It’s slightly stretching my usual coverage of children’s books for primary school children, but somebody with teenage children told me that it was really hard to differentiate between age appropriateness in books once their children got to the point of browsing the ‘YA’ shelf. I agreed. It’s so hard to know which books are aimed at the lower teen market, and which for the young adult. Also, as with all these things at all ages, each child is different. One shy hesitant prudish 16 year old may want to read very different things to an outgoing knowing tween.
Interestingly, the younger age is more often defined as ‘teen’ (gentler content), the older books more as ‘YA’, (may include swearing, frank descriptions of sex, more challenging issues).
Three gorgeous romances came through the letterbox this year – all for different ages. Here are my thoughts.
My first teen, tween romance is One Silver Summer by Rachel Hickman. Suggested for 11+ years, this is a gentle story about a burgeoning friendship between a boy and a girl, and the feelings they start to have for each other.
Fifteen year old Sass, grieving for her mother after her sudden death, has moved from America to live with her uncle in Cornwall. She falls for an old grey horse that she stumbles upon in a meadow, and before long also falls for its owner – a young boy bunking from his privileged boarding school after hearing of his parents’ divorce.
Both children are hiding secrets, and both seek consolation in the feeling they get from riding horses against the backdrop of a windswept Cornwall beach and the vast sky over the sea.
Before long it becomes apparent that the boy, Alex, is heir to the throne, and there follows a tumult of trouble that threatens to wrench Alex and Sass apart – from the jealousy of one of Alex’s school friends, to the media attention that follows Alex’s school absence and his parents’ divorce.
The writing is ever evocative of the ranging Cornwall scenery – the coastline, the gossamer-white seeds of a dandelion, the mist off the sea, and even at times falls into poetry as Sass struggles to articulate what Alex means to her.
Hickman navigates the different voices of the characters by dipping in and out of a full cast, but the narrative is weighted so heavily onto Sass and Alex, that it might have been better and more effective to have stuck to a two person point-of-view. However, the whole piece comes across as sweet and endearing, despite the trauma that Sass has suffered, and the high beauty of the landscape eclipses any faults in characterisation. This is a horsey, dreamy, feel-good summery read – great for a first romance.
Please note I read a very early proof copy. Win your own proof copy and chocolate by finding me on twitter. Or pre-order your own copy here.
And Then We Ran by Katy Cannon. Suggested for 12+ years by the publisher.
Despite being about two 17-year-olds, the plot spinning on an elopement, and mentioning losing virginity in the first sentence, this is overall a tame teen contemporary read, which is why it sits comfortably in my 13+ age range.
This gorgeous, lovable narrative tells the story of Megan and Elliot, and takes the format of alternate first person point of view chapters, which works well – Cannon capturing the different voices with distinction, so that the reader can tell who is narrating even without the labels at the beginning of each chapter.
What’s also well-conceived is the entire plot. Elliot wants to study archaeology at University in London, but funding is an issue, especially since his father is serving time for fraud. Megan’s parents, reeling from the recent death of Megan’s older sister, are pushing for her to go to university, but Megan is set on doing a photography course.
When Megan discovers that she will inherit a London flat upon turning 21 or getting married, she hits upon the latter as a way to serve a purpose for both herself and Elliot (even though they’re not even dating!).
The book veers off into a road trip to Gretna Green, with much self-discovery along the way.
The characterisation in the book is what makes it. The reader gets a real feel for the anxieties of these two teens, both on the cusp of adulthood. Their heightened emotions (both of them impacted by the recent traumatic changes in their lives), feel authentic and honest. It’s studded throughout with great humour as well, and the secondary characters – Elliot’s brother, and Megan’s best friend, are both rounded and convincing characters.
Cannon also deals with a theme not much touched upon in YA that I’ve read, of the idea of university and which path to take into adulthood.
But themes and genres aside, this was just a compelling, well-written, and touching story, with fantastic characters and a genuine warmth to the story. Highly recommend. Run away with your copy here.
Optimists Die First by Susin Nielsen
A confession – I veered away from this book to start with, believing it was pitched at just too high an age group for my blog, but then a very highly-thought of children’s books expert told me to read it, and I devoured it in one sitting. Suggested also for the 12+ age group according to the publisher, this book does contain many more references to sex, and the issues are altogether darker.
Petula blames herself for her young sister’s death, and because her anxiety is out of control, she attends an art therapy group with a mishmash of other teenagers who are also experiencing issues with family, sexuality, addictive substances etc. It is here that she meets Jacob, an amputee, who likes to tell stories to cover the real reason for his injury. When the truth comes out about what really happened, Petula is already too far into her relationship with Jacob, and the truth threatens to destroy them.
Nielsen’s deft writing skill is apparent in abundance here. Not only is it a gripping read, but the characters, no matter how minor their part, come across as authentic teens, with agonies and anxieties, which Nielsen portrays with sympathy and sensitivity as well as a clear sense of humour (teen cynicism and sarcasm). She zips around the themes with ease, especially Petula’s anxieties about everything around her, and manages to incorporate a sense of the consequences of the tragedy on Petula’s parents too. Despite the tough subject matter, there is no overdramatisation here – it’s a carefully sewn tapestry of teen angst.
But what the book does that’s really sparkling for a teen audience, is give the reader the courage to face down adversity – showing that other people’s problems may not be apparent but may be larger than one’s own, and that each person can find courage somewhere to overcome obstacles – especially if they speak up and speak out. It’s about trust, and friendship and guilt and grief. I’m optimistic you’ll buy your own copy here.