picturebooks

Summer 2018 Round-Up

It’s hard to believe we’re at another summer break for MinervaReads. The blog doesn’t operate in August, so at the end of July on the home page I leave a full list of summer reads and releases that you might find interesting. There was such a huge selection this year, I found it difficult to make my pick.

raj and the best day everpetratropical terry

Picture Books

If you’re looking for a picture book that sums up your summer with your pre-schooler, then you’d be hard pressed to find a more endearing, real and funny book than Raj and the Best Day Ever by Seb Brown. Raj and his Dad make a list of what they’re going to do on their day out. But when Dad leaves his wallet behind, they must improvise. With a celebration of a father/son relationship, wonderfully busy cartoon animal illustrations and a sense that fun can be had with a little imagination, this is a funny, up-lit picture book.

Further use of imagination in Petra by Marianna Coppo in this skilfully intelligent, minimalistic picture book. Petra is a pebble with a misguided sense of identity, although gradually she learns she has the potential to be many things thanks to her imagination and her literal journey. The understated-ness of the book lends to its charm, and readers will enjoy exploring Petra’s resilience in adapting to her new discoveries about who she is. Quirky and full of emotion. For a pebble, that’s saying something.

Issues of identity arise in Jarvis’s Tropical Terry too – a picture book fully exploiting the colours and shapes of the sea. Terry is a dull-looking fish, although it makes him excellent at hide-and-seek. But when he dresses up as a tropical fish, he gets more than he bargained for. Being happy with who you are and discovering your strengths, as well as valuing your real friends, is a great message.

the girlsswan lake

Others to look out for this summer include The Girls by Lauren Ace, illustrated by Jenny Lovlie, which celebrates friendship and inclusion between four little girls with joyful light and breezy illustrations, and Swan Lake by Anne Spudvilas, a dark and brooding visualisation of the ballet story that will haunt and delight in equal measure. The illustrations conjure up the movement of the dance; and the zoom into the chandelier and dresses is simply phenomenal. Sure to cast a spell.

hello horse

The summer is a great time to take up a new hobby. I swear my parents only took me riding for the first time in a freezing cold frosty mid-December to put me off the experience, but youngsters with an eye on the horses will be enthralled with Hello Horse by Vivian French, illustrated by Catherine Rayner. Charming, informative and with the most exquisite illustrations, this is a nature storybook that seeks to inform about aspects of horse care whilst telling a gentle story. The watercolours of the fields and wildflowers exude a sense of summer country days, and the texture of the horse is so appealing and nuanced that it will turn the reader’s head.

Young Fiction/Independent Readers

secret sevenknights and bikesbeano

For young fiction readers, Pamela Butchart has updated The Secret Seven series by Enid Blyton, and the first is published in July – Mystery of the Skull. Butchart brings her exuberance and fast-paced story-telling, and although it’s stuck with Barbara, Jane and co, and so lacks a modern diversity, the first adventure is jolly good fun, and just as addictive as the original Blyton tellings.

From new publisher Knights Of, comes Knights and Bikes by Gabrielle Kent, illustrated by Rex Crowle. As anticipated, this is a romping energetic adventure story on bikes that explores the wonders of friendship, with a quest to solve, and mentions of water balloons, frisbees and much more. A bit wacky, highly illustrated, and with a computer game to follow, this should be a well-thumbed mystery.

My own kids adore Saturdays, mainly for the postal delivery of the weekly Beano, so this summer will be fabulous when they discover Dennis and the Chamber of Mischief, as told by Nigel Auchterlounie. Full text interspersed with black and white cartoon illustrations, and a chatty interactive adventure in Beanotown. Perfect for a longer read.

Junior Fiction/Middle Grade/Fluent Readers

boy underwaterplanet staniguana boy

Junior fiction or middle grade readers may not want to read Boy Underwater by Adam Baron, illustrated by Benji Davies, next to the swimming pool, but it’s a compelling, sometimes sad read that will keep children hooked. Cymbeline Igloo has never been swimming, and his first foray into the pool alongside his classmates isn’t pretty. But it has longer-lasting effects upon his mother, and before long, old family secrets are exposed, and Cymbeline’s life will never be the same. Baron explores loss with pathos and empathy, but also adds brilliant touches of humour with his narrator’s wry voice, as well as a satirical look at privilege, and wise words about life in general. No wonder it was a Waterstone’s Book of the Month. Unmissable.

If you’re looking for funny, try Planet Stan by Elaine Wickson, illustrated by Chris Judge. A friendship adventure story packed with space facts and diagrams and charts, and yet also with hilarious survival tips. Or Iguana Boy Saves the World with a Triple Cheese Pizza by James Bishop, illustrated by Rikin Parekh about Dylan, whose superpower is being able to speak to iguanas. Perhaps not the best superpower to own. But if there were no other superheroes, it’d all be down to him. Funny, and with comic-strip illustrations.

the goose road

For a sensuous summer read, historical The Goose Road by Rowena House is set during World War I, and explores France through the eyes of Angelique, desperate to hold onto her farm until her brother can return home from the Front. Packed with detail, and charmingly poignant, this triumphs a girl with ultimate resilience in a desperate time.

YA/Teen

its a wrapthe lost witchmud

For YA, the choice this summer is really fantastic. For an accessible, funny, warm teen read you’ll want to devour the Waiting for Callback trilogy by Perdita and Honor Cargill. The third in the trilogy has just been published – It’s a Wrap. The characters are rounded, real and raw, the situations dramatic and often hilarious, and the prose so readable you’ll forget where you are.

The Daddy of YA is back in town – Melvin Burgess has a new novel out for teens called The Lost Witch. His novels have never been for the fainthearted and this is no different – stark imagery that fixes in the mind, an exploration of the power and manipulation in relationships through use of a well-crafted other world, and a prosaic dance with the natural world in looking to what is wild and tame within ourselves. A master of twists and turns, here Burgess has intertwined an adept hand at fantasy whilst still retaining the grittiness of real life. Exciting, dangerous – for older teens.

Other teens will prefer the more contemporary and reality-based Mud by Emily Thomas, with a teen voice that showcases sophistication. Set in 1979, it explores what happens when Lydia’s father announces he is selling their house and moving Lydia and her three older siblings to live on a barge with his new girlfriend and their family. Filled with complicated relationships, forgiveness and learning to make do, this is a fascinating read.

a boy called ocean
From river to ocean, A Boy Called Ocean by Chris Higgins tells the story of Kai from multiple points of view. Kai has always been best friends with Jen since he moved to Cornwall when he was small. But now Kai’s feelings have started to change, and then he makes a snap decision and finds himself stranded at sea. With Jen on land, and an ocean between them, this is a different kind of romance.

Activity Books

seashore watchercolossal city counthoakes island

If you’re looking for interactive activity-led books then Seashore Watcher by Maya Plass has a summery feel and handily comes in a ziplock bag for practical use. As well as information about identifying different coral and shells, there are activities, factfiles and more. The full-colour photographs are fascinating and wondrous. Colossal City Count by Andy Rowland is like a Where’s Wally with numbers and world cities. Practise identifying clues and counting villains to solve the crimes committed city by city. Have great fun spotting how many Victoria sponges there are in London!

Lastly, and the one we’ll be taking on holiday, is Hoakes Island by Helen and Ian Friel. This puzzle adventure book – a collection of diary entries, maps, notes, puzzles and all sorts, leads to the clue as to where Henry Hoakes has gone – the owner of the amusement park. There’s a red magnifying piece for assistance, a group of talking animals, and letters that aren’t in order. Maths, comprehension, observation skills are all needed to solve the puzzle – but there’s also an intriguing adventure story within. For ages 7-11. (The answers are at the back, but don’t peek. It’s worth the challenge).

Do come back in September. I have the best books of the year to recommend to you – they’re dropping thick and fast for the autumn. You’re in for a cracking reading time as the nights draw in, and the weather cools down!

Joy by Corrinne Averiss, illustrated by Isabelle Follath

joy
What makes us happy? Is it our genetic makeup, our life circumstances, our achievements? We constantly strive to be happy, but happiness can really only be a fleeting sensation, for without experiencing some low points in between, we wouldn’t know what happiness is.

The little girl called Fern in the picture book Joy also strives to find what happiness is, and to catch it. She is a lively active girl, with a hearteningly good relationship with her grandmother, who bakes butterfly cakes, and smiles. But one day, her grandmother – Nanna – seems down. The colour has ebbed from her page, her paintings hang skewwhiff, there are cobwebs on the mantelpiece, and a wheelchair where once there were cakes.

Fern asks her mother, who tells her that the joy has gone out of Nanna’s life, and so Fern endeavours to capture some to take to her. This brings on a beautiful few pages that try to capture where Fern finds joy – getting the giggles, or dancing with her father. In the end, the feeling is summed up with a ‘whooosh’.

Unfortunately, Fern can’t package this whooosh of joy for her Nanna – it won’t fit in her cardboard box, or stay in her butterfly net. And yet, when she goes to Nanna and spends time telling her about her joyful exploits, the joy comes back into the room in a phantasmagoria of colours. And once more there are butterfly cakes.

The illustrations are both fresh and traditional. Nanna is pictured as a stereotypical older woman – white hair in a bun, glasses on a string, and in an old-fashioned armchair. And yet the butterflies rise from a cake in a stunningly fresh kaleidoscope cascade. Fern plays with old-fashioned toys, and yet the people in the park are a diverse mix – some seem from today, others even from Edwardian times. Perhaps because ultimate happiness doesn’t change over time.

In fact there are numerous devices here to bring happiness to the reader. The contentment on Fern’s face, the use of the word ‘whooosh!’ to express how Fern feels about happiness or joy, the beautiful colour wheels used to express the bounce of a puppy, the chuckle of a baby, and the repetition of the happy words.

Follath’s exploration of colour, using mainly ink, pencils and watercolour is exceptionally stunning here, quite literally bringing joy to the reader. The careful delineation of the park and all its various elements, the exquisite ability to capture innocent expression in Fern’s face as she gathers her catching materials, and of course the abstract spreading of colourful ‘joy’ throughout.

Some negative comments on the book have pointed to how easily it offers a way out of Nanna’s depression, and doesn’t give the illness the gravitas it deserves. I’d disagree. Moments of sadness don’t always equate to depression. In fact Nanna is shown with all the colour seeped from her world, but so is Fern too at one point – when she finds she can’t capture joy in a bag. She isn’t suffering from depression – it’s a momentary sadness, just as happiness and joy can be momentary too. Nanna’s does seem prolonged, and some readers have suggested, more serious – but there’s little harm in showing young readers that there are good days to be found even with periods of persistent sadness.

There is no reason given for Nanna’s sadness, although I speculate it’s more about ageing than it is about depression, but the essence of the book is not to explore this. It’s to explore happiness – and that it’s not equated with ‘taking’ behaviour, in terms of what we have or possess. Joy isn’t in our possessions in the same way that it isn’t something that can be physically possessed. Instead, happiness is about ‘giving’ behaviour – about giving of ourselves to others, and by that making them and us feel good. Fern’s time with Nanna gives the greatest joy to them both.

And within the book it’s this inter-generational behaviour that stands out for me. The book shows what joy it can be for different generations to connect and develop an ongoing interdependent relationship. And how emotion is transient. You can buy it here.

if all the world wereAnother book that deserves a mention and seeks to explore this relationship is If All the World Were by Joseph Coelho, illustrated by Allison Colpoys. This picturebook is about exploring the death of a grandparent, but deals with it sensitively. What it does have in common with Joy is to explore the quality of the time that the grandfather and his granddaughter spend together -through the different seasons and engaged in different activities. And they have created a vast bank of memories for the girl to hold onto.

Coelho is a poet and it shows in the lyrical text, which is both touching and filled with analogies and metaphor. There are also hints of cultural inheritance, as the grandfather imparts his own childhood stories to his granddaughter. Of course the book is laden with loss, but the intimacy and warmth of the colourful illustrations lessen the load, and what remains is the inherent tenderness of this intergenerational relationship. You can buy it here.

Fabulous Fashion

fabulous hat
When I was a little I was obsessed with a small picture book called The Fabulous Hat by Joan Hickson. It’s out of print now of course and sells second-hand for about £20, but then it was a small 32 page pint-glass sized book illustrated with the most luscious psychedelic drawings. (It was published in 1970).

My fascination was not only with the dazzling bright pinks and oranges, but also with the fact that the main character, a small girl called Louisa, goes shopping with her cool older sister in an array of wonderful clothes shops but everything she tries on is too big, whilst her sister looks fabulous in everything and buys it all. Louisa gets fed up but finally finds a hat, which is indeed fabulous.

And of course to my eyes now, the hat is far from ‘fabulous’ – it looks like a shower cap.

polka dot shopFashion, and retro fashion, or vintage, is near the top of the agenda in Laurel Remington’s new book The Polka Dot Shop. But Remington brings it right up to date in this very modern tale about a girl living with her single, depressed mother, and trying to make the right choices – in friendships, fashion and finally business.

Andy’s mother runs a kooky boutique selling vintage clothes, but unfortunately it’s not doing very well. Meanwhile, her school decides to revert to a non-uniform policy, and what everyone wears to school becomes super important. (And every mother’s worst nightmare I should imagine). Andy’s wardrobe is full of her mum’s shop cast-offs – pre-owned clothes and accessories, and none of it passes the fashion police test. She longs to buy brand new high street clothes.

Then Andy finds a bag of designer goodies in the shop, and everything changes – just not quite in the way she expects.

Not only is this a heart-warming tale of friendship and first romance, written in an easy-going contemporary style, but if the reader digs deep, they’ll find a story that resonates deeply with modern life. The throwaway culture of our modern clothes obsession – buying cheap and disposable clothing, the disintegration of neighbourly awareness and community that goes hand-in-hand with the demise of our local high streets, and a creeping proliferation of mental ill-health.

That’s not to say this is a depressing novel – not in the slightest. In fact, the text and content is bouncy and full of warmth; with zest for life and hope for the future. Remington shows that the relationship between the generations is key for future prosperity – (not monetary) but finding fulfillment. When Andy and her friends reach out and learn from the histories of the older generation – particularly the man who runs the fish and chips shop next door – and when Andy reaches out to understand her own mother, then things fall into place, and Andy and her friends can hatch a plan for the future that benefits all.

What’s also magical is that Andy makes plenty of mistakes. She learns to fail and by failing, learns to succeed. It’s good to find this message in a book for this age group.

By connecting to the past and learning from it, Andy finds a new future for herself and her mother. And it’s the cast of characters around her that helps too – Andy finds it hard to make friends, and when she does, they each have their own challenges but create a support network and camaraderie to help each other through. When Andy meets her ‘boy next-door’, and they communicate properly, they are able to finish the project they started in winning style.

This is a fabulous book that doesn’t need psychedelic illustrations to bring it to life. It’s bursting with life and energy already, and would look good on any catwalk. I have a signed copy of this book to giveaway. Just find me on twitter @minervamoan and RT my tweet about the book. Or you can buy it here.

octopantsSticking with clothes, but for younger readers is Octopants by Suzy Senior, illustrated by Claire Powell. This cheeky little picture book is published on 12th July, and in rhyming verse encompasses all my woes of looking for the perfect pair of jeans.

Octopus is looking for the perfect pair of pants. He’s laughed out of town by the shop sellers who explain that he has too many legs, and has no luck surfing the net either. Then the octopus discovers the Undersea Emporium, staffed by a seahorse, and filled with clothes (even with pockets) for all types of sea creatures. They still don’t stock octopants, but a little twist in the tale means that the octopus goes away happy.

Cartoon fish are probably every illustrator’s dream, in that there are so many colours, shapes and sizes to play with. Here, Powell has had great fun playing on words such as ‘surfing the net’ with her underwater scenes. All the illustrations are bright and endearing and bursting with colour and movement, and she’s managed to bestow a full range of emotions on the sea creatures, at which younger children will delight.

It’s often the small touches that turn a picture book from something ordinary into the extraordinarily popular, and the team behind this one have put in all sorts of fun jokes for both adults and children. Look out for the sign outside the changing room, the queues, even the title of the undersea newspaper. Just as Aliens in Underpants and The Queen’s Knickers remain firm favourites in the library and at home, I have a feeling that Octopants is going to continue the underwear success. It’s anything but pants. You can buy your own pair of octopants here.

 

Art for Art’s Sake

Art is crucial in a child’s development. Children can improve their motor skills just by picking up a pencil, paintbrush, roller or sponge. Their first impressions of mathematics come from colours, shapes and patterns, and their first experiences of material science may be in their choice of chalk or paint or lead. In fact, the act of creativity itself gives them self-confidence. So it’s no wonder that so many picture books, activity books and non-fiction for young children use art as a basis for story, information and play.

More than ever, in a world filled with marketing logos and graphic design it’s important for children to learn discernment around pictures – what is each piece of visual information showing them? How can they interpret it, criticize it, learn from it? And what better way to teach them cultural awareness than through picture books that pick up on great art. (And there are fun references for adults too).

Shifty McGifty and Slippery Sam Masterpiece
Shifty McGifty and Slippery Sam: The Missing Masterpiece by Tracey Corderoy and Steven Lenton
This is the latest adventure about our two endearing canines, Shifty and Sam, one time robbers who have reformed and become famous bakers. The two dogs are in Paris to bake a gingerbread Eiffel Tower in their latest rhyming picture book. But of course, there is trouble afoot in the art gallery, and when art thief Monsieur Sly the fox steals the masterpiece a chase down the Seine ensues.

With mischief galore, and Parisian images, as well as dogs taking the place of humans in familiar famous paintings, this is a light and scrumptious read. A colour palette that brings out the essence of Paris with its café awnings, trees in blossom, and busy sidewalks makes this a truly European holiday read.

As well as the French landmarks, there is great characterisation that follows through the story (as always in this series), a superbly baked plot and numerous details, including introduction to French vocabulary. C’est tres bien. You can buy it here. And I have one signed copy to give away! Just find me on twitter @minervamoan and RT the link to this article.

bobs blue period
Bob’s Blue Period by Marion Deuchars
Continuing the theme of animals and art, Bob’s Blue Period explores the emotions of feeling sad. Bob the bird’s best friend is Bat and they love to paint together. But one day Bat goes away, and Bob is left feeling sad. When he paints, everything is blue. Eventually, the other birds show Bob a beautiful world of colours in the sunset, and he begins to see how he might continue on without his friend – and then Bat returns.

As well as exploring an artist’s use of a palette to express himself, the book encourages a sense of perseverance, of seeing how important it is to recognise the good in the world even when feeling down.

And in front of this message is a huge amount of humour and expression in the illustrations. Deuchars draws Bob from beak to toe with drama and pathos, exploring all his activities and all his thoughts; from laziness and contentment whilst playing computer games, to concentration at cricket, to despair when Bob is shown slumped on a chair. The adult can spy references to famous artists too, and will bask in the beauty of the book’s illustrations. A blue period to treasure. You can buy it here.

 

art masterclassArt Masterclass with Van Gogh by Hanna Konola
This great activity book takes the young reader through all the elements needed to understand Van Gogh’s painting style, and to try to mimic some of the techniques. The book is methodical in approach, leading the reader through who the artist was, and a timeline of his life, before getting into the nitty gritty of which tools to use – how to get the feel of the pencil or brush, and then graduating to copying, making marks, looking for ways to create perspective and mood, adopting different colour palettes, and understanding Van Gogh’s own grid system. It also looks at a painting’s arrangement, and steers the reader/artist through various famous paintings and formats, including landscape and still life. There are lots of ‘extras’ at the end of the book too, including stickers and a pull-out poster, which can be used within the book to create the reader’s own masterpiece.

This is a well-thought out and informative picture book, with no activity too difficult for the reading level. There’s also plenty of stimulus for thought around the paintings: including true representation, emotion and using outside inspiration. Really fun and educational too. You can buy it here.

 

great dogGreat Dog by Davide Cali, illustrated by Miguel Tango
An intriguing picture book, with much to discern and yet also leaves the reader slightly puzzled. The book is presented as a series of portraits of familial members – the father dog – dressed in a sports coat, tells his child about the different portraits in the family hall. Behind each portrait though – of each ‘great dog’ – is an illustration that belies this truth. The ‘great police officer’ for example, a proud bulldog, is seen through the gatefold as missing the crime that is going on behind his back. Likewise the ‘great teacher’ is seen behind the portrait as letting the children run riot in the classroom. Throughout the book the child of the father dog asks ‘What About Me?’, the implication being that the child wants to know if he/she will also grow up to be great.

The twist at the end is that the child is revealed to be a cat – ‘You will be a great dog or great cat,’ according to the father, and so the book turns into a tale of unconditional love rather than familial pressure.

An odd book in some ways, but fascinating to explore the intricate line drawings behind each portrait to see the dog’s true character, and a lovely sophisticated colour palette of gold and turquoise, which adds an artistic emphasis to the book. You can buy it here.

Yuval Zommer sketches

A few weeks ago I featured the new book by Yuval Zommer, The Big Book of the Blue. Yuval’s illustrations are distinctive among today’s crop of children’s illustrators – playful and cartoonish, populating his exquisitely edited Big Book nonfiction series with a sense of fun and also knowledge. Here, Yuval gives an insight into his drawing process:

I loved working on The Big Book Of The Blue and now that the book is out I often get asked “what was your favourite animal to draw and why?” But I have so many favourites…

I’ll start by telling you that the animals I found most challenging to draw were the Dolphins, they already have a naturally friendly smiley expression and I really didn’t want them to look too cute. I first thought the Sharks would be the most challenging but when I got to draw them they became rather mischievously endearing. Many readers seem to really like the Whales in the book, as do I, but my favourite animals to draw were actually the smallest creatures in the book.

Here are a couple of examples of what I call ‘moods’ (rather than sketches) that I would do as preparation for the book:

Yuval Zommer

I loved drawing these Coral Reef Fish. Here Mother Nature really excelled herself when it comes to flair: these tiny fish who flit brightly among the corals have the most delicate features, almost transparent fins and tails, some gorgeous abstract patterns and splashes of vibrant colours. In my ‘mood boards’ I first try to capture the essence of the animals, how they move together as a fish shoal, what’s the overall colour palette, the corresponding flora etc. Even in a group in which every fish looks almost identical, if you look closely you’ll see there are subtle differences so that each of my fish is still an individual 🙂

Yuval Zommer

Not everyone likes the Crustaceans group, otherwise known as Shellfish, but to me they were some of the most interesting creatures to draw. Crabs, lobsters, shrimp and krill all belong in this ocean family; each has a hard skeleton on the outside of the body. I love how they make such intricate ‘alien like’ shapes with their claws and multi limbs. Also, if you look closely at each shellfish there are so many beautifully blended tones of orange or pink or coral. One of my favourite pages in the book turned out to be the Krill. It’s set at night time and I managed to show a swarm of tiny krill all shimmering under the surface of the sea!

With many thanks to Yuval. Take a look at the book yourself here, and see more of Yuval’s fantastic drawings. 

 

Spring 2018 Picture Books

Picture books is a genre that groups books together because of their format rather than their content. The books reviewed below are all strikingly different – some we may think of as traditional picture books in that they’re aimed for younger readers and impart a funny story using animals as characters, and often deliver a message while doing so. But I’ve also covered some books for the slightly older reader in my ten picture books picks of this season, in no particular order:

a bear is a bear
A Bear is a Bear (except when he’s not) by Karl Newson and Anuska Allepuz
A wonderfully simpatico book about a tired bear who forgets who and what he is until a good sleep sees him wake up refreshed and knowledgeable. He tries to be all kinds of animals, from a bird to a fox, but the other animals’ habitats, behaviours and eating habits do not suit his skills and sensibility. After hibernating, he rediscovers the truth and finds his appetite. This is a warm and humorous book with rhyming text, a delightful exploration of the seasons through illustration, and the introduction of woodland creatures, including a moose. The text is written in an invitingly read-aloud style, as if the reader is a narrator talking to the bear. Endearing, friendly and colourful. You can buy it here.

i do not like books anymore
I Do Not Like Books Anymore! by Daisy Hirst
Another one for the fairly young, this will also be a favourite among teachers trying to encourage first time readers to push through. Characters Natalie and Alphonse first appeared in Alphonse, That is Not Okay To Do, primarily about sibling relationships, but this story takes these two little monsters through the course of learning to read. Although they adore books and stories, Natalie starts to struggle to learn to read and in the process, becomes disillusioned about books. With some help from her little brother, Alphonse, Natalie comes up with a strategy to rebuild her confidence, and before long stories and books are favourites again. A fantastic tale about perseverance that is close to home for many readers. Hirst is particularly clever in portraying a familiar domestic environment, with the monsters in typical childlike poses – be it on a swing or reading with legs in the air, sitting on a bus or playing in the bathroom. Look out for the wider cast of characters – a simple but effective way of drawing our modern world. You can buy it here.

almost anything
Almost Anything by Sophy Henn
On a similar theme, although not so specifically on reading, this is Henn’s message that anyone can do anything if they put their mind to it. George is a rabbit with somewhat downcast ears. Everyone else in the woods is busy (birds who play chess, a squirrel who reads, a mouse who knits), but George doesn’t feel confident doing anything, and so does nothing. It is only when Bear comes up with a simple yet cunning plan that George finds the confidence to attempt everything and stop at nothing. Despite Bear’s scruffy looking appearance, she comes up trumps with wisdom, ensuring and inspiring self-belief in others. With Henn’s gentle colour palette, and deceptively simple plot and illustrations, this is a clever, inspirational little picture book that captures the essence of finding confidence, having a go, and importantly, enjoying oneself too (as well as, may I suggest, respecting the wisdom of elders). You can buy it here.

dinosaur juniors
Dinosaur Juniors Happy Hatchday by Rob Biddulph
Long a fan of Biddulph’s simple, almost monosyllabic, rhymes, it seems this author/illustrator can do no wrong. With this first of a brand new series, he has now turned his attention to that perennial love of pre-schoolers – dinosaurs. The illustrations are trademark Biddulph – simple shapes with almost three-dimensional texture, and a bold colour palette – dominated by green in this tree-filled landscape of our green protagonist dinosaur. Biddulph brings a range of topics to this ostensibly simple text about a group of dinosaurs hatching – from counting, to fitting in, to naming dinosaurs, to friendship. Greg is the last to hatch, but is shown to be equally loved and appreciated by the end of the book. Biddulph’s bright colours and stylish illustrations will delight a whole truckload of wannabe palaeontologists. You can buy it here.

nimesh
Nimesh the Adventurer by Ranjit Singh and Mehrdokht Amini
Taking a more complicated route with illustration is this dynamic and interesting new picture book about imagination. Nimesh is an Indian boy in London who uses his imagination to turn the ordinary into the extraordinary, from crossing the road to walking through the park on his way home from school. His school corridor is fairly nondescript: a range of notices upon the wall, a few cupboards and chairs, and a wall display of a hammerhead shark as part of shark week. But the following page leads the reader into Nimesh’s imagination, as he sees the corridor as an underwater labyrinth, a school door sprouting from the sea bed, sharks, plants and fish layered upon the school floor with the staircase and fire exit in the distance. The illustrations are collage – a remarkable letting loose of the illustrator to use their imagination as they envisage what Nimesh sees in his vivid mind. The entire book is related in dialogue too – as if the voice of reason is in conversation with the voice of imagination. Children will delight in finding the clue in each ‘ordinary’ picture of the ‘extraordinary’ to come. London becomes magical in this richly layered, diverse and fascinating tale. Extraordinarily different. You can buy it here.

little mole
Little Mole is a Whirlwind by Anna Llenas
Another story revealed in collage illustrations is this interestingly busy book about a little mole with ADHD. Mole can’t stop – the book is full of distraction and interaction as Mole moves through his school day at pace, fidgeting, forgetting, and playing the fool. Unfortunately, his peers find him irritating rather than funny, and his mole parents try to find a way of helping their whirlwind son. Serena the bunny gives Mole the space to experiment and explore, to talk and to listen, and finally Mole and his classmates accept who he is. This may be an unsubtle way of dealing with an issue – Mole at one point is illustrated with luggage labels ‘labelling’ him, but the overall premise is dealt with wonderfully in the busy collage style – pencil and cardboard drawings cut out and layered on top of each other. It creates a busy landscape and shows Mole’s world well. Frenzied but enjoyable. You can buy it here.

forever or a day
Forever or a Day by Sarah Jacoby
In complete contrast, this magically calm picture book for older readers tries to explore the concept of time. Taking subtlety to an extreme, the book reads as a poetic meditation, alluding to the subject matter rather than addressing it directly. Both picture and text combine to explore the elasticity of time – the calm pictures of seaside days contrast with the rushing for a train. There is musing on ageing and how time stretches back and seems far away, as well as added humour in the time spent waiting for a bus. There is the mindfulness of being in the present and appreciating the time now. With a mixture of striking landscapes from afar and up close domestic scenes, this is a thoughtful and somewhat wistful look at how we live and what we lose as we move through life. Clever parallel images appear throughout the book, letting the reader make connections between things and people, between time when young, and time when old. A sandcastle washes away to nothing, a train recedes into the distance, days turn to night. This is a complex, powerful book about one day, and how in memory a day may last forever. You can buy it here.

red bottomed robber
The Case of the Red-Bottomed Robber by Richard Byrne
Master of the playful picture book, Byrne returns with this old-school tale about chalk who love to draw but get upset when their drawings are erased while they are out at play. In true mystery style, they investigate the ‘theft’ of their drawings, weighing up the evidence, which is chalk dust, and rounding up suspicious characters, including the scissors, glue and ruler. When they finally catch the robber red-handed, or rather ‘bottomed’, he feels unjustly accused – after all rubbing out is his raison d’etre. A funny tale, well told on black backgrounds representative of the chalkboard, children will delight in the ‘bottom’ tale, as well as the use of chalk with expressive personalities. Not too far removed from The Day the Crayons Quit, this picture book is shorter, and perfect for exploring a first mystery case, or just enjoying the colourful mess chalks can make. You can buy it here.

glassmakers daughter
The Glassmaker’s Daughter by Dianne Hofmeyr, illustrated by Jane Ray
Far more long-lasting than chalk is coloured glass, in this exquisitely beautiful fairy tale of Daniela, the daughter of a 16th century Venetian glassmaker. Daniela is miserable, and her father offers a glass palace to the first person to make her smile. In true fairy tale trope, many try, including jugglers, mask makers and trumpet players, but only the last glassmaker manages, by making Daniela a mirror in which she can laugh at the sad miserable face she shows to the world. Although it feels like a classic princess tale, there is no ‘happy marriage’ at the end, and indeed those of both genders who try to make her smile are not motivated by thoughts of a wedding. This is about finding happiness within oneself rather than with another person – and how laughter is catching. But more than this, the picture book gives historical detail about glassmaking in Venice, and shows originality and immense detail in the exquisite illustrations – and a sparkle of glass when it shatters in the middle. An intriguing, historical, luxurious picture book that explores European culture. You can buy it here.

out out away from here
Out, Out, Away From Here by Rachel Woodworth and Sang Miao
A completely different illustrative style, but also in a book lavishly produced, is Woodworth’s tale of exploring emotion and escape. The red-haired narrator of this book acknowledges in very few words that sometimes she feels happy, but sometimes mad and sad, and sometimes all at once. When things are particularly overwhelming, she seeks escape in her imagination, a wild place populated by nature, with faces in the shapes, and strange creatures, with domestic objects inserted in wild landscapes, where the domestic merges with the wild. But at the end, she always comes back to her fully domestic family scene. Miao has had fun with the scant text, letting her own imagination create crazy landscapes within the mind. The fusing of the familiar with the strange and the dreamlike colours are particularly effective – from orange skies to flying fish, vivid blue seas and unidentifiable shapes in greys and greens. The domesticity is well executed too, from the yellow mac on rainy days to the zoomed in picture of the girl with her hands in her hair as she listens to the baby scream. This is another well thought out book of emotion and intensity, with just the right balance of darkness and depth to create a wonderful narrative to promote discussion of our emotions and how we respond to them. Excellent. You can buy it here.

 

 

Social Action Picture Books

I do firmly believe that starting out with an agenda is not the best way to write a book, but often a cause or an issue catches our attention because of the story behind it. The media know this all too well – putting a human face to a crime, building a narrative around Brexit, giving story examples of health crises are the way we engage with issues. We need stories.

These clever picture books may be issue-based, but they win over the reader with their subtle blend of picture and text, with their bold narratives.

Homelessness:
the old manThe Old Man by Sarah V and Claude K Dubois

A skilful mix of tender illustrations and sparse text portray this issue with pathos and intelligence. Homeless people often feel invisible, and the gentle pencil sketching and sepia tones of this picture book lend an invisibility to the homeless man, but also give the book a sophistication and elegance that makes it attractive.

The book starts with daylight and a girl rising from her bed within her house, but flits quickly to the homeless man also starting his day, in the rain and ignored. It portrays his struggle with hunger and cold, his awkwardness and shame, his loneliness.

For much of the book, the people remain faceless – shown from waist down, or blurred in the rain. It is only at the end when there is human connection between the little girl and the homeless man, that the features begin to be defined. It is one act of human kindness that gives the homeless man the warmth and humanity to go to a shelter, and be recognised for who he is.

This is a brave and touching story, and an excellent picture book for allowing children to explore an issue and see that people are more than just their outward appearance. You can buy it here.

Gender Roles:
looking after williamLooking After William by Eve Coy

This humorously illustrated story takes a look at domestic roles and the workload of a parent in a warm and engaging manner.

The little girl of the story decides to act as ‘mummy’ to William, her stay-at-home Dad. She not only performs everyday tasks, but also sees his potential to be whatever he wants to be when he grows up.

The reader will adore her attempts to look after him – making him breakfast but spilling the milk all over the table, giving him exercise by making him tow her up the hill on his bike, and generally ‘looking after’ him by making him push her in the swing, or take her round the supermarket in the trolley. Her grown up jobs include building blocks, and making tea for her toys.

It’s a gorgeous portrayal of domestic life, with immense wit and warmth. In the end, the little girl decides that her Dad only wants one job, despite all the wonderful things he could achieve – and that, of course, is being her Dad. Uplifting and cute, and dominated with shades of blue, green and yellow – like a soft lamp casting a warm hue across the page. You can buy it here.

Animal Conservation:
hello helloHello Hello by Brendan Wenzel

Wenzel’s first picture book, They All Saw A Cat, took the perspective of the animal in viewing the world and illustrated each page accordingly. Hello Hello also gives animals shape and zest, showing the animal world in amazing variety – in colour, but also in action, with animals leaping, flying, twisting, turning and dancing across the white pages. Reminiscent of Lucy Cousin’s Hooray For Fish with its similar sparsity in rhyming text; the animals address each other with descriptive greetings: ‘Hello Stripes, Hello Spots, Hello Giant, Hello Not’. But Wenzel’s sparklingly colourful exploration of animal life takes the illustrations further by using a huge range of media including cut out paper shapes, oil pastel, computer graphic.

The message is simple – that the animals all share certain traits, despite their vast differences. Many of the creatures featured are endangered and Wenzel lists the animals at the back, stating whether they are vulnerable or not. A vibrant call to action. You can buy it here.

is it a mermaidIs it a Mermaid? By Candy Gourlay and Francesca Chessa

A tale of identity and imagination, in that Benji and Bel find a strange creature on their beach, and although they know it is a dugong, Bel goes along with the dugong’s story when she claims to be a mermaid. The humour lies in the illustrations, which represents the dugong as a fairly lumpen animal, about as far removed from mythical ideas of the mermaid as possible.

When Benji’s negativity causes the dugong to cry, he realises he’s been insensitive, and plays along too. The illustrations are colourful, particularly of the undersea world, and beautifully atmospheric, especially in the change in light depending on time of day, but they also bear out a childlike simplicity. What’s more the children and the dugong are constantly active – so that the picture book feels alive and exuberant.

At the end, the authors remind the reader that both dugongs and sea grass habitats are under threat, and give resources for how to help. Save the world here.

 

Environment Conservation:
the coral kingdomThe Coral Kingdom by Laura Knowles and Jennie Webber

Through simple rhyme, this book manages to explore facts about the coral reef, portraying the colour, diversity and life cycle of the ecosystem. Each page has a simple sentence accompanied by the most detailed and colourful illustration. In this way the book both informs and inspires.

There is much to take in – the dive of the dugong, homes of polyps, sea stars and mantas, turtles and minke whales. The colours and textures are plain to see, and the interweaving of the different creatures and plants make for quite a spectacle.

The shock comes over halfway through, when the beautiful colours are gone – bleached by the warming seas. The remainder of the book explores what humans need to do to protect this environment, with a beautiful pull out spread of how it should be, accompanied by information about conservation on the reverse. From the winners of the Margaret Mallett Award for Children’s Non-Fiction, this is a perfect picture book to teach first steps to conservation. See the coral here.

when the bees buzzed offWhen the Bees Buzzed Off! By Lula Bell, illustrated by Stephen Bennett

With a die-cut front cover, and lift the flaps throughout, this is a nifty book for young children about discovering nature. The insects inside the book are frantic that the bees have disappeared – told in an array of speech bubbles, accompanied by short narrative sentences.

The authors have had fun here: the insects are imbued with personality, and pretentions of comic wit: “the search is fruit-ile” says one, a joke wasted on the very young but wry for the adult reader. Other jokes suit the readership better – the jealousy of tadpoles at different stages, the lying spider.

In the end, the insects learn that bees need certain flowers to enable pollination, and without them our world would be poorer in many ways. You can buy it here.

Riding a Donkey Backwards

riding a donkey backwardsAs we celebrate the month of Ramadan, and think about how to increase diversity and representation in the books our children are reading, this sumptuous hardback, Riding a Donkey Backwards dropped onto my doormat, and I had to share it with you. It’s a collection of 21 tales and riddles about a trickster known across Muslim culture. Mulla Nasruddin is both the wisest man and the biggest fool. Through telling some of his stories, all contained on one or two pages, Sean Taylor, the Khayaal Theatre, and Shirin Adl bring the tales to life with drama and creativity.

Each tale is only a paragraph or two long – spanning one or two pages, with full double page colour collage illustrations. The text is jaunty and chatty, as befits the subject, and some tales and riddles leave a wry smile, others pose philosophical questions. Many invite critical thinking, but there are those that are just silly – on purpose. The text feels modern, but the illustrations feel traditional – set in familiar age-old landscapes, such as a school, a kitchen table, a market place. A Nice Steam Bath is illustrated to look as if it’s a wordless comic strip or an ancient scroll, and many of the collages use domestic materials such as a child might use: cotton wool beards, glass bead rivers. They are bright and welcoming, playful and intelligent.

Below, Sean Taylor explains about the book.

How did Riding a Donkey Backwards come about?

“It came about, indirectly, because of a terror attack. Back on 7th January 2015, there was a massacre in Paris, at the offices of Charlie Hebdo magazine. That day, I could feel people in the UK were shaken by the nearness of the violence, and I sensed some ‘retreating into shells’ going on. This made me want to do the opposite. At an event at Shakespeare’s Globe about 12 years previously, I’d met Luqman Ali and he’d given me a leaflet about Khayaal Theatre. Khayaal is a theatre company founded by him and Eleanor Martin. It is dedicated to showcasing the rich traditions of story, poetry and humour in Muslim cultures, and also to building engagement between Muslim communities and the wider world. I kept the leaflet Luqman had given me. Sometimes I’d come across it, wonder if there might be some way of collaborating with Khayaal, and decide probably not. But, that day, I wrote to Luqman. Looking back, my message said, among other things:

I have no more connection with, or understanding of, the Islamic world than you would expect from a man with an interest in stories and poetry who grew up in the home counties of England. My strongest connections are, in fact, not to the east, but to the west. My wife is from, Brazil. We have lived there on and off over the past twenty years. But rather than seeing these things as obstacles, I shall, for the sake of this message, see them as reasons for making connection. Might we meet? Might we talk a bit about stories, and about theatre and about work with young people? Might something fruitful result from this impulse to reach out? ”

What happened next?

“We did meet, at the British Library, a few weeks later. And it was clear that, though we are from quite different cultural backgrounds, we had a lot in common in terms of our work around story and education, and our shared interest in the imagination, dreams and humour. So it seemed natural to try to find a way to work together. I had in mind there might be ways Khayaal could make use of my experience of writing for theatre. Actually, they expressed an interest in writing a children’s book. So the idea of retelling some of the stories of Mulla Nasruddin in a publication for young readers was born. I thought newly-founded Otter-Barry Books might show interest in the project. And I’m happy to say they did.”

Who exactly is Mulla Nasruddin?

“There’s no exact answer. Some say Nasruddin was a real man who lived in the thirteenth century. Nobody knows for sure! Many different countries claim to be his birthplace, including Turkey and Iran. In the introduction to the book we say:

He has many names because stories about him are told in many different countries. In Turkey he is Hodja. In Central Asia he is Afandi. The Arabs know him as Joha. Others call him Mulla Nasruddin. He is a trickster. And Muslims all over the world love him because he makes them laugh. If he doesn’t make you laugh, he will certainly make you think – and perhaps think sideways instead of straight ahead. He may even make your thoughts do somersaults inside your mind!”

Why retell these Nasruddin stories?

“They are age-old stories, but I think they are absolutely relevant to the times we live in. Nasruddin challenges fixed ways of looking at our world, and stuck ways of behaving. So the stories about him fly in the face of fundamentalist thinking – whether it be the single-track thinking of Islamist fundamentalism or the equally narrow thinking of Islamophobia. Take a story like the one we’ve called They Can’t Both Be Right! In this, Mulla Nasruddin is asked to settle an argument between two men, in a tea house. Nasruddin listens to the first man and says, “You are right.” Then he listens to the second man and says, “You are right.” Then the owner of the tea-house says, “Well, they can’t both be right!” And Nasruddin says, “You are right!” This is a brilliant, light-hearted way of pointing out that the world cannot be seen in black and white (as more and more people seem happy to see it.) In another story, called Don’t Ask Me! the donkey Nasruddin is riding is startled by a snake. As the donkey gallops madly off, a young farmer calls out, “Where are you going, Nasruddin?” Nasruddin calls back, “Don’t ask me! Ask the donkey!” Can you feel how this has a message for anyone who thinks they have simple answers to the challenges of our times? When an out-of-control donkey is carrying you, how can you sit there stiffly certain about where you are going? At one level this tale is just a funny anecdote. But scratch its surface (or the surface of the other stories in our book) and you find wisdom. Nasruddin asks fresh questions in the face of ready-made answers. The stories in Riding a Donkey Backwards offer new ways of thinking to anyone numbed by the world, or feeling driven to recrimination and aggression. These are reasons why we wanted to bring Nasruddin, his provocations and his heartfelt laughter to life for young readers.”

How was the book created?

“Khayaal Theatre’s Eleanor Martin joined Luqman and me in the writing process. And it turned out to be a fruitful collaboration, with lots of discussion, and drafts to-ing and fro-ing as we worked out which Nasruddin stories to include and how to tell them on the page. Otter-Barry Books brought Iranian illustrator Shirin Adl on board, and Shirin came up with the wonderfully crafted illustrations which make Riding a Donkey Backwards so beautiful to look at.”

With thanks to Sean Taylor. You can buy Riding a Donkey Backwards here.

You’re Safe With Me by Chitra Soundar and Poonam Mistry

you're safe with meThere’s something about the physicality of a book that can’t be matched. Perhaps that’s why, as Egmont report in their Print Matters findings, 94% of children’s books bought in 2017 were purchased in their print format. If we look to history, it was the most important texts that were physically preserved – revered for the time invested in them. The Grimm Brothers saw the necessity of the oral folk tales, and therefore wrote them down. And picture books earn their place in this tradition of printed matter, with the attention to detail and care that goes into them.

Mass printed they might be, but sometimes picture books are so beautiful they appear as if they have been created with the individual reader in mind. This latest picture book, You’re Safe With Me from Chitra Soundar and Poonam Mistry, catches the eye with its lyrical prose, but also stands out for its stunning design, which calls up the kalamkari tradition of textiles, apt because the name derives from the Persian words for pen and craftsmanship – and this book does feel like a piece of exquisite craft.

It is a dark and stormy night, and the baby animals within the Indian forest are scared: a monkey, a loris, a tiger and a pangolin. Two familiar animals, two rather more exotic – familiarity for cosiness, and exotic for exploring and learning. Looking after them all is Mama Elephant – her size and wisdom providing solace and comfort.

A ‘Raindrops on Roses’ story for the young, this is a more in-depth and intelligent soothing of fears. Mama Elephants attempts to explain, with her scientific knowledge, the logical reason for the storm – why the wind blows, why the thunder clatters, why the river rumbles. In doing so, she explains the weather cycle – the ability of the wind to bring seeds, the rain to cause them to grow, the river to take the water back to the sea. But her language is poetic; and she speaks in a rhythm that soothes like a lullaby.

By naming each sound for the babies, and then explaining its purpose, she dispels their fear with understanding – a lesson for our times. This feels like an old fable, brought up to date with understanding and modern sensibility. An emotional attachment is formed with the animals, and a sense of relief in their comfort, much like the smell of Earth after a rainstorm.

But it is the illustrations that propel this book and make it so much more than a comforting bedtime read. The patterns on the page, the fusion of geometry and art, are drawn with a richness, almost a hypnotic quality. The reader sees the shapes of the animals, but each is so exquisitely drawn, etched with colour and design, so that the frogs are both stark against their background, but also blend into it with a riot of line and pattern. The fish swim on a background of blue circles, the lightning sparkles against a black background of shining diamonds and circles. It is absorbing, glossy and appears almost three-dimensional in its intricacy.

You’re Safe with Me is a triumph of a picture book. The rhythm of text and illustration sweep the reader into the story. I can imagine children hugging it to sleep, the physicality of this book reassuring and mesmeric. You can buy it here.

The Big Book of the Blue by Yuval Zommer

big book of the blueFollowing The Big Book of Bugs, and The Big Book of Beasts, Zommer dives into underwater territory with The Big Book of the Blue, and I think it’s his best yet. It bears the same format as the others in the series, large format hardbacks with double pages dedicated to a theme, and questions to introduce these – such as ‘How Does An Animal Breathe Underwater?’ And ‘When is a Turtle a Sea Turtle?’ Each question is answered with a simple one or two sentence paragraph.

This is a book more about trivia than in-depth knowledge, so for young readers it works spectacularly. I had no idea that a flying fish was blue on top so a bird flying above can’t spot it against the sea, for example, and these are just the sort of facts that children like to spout at random.

Zommer excels at creating distinctive illustrations too. The book is a wash of blue, gentle lines and shading in the background giving a sense of movement and depth (except for the deep exploration, in which there is a completely black background to represent menace and the unknown – the place where the sunlight doesn’t seep).

But it is the creatures that perform. Zommer gives his fish two eyes, even when they are in profile, which makes them stand out as different, but also gives them a slightly comic feel. His octopuses side-eye from the page, his sharks grin wickedly whilst glancing around them, his penguins look slightly mad as they waddle the shoreline or dive for fish – their heavy bones sinking them to the bottom of the page. Only the whales remain one-eyed for the main – their bodies too large to show both.

These features – the protruding mouths of the puffer fish, the pursed lips of the boxfish – lend a cartoon element to the illustrations, making them playful and imbuing them with personality. And accompanied by the scant text with minimal yet intriguing facts, this feels like an immersion in a strange playful underwater world.

There are numerous small touches that bring a smile to the reader – the magnifying glass to illuminate krill, (although nothing is to scale, this is an imagining of the sea in pictures), the teeth of the leopard seal, and also the pages on ‘how to talk like a sea life expert’. But there is plenty of seriousness too – Zommer points to the plastic polluting the sea, overfishing and global warming. There is information on sea depths, and a page on rock pools.

And there’s even an interactive element, with a ‘Can you Find’ feature throughout.

An index gives the book a proper non-fiction attribute, and with a sea-life expert consulting, this feels like the perfect starter non-fiction. The facts are verified, and although the text appears slight, there is a wealth of information within. By the end, even I could ‘talk like a sea life expert’, understanding words such as habitat, tide, food chain and plankton.

Chatty in tone, serious in information, this is a an exciting way to entice children to find out. You can dive into the deep for your own copy here.