transport

Books of Wonder: Information and Knowledge

When I was growing up there was a television series called The Wonder Years, and very often I hear adults talking about a child’s sense of wonder at the world around them. I don’t know who first attributed the wonder quality to childhood, but if a child is less jaded, more open to being amazed or dazzled by the world than adults, then they’ll be even more entranced with this selection of books than I am.

atlas of adventures wonders of the worldatlas of adventures wonders
Atlas of Adventures: Wonders of the World, illustrated by Lucy Letherland, written by Ben Handicott

I first came across Lucy Letherland’s Atlas of Adventures in a school hall in 2014, reviewed it as one of my first books of the week, and since then my blog, and Letherland’s series has gone from strength to strength. The Wonders of the World title, however, is truly awesome, or should I say wonderful. Veering off the path of the traditional wonders of the world, Ben Handicott has picked his own; choosing 30 destinations from as far apart as Death Valley to The Forbidden City.

Introducing his wonders, Ben makes the point of explaining that wonder can be found in the simplicity of a flower blooming in your backyard as much as in the intricacies of the Sagrada Familia, but explains that some wonders are worth travelling for.

Letherland’s full page illustrations of each wonder, drawn from different and intriguing perspectives, and following on from maps of each geographical area, are truly magnificent; each populated with a raft of tourists, indigenous peoples and animals in an imaginative out-of-this-world harmony. And Handicott’s text not only introduces the site with a couple of paragraphs and snapshot information, but illuminates single sentence facts around the illustrations. His annotations on the illustration of Neuschwanstein Castle, thought to be an inspiration for Walt Disney’s fairy tale castle, highlight the modern fixtures and fittings within.

This is a bold book, in the choice of wonders and also in the guilty irreverence of some of the illustrations, (Merlin at Stonehenge, for example), but all provoke fascination in the reader. Maps fix the natural and man-made wonders firmly in their geographical position. Watch for the tourists posing at the Leaning Tower of Pisa or the bears in Yosemite. I found a marathon runner on the Great Wall of China. Can you? Find your wonder here.

welcome to our world
Welcome to Our World: A Celebration of Children Everywhere by Moira Butterfield and Harriet Lynas
With illustrations and theme reminiscent of Disneyworld’s It’s a Small World ride, this is a colourful look at childhood around the world, highlighting differences but above all sending the message of what humans have in common. The first page highlights flags, then the author looks at various ways of saying hello in different languages (with a phonetic spelling for pronunciation), as well as showcasing types of names, foods, homes, pets, and transport in different countries. For any child wanting to see how others live, this is a great introduction. There are quirks, as well as that which is familiar and relevant to children, such as school uniform, musical instruments etc. The quirks include cures for hiccups, phrases, manners and playground games. With their saucer faces and big black button eyes, the illustrations are doll-like and immensely colourful, reminding me of the collection of native dress dolls that I had as a child. Appealing and eclectic, this is a great fact-finder for the very young – kids will enjoy the celebration cakes from around the world. There’s a list of countries featured at the end of the book, and great production values throughout. Age 4+. Welcome to your world here.

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One Day So Many Ways by Laura Hall, illustrated by Loris Lora

Not so dissimilar is this large-size illustrated guide to 40 children from around the world, also looking at a 24 hour period, in which it compares lifestyles and habits, including houses, meals, transport to school, playtime and so on. The illustrations of the children here are slightly less doll-like, but also stylised to look similar despite their differences – almond eyes, simple bodies – they reminded me of Topsy and Tim in that last-century-retro-way. Features that differentiate from the book above include a spread called Quiet Time, which features prayer, reading time and meditation amongst other pursuits, and asks the reader to contemplate their own life features. Weekend jobs, family time, helping out and reading are also explored, as well as the more mundane foods, bedtime, friends and homework. The Highlights page showcases the highlights of some of the children’s days, and it’s clear that weather can play a large part in how children live their lives. There’s a list of countries at the back with flags and facts, and this will be a good addition in showing children the different cultures and ways of life around the world, despite the inherent similarities of childhood. You can buy it here.

wonders of the world
Wonders of the World by Isabel Otter and Margaux Carpentier
Where best to find wonder than in the traditionally designated ‘seven wonders of the world’? This book is much smaller and squarer than Lucy Letherland’s Atlas of Adventures: Wonders of the World and is aimed at younger children, highlighting the Ancient Wonders and Modern Wonders, exploring all 14 in a colourful lift-the-flap informative book. Each wonder receives a full page, with introductory text, and some supplementary information in small paragraphs, such as exploring that the Colossus of Rhodes was the inspiration behind the modern Statue of Liberty.

An interactive wheel displays the plants of the Hanging Gardens of Babylon, as well as the features of the Lantern Room on the Lighthouse of Alexandria. This is a colourful dip into the beautiful buildings that defined their eras, and the colour palate matches well with the romance behind each – pink and patterned egg blue for the Taj Mahal, deep orange and yellow for the Great Pyramid of Giza. This cardboard novelty book has a page at the end detailing some natural wonders too. Age 7+. Find a wonder here.

treasure hunt house
Treasure Hunt House by Kate Davies and Becca Stadtlander
Not all wonders are to be found in distant places and time. This book is both a game, in that it’s a literal treasure hunt – readers must lift the flaps to solve the clues – but also a treasure trove in that it gives fascinating facts about the wonders to be found in a domestic realm. Two children go to visit their Great Aunt Martha in her house – this is not an ordinary house though, containing a music room, conservatory, library and hall of inventions. More like a stately home, although many of the items are to be found in every domestic environment, and the book gives the history behind the telephone, fridge, toilet and bath as well as stepping into the more eclectic, such as exploring a Chinese lacquered mirror, platform shoes, Renoir painting and more.

This is exploration and history and activity all in one book. The illustrations themselves are like a treasure hunt – detailed, fascinating and rather intricate – they immerse the reader in the book. The readership is hard to define here – it’s probably something that could span a host of ages – the clues are very easy to solve, but the text in some places feels older. Age 7+. Find your treasure here.

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The Curiositree: Human World: A Visual Compendium of Wonders from Human History by Amanda Wood and Mike Jolley
A second in this series – the first Curiositree explored the natural world – now we are into human history. Divided into sections – with three colour-matching ribbons to bookmark a reader’s place – each spread is labelled as a ‘chart’. This is down to the fact that the book is remarkably visual. There is a glut of information on each topic, and although the typeface is minuscule, each ‘chart’ is different from the one before and includes many illustrations, infographics and diagrams to showcase the topic.

The three colours of the ribbons, like the colour-coding inside, represent the three strands of discovery in the book: human history, art and culture, science, trade and technology. I expected more page cross-referencing across the topics, but was nicely surprised by the depth of knowledge on individual items, such as the history of metal usage, breakthrough thinking ie in maths, and the over-riding themes of the history of farming and music.
curiositree writing
It’s difficult to showcase thousands of years of human development in a 112 page book for children and the authors do an admirable job. Of course there’s much missing, and I had rather hoped for a little more information on religion and philosophical thought before launching into Stonehenge, ancient temples and tombs, but on the whole this is a great resource, and I suppose why it is a compendium rather than an encyclopedia.

Towards the end there is information on printing and world exploration – because the book travels up to the early 1600s only. Although this is clearly aimed at much older children, in that it introduces complex themes, has a complicated layout (for dipping and researching), and articulates in a non-patronising but technically more sophisticated manner, younger readers will enjoy the detailed and colourful illustrations throughout. Aimed at 8+ years and older. Stimulate your curiosity here.

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Transport and Travel Mini Hardback by Sandra Lawrence, illustrated by Jem Maybank and Foods of the World: Mini Hardback by Libby Walden and Jocelyn Kao.
For those who prefer their factual information to be more bitesize and topic-based, these two excellent little companions will be useful for curious children wondering about the world, and useful as classroom resources. Rather than holding an encyclopaedic knowledge of the topic, these dip in with illustrations dominating each page, and a couple of sentences at the top to give background.

The transport book divides nicely into wheels, rail, air and water and picks out where transport has become rather famous – the San Francisco tram, the Shinkansen railway network in Japan. There’s also a nice mix of history – the Viking longboats, and future – the jet pack. Foods of the World is even more random in its choice of information. There are customs and traditions, celebratory food and a strange section called ‘playing with food’, with quirky facts such as competitive eating, food fights and the accidental creation of bubble gum. More fun than fodder for thought, this is a good title to have in the KS1 classroom. Age 5+ years. You can buy them here and here.

Train No. 4: Ister (Bucharest to Istanbul)

secret of the night trainConfused by the title? Don’t worry, I haven’t started trainspotting instead of reading. Today, I’m delighted to welcome Sylvia Bishop onto the site. Her latest book, The Secret of the Night Train, is my current book of the week, and features an intrepid young girl crossing Europe by train without her family. As if this wasn’t adventurous enough, she also uses the journey to find out if one of her fellow passengers is a jewel thief. The book is wonderfully written, intensely gripping, and one of my top books this year. To celebrate its publication, Sylvia has written a different blog each day to mirror her book’s structure – the train journey from Paris to Istanbul. Here, on MinervaReads, she celebrates the last part of the journey – from Bucharest to Istanbul. And I have two copies of the book to give away – see details at the bottom:

In my new book, The Secret of the Night Train, Max Morel takes a journey from Paris to Istanbul on four trains. She is accompanied by a nun called Sister Marguerite, and must solve the mystery of a smuggled diamond. I was lucky enough to do this journey myself, and wrote a lot of the book on board. In this series of blog posts, I talk about my real journey, and how it informed the book.

I had a very short window of time to make this journey, and to my grumpy and continued regret, the Ister wasn’t running. There were major reconstruction works at Sirkeci station. Woe is me! How shall this poor author write about a train she hasn’t travelled on?

I still wish I could have gone, but in the end it prompted quite a useful decision. I tried to conjure up this fourth train using the pictures on Google, but it felt abstract and boring, and I knew I had to do something else. To be honest, I am not sure if seeing the real train would have helped. I realised, as I crossed out a description-of-train passage for the nine millionth time, that maybe I had just described too many trains. Maybe we were train-ed out. It was time for a new setting.

Which was all very well, but short of shoving Max off and making her walk, I had no choice. She had to travel on a train.

I was discussing this dilemma with my endlessly-helpful housemates, when one casually suggested “Maybe you need to find a different way for her to travel by train. Like, she could do the classic roof-of-a-train scene.”

My housemates, for the record, are first class genius muses of the highest order.

So the next day found me glued to YouTube videos about thrill-seekers who climb on the outside of trains, which are a great thing to watch if you happen to enjoy feeling sick to your stomach or yelling “No, you fool, what are you doing, oh my God” at strangers on your computer who are genuinely extremely likely to die. As a result, the Ister section of Night Train is not much of a travel guide. It is more of a how-not-to-travel-guide. Poor Max. I put her through a lot.

This is the last train of the journey, but we are still only about two-thirds of the way through the story. From then on, while I was writing, I really missed the trains. They made so many decisions about the narrative for me – I very literally just followed the tracks. Once the characters arrived at the end of the line I was back in the big bad world of choices, where I had to carve out a narrative path for myself.

This, therefore, is the point in the book where things get odd. There are live jewel-covered birds and plant-based-disguises and elaborately constructed break-ins, because my untrammelled brain can’t be trusted.

Taking this journey was the most enjoyable, useful, memorable writing process I have ever tried. If you ever want to take the journey yourself, or any other international train journeys, I highly recommend www.seat61.com – incredible stuff. And I hope you enjoy the book!

The Secret of the Night Train by Sylvia Bishop is out now, published by Scholastic (RRP £6.99), and you can buy it here. Or, win one of my two copies (with thanks to Scholastic) by finding my MinervaReads Facebook page and commenting on this post.

 

The Secret of the Night Train by Sylvia Bishop, illustrated by Marco Guadalupi

secret of the night trainI’m often asked, how do I pick a book to be my book of the week? With non-fiction it’s easy to tick off criteria, and then spot the something special about the book. With fiction, it’s almost easier. The books pick me. Within about ten pages I usually suspect if it’s got that hint of magic that makes me want to keep reading, that quality which makes me feel for the characters, the emotion that gives me that tinge of sadness or spark of happiness. Very rarely, with great hope and shining eyes, I pencil in a book that hasn’t even arrived yet. I feel the tingle from afar, based on past novels, or something in the publisher’s email that pulled.

The Secret of the Night Train was pencilled in, but within ten pages I knew it was a dead cert. Sylvia Bishop previously won my heart with The Bookshop Girl, and she has twiddled her pen and made magic again.

Max is on a thrilling train journey across Europe. Her Great Aunt Elodie in Instanbul summons a member of her Parisian family to be her temporary companion, and Max, being the youngest and the least busy, takes the challenging adventure. Except it becomes so much more than she imagines, because the Heartbreak Diamond is missing, and the police think it’s on her train. With her travelling chaperone, a nun, will Max find the will and the way to seek the diamond herself and capture the thief before the train reaches Istanbul?

The book takes the format of the train journey, setting the chapters in different sections of the journey from Paris through Munich, Budapest and Bucharest to Istanbul. And while Max whittles down the passengers to a final list of suspects, she may be closer to the thief than she had imagined.

This is the tale of an ordinary life interrupted, told beautifully and with childlike wonder. Bishop completely nails Max’s feeling of trepidation for her journey – a homesickness before she’s even left, and plays on this subtle combination of wistfulness for home and longing for adventure. Bishop also has impeccable comic timing, and a deliciously wicked insight into being the smallest of a larger family.

Tucked in are a few jokes for adults too, in case this is an adventure the reader is sharing with their child, and I particularly chuckled at Max’s mother’s mannerisms and question avoidance. Bishop has a delightful turn of phrase, which makes an everyday story feel fresh and lively with every sentence:

“Then one day, when December had arrived and iced Paris all over with a slippery frosting, Max skidded-slid-stumbled home from school to find her mother on the phone. She was saying ‘Mm-hmm, of course’ with her voice, and YOU ARE AN UNBEARABLE STRAIN ON MY SAINTLY PATIENCE with her eyes.”

And also tenderly wise:

“That is the trouble with ideas that you have before dawn: they are extra sticky.”

Bishop also plays with expectations: not only in Max’s gender – full name Maximilienne, but also with the suspects and their intentions and motivations – keeping the reader guessing. The narrative feels slightly retro or timeless with parents who don’t helicopter or track their child’s movements, but also a child who has the time to be bored, and thus to seek adventure. But there are still moments of modern sensibility throughout:

“it turned out that even in this strange new country, miles away from her own, all the statues were still of a man-on-a-horse,”

But I think one of the most stellar qualities about this piece of writing is that despite having a gentle rhythm that mimicks the chugging of a train, it also feels tense and exciting, mirroring Max’s emotions.

This is a fabulous story with suitably elegant European illustrations, a terrifically authentic heroine (who often takes the naughtier option), and a cast of eccentrics who are beautifully imagined. Don’t miss your own trip on the Night Train, it’s a winning adventure. (I’ve even pencilled in Sylvia Bishop’s next….you probably should too). You can buy The Secret of the Night Train here. Or click here to see how to win a copy.

Brightstorm by Vashti Hardy

brightstormThe great era of exploration is over. Much of our world has been seen and documented, but humans haven’t lost their drive to be the first, to make their mark, and certainly haven’t let go of the idea of heroism. But so often the marks humans make, the braveries people display, are small acts of heroism in a known world. So, we turn to fiction to replicate that experience of exploring the unknown, of seeking out a new world and experiencing new adventure within it.

Brightstorm by Vashti Hardy is doubly exciting, because it is not just the reader who is doing the exploring, but the protagonists too.

Twelve-year-old twins, Maudie and Arthur Brightstorm hear that their explorer father has died in an attempt to reach South Polaris – the very southernmost point in their world. Not only that, but he broke the moral code of explorers, stealing fuel from his competitors on his way. The daring twins are intent upon not only clearing their father’s name, believing he would never do such a thing, but also exploring the region for themselves – after all they are Brightstorms.

What could be a run-of-the-mill adventure story, Hardy turns into a fresh, insightful and clever novel of exploration with her clear-eyed writing, and her host of memorable characters.

Maudie possesses exemplary engineering skills, using her analytical mind to solve problems and provide technical solutions. She may be sited in a fantasy landscape, but she approaches technical tasks with a modern outlook – pragmatic and able – there is no gender discrimination here. She forges a prosthetic iron arm for her brother, but has the foresight to see that when they are lost, with the addition of a pool of water, it could act as a compass.

Indeed, Arthur is almost the only male in this female dominated cast, and it is he who shows his sensitive side – painfully aware of the feelings of others, sensing shifts in body language, danger in the air. But he too is an explorer – brave and intrepid.

Maudie and Arthur join Harriet Culpepper’s expedition to track back to South Polaris, on her ingenious sky-ship that uses water as fuel in a new environmentally friendly development, much to the admiration and envy of her peer explorers. What’s more, her ship has a canny disguise, to avoid saboteurs, and even I was envious of this quirk.

The environment is touched upon further with mentions of whale huntings, and humans’ domination of the landscape, all cleverly woven into the story without being preachy or self-congratulatory.

But as well as being aware of our modern leanings towards gender equality, saving the environment and STEM solutions, Hardy also shows us a mirror of our own world in the inequalities of hers. There are the slums of Lontown, the drudgery and hard work. There is the indignation of those of the Third Continent, who do not like to be called by such a derogatory name. And there is also, of course, a villainous explorer who will stop at nothing to sate her ambition.

But among the cogs and compasses, there is humour too: the cook Felicity and her penchant for endless cups of tea, Harriet and her dashing ways of pushing through the darkest moments.

Small flickers of other inspirational books light the path for readers too – I sensed a glimmer of Pullman in the ‘sapient’ animals of the Brightstorm world, who are less present than the daemons of Northern Lights, but also crucial to the plot, as well as the helpfulness of wolves from Piers Torday’s The Last Wild, and many more besides.

But mainly, Brightstorm feels fresh and modern – because although Hardy has veered into fantasy by creating her own world for the Brightstorm twins, she shows us its beauty through its simplicity. None of the landscapes are hard to envisage, none of the ships’ whirrings hard to grasp. This is a beautifully written children’s novel, matched by exquisite production with foil on the cover and a map on the gatefold.

It is testament to the accessibility of Hardy’s novel that it makes the reader think at the end, in the same way that the talking wolves ask the question to the twins – why is it that humans have the need to explore? When it is not for food or shelter – is it to seek the truth? Or to discover the beauty and complexity of the world? Like fiction, it is both and more. To discover a bit of ourselves, and a taste of the possibilities that are out there. Brightstorm is a triumph – it’s time to take the adventure. You can buy it here.

The Eye of the North by Sinead O’Hart

Eye of the NorthA timeless, icy, steampunk adventure, this is a really interesting and intriguing debut novel.

Arresting from the first sentence, O’Hart tells the story of Emmeline, a girl constantly on her guard, taking ‘always be prepared’ to the next level. So when she is kidnapped, and stolen away on a ship to the far north to be used as a bargaining chip to get her scientist parents to awaken a giant mysterious creature (the Kraken) buried deep beneath the ice, she must use her wits and her anxiety to whittle herself free.

The book is dense, and surprisingly gripping, and positively teems with ideas. Emmeline meets a stowaway on her first sea voyage, a nippy little figure named Thing, as well as an organisation trying to prevent the evil kidnapper from taking further control of the world – this organisation is named The Order of the White Flower (with headquarters in Paris). With tentative allusions to underground opposition groups in World War Two, such as The White Rose, the complexity of O’Hart’s plot begins to show itself here.

The reader learns that this underground organisation has many members who have been working against Dr Bauer (the kidnapper) for a long time, but little detail is given, although the group sound intriguing and each member fascinating; O’Hart keeps the reader completely in the dark (to the end). One member has built an intensely complex flying machine, which Thing endeavours to fly to rescue Emmeline. As with everything within this detailed and wondrous book, my issue is that the contraption sounds so terrific, so fantastical, that it is difficult to envisage in one’s mind’s eye. The same happens numerous times – with the denouement, in which Dr Bauer constructs an engineering contraption to extract the Kraken from beneath the ice, using mirrors  – the idea is so highfalutin, that it is difficult for the reader to picture.

As Emmeline moves through her adventure, so O’Hart throws more and more at the reader. We learn that the world has been submerged in much water (presumably the effects of global warming), and so Paris is much nearer the sea than it is in the real world. As with the characters of The Order of the White Flower, this idea isn’t completely developed though, which is a pity.

At every stage in the adventure, from Emmeline meeting an almost mythological horse, (which sounds as if inspired by the old Guinness advert in which the horses morph into waves – powerful like the gods), to Emmeline meeting the Northwitch, who splinters into ice shards and then re-forms with a spellbindingly cold evil chill, the inventiveness is powerful and spellbinding, and O’Hart smashes the imagery out of the park. The only issue is that the images are so extreme that the fantastical is hard to pin down in one’s imagination.

There are some wonderful touches – the tribal people living on the ice, with their sledges and their fear of outsiders, although again, this is underdeveloped as a concept, which is a shame.

The Eye of the North is a sensational story, but this book alone could probably have been developed into about three volumes – so that each part could be extrapolated more.

It touches on humans’ environmental impact on the world, scientific explorations and contraptions, evil beneath the ice, mythical horses, an evil ice queen, good versus evil organisations, greed and power, as well as anxiety and bravery.

It fits beautifully into the zeitgeist of the moment, with a wintry landscape, a future blighted by our environmental impact on the world, and a protagonist with parent scientists who have high stakes in the action. Blending a timelessness with technology and environment, and featuring children who perpetuate their scientist parents’ ideas by attempting to prevent harmful agents, but taking the best part of the science and seeing it through.

The two children are intensely likeable. They are feisty and free-thinkers. Emmeline’s character is strong at the beginning; she is determined, holds onto her comforts, remains quick-thinking and suspicious, but I wanted even more character development from her. Likewise with Thing, who has issues with his haunting past, yet has a strong determination to hold onto a person with whom he’s made a connection. Because their characters ring so true, the reader wants to stay with them.

This is a storming adventure story for the age group, ambitious and hugely entertaining, and there’s no denying this is a powerful book. I just think it could have been about three. You can buy it here.

Impossible Inventions: Ideas That Shouldn’t Work by Matgorzata Mycielska, Aleksandra and Daniel Mizielinski

Impossible InventionsOne of my favourite Homer Simpson lines is: “Kids, you tried your best and you failed miserably. The lesson is, never try.”

Impossible Inventions is a fabulous non-fiction book that explores inventions which are sometimes crazy, sometimes inspired and sometimes just plain weird, but what they have in common is that they all failed. The point is that they are all somewhere on the path to real discovery and invention, even if the road is rather long and winding. And some of the historical inventions featured were thought up by historical figures (Da Vinci, Tesla) who we know and recognise for inventions that did work.

The book features such weird and wacky inventions as a concentration helmet, a transport cloud, a steam horse and a bubble messenger. Each invention is afforded a double page, with full-colour illustrations and accompanying text and captions, and then a second double page with a large cartoon exploring the practicality of the invention, with cartoon bubble speech. It’s both funny and informative.

The illustrations complement the wackiness of the ideas, not only in their cartoon-like style but in the bold block colours and strong outlines, which feel both fresh and creative, and are drawn with a unique quirkiness that we’ve come to expect from Aleksandra and Daniel Mizielinski of Maps fame.

The book introduces the concept of invention and innovation, describing that all inventions begin with a dream or a need, and each invention takes imagination, commitment and courage. Mycielska talks about the point of patents too, and sets out the limitlessness of possibility. This book points to the power of the imagination, and the understanding that what may seem challenging or even downright peculiar at one time, may turn out to be useful and necessary – sometimes many years later.

The inventions are shown in a random order – in actual fact the contents are at the back of the book, and the placement of each invention plays to the randomness of ideas. Imagination doesn’t necessarily work in a linear fashion.

This is a wonderfully fascinating and humorous book, which teaches a great lesson in engineering and science – that not everybody will succeed every time, but each step is part of the learning process. And if you don’t try, you definitely won’t succeed. You can buy it here.

All Aboard the Discovery Express by Emily Hawkins and Tom Adams, illustrated by Tom Clohoshy-Cole

The first thing that grabs the reader is that the whole book looks like a movie. From the first page, a night-time scene of a train on a platform, which introduces the characters who steer the reader through the book, to the final farewell: an air shot of a plane flying above a train on a bridge, a landscape of sailing boats on rivers, and vast plains spread out below. For this is no ordinary fact book about transport – this combines superior graphics, a mystery to solve, and time travel, all wrapped up in an information book that imparts knowledge on transport firsts, transport inventors, the mechanics of pedals, the Panama Canal, steam trains, steam boats, motorcars, hot air balloons and much more.

On the first page, the reader is invited to board the train, but also learns that the expedition’s leader has mysteriously vanished. The idea is to solve the mystery of his disappearance whilst learning about the history of vehicles.

Each spread depicts a different visually cinematic scene, with paragraphs to explain concepts and to further the mystery, as well as information illuminating the science behind the concept in small text or diagrams underneath flaps, which lift to give an extra dimension to the main scene. There are also clues to solve, such as riddles and codes. The first page introduces the invention of the wheel, by diagrams as well as text, and a rhyme to solve. There are tips given in tiny print, upside down, to help the reader. A map illuminates first vehicles around the world. What’s clever is that the reader becomes immersed in the scene depicted, which looks just very visual, but behind the flaps is an enormous amount of information (but all in bitesize chunks).

The overall effect is one of great excitement, as the momentum builds to show how humans have wanted to travel faster and further over time. The book incorporates engineering within the excitement of the transport race, and, as with the best books, communicates knowledge without it once feeling like a chore to learn. The execution is great, but the illustrations are stunning. Timeless, with a light effect that highlights the mysterious nature of the journey, whilst allowing cracks of realism through – the shadows cast by the vehicles themselves, the light from the coal fire on the steam train, the reflections on the window of the submarine.

The only (minor) flaw is the size of the print. In order to fit so much information behind the tabs, some of the typeface is really quite tiny, which makes it difficult to read. However, if the reader is willing to see this as one of the challenges to overcome in solving a mystery, then they’ll be richly rewarded by the end result. Overall, a triumph. Quality information and simply mesmerising to look at. Come aboard here.