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The Ice Sea Pirates: A Sneak Peak at Illustrations

I’m delighted to showcase The Ice Sea Pirates by Frida Nilsson, illustrated by David Barrow on the blog today. Nilsson’s latest book, The Ice Sea Pirates, is a classic children’s adventure story about a girl called Siri who dares to trek the ice seas and face down fearsome leader of pirates Captain Whitehead, in order to rescue her sister. This is a survival story set in a wild landscape of our dreams and nightmares – seas that freeze over with extreme cold and lash ships to pieces with their ice shards – a troop of pirates who capture children to work down a mine – ferocious wolves who wander the ice looking for prey.

But above all, this is a hugely compelling read with a sympathetic, staggeringly brave and wholesome main character, and a gripping narrative. It’s no wonder the book has been nominated for five Swedish book awards, and won three of them. Now, available in English, translated by Peter Graves, and softly and warmly illustrated by David Barrow, this is really a sumptuous read.

Nilsson draws clever parallels between wolf cubs and children, explores boundaries of nature and nurture and protection of the young. She also shows the ability of children to see the larger picture, as well as delving into themes of family loyalty, and the wonder of mythical sea creatures. This is a daring and intelligent tale, sprinkled with humour. More than anything though, it is the imaginary harsh Arctic landscape of small islands dotted in the freezing sea that dominates, and creates an adventure that’s both beautiful and challenging. Frida Nilsson explains the role of nature in the novel:

“The scenery is very important I think, in order to convince the reader that I am “telling the truth”. That doesn’t mean that the description of the scenery most be very long. In fact, I heard a Swedish writer say once: the longer and more thorough the scenery is, the surer you can be that the writer was never there for real. To describe the scenery in a short and vigorous manner is not easy.

The Ice Sea Pirates is a fictional world with, of course, strong impressions from the Arctic. I went to Tromsö (northern Norway) with my mother once. She worked at the hospital there and I had the days all to myself to wander about and go to the local museum, where they had exhibitions about whale- and walrus-hunting. A lot of my ideas for the book come from that trip.

My home town of Mörkö, Sweden wasn’t a direct influence for this book, but the beautiful scenery is an inspiration for me and my writing.”

Frida’s text is complemented by the softly drawn, mesmeric images from illustrator David Barrow. Below is a selection of the images, which Gecko Press have been kind enough to let me share.




You can buy The Ice Sea Pirates here.

Sisters Working Together

A deliciously dark fairy tale, Hortense and the Shadow by Natalia and Lauren O’Hara tells the story of a small girl who is afraid of her shadow, and plots to get rid of it. With delightfully descriptive phrases such as ‘wolfish woods,’ combined with the onion turrets of Russian architecture, the book has a distinctive style. Throughout, the author and illustrator manage to give a warmth to the snowy landscapes with the innocence of dotted pastel illustrations, and a subtle simplicity within the text. 

The menace in the tall trees matches the menace Hortense sees in the stretch of her shadow, but in the end her happy ending comes when she sees that the shadowy figures in the background can be more frightening than her own shadow. Without her shadow, she is smaller. With it, despite its darkness, she grows in stature and confidence. With an allusion to Peter Pan via a sash window guillotine, and the hints of fairy tale, this is a picture book that comes from the literary canon that preceded it. 

Author Natalia and illustrator Lauren are sisters. They were born in the North of England to an English father and an Eastern European mother, and now live in London. MinervaReads asked Natalia and Lauren to discuss working together, where their ideas come from, and writing alternative modern fairy tales. The sisters, being sisters, interviewed each other. This is their conversation.

Natalia: In a way, Hortense and the Shadow was your pick, because I came to you with six or seven story ideas and asked which you liked best. What attracted you to the story?

Lauren: It felt by far the most personal of the stories you’d come up with, and also the weirdest and least commercial. Those are qualities we both seem to be attracted to. It also seemed like it didn’t have a bat’s chance of getting published – I remember us saying we’d cut our teeth on this one, and do something commercial later. Actually it was kind of liberating, feeling like we could just play and learn because nobody would ever want to publish this book.

Natalia: It surprised me when you said just now that Hortense and the Shadow was a personal idea. What do you mean?

Lauren: I don’t know if I can put it into words but there’s something about that story that always spoke to me on a personal level. It had a message about self-acceptance I loved. Remember, that was the time when I was coming out of that dark period in my life, and working hard to accept myself and my flaws. And both of us struggled with low self-esteem when we were children. I think we were just lucky that we’re not the only ones who’ve had experiences like those, so it felt personal to some other people too.

Natalia: We talked about Hortense being a kind of modern incarnation of the fairytale princess and about gender quite a bit when we were making this book. What did that mean to you?

Lauren: Well if you remember, when we very first started working on the book there was a moment where you considered making the hero a little boy. But I remember us both feeling that wasn’t the right solution at all. Because this story has a message about accepting your darkness and holding onto your imperfections. I think of course that’s important for everybody, but with the world being how it is, it’s a crucial message to give to little girls.

Natalia: Who are your favourite illustrators of fairytales, and why?

Lauren: I think the first illustrated fairytale I fell in love with was Errol Le Cain’s The Snow Queen. His illustrations for that book are just so evocative and magical. The beautiful snowy landscapes and talking animals and flower-filled gardens… I remember copying out some of the illustrations when we were little, and I feel like they worked their way into my head and found their way out again when I was illustrating Hortense and the Shadow. As you know I also love Jiri Trnka, Lisbeth Zwerger, Arthur Rackham, Kay Nielsen…

OK my turn! Were you ever surprised by how I interpreted your writing?

Natalia: Not really. When you showed me your first drawings the feeling was more like – “Oh there it is!”. You were developing a new style because you were illustrating for the first time, but at the same time what delighted me was how you were channeling the books and illustrators we loved as children – Jiri Trnka, Errol Le Cain, Mirko Hanak. Probably because of that your illustrations felt familiar to me.

Lauren: Do you think our Eastern European background influences the kind of stories we tell?

Natalia: How could it not really? There are subtle ways it influences us, like the mood of melancholy and nostalgia that comes from being born into a family like ours, where every generation until ours, people had to go into exile to escape horrible political events. Then there are more obvious ways, like the fact your illustrations look a lot like the hand-me-down mid-century Soviet books we had at home. Or the fact I love to write strong female protagonists, which is quite common in Slavic fairy tales where the princess often rescues the prince. So yeah, I think it’s everywhere, just like our English heritage is everywhere.

Lauren: Why do you like writing fairy tales?

Natalia: Fairy tales often seem simple and sweet, but underneath they’re full of complicated emotions and ideas that can take many readings to uncover. If it’s a fairy tale, people have an expectation that all that depth is in there and they don’t mind digging for it. Fairy tales grow up with you; they give you darkness and complexity when you’re ready for them. That’s why I love fairy tales, and why I believe they’re full of magic.

Photo credit: Charlotte Knee Photography. You can buy a copy of the book here

Prisoner of Ice and Snow by Ruth Lauren: Giveaway

Women may still be under-represented in the FTSE 100 companies, but the number of strong female characters in middle grade fiction continues to rise. Ruth Lauren not only populates her debut novel with a strong female protagonist, a female spy, and a female Head Prison Warden, but also creates a fantasy matriarchal society, in which a queen rules and the line of succession is through her daughter.

This is a pacey first-person text, which reads like a tightly plotted thriller, or a child’s Siberian version of Prison Break. The reader follows Valor in her quest to free her sister, who has been imprisoned for stealing an important royal music box (with diplomatic relevance). The book starts with an action-packed assassination sequence, through which Valor fakes her motive in order to be imprisoned too, and then starts to make plans to break out both herself and her sister.

The novel challenges traditional gender-tropes – Valor is a huntress by trade, taking after her mother – and also challenges traditional softness in children’s books. This may be an easy grammatical read for the 8-12-year-old market, but Lauren doesn’t hold back on the harshness of prison life. Most of the novel is set in prison, after seemingly no real justice system, and there is cruel and hard child labour and even crueller living conditions. Partly because the entire novel is set in a frozen landscape, with roaming wolves and biting cold – so the prisoners remain largely exposed to the cold, and the punishments, when they are doled out, utilise the landscape.

With the ice-cold landscape and the bond between sisters, the novel will bring to mind Frozen, but this is a much darker, grown up option, without an Olaf, and with, one imagines, fuller-waisted girls. The secondary characters remain largely thus, and there is not much time for thought and depth – the novel skates along the surface with all its intents and purposes focussed on escape. This makes it a page-turning read, and a delightful escape novel for the age group. Luckily for you, I have three copies to give away (UK and IRL only), so please find me on twitter @minervamoan to win one. If you’re not so lucky, you can buy your own copy here.

Wintry Tales for Cold Days

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Snowflake in my Pocket by Rachel Bright, illustrated by Yu Rong

A wintry picture book about a squirrel’s first experience of snow is a perfect first experience book, which also teaches that sharing a new adventure with someone we love is the most gratifying way to experience it. The personification of a squirrel to show a child’s exuberance and delight in first snow is a clever choice – the scampering and scurrying reflects a child’s enthusiasm.

There is much to be said for the beautiful language in the book, transposing the vocabulary for snow onto the language of everyday: Squirrel has a flurry of dreams. It even starts, “once upon a winter…” There is lots of sound language too – the thud of the heart, the squeedge as he wipes a paw across the hole to see outside – in fact this window circle is cut through to the next page, adding an extra element of wonder and magic for the reader.

An anticipation of snow is tensely built and then the fun really starts when it snows – told in an active vignette of images, from the crunch of footsteps, to snow angels, and the creation of a snow bear. But there is also the stillness that snow lends to a landscape.

But most of all the book shows the relationship between the two friends: his companion, the old Bear, who has seen many seasons, whereas Squirrel, has seen only three. When the snow finally comes, Bear is ill in bed, so Squirrel brings him a gift, with the innocence of one who doesn’t realise the transience of snow.

The illustrations of the characters are cute, from their black noses and whiskers to their rounded silhouettes. A bright colourful palette is lit particularly by the squirrel who is a luscious orange red colour, and wears bright clothing to distinguish him from the brown trees and snow. This accentuates his youth even more – he lifts off the page, whereas the Bear is shown more muted with age, shown on some pages from just his reflection in the pool of water, or just his back shown in an armchair, or just his arms, holding and consoling Squirrel.

This is a lovely winter book, with sneezles and snowflakes. You can buy it here.

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The Snowflake Mistake by Lou Treleaven and Maddie Frost

Ever since Frozen, the idea of an ice palace has been a coveted house in many young children’s minds. This ice palace is actually a factory that makes snowflakes, with the boss being The Snow Queen, a sort of Willy Wonka who insists on perfection in her flakes. Princess Ellie would rather play with the weather, riding storm clouds or sliding the rainbow.

When the Queen leaves Ellie in charge of the machine while she attends to other weather business, the snowflake machine comes to a grinding halt and the princess has to make flakes by hand.

The vocabulary here is also full of sounds, as the author explores what the machine needs to do to make snowflakes, from splatting the clouds to crashing, boings, bangs, and pops – it’s a great book to read aloud – the size of the typeface reflecting the words’ noise level.

Again the essential fun of playing in the snow is captured in a beautiful double page spread as the children below the clouds play on their ‘iced bun’ hills, shown sledging and skiing and making snow angels and rolling snowballs. The colours of the children, each in bright coats, hats and scarves mean that the twinkling of the snowflakes are a perfect background to the riot of colour.

All the illustrations are a child’s delight – lots of different shaped snowflakes falling on every scene, and a princess and her mother who look particularly picture-book friendly with small yellow crowns, rosy cheeks and shiny blue hair.

The rhyming is spot on, and it turns out that homemade snowflakes, each unique in its own way, are better than factory created ones. Perhaps a bigger moral for us is that the Queen ends up making snowflakes with her daughter. You can buy it here.

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Raven Child and the Snow Witch by Linda Sunderland and Daniel Egneus

Lastly, the Raven Child and the Snow Witch. A slightly more sinister story, although by far the glitteriest front cover. Drawing on tales of evil Ice Queens, such as the Snow Queen in Narnia, this is a tale of a stolen mother, a brave, slightly feral, child and her relationship with nature and animals.

As in Rapunzel and Beauty and the Beast, in which the picking of flowers leads to danger, Anya’s mother journeys to the glacier to pick blue gentian flowers. But one year she doesn’t return, and Anya and her father must travel there too to find out what has happened. She has been trapped inside the ice by the evil Snow Witch, and Anya, with her father and the ravens, must battle to save her.

A haunting fairytale, this book excels with its dramatic artworks. Rather like the textures and colour layering used in Eric Carle books, the child is depicted as of nature, with her brown leaf dress, and her affinity with the ravens and the foxes. The illustrations are drawn from different points of view – looking through the trees towards the building that dominates the snow garden, or seeing the trees in the forest as if they are watching, or zooming in to the Raven Child’s face and her huge blue eyes as she receives a vision of where her mother is being held. Dreamlike and lyrical, the illustrations have sharp edges, which lends a darkness to the tale.

The place could be anywhere, with fragments of the Northern Americas, with Inuit overtones, and yet also, strangely, slightly European – calling up the huge expanses of Germanic forests.

Big ideas and concepts flow into the book, from the spookily shimmery elongated shapes of the Snow Witch – cascading white strips down the page as if the snow is swirling and whirling around, and language too that speaks to poetry, from the Arctic fox, “ghost of the snow”, to “the lightning that stabbed the darkening sky.”

In the end it is bravery and the power of love that conquers all. One to savour and revisit – reminiscent of Peter and the Wolf, set to music I can see this as being a long-lasting winter tale. Check it out here.

 

 

The Lion, The Witch and The Wardrobe by CS Lewis

For Christmas Day, a special classic. This key text in the children’s literature canon is always a delight to revisit, and once it’s been read with the children, it’s always fun when they spot a ‘Narnia’ lamppost when out and about. In fact, it’s the wondrous images created by the book that endure, and is one of the reasons why it’s a classic. From Turkish delight, to a fur-coat laden wardrobe, to a lion (Aslan means lion in Turkish), to Mr Tumnus.

In fact, the book reportedly began as such an image, when CS Lewis pictured a “faun carrying an umbrella and parcels in a snowy wood,” according to his essay ‘It All Began with a Picture’. This, is in fact, a wonderful resource for writers, showing how Lewis wrote, and how a picture that had been in his head since the age of sixteen turned into a novel at the age of forty.

So what’s the book about? Four children, evacuated from London during the blitz, stumble upon a strange new land through a wardrobe in their new house. This land, Narnia, is under the spell of the White Witch, (a spell of eternal winter with no Christmas). But with the help of the four children, Peter, Susan, Edmund and Lucy, soon a new dawn arrives with spring on the horizon. It’s a fantasy landscape, with magical creatures, and yet the normalcy of sibling relationships and rivalries is never far away.

Of course, in children’s literature terms, the blitz was a gift as a literary device – an absence of parents, a new landscape, and a dark threat of insecurity hanging over the children’s lives. Numerous authors made use of this device – Carrie’s War by Nina Bawden, and Goodnight Mister Tom by Michelle Magorian are another two evacuee classics. But Lewis juxtaposes the very real experience of being a wartime evacuee with a fantasy landscape.

Many point to the Christian allegory that they say underpins the book, the seasons of winter and then the spring when Aslan (representative of Christ) arrives, the stone table for the stone tablets of the Ten Commandments, the temptation of Edmund eating the ‘sin’ of Turkish Delight just as Eve ate her apple. But C S Lewis tended to deny this was the crux of his story – in fact there are many mythologies and fairy tales alluded to within the text, none more obvious than the borrowing of the Snow Queen from Hans Christian Andersen; Lewis transforming her into the White Witch who turns people to stone rather than ice, and who also manipulates a boy from the comfort of her sleigh.

It also features Father Christmas.

But for me, and for many others, this book is simply a great fantasy adventure story with the most delightful images, and speaks to the possibility of the impossible. It’s a feeling the book exudes – like any great piece of literature, which when devoured, lets the reader experience a feeling – just how the name Aslan made the Pevensie children feel:

“At the name of Aslan each one of the children felt something jump in its inside. Edmund felt a sensation of mysterious horror. Peter felt suddenly brave and adventurous. Susan felt as if some delicious smell or some delightful strain of music had just floated by her. And Lucy got the feeling you have when you wake up in the morning and realize that it is the beginning of the holidays or the beginning of summer.”

You can buy it here.

Winter Magic curated by Abi Elphinstone

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Since the publication of the Mystery and Mayhem (Crime Club) children’s stories anthology, I’ve been looking for another book of short stories for children that really hits the mark in the same way. Luckily Simon and Schuster publishers, together with the esteemed children’s author Abi Elphinstone, have crafted a truly marvellous collection in time for Christmas.

The collection is magical in many ways, firstly of course, because it is packed with wintry stories, bound in the most beautiful egg blue fabric cover, complete with snowflakes and wintry trees, so that it feels like a Christmas gift, but also because the stories themselves are penned by a distinguished group of children’s authors, from Michelle Magorian – author of Goodnight Mister Tom, to Lauren St John, Berlie Doherty, Geraldine McCaughrean…and so many more.

The anthology kicks off with Emma Carroll’s beautiful historical tale of a Victorian frost fair, incorporating some magical realism, and a beautiful frozen Thames river. Carroll’s writing is always transportative, easily leading the reader into the past and creating a swirling atmosphere of bustle and intrigue. It’s a short story that’s both perfect escapism but also brilliant for teaching – and a wonderful start to the book.

Michelle Harrison takes inspiration from her longer novel, The Other Alice, to write a fairy tale about a stolen voice. Harrison has an immense talent for weaving an emotive atmosphere in the shortest passages, leaving the reader tingling with a sense of magic.

Woodfine borrows from a ballet long associated with the time of year – The Nutcracker, which has its own connotations of darkness and light, sugar plums and Christmas gifts. Marvellously, she evokes the warmth and nostalgia of Christmas, using a Russian setting to take the reader back in history to the first performance of the ballet. It’s a lovely tale, and well worth re-reading with the same zeal with which one re-watches the ballet each year.

Further in, there’s a beautiful poem about snow by Magorian, which pictures a child looking out onto a snowy landscape. Pure childhood delight.

In between there are tales of sneasles: a magical tale of the outbreak of snow measles involving elves; a brilliant boarding-school adventure from Lauren St John; new twists on The Snow Queen and Pied Piper; and a cautionary tale from Piers Torday about Christmas wishes and gifts.

Elphinstone herself brings up the rear with her usual affinity for bravery in the face of adventure, with a magical tale about a snow dragon.

Although there is a winter theme running through the collection, each author has their own unique style and imagination, so the reader really gets a feel for their writing as a whole. In this way, it’s a great sampler for each author, leading the reader to explore more books from the stories they most enjoyed. Personally, I couldn’t pick a favourite – this is a wonderful collection from a talented bunch.

The stories are for confident readers, but for this family time of year, they are also perfect as bitesize chunks to read aloud to a young family. My other delight about bringing together talent in this way, is for teachers to be able to teach a full story text, rather than just an extract. Many of the stories within this collection lend themselves to that.

There are eleven stories in all, each one perfectly crafted, each one a great taster for its author. The overall feel is one of snowy landscapes, magical witches, wishes and wolves, with families, fairies and fireside glows.

Featuring stories by Michelle Harrison, Piers Torday, Lauren St John, Amy Alward, Katherine Woodfine, Geraldine McCaughrean, Berlie Doherty, Jamila Gavin, Michelle Magorian, Emma Carroll, Abi Elphinstone.

You can buy it here.

Murder in Midwinter by Fleur Hitchcock

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An out-and-out thriller for children, with incredible pace and a chilly wintry feel, and twists and turns that don’t let up until the end.

Maya is travelling home on the bus in Oxford Street, taking photos of the shop fronts and Christmas lights for her sister, when she sees an altercation between two people, one of whom is holding a gun. When the flash goes off on her mobile, she realises that she’s taken a picture of the scene, and that the two people have seen her do it. When a dead body is found, things turn profoundly ominous and scary.

For her own protection, Maya is moved to the remote Welsh countryside to stay with her aunt and her cousin, neither of whom she’s particularly bonded with in the past. But the people in the photograph are set on finding her. And it’s only a matter of time.

There’s no let-up, no distraction in this snowy drama, from the ongoing rollercoaster of hide and seek that ensues, which makes this a page-turning murder mystery. However, the strongest element is the voice of Maya, an ordinary girl out shopping and looking forward to Christmas festivities, school dances, sisterly chats, who is thrust into a world of police protection, high-end robbery and murder.

Hitchcock throws in small touches that make Maya’s situation feel authentic – from her aunt misremembering that her niece is a vegetarian (over and over), and her and her grandfather’s obsession with fixing machines, to the niggling irritation of the lack of phone connection and wifi in remote countryside, to Maya’s re-arranging of her new bedroom in order to feel safer.

Maya’s first person narrative suits the story well, and her appealing personality not only wins over her belligerent cousin Ollie, but it also seduces the reader.

This ‘real voice’ though plays out against a thriller that is at times highly unrealistic – dead bodies, kidnappings, undercover policemen, shooting at children, the typical absenteeism of parents at various points when one imagines it’s the last thing they would do, and leaving so much of the plot to the children. However, this focus on the children reminded me of the many adventures that The Famous Five managed without adults, or the crimes solved by the gang in Scooby Doo, and it makes the text fun, thrilling and rather magical.

What also makes the book rather magical is the snowy landscape, beautifully imagined on the book’s cover. This is a great thriller for the age group – perfectly poised with clear narrative and thrills and twists – a brilliant read for winter nights under the covers. For age 9+ years, you can buy it here.

Podkin One-Ear by Kieran Larwood, illustrated by David Wyatt

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If you want to buy your child a sumptuous book this autumn, which will inspire a love for storytelling, adventure and imagination, and one which has a wintery flavour, this is it.

Podkin One-Ear is a legend, a fearsome warrior rabbit with a reputation for fighting and winning against the Gorm (a dangerous and evil iron-flesh-clad rabbit breed that invades warrens and kills or captures those within). When a traveling bard arrives at Thornwood Warren on Bramblemas Eve, the bard is welcomed into the hall with its warming fireside glow and given food and drink in return for a tale of Podkin One-Ear. He tells the story of how the young Podkin fled his warren with his baby brother and older sister, how he lost his ear, and how he grows and learns until he is ready to fight back against the evil greedy Gorm. The bard’s version is not only enthralling, but far more realistic than his little rabbit listeners have heard before.

This is the classic story within a story – telling a fantasy tale of a family of rabbits turfed out from their home, seeking not only to escape the Gorm but to protect a sacred sword that bears good magic, and eventually to overcome the evil Gorm.

With influences of Watership Down (inevitable – there are rabbits on a quest against evil), and even Station Eleven (this is a dystopian future in which humans have clearly gone and all that is left is a landscape of scattered rabbit warrens, and travelling storytellers), this is a sumptuous tale that manages to pull on the emotions and remind readers of classic tales and classic tropes.

As well as the old traditions of storytelling (and Larwood intersperses the tale of Podkin with interlude chapters in which the Bard and his audience interact and discuss the role and purpose of storytelling), Larwood also introduces familiar traditional tropes from the human storytelling mould, such as there being 12 ancient tribes of rabbits with 12 handed down symbols (the magic sword being one of these), allusions to religion or a higher being (in this case a goddess), a warring balance of good vs evil magic, and the traditional make-up of families and the patriarchal royal lineage. All this adds to the feeling that the reader is digesting a classic tome.

If all this feels heavy, it isn’t at all. The bulk of the story follows three sibling rabbits, Podkin and his older sister and younger brother, as they escape from and finally fight the Gorm. The narration delves inside their heads so that the personification of the rabbits is complete, exploring their worries, fears, comforts and hopes.

There are familiarities for children too, as well as the old storytelling tropes, such as the hunt for painted carrots at Lupen’s Day at the start of spring, which of course parallels Easter egg hunts.

Larwood is particularly good on his observational details of his fantasy landscape. He insinuates that social skills are important for warren life – all those rabbits in such close proximity. He also, through various characters, makes poignant matter-of-fact philosophies on the painfulness of loss and death, and memories living on, as well as on bravery: “You don’t have to be brave or strong or powerful to do incredible things.” Larwood describes well the loss of Podkin’s ear and the aftermath of this loss, and Podkin’s observation about how quickly life can turn upside down.

Podkin is reflective without ever being insular, and is fully rounded – he bemoans the loss of his ear, and is bad-tempered, but shows depth of character in his recovery. His sister, Paz, is sensitive and empathetic. She makes astute observations about everyone they meet, most tellingly, with the ‘witch’ rabbit, Brigid, a grandmotherly figure who facilitates good magic restoring the balance with bad. Her relationship with the young rabbits portrays what the elderly traditional can teach the new upstarts, as well as pulling into the equation the benefits of folklore and understanding nature.

There’s some lovely language in the book, introducing vocabulary such as ‘scrying’ at the same time as playing with words to describe iron – a dangerous and evil substance in this fantasy landscape.

The storytelling is fluid, and feels like a cosy Christmas telling with interludes breaking tension, and the analysis of storytelling itself, which gives the book both a sense of history and depth.

Faber publishers have given this story the love it demands, pairing the tale with Wyatt’s beautiful black and white illustrations, so that every so often the reader is thrown into a whole page picture, showing depth and detail and throwing an added warmth and tenderness to some scenes, as well as displaying the Gorm’s menace in others. There are further nice illustrative touches – the constellations in the sky in rabbit shapes, the map of the landscape at the beginning.

But most of all, it feels as if there is a sprinkling of magic across this book. A modern, yet old-fashioned story that is captivating and comforting. Like a warm hug, this is a fantastic children’s book, with a cute little surprise at the end.

As the bard in the story says, “my bard’s memory filled it [the story] with little things that made it real. Everyday details. Feelings and sensations. Nothing but a piece of storytelling magic.”

For readers 9+ independently, earlier for sharing. Do buy it here.

Seasonal Books For Younger Readers Part 2

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Refuge by Anne Booth and Sam Usher
If you’re only buying one Christmas book this year, make it this one (although the mind boggles as to why you’d just buy one!). Refuge is a charity book – £5 for every sale goes to War Child. It’s a partnership of two very special people in the children’s book industry – Anne Booth – a magical writer who manages to be continually altruistic whilst writing thought-provoking literature for children, and Sam Usher, whose beautiful illustrations light up my eyes.

Refuge tells the traditional Christmas story in a new way, highlighting very cleverly and simply the struggle faced by a family seeking refuge – a family who could be anyone –  not just people from biblical times. It particularly demonstrates the kindness of strangers who help them along their way, and then take them in. Told from the point of view of the donkey, he explains the generosity of the innkeeper, the harshness of the journey, and the final granting of refuge. Of course it draws attention to the particular nub of our time – refugees and homelessness, and questions our basic humanity.

The illustrations sing from the page – Usher has depicted the nativity seamlessly in pen and wash, but inserted a shrewd narrative device of light on each page to express hope and freedom and sanctuary.

It’s published by Nosy Crow publishers, who are kindly absorbing the cost. They are a fairly new publishing group, who shine with innovation and are proving to have oodles of integrity. Their books are always of the highest quality, and this book is no different, which makes it easy to support.

For all ages. You can buy it here from Waterstones, or in any good book shop.

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Snow Bear by Tony Mitton and Alison Brown
A winsome rhyming tale with one of the cutest bears in picturebooks. Alison Brown’s bear is far more abstract and less traditional than most bears, a cute white ball of fluff with dots for eyes and a cylindrical shape, but endearing nevertheless. There is glitter on this cover, snowdrops in silver that will catch any shop’s lights – who can resist glitter at Christmas? The story is more wintry than strictly Christmas – it could appeal to any faith denomination.

The bear is cold and looking for warmth. The other animals can’t help, and then he finally stumbles across a house with warming features – a comfortable armchair, a roaring fire, and a small girl who needs a hug. There is no explanation for the girl’s loneliness or why the bear needs human kindness, but the illustrations show incredible tenderness between the two when they do finally meet – the girl reads to the bear, helps him climb the stairs, and wraps him up warmly. The book is about solving loneliness, finding friendship, and showing kindness. The rhyming works well, the vocabulary is lovely. But it is the atmosphere created that warms the heart – the cold blue winter turning to reds, oranges and purples inside. It makes the reader want to climb inside the book itself. Perfect for reading aloud with a cuddle. 3+yrs. Buy it here.

toothfairys christmas

The Tooth Fairy’s Christmas by Peter Bently, illustrated by Garry Parsons
It’s always great fun to bring together more than one childhood character – in this case a very cold tooth fairy seeks the assistance of Father Christmas so that she can pick up a tooth from a particular child on Christmas Eve. Not everything goes smoothly though, as Santa is a little clumsy and they very nearly wake the sleeping child.

Told in rhyme, this is a fun giggle:
“Thank you for helping me out in this weather!”
She said. “It was lots of fun working together!”

There are some beautiful touches from both author and illustrator, the tooth fairy’s lounge is beautifully decorated – with Christmas tree and stocking – but alongside the seasonal touches are the numerous portraits on the wall of gappy smiles! In this story the tooth fairy doesn’t like the cold, and the wind whirls up her knickers, whereas Santa’s bottom gets stuck in the child’s window. I love the pages in which Santa’s huge face takes over the entire page, and the daintiness with which he tries to leave the tooth fairy her own Christmas present. A real joy to read. You can purchase it here.

fairytale hairdresser and father christmas
The Fairytale Hairdresser and Father Christmas by Abi Longstaff and Lauren Beard
Another not entirely new book (published last year), but part of the fun series about Kittie Lacey, the Fairytale Hairdresser, that likes to splash with the glitter whatever the time of year. Like every other hairdresser, Kittie’s busiest time is Christmas. When she makes a home visit to Father Christmas to trim his beard and tend to all the elves, she discovers the Snow Queen has stolen all the presents.

Together with her hairdryer (isn’t it amazing what hairdryers can do?), and Father Christmas, Kitty melts the Snow Queen’s heart and they all deliver the presents together.

Some hilarious illustrations make this a sure-fire winner – look carefully for the page on which The Snow Queen tries different outfits for the party (the onesie is great), and the presents all the fairytale characters receive for Christmas (particularly Snow White’s). A lovely Christmas book (and Lauren Beard has even drawn in Father Christmas’ utility room). Fun indeed. You can buy it here.

 

Seasonal Books for Younger Readers Part 1

My next couple of blogposts feature my selection of Christmas books: firstly four books for the youngest readers. Another four follow on Wednesday.

is it christmas yet

Is it Christmas Yet? by Jane Chapman

Sometimes the simplest titles are the best. Jane Chapman has a wonderfully sympathetic drawing style when tackling bears, and this depiction of an over-excited cub and his weary parent is no exception. Produced this year in a padded board book for the smallest child with an enticing glittery cover – even if it goes in the toddler’s mouth, it shouldn’t get too damaged!

It depicts the bears’ preparation for Christmas Day – wrapping presents and finding a tree, although the cub has a little more enthusiasm than the parent. The illustrations caused this book to end up in my list of Christmas picks – the cub’s playfulness is irresistible, while the parent bear goes through all the emotions that parents do in the run up to make a perfect Christmas – from growling to sighing to mumbling to huffing and moaning. But in the end, Christmas arrives, and it looks fairly perfect to me. You can purchase it here.

socks for santa

Socks for Santa by Adam and Charlotte Guillain and Lee Wildish
There’s always room on my bookshelves for another ‘George’ picture book. After the success of Spaghetti with the Yeti, Marshmallows for Martians and the other titles in the series, I was excited to hear there would be Socks for Santa. It didn’t disappoint. In fact, I think it’s one of the best. Generous and thoughtful George decides to take Santa some presents at Christmas in return for him giving them out every year. However, there are of course some hitches along the way – the elves need help with wrapping, Rudolph has a cold, and the reindeers open Santa’s presents. The rhyming text skips happily along telling the story, but the true delight of this title lies in Wildish’s illustrations.

From puffins sliding on ice and pulling a sleigh to the wonderful snowball fight with bears to my favourite of all – the reindeer playing connect four. There is so much detail and glee in all the illustrations, that no child could be unhappy opening this under the tree. Wholeheartedly recommended – and illustrations I want for my illustrators’ wall! Click here to buy.

one snowy rescue

One Snowy Rescue by M Christina Butler and Tina Macnaughton
This is one busy hedgehog. The ninth little hedgehog book won me over with the furry red hat. (Yes, I’m that easy!). Advertised on the front as a touch and feel book, the reader can trace their fingers over the felt red hat on every page. It’s quite alluring.

Little Hedgehog finds it difficult to navigate the snow, and relies on his friends to pull him out of various hitches, including a snow drift and some icy water. Each time his bright red hat signals to his friends that he is in danger, and he is rescued. However, the whole point of his trek through the snow is to rescue someone even smaller than him, which he succeeds in doing in the end. It’s a lovely little tale for small children – about helping each other, in a lovingly drawn winter landscape. You can buy it here from Waterstones.

magical snow garden

The Magical Snow Garden by Tracey Corderoy and Jane Chapman
Most people have a penchant for penguins (in picture books). Not in reality of course, as they smell, but in picture books they tend to be drawn as slightly more fluffy and cutesy. This is definitely the case here. Wellington the Penguin enjoys reading books, but when he spies a garden in one of his picture books he sets out to recreate it. Despite his friends’ lack of enthusiasm he does build a garden out of recycled rubbish (there are no seeds available and things won’t grow in the snow.)

Once all the sweet wrappers have been shaped and twisted, the garden looks fabulous, but then overnight the magical snow garden is blown away by a nasty storm wind. This time his friends help him to recreate the garden, and it is so magical that creatures come from all over the world to see it.

This completely fantastical story is drawn beautifully by Jane Chapman – glitter on the cover of course, but a garden reminiscent of Willy Wonka’s chocolate factory, with fountains and flowers and cuckoos – all made from wrappers. A reference to recycling – or just a clever way to add colour to the snow – either way, it makes for a fine addition to the ‘snow’ picture book flurry. Purchase here from Waterstones.