Drones over airports, artificial intelligence making human work obsolete, new kinds of warfare. Whatever it is that keeps you awake at night, bear in mind that Tim Hall probably suffers from the same insomnia. Although he’s put his to good use in a new book for children aged about 10+ years.
A Terminator-style battle of humans versus machines is the premise of this new novel, and yet it is distinctive for Hall’s canny take on the science-fiction/dystopian tech aspect.
Hal Strider’s father owns a biomimetics company, designing drones and other airborne machines. He works hard, and is often away from home, leaving Hal and his sister Jess alone. When drones start to attack London, and Hal’s father is nowhere to be found, Hal and Jess must battle to figure out what the drones have to do with their father, and in the end try to save their country.
The drones are cleverly designed to mimic certain features of insects – and the different types of drones are like different types of bugs. There are hornets – mean angry buzzing fliers; and burrowers working like ants with highly damaging proboscises. Others are beetle-like, their mandibles adapted with metal saws. There’s even a pheromone-copier, the insects leaving a green dust on their victims to better seek them out and destroy them. Hall neatly uses insect vocabulary throughout to enhance this – cocoons, scavengers, infestation. Of course, with added dangerous explosives, metal components, added artificial intelligence and computer technology, they can adapt and evolve to suit the environment and their new circumstances, and they can do this at pace.
Which the book is all about – the action unfolds at extraordinary pace, jyst like watching an action or disaster movie – the different perspectives feel like a camera (or drone-mounted camera) zooming in and out, unfolding before the eyes, so that the reader sees the action from the air, below ground, street level etc. Inspiration must stem from 9/11 or similar real-time disasters and news incidents played out on the television, because the scenes presented in the novel are frightening and dystopic, but not so much removed from our own reality – tower blocks in London fold in on themselves just as the twin towers did, others topple, tube stations implode, people swarm away from disaster zones; Hall is great at the visual immersion of destruction.
But to capture the reader’s emotions, the characters need to have dynamism just as much as the drones, and Hall throws in a frisson of attraction between Hal and Sky, a daughter of another engineer at the biomimetics company, as well as the genuine sibling loyalty and protectionism between Hal and Jess. The teens all speak in snappy, urgent dialogue, which is both disaster-movie filmic (all action and command), but also with some realism in their interactions.
Unfortunately, the adult villains are somewhat two-dimensional, ruthlessly motivated by money, but it is the drones who incite the tension and danger, and feel like the real enemy.
Occasionally Hall dips into the drones’ minds/databases too, a fascinating style that lends itself more to computer code than novel-writing, but works well here in short bursts.
The novel is tightly structured, the essence simple, but the execution gripping, dynamic and unbelievably visual. Want to draw your child away from the video game – chuck this book at them – they’ll never look at a drone or insect in the same way again.
You can buy the book here. With thanks to David Fickling for the review copy.