Reading is so satisfying because it’s one of the closest ways we have of getting inside someone else’s brain – and I don’t mean just inside the characters’ thoughts, but also the author’s. It’s fascinating to see how someone else’s mind works, how they deal with a particular situation, or even simply the fluffy rainbows and unicorns that bounce about in their head.
One of the most striking ways some children have of utilising their imagination is in the creation of an imaginary friend. I’ve looked at this a little bit here to explore the whys of this phenomena – and trust me I think it’s something that can pervade adulthood too, especially for writers – I know my characters certainly live with me in one way or another.
Rob Biddulph’s latest picture book character explores this phenomena with a very clear motive. Sid Gibbons invents his imaginary friend as a scapegoat – someone to blame when Sid himself messes up. His mother, wisely, demands evidence of this guilty persona, and Sid draws Kevin (his imaginary friend) in quite acute detail, and his mother, wisely again, doesn’t ‘disbelieve’ in the friend – only in the premise that Kevin, not Sid, is to blame.
By the end of the story, empathy with Kevin shows Sid the error of his ways, (through a delightful little twist in the middle of the story), and before long Sid not only starts behaving, but enjoying his time with Kevin – and Biddulph sneakily lets the reader into the secret that Sid’s not the only child to have invented an imaginary friend.
Biddulph brings his distinctive rhyming style to this picture book, but has expanded upon it, so the sentences are longer, but still retain the rhythm and bounce of his previous books. The illustrations though, are exquisite. Freed from the animals of Penguin Blue, Biddulph not only portrays his humans with style and personality – from Sid’s trapper hat to his mother’s slippers – but also crafts the most appealing make-believe world, complete with a vast array of colourful flowers, spotty rainbows, and daft made-up beastie creatures. Shot through with a wide colour palate, they are nostalgic for adults used to 1970’s fashions, and vibrant for young children. Biddulph has a certain talent for images that appear simple, but are layered with detail. It’s fun to try to copy them – many children do (and for those with adults on twitter, you can follow his work on #drawwithRob).
What’s more the moral messages throughout – not blaming others, saying sorry, understanding others, cherishing friendship – aren’t spelled out in a pompous saccharine way, but carefully dripped through the story so that they are gently absorbed.
My only quibble is the portrayal of the Dad behind a newspaper and the mother with takeaway coffee and ugg boots, although in Biddulph’s defence perhaps it is just an accurate reflection of UK middle-class suburbia. Full marks though for the diversity of the children on the last pages – there’ll be much fun for children in spotting the different children, different beasties and familiar playground equipment. Watch out too for allusions to prior Biddulph picture books, and the final image, which suggests that sometimes Biddulph too escapes to his own imaginary world. You can buy your own copy here.