Chris Riddell was the Children’s Laureate from 2015-2017, and as well as touring the country and promoting children’s literature and libraries, he also writes and illustrates his own books. I’ve looked at the Ottoline series on here before, but wanted to draw your attention to two recent publications, which may deviate slightly from the ‘normal’ children’s books I like to recommend.
If you remember, there was a lot of chatter at the end of 2016 about what an awful year it had been, politically and otherwise. And the situation has become ever more unstable with the somewhat strange goings-on around us in 2017. So it’s an interesting, and yet altogether sensible premise, to have a book that mashes together political commentary with the goings on in children’s literature from the last two years. Riddell is, of course, as well as being a children’s author, the political cartoonist of a national newspaper, and Macmillan, his publishers, have released a book of his illustrations from the past two years – including personal musings, published political cartoons, illustrations from children’s books festivals, cartoons advocating saving libraries, and random images from children’s books.
Politics and kids’ literature? Do they go together? Yes, because one of the things children’s books do best is to provide a passport to the wider world – to get children to open their eyes to different things, be it how people lived in historical fiction, how other cultures live now, or just how other people react to events (both familiar and strange). The children’s books I’ve covered in the last six months have talked about politics, leprosy, bullying, refugees, outer space, Tibet, maps, depression, dressing up, the environment, the pleasures of doodling, butterflies and so much more.
So Travels with my Sketchbook is a complex book – it’s very much a testament to Riddell’s time as Laureate, and will be much treasured by people within the book world, but it is also interesting as a sign of our times, and a call-out to children to illustrate or doodle more, and so will be fascinating to see how it sells and to whom? Are we more politicised and more interested in children’s illustration than we used to be? I think we are. You can buy Travels here and Chris Riddell is kindly donating all profits to Booktrust.
And if we are more politicised, are our children? I would actually wager yes to this, judging by how many children read a newspaper, watch the news, or scroll through news items on social media, and by how aware they are of their rights. In which case, an interesting addition to their library would be My Little Book of Big Freedoms, illustrated by Chris Riddell.
In partnership with Amnesty International, this is a simplified text from the Human Rights Act. Each of the 16 freedoms or rights are highlighted with an interpretative illustration, from a polar bear hugging children to exemplify ‘togetherness’, to a rather beautiful elephant with a girl resting on his trunk representing ‘solidarity’.
The saccharine and rather over-simplified text takes on a more fatidic and powerful tone in 2017, seeing as we have a president whose finger rests on the twitter button, and a hotchpotch political situation in the UK. Illustration can be an outlet for those children who want a way to express questioning and even rebellious thoughts and feelings, and yet who cannot express how they feel about a political situation in an adult sphere or with the appropriate vocabulary, perhaps for want of anxiety about how their views might be taken. It may be that if our youngsters take such a book to heart, the next generation may turn out better political leaders than the current crop. To purchase, click here.