My next book of the week will be published September 6th. For a list of my books of the week to date, scroll down to the bottom of this review.
Both the narrative structure and subject matter of Emma Carroll’s latest story, In Darkling Wood, are indicative of her own distinct style: quietly modern and yet definitely traditional in application. The novel is told using a dual narrative – in letters dated 1918 from a young girl to her brother in the war, and a modern-day first person narrative of a girl called Alice who is sent to live with her estranged grandmother whilst her brother is in hospital for a heart transplant. By weaving the two very distinct narratives together, Emma Carroll creates a magical story that is both classical and contemporary – just like her style of her writing in all her books.
At first Alice struggles in her stay with her gruff grandmother – her anxiety about her brother shines through the text, as does her frustration with her parents and her grandmother, Nell. She befriends a mysterious girl in the woods bordering her grandmother’s house, and before long becomes embroiled in a battle to save the woods and the enigmatic creatures whom the mysterious girl claims reside within the trees. At the same time, the letters from 1918 reflect another young girl’s anxiety about her own brother, and a preoccupation with some enigmatic winged creatures in the wood. The two stories edge closer together, and the book’s resolution is satisfying and complete.
Emma Carroll neatly references the Cottingley fairies story – a series of five famous photographs taken by Elsie Wright and Frances Griffiths in Cottingley towards the end of the First World War that came to the attention of Sir Arthur Conan Doyle and created a stir about the existence of fairies.
In Emma’s story, the fairies come to represent hope, and lead Alice to stand up for what she believes in.
The story is told sensitively, and is utterly engrossing. Each character is superbly drawn – the voices drip effortlessly from the page – from the distant yet forthright grandmother with secrets, to the absent father, sick brother, and the cast of characters in the modern school, as well as those from 1918. In fact, Emma’s time as a schoolteacher has clearly been useful – the school environment is one of the most believable I have encountered.
Furthermore her talent as a writer shines through in her description of Nell’s house and the Darkling Woods surrounding it – they remain an image within my head months after reading the book. It’s my last book of the week before the summer. Take it with you on holiday – but be warned – wherever you go, you’ll imagine you’re In Darkling Wood…
With thanks to Faber for the review copy. You can buy your own copy from Waterstones here, or see the Amazon sidebar.
My brother is a superhero by David Solomons
Too Close to Home by Aoife Walsh
The Cake, the Wolf, and the Witch by Maudie Smith, illustrated by Tony Ross
Alfie Bloom: The Secrets of Hexbridge Castle by Gabrielle Kent
There’s a Bear on My Chair by Ross Collins
The Sword of Kuromori by Jason Rohan
The Boys’ School Girls: Tara’s Sister Trouble by Lil Chase
Mad About Monkeys by Owen Davey
The Broken King by Philip Womack
The Imagination Box by Martyn Ford
Joe All Alone by Joanna Nadin
How to Write your Best Story Ever by Christopher Edge
Head Over Heart by Colette Victor
Wild by Emily Hughes
Violet and the Hidden Treasure by Harriet Whitehorn illustrated by Becka Moor
The Wild Beyond by Piers Torday
The D’Evil Diaries by Tatum Flynn
The Astounding Broccoli Boy by Frank Cottrell Boyce
Robot Girl by Malorie Blackman
How to Fly with Broken Wings by Jane Elson
A Whisper of Wolves by Kris Humphrey
The Dreamsnatcher by Abi Elphinstone
Squishy McFluff The Invisible Cat: Supermarket Sweep by Pip Jones and Ella Okstad
Stonebird by Mike Revell
Darkmouth by Shane Hegarty
The Wickford Doom by Chris Priestley
How the World Works by Christiane Dorion and Beverley Young
I am Henry Finch by Alexis Deacon, illustrated by Viviane Schwarz
The Story of Buildings by Patrick Dillon, illustrated by Stephen Biesty