world of dark fairies. The Grace children move into the Spiderwick Estate and through secret passageways and hidden doors, they discover that they are not alone in the new house. First published in 2003, with a 2008 movie, the series is well-worth revisiting for a new young audience.

 

 

Are you more Sugar & Sparkle or Fangs & Moonlight?

isadora moonIn 2016, I discovered a phenomenal new series for newly independent readers. The children had read through the Horrid Henry shelf, and the Claude shelf, and were looking for something different. Along came Isadora Moon by Harriet Muncaster. The adventures of a half vampire, half fairy with numerous illustrations in pink or black, and first experiences the children could relate to – starting school, birthdays, a school trip – were, and still are, extraordinarily successful. Here, Harriet has set a summer challenge for you – to discover if you are more fairylike (all sugar and sparkle), or more vampirelike (fangs and moonlight). Take the test and see:

My Isadora Moon series is about a little girl who is half-fairy and half-vampire. Her mum’s a pink, flowery, nature-loving fairy, while her dad is a slick, gothic, night-time vampire. That means she’s a bit of both: she loves doing ballet in her sparkly tutu, but she also loves swooping through the night sky.

Just like Isadora, I too love the look of both glittery pink fairy visuals and sleek black gothic aesthetics. And I especially love mashing the two things together, which is how I came up with Isadora Moon in the first place. But how about you? Are you more on the side of Sugar & Sparkle or of Fangs & Moonlight?

 

isadora moon

This list of my top five picks from each side (in no particular order!) should help you decide!

Sugar & Sparkle No.1

fairy yearBetty Bib’s Fairy Year – Four Whole Seasons of Fairy Magic by Betty Bib (2007)

Presented as handbooks for fairy spotters from the perspective of someone who lives with fairies, the Betty Bib fairy books have always been a huge inspiration to me. As the title suggests, this book follows the lives of fairies over a whole year. I adore the mix of 2D watercolour illustration with photographs of beautifully-dressed 3D models of fairies. As someone who loves to make things, these photographs just captured my attention and I spent hours poring over them when I first discovered these books.

Fangs & Moonlight No.1

pongwiffyPongwiffy and the Holiday of Doom by Kaye Umansky and illustrated by Chris Smedley (1995)

Oh my goodness, I love Pongwiffy! This ‘witch of dirty habits’ lives in a filthy hovel in Number One, Dump Edge, but don’t let that put you off her: she’s hilarious. Kaye Umansky’s world comes to life with a memorable supporting cast of witches and wizards, each with their own distinct personalities. When Pongwiffy takes it upon herself to book a trip to the seaside for her coven, I love seeing them all cope on a British beach holiday for a week with no magic.

 

pookieSugar & Sparkle No.2

Pookie by Ivy Wallace (1946)

Ivy Wallace presents the sort of old-world fairytale charm you almost never see any more with her beautiful paintings of a quaint forest inhabited by various elves, fairies, pixies and, of course, Pookie himself. Pookie is a fluffy white rabbit with little fairy wings that don’t fly. He’s not like the other creatures and has nowhere to belong. This first story is about how he finds someone to love him and how she helps his wings grow so that he can soar through the air.

Fangs & Moonlight No.2

DorrieDorrie and the Birthday Eggs by Patricia Coombs (1971)dorrie and the birthday eggs

The Dorrie books are some of my absolute top favourite books of all time! Dorrie is just the cutest little witch with her odd socks and black cat, Gink. She lives in Witchville with her mother, the Big Witch. In this book, the villainous Thinnever Vetch plots to steal the enchanted eggs of the Egg Witch’s magic hen. I was actually terrified when I first turned the page as a child and saw the picture of Thinnever Vetch spying through Dorrie’s window! Mostly though, I love the creepy yet comforting atmosphere of these books. I also love Patricia Coombs’ use of pencil and crayon to create her soft and wispy illustrations, often only in black and white or with one or two other colours.

Sugar & Sparkle No.3

nursery rhymesDean’s Gift Book of Nursery Rhymes illustrated by Janet and Anne Grahame Jonstone (1965)

Like Pookie, this is another book full of old-world charm. While the text is just the classic nursery rhymes you would find in any similar collection, it’s the lavish full-page illustrations that draw me in. I love the really sumptuous way the two illustrators colour and shade all the clothing, such as the billowing skirt of the old woman who lived in a shoe. Even though the style and fashions are clearly from the 1960s, the illustrations have a timeless quality. My favourite picture is of the anachronistically ‘punky’ fairies on the title page, with their wild pink and green hairstyles.


Fangs & Moonlight No.3

Vampire Boy’s Good Night by Lisa Brown (2010)vampire boys goodnight

I love spooky, gothic children’s books, but I don’t actually have too many about vampires! This one charmed me with its pastel illustrations and warm, comforting atmosphere. It’s a very straightforward story for younger children about a vampire and a witch who set out one Halloween to discover if children are real or not. When they find themselves at a Halloween costume party full of ghouls, zombies, vampires and witches they are confused. Are these real children? It’s all the detail in the pictures though that really bring the story to life.

Sugar & Sparkle No.4

peter panPeter Pan by J. M. Barrie (1911)

Everyone knows Peter Pan from the various film adaptations, including the Disney one. If you’ve only seen the films though, then you’re missing out. My favourite aspect of Peter Pan (of course!) is his fairy friend Tinkerbell. In the book she’s a real character with a clearly defined personality. She’s very beautiful, but also jealous and mischievous and naughty. I particularly love Barrie’s description of fairies being “so small they only have room for one emotion at a time.”

 

Fangs & Moonlight No.4

The Spider and the Fly by Mary Howitt and illustrated by Tony DiTerlizzi (2002)

This picture book is about as Fangs & Moonlight as you can get. Every page of this nineteenth century cautionary poem has been lavishly illustrated with elegant and gothic greyscale spreads, often featuring comically macabre details such as the dead ladybird footstool the spider uses. Inevitably the suave top hat-wearing spider succeeds in luring the naïve and dainty fly into his web, but the illustrations are just on the light enough side of gruesome to appeal to its young audience.

 

Sugar & Sparkle No.5

fairy rebelThe Fairy Rebel by Lynne Reid Banks (1985)

Like Lynne Reid Banks’ most well-known series, The Indian in the Cupboard, this story is about someone meeting a miniature person who becomes a part of their life. This time, instead of a toy Indian, it’s a denim jeans-wearing fairy. My absolute dream would be to turn myself into a fairy, but my next best thing would be to meet a real, living tiny person. You can see then why this story would appeal to me! In this story, the fairy Tikki makes friends with the human Jan. The one thing Jan really wants is a child, and Tikki has the power to grant this wish. The only problem is that the fairy queen forbids any fairy to do magic for a human.

Fangs & Moonlight No.5

whispering to witchesWhispering to Witches by Anna Dale (2004)

Like The Fairy Rebel, this novel is aimed at older children to young teens. What I look for in my favourite books is a cosy, comforting atmosphere I can get lost in, particularly when mixed with a slightly gothic vibe. This book definitely has that, not least because it’s set around Christmastime. I also love that it’s set mainly in the everyday world from the perspective of a normal boy who happens to meet a witch and get drawn into a mysterious plot involving an evil witch. This book is full of mystery, suspense and magic.

 

Which side are you?

So which side draws you in more? Will you be checking out my Fangs & Moonlight suggestions, or are you more intrigued by the Sugar & Sparkle side? Looking through my shelves to put this list together, it’s easy to see which way I lean: I have far more fairy books than gothic ones. I even went through a fairy obsession as a teenager, collecting up anything fairy-related.

That’s not to say I don’t still have a great love for all sorts of spooky and gothic children’s books though. Even though I love Sugar & Sparkle, my library just wouldn’t be complete without a mix of the two, and I think the way I smooshed them together with Isadora Moon is the perfect expression of my love for both sides.

To buy Isadora Moon, click here. With thanks to Harriet Muncaster for her knowledgeable insights. 

But A Mermaid Has No Tears…

girl who thought her mother was a mermaidThe Girl Who Thought Her Mother Was a Mermaid by Tania Unsworth, illustrated by Helen Crawford-White
Not out until 12th July, but well worth waiting for, this middle grade (junior fiction age 9+) mermaid book is another triumph from the dark pen of Tania Unsworth. A master at combining reality with tinges of dark fantasy, and beguiling the reader with intrigues of what is real and what is make believe, Unsworth’s new novel picks up beautifully on the current zeitgeist for mermaid stories.

Stella is terrified of water, yet has a penchant for the ocean and the huge picture of the sea that hangs in the back of her house. Her mother died when she was eight, and left Stella a necklace called ‘the word of the sea’, but no one seems to be able to give her more information on it. When her grandmother, suffering from a form of dementia, gives Stella a hint that her mother may have been a mermaid, Stella follows a series of clues that leads her to a place called Crystal Cove and a mermaid show, where things aren’t always as they seem.

Good, sparse yet engaging text leads the reader, with Stella, into a labyrinth of truths and untruths, as she investigates whether her mother was a mermaid. The book also investigates the nature of friendship – Stella finds this difficult but has made a friend in the flamboyant Cam. There is also a look at the reliance children place upon adults to keep them safe and reveal the truth to them, but in typical Unsworth style, there is a sharp twist, and a fearsome and chillingly real villain.

The book is great at its description of the real world, especially the seaside town to which Stella runs away, but it also has a wonderful handle on depicting Stella’s inner thoughts, fears and motivations. By adding her spin on magical realism in the way of mermaids, Unsworth allows Stella and the reader to ask the bigger questions in life too.

A hugely compulsive novel, with superb characterisation. You can pre-order it here.

the surface breaksThe Surface Breaks by Louise O’Neill
Almost all the current books about mermaids are influenced by Hans Christian Andersen’s The Little Mermaid, whose protagonist sacrifices her world, tail, and voice for love, but none are quite as sharply or devastatingly reimagined as this feminist retelling. Bringing her trademark biting satirical agenda and fight for gender equality to the tale, O’Neill has written a gripping, terribly dark fairy tale for our times.

Gaia’s world is dominated by men, none more so than her powerful and controlling father. When she spies a human boy on a boat, she falls for him and decides to sacrifice her world, and mutilate her body, in order to be with him. Unfortunately, she has gambled on his looks alone, and the reader becomes more swiftly aware than Gaia how reckless this is. The reader’s awareness of the palpable horror of her situation, a description of her ever-shredding feet that is almost too painful to read, and a mounting frustration at the treatment of women throughout, and Gaia’s hopes in particular which are so much pinned on frivolity and appearance, make this an engaging but demanding read.

O’Neill goes to great lengths here to subvert the original fairy tale so that she can pose an exploration of women as more than just a stereotype – more than just erotic objects, or manipulative shrews, but as multi-layered beings – fallible, abused, powerful, exotic, all at once. The Sea Witch is shown as feisty and motivated, not just a Disney character of pure evil revelling in her own wickedness, but in fact a believable and sumptuous character who is the most free of all the women, by vaunt of being most comfortable with who she is.

In fact, in some places it brings to mind what was really embedded in Christian Andersen’s text, which has been lost to the images in our minds of red-headed Ariel with her big blue eyes. It’s astonishing that so much of the misogynistic cruelty and darkness resides in the original story, and to find that O’Neill hasn’t deviated as much as we might think.

The book also gives a beautiful twist to women above the sea’s surface. They are not as free as Gaia imagines, and the prince is preoccupied and ungrateful – not the fairy tale beau of generosity and unparalleled power. Layers of lust and love, sibling rivalry and power dynamics ebb and flow throughout the book. It doesn’t smash the patriarchy so much as stimulate young women to think about who they are and their position in life. Clever, thoughtful and raging – this is not a soothing or subtle tale. For YA readership. Take a dip here.

bad mermaids on the rocksBad Mermaids: On the Rocks by Sibeal Pounder, illustrated by Jason Cockcroft.
For much younger readers – those aged about seven and up, Sibeal Pounder is an absolute joy to read. Her Witch Wars series is wacky and zany and never fails to raise a smile, and the Bad Mermaids series elicits the same response. On the Rocks is the second in the series about three mermaids accompanied by a talking seahorse.

Pounder’s ultimate strength is her exquisite world-building, in this case, the undersea kingdoms of the mer people. The vocabulary is broad ranging, with many plays on words and satirical digs at our normal world, (Pounder is inventive with transport and fashion) and conjures a playful fun underwater plot that keeps the reader absorbed and extremely entertained. She makes fun of the world as she writes and makes subtle winks to a feminist agenda – mermaids happily burp bubbles, which turns upside down the idea that mermaids are just aesthetic beauties, and give each other plenty of sass in their dialogue. Each mermaid has her own particular and distinctive character traits and it makes for a diverse and fascinating story.

In On the Rocks, the three mermaid heroines from book one are stuck aboard a spooky ship, but a human, Paris Silkensocks, discovers a plot to destroy the mermaid world. Paris must find the mermaids in time and avert a crabtastrophe. Fun and frolicks. With scattered black and white illustrations from Jason Cockcroft. Swim with mermaids here.

LoraliLorali by Laura Dockrill
From zany to zanier, Dockrill’s writing style can be a bit of an acquired taste – veering towards the wacky and unpredictable, so tackling mermaids and the fantastical seems like a good fit. Dockrill has two books published in her mermaid series, the first of which, Lorali, was published in 2015.

Rory finds a naked girl washed up under Hastings pier during a storm on his sixteenth birthday. But even more surprising is where she comes from. Lorali has to get used to some strange things in the ‘walking’ world, but it’s Rory’s gradual awakening to Lorali’s world and why she’s running from the sea that becomes the centrepiece of this intriguing novel.

Dockrill deals cleverly with her convoluted plot, telling the story from three points of view: Rory, Lorali, and the sea – the last of which provides the reader with the background to the world of the mermaids.

But it’s Dockrill’s handling of the teen world that is where she is most adept. The mermaid’s newness to the world is not unlike that of a teenager, exploring themselves and their surroundings for the first time as realisation dawns of the sort of adult they might turn into, and the choices they make.

There is a raw darkness to the book too, jumping from the realism of a seaside town to a world in which strange weather and pirates rule. Dockrill’s words tumble over like the crashing of the waves, and her nod away from fairy tale and to modernity lies in the way in which she addresses feminism and misogyny, but not always in the way in which the reader expects. For a YA audience. You can buy it here.

There are a few adult novels published in the past year or so that also feature mermaids, creatures that speak to our times. Mermaids are regarded as freaks, albeit beautiful ones, and in today’s society, when we are constantly alert to ‘otherness’ and ‘diversity’, the concept of mer-people on land or humans at sea is all about how we fit in, and the similarities and differences between us. Happy swimming.

 

Yuval Zommer sketches

A few weeks ago I featured the new book by Yuval Zommer, The Big Book of the Blue. Yuval’s illustrations are distinctive among today’s crop of children’s illustrators – playful and cartoonish, populating his exquisitely edited Big Book nonfiction series with a sense of fun and also knowledge. Here, Yuval gives an insight into his drawing process:

I loved working on The Big Book Of The Blue and now that the book is out I often get asked “what was your favourite animal to draw and why?” But I have so many favourites…

I’ll start by telling you that the animals I found most challenging to draw were the Dolphins, they already have a naturally friendly smiley expression and I really didn’t want them to look too cute. I first thought the Sharks would be the most challenging but when I got to draw them they became rather mischievously endearing. Many readers seem to really like the Whales in the book, as do I, but my favourite animals to draw were actually the smallest creatures in the book.

Here are a couple of examples of what I call ‘moods’ (rather than sketches) that I would do as preparation for the book:

Yuval Zommer

I loved drawing these Coral Reef Fish. Here Mother Nature really excelled herself when it comes to flair: these tiny fish who flit brightly among the corals have the most delicate features, almost transparent fins and tails, some gorgeous abstract patterns and splashes of vibrant colours. In my ‘mood boards’ I first try to capture the essence of the animals, how they move together as a fish shoal, what’s the overall colour palette, the corresponding flora etc. Even in a group in which every fish looks almost identical, if you look closely you’ll see there are subtle differences so that each of my fish is still an individual 🙂

Yuval Zommer

Not everyone likes the Crustaceans group, otherwise known as Shellfish, but to me they were some of the most interesting creatures to draw. Crabs, lobsters, shrimp and krill all belong in this ocean family; each has a hard skeleton on the outside of the body. I love how they make such intricate ‘alien like’ shapes with their claws and multi limbs. Also, if you look closely at each shellfish there are so many beautifully blended tones of orange or pink or coral. One of my favourite pages in the book turned out to be the Krill. It’s set at night time and I managed to show a swarm of tiny krill all shimmering under the surface of the sea!

With many thanks to Yuval. Take a look at the book yourself here, and see more of Yuval’s fantastic drawings. 

 

Little Guide to Great Lives: Marie Curie by Isabel Thomas, illustrations by Anke Weckmann

marie curie
There’s been a glut of biographies of women recently, not only to fill the gap in the market, but also to celebrate the centenary of the first women getting the vote in the UK. But this new series, Little Guides to Great Lives, also features men, and isn’t skewed towards the women’s suffrage movement. Rather than a bound anthology of biographies, each of these biographies is a small standalone book, although they are exquisitely designed and so do look good together on the shelf.little guides to great lives

Other than their size and design, what makes these biographies stand out is the ease with which the stories are told, the fascinating details included, and the chatty tone of the prose. Including quotations from the famous people themselves, and questions about why their lives matter and what made them who they were, these are intriguing little books.

The book about Marie Curie starts with her childhood – including references to her siblings, her friendships and even her likes and dislikes. Cartoonish illustrations complete with speech bubbles give pause for thought, empathy and understanding; a child reader might quickly relate to a wild child who loved lemonade and ice cream.

With the world outside encroaching on her life, and a lack of money and lack of opportunity as a girl, boredom and frustration eventually turn to studiousness and adventure when Marie makes her way to France and the Sorbonne. Marie’s own scientific studies take off, and here the book really excels: explaining very clearly to the reader the science she was testing, the notes she made, the importance and relevance of her discoveries and the ongoing impact she has on science and our world.

Each book in the series deals with their subject in this way – starting with childhood but not just the dry facts. The books drill down into the person’s emotional stability, the benefits they experienced or the deprivations they suffered. Successes and failures are highlighted, as well as the impact of the outer world and when they had to overcome something difficult or sad and persevere. With only 64 pages in which to accomplish the extraordinary tale of Marie Curie, Thomas keeps the prose succinct and neat, but with small dashes of personality so that it feels lively and relevant.

The design is part of the appeal too. The hardback textured cover shows articles that made a difference in the subjects’ lives – Marie Curie’s is full of chemical symbols, test-tubes and writing implements, whereas Frida Kahlo has monkeys, skulls, watermelon and the Mexican flag. The colour theme from the cover is then extended throughout the book – each is highly illustrated in colour.

The books also contain glossaries, indexes and timelines for quick glances, and so far the personalities chosen bear out an equality in gender and global significance. (The sixth title, publishing in the autumn, is Charles Darwin). Frida Kahlo publishes to coincide with the V&A’s upcoming exhibition (London), and Amelia Earhart and Leonardo Da Vinci titles tie in well with the Year of Engineering. It’s been 100 years since the birth of Nelson Mandela, so it’s fitting to have that title too.

These are wonderful treasures for any child’s bookcase, and an absolute pleasure to read, share and own. I’d recommend 7+ years – but they are of equally good quality and substance for those just starting secondary school who need to do topic work. You can buy Little Guides to Great Lives: Marie Curie here. And the others here.

she persisted

While we’re dealing with biographies, and seeing as I’ve cheated on having just ‘one book of the week’, you might also extend your wishlist to include She Persisted Around the World by Chelsea Clinton, illustrated by Alexandra Boiger. This book profiles 13 women who changed history, particularly those who were told to quiet down and had to strongly persist. Including Marie Curie, but also Sor Juana, Leymah Gbowee, Wangari Maathai, this is an unusual collection and profiles each woman in just a couple of sentences. It’s a flavour, an inspiration perhaps. You can buy it here.

The Boy Who Grew Dragons by Andy Shepherd, illustrated by Sara Ogilvie

boy who grew dragonsSo, this is not the first book about a young boy with a dragon pet. I bet you can think of a few yourself. Which begs the question, what makes this book standout from the crowd, what makes it so unique, good and worthy of the book of the week spot?

Tomas helps his grandfather with his unwieldy garden, and one day stumbles upon a strange tree growing the most peculiar looking fruit. He takes one of the fruits home, and later that evening is immensely surprised to discover a dragon hatching from it. What follows is the trials and tribulations experienced when hatching your own baby dragon.

But for me, Shepherd’s unique selling point is not her plot, although it moves with pace, but her ability to mix humour and fun with an intense pathos and understanding of human emotion. It is Tomas’ interaction with the other human characters that really pulls on the reader’s emotions – although there is plenty of fun to be had with the dragon too.

Tomas has a little sister Lolli, who although too young to talk, communicates and spars with Tomas brilliantly in her capacity as co-conspirator in hiding the dragon. Their alliance also demonstrates the uniqueness of sibling relationships – the bond that stretches from affectionate love and sharing of secrets and a helpful camaraderie at one end, to being able to blame the other for something they didn’t do at the other extreme.

The sympathetic grandparent relationship within the story also rings true, and draws the most pathos. Tomas loves spending time with his grandfather, but is torn with guilt between how much time he spends with him versus time with his friends, and Tom also shows an acute awareness, in a wondrous childlike fashion, of how delicate the relationship is as his grandfather gets older and more fragile. The feeling of not wanting to disappoint and yet also wanting to live his own best life compete beautifully within the plot structure.

This gamut of human emotion also stretches to Tomas’ new pet dragon. Feelings of responsibility compete with curiosity and awe, the knowledge of having something different and special and being the envy of one’s peers, and yet knowing that the dragon is precious and special and not merely for showing off – in fact it’s a live being with feelings of its own.

There are some lovely touches here – the timidity of the dragon at first, the portrayal of its physicality as it learns to trust Tomas, and Tomas’ inventive efforts to control the poos and treat his dragon correctly.

But none of this overshadows the sheer fun and vivacity of the novel. Shepherd brings out every flourish of her imagination in Tomas’s discovery – from the tree itself with glowing fruit, to the different types of dragons, their combustible poos, and how difficult dragons are to capture and hide.

Sara Ogilvie’s illustrations here do what they did for the characters in Phil Earle’s Storey Street series, and she brings to life the tree, the dragons and characters with limitless expression. These are warm, animated, engaging illustrations that almost seem to move across the page.

This is a sumptuous start to a new series, bursting with energy and humour, yet tinged with the darker side of life too. There’s a grumpy neighbour, aware but preoccupied parents, an eclectic group of friends, a strange gardening guide, nomenclature of dragon pets – so many facets all covered and explored. A perfect example of domesticity interrupted with a touch of magic. Dragon fruit will never look the same again! Happily for 7+ years; you can buy it here.

Exploring the Hidden World of the Young Carer

Ruby's StarMister P is the most delightful creation – a cuddly, sympathetic polar bear, whom the publishers describe as a mashup of Mary Poppins and Scooby-Doo. The bear enters the lives of those who need him most, trying to change things for the better. Readers first met Mister P when he visited Arthur, who needed some help to feel less jealous of the attention afforded his younger sibling. In this latest book, Mister P visits Ruby, a ten-year-old girl with much on her hands. She is a young carer. Ruby looks after both her mum and her baby brother Leo, as well as trying to do things other ten year olds do, such as go to school. The last thing she feels she needs is a ridiculous giant polar bear trailing after her. But as before, it turns out that Mister P can open doors for Ruby and provide her with new opportunities, different insights, friends, and finally a change in situation and behaviour – all for the better.

What’s most interesting is that there are many children’s books out there that introduce an imaginary friend, or a cuddly creature to help and advise and make the child’s life better, but mainly they are unseen by the surrounding characters, particularly the adults. In this case, the polar bear is most definitely seen – in fact rather than be viewed as something surprising, dangerous or challenging to the little girl he’s with, he’s most often seen as an irritation, something to be angry about, or amused by. Farrer’s use of the ‘friend’ device is different then. Perhaps it contains a small undercurrent of anger – because the adults very clearly see the polar bear and find that it is in their way, but they are blind to Ruby’s difficulties and struggles. They are not able to be empathetic or even sympathetic. The one adult who does understand immediately dives in to Ruby’s life to help her and is the shining example in the novel, followed by Ruby’s Headteacher, who finally seems to take notice of Ruby – but only after seeing the polar bear. 

Farrer writes with care and compassion in her portrayal of a struggling youngster with a depressed mother, and her touches of humour make this an easy and encouraging read for youngsters – the big text helps too. Daniel Rieley’s warm illustrations, although in black and white, also convey a world of colour and imagination and laughter. Here, Maria Farrer explores why writing about young carers was so touching and is so necessary:

No-one knows exactly how many young carers there are. Their role is often hidden because it is something they feel reluctant, unable or scared to talk about. Some have never known anything different and accept their responsibilities as a normal part of everyday life.

Estimates suggest that there are around 700,000 young carers in the UK, but the real figure is likely to be higher. A young carer is someone under the age of 18 who looks after, or helps to look after, a relative with physical or mental health problems. Sickness, disability, depression and alcohol or drug addiction are just some of the responsibilities that young carers take on in an attempt to support someone they love. Caring involves providing physical and emotional support and often taking on domestic duties such as cleaning, shopping and cooking as well as managing finances. Many young carers find caring a positive and rewarding experience and feel that they manage well. However, when the responsibilities mount up, there can be knock-on effects into other aspects of life—school, friends, academic attainment, confidence and self-esteem. Many find it hard to get out and relax. If a parent or sibling is unwell, there isn’t much ‘down-time’ as the worry and concern stays with you wherever you are—often more so when you are away from the home.

Ruby’s Star explores the challenges of being a young carer. Ruby was 9 when her Dad left and she now looks after her Mum who has mental health issues and her baby brother, Leo. Like many young carers, she rarely complains and is justifiably proud of the way she manages. She is tough and determined and capable—most of the time. But when things get really rough she has no-one to turn to and feels isolated and afraid. Her Mum has told her that she mustn’t talk to anyone about the situation at home in case the family gets split up—and there is no way that Ruby is ever going to let that happen. So she battles on alone, often exhausted and stressed, often in trouble at school and occasionally letting her frustrations spill over in the form of aggression and anger. Ruby doesn’t resent her responsibilities, but there are times when she just wants to be a care-free child and enjoy the things that other children enjoy—like skateboarding.

So when a large polar bear arrives and moves in to Ruby’s already crowded and hot flat on the 15th floor, it is pretty much the last straw. Another mouth to feed, another thing to worry about. And it is hard to go unnoticed when you have a polar bear in tow; a polar bear who doesn’t always do as he is told. It is through the arrival and antics of Mister P that Ruby accidentally gets to meet the wonderful Mrs Moresby on the floor below and life begins to change.

Researching for Ruby’s Star made for some pretty sombre reading. Apart from the arrival of a large polar bear, the problems faced by Ruby are similar to those faced by many young carers. When you are exhausted, it is hard to keep up with school work and sometimes hard to even stay awake at your desk. You may be absent from school a lot or too consumed by worry to concentrate on lessons. You may feel misunderstood, overwhelmed, lose friends, experience bullying. The fear of your home situation somehow being ‘discovered’ is very real and makes you increasingly isolated and lonely. The need for a support network or a trusted individual is paramount.

We need to build a greater awareness of young carers and to make sure that they know that it is safe to discuss and share their experiences without the (usually unwarranted) fear of heavy-handed intervention. Sharing brings understanding and empathy and many schools and authorities are aware of the young carers in their midst and help to support them.

We should also do more to celebrate young carers—the job they do and the responsibilities they take on from an early age are phenomenal and it would be great to let them know that they are valued, not just by those for whom they are caring, but by all of us (polar bears included!).

Further information and help can be found at:-

https://carers.org/about-us/about-young-carers

www.actionforchildren.org.uk

www.nhs.uk/conditions/social-care-and-support/young-carers-rights/

With thanks to Maria Farrer for her insightful guest post. You can buy Me and Mister P: Ruby’s Star here. And join me on twitter @minervamoan to win a copy of both Mister P books. 

Train No. 4: Ister (Bucharest to Istanbul)

secret of the night trainConfused by the title? Don’t worry, I haven’t started trainspotting instead of reading. Today, I’m delighted to welcome Sylvia Bishop onto the site. Her latest book, The Secret of the Night Train, is my current book of the week, and features an intrepid young girl crossing Europe by train without her family. As if this wasn’t adventurous enough, she also uses the journey to find out if one of her fellow passengers is a jewel thief. The book is wonderfully written, intensely gripping, and one of my top books this year. To celebrate its publication, Sylvia has written a different blog each day to mirror her book’s structure – the train journey from Paris to Istanbul. Here, on MinervaReads, she celebrates the last part of the journey – from Bucharest to Istanbul. And I have two copies of the book to give away – see details at the bottom:

In my new book, The Secret of the Night Train, Max Morel takes a journey from Paris to Istanbul on four trains. She is accompanied by a nun called Sister Marguerite, and must solve the mystery of a smuggled diamond. I was lucky enough to do this journey myself, and wrote a lot of the book on board. In this series of blog posts, I talk about my real journey, and how it informed the book.

I had a very short window of time to make this journey, and to my grumpy and continued regret, the Ister wasn’t running. There were major reconstruction works at Sirkeci station. Woe is me! How shall this poor author write about a train she hasn’t travelled on?

I still wish I could have gone, but in the end it prompted quite a useful decision. I tried to conjure up this fourth train using the pictures on Google, but it felt abstract and boring, and I knew I had to do something else. To be honest, I am not sure if seeing the real train would have helped. I realised, as I crossed out a description-of-train passage for the nine millionth time, that maybe I had just described too many trains. Maybe we were train-ed out. It was time for a new setting.

Which was all very well, but short of shoving Max off and making her walk, I had no choice. She had to travel on a train.

I was discussing this dilemma with my endlessly-helpful housemates, when one casually suggested “Maybe you need to find a different way for her to travel by train. Like, she could do the classic roof-of-a-train scene.”

My housemates, for the record, are first class genius muses of the highest order.

So the next day found me glued to YouTube videos about thrill-seekers who climb on the outside of trains, which are a great thing to watch if you happen to enjoy feeling sick to your stomach or yelling “No, you fool, what are you doing, oh my God” at strangers on your computer who are genuinely extremely likely to die. As a result, the Ister section of Night Train is not much of a travel guide. It is more of a how-not-to-travel-guide. Poor Max. I put her through a lot.

This is the last train of the journey, but we are still only about two-thirds of the way through the story. From then on, while I was writing, I really missed the trains. They made so many decisions about the narrative for me – I very literally just followed the tracks. Once the characters arrived at the end of the line I was back in the big bad world of choices, where I had to carve out a narrative path for myself.

This, therefore, is the point in the book where things get odd. There are live jewel-covered birds and plant-based-disguises and elaborately constructed break-ins, because my untrammelled brain can’t be trusted.

Taking this journey was the most enjoyable, useful, memorable writing process I have ever tried. If you ever want to take the journey yourself, or any other international train journeys, I highly recommend www.seat61.com – incredible stuff. And I hope you enjoy the book!

The Secret of the Night Train by Sylvia Bishop is out now, published by Scholastic (RRP £6.99), and you can buy it here. Or, win one of my two copies (with thanks to Scholastic) by finding my MinervaReads Facebook page and commenting on this post.