Lisa Thompson excels at illuminating the darker, scary and more painful side of life, even when it penetrates children’s lives, and then shining a positive light on the situation and making the world glow brighter with hope.
Her first novel, The Goldfish Boy, shed some light on OCD, its effects, misunderstandings about it by peers, and the wretched humiliation it can cause (and yet all neatly tied up in a children’s mystery book). This latest, The Light Jar, enlightens the reader about even darker issues, including the effects of psychological abuse, the terror of being abandoned, and fears about darkness, but again does so in a clever and warm way, so that it never feels as if the issues highlighted overshadow the story or are so dark that they are inappropriate for the readership.
Nate and his mother run away to a tumbledown cottage, seemingly in the middle of nowhere. On the second day, Nate’s mother leaves to buy provisions, but never returns. But it turns out, he’s not completely alone, for comfort shines at him in the way of friendship from a mysterious girl called Kitty, solving a treasure hunt nearby, as well as the surprising appearance of a friend from the past.
Thompson intersperses Nate’s fear of being left alone, and worry for his missing mother, with humour in the way of a stray chicken and Nate’s Magic 8 ball, and a simply marvellous book that Nate carries round called ‘Freaky Things to Freak You Out’, a type of non-fiction mystery book. The book inspires Nate to solve Kitty’s treasure hunt, and provides humorous elements to the story. Indeed, although Nate doesn’t forget his fearful situation, Kitty’s treasure hunt propels the plot with an engrossing mystery to solve, and actively involves the reader by including rhyming clues within the text.
But with light, comes darkness too, and here Thompson crafts it in the way of Nate’s memories, which gradually show that Nate and his mother are escaping an abusive relationship with his mother’s new boyfriend. No physical violence is explored, but instead a creeping psychological abuse that’s threatening and horrifying to live through. Thompson deals with this gently, and with enormous understanding. The most interesting memory is that of Nate bringing home a friend for tea, and how the boyfriend deals with the situation. The manipulation of the play date is well handled, and the author here cleverly invokes both incredible sympathy for Nate, as well as empathy with the friend, who although he doesn’t realise what is going on, and isn’t friendly afterwards, would enable the reader to think twice in such situations before dismissing a friend so easily – there may be much going on behind closed doors, and awareness and understanding are key.
There’s no technology in the book (mobile phones/wifi etc) – characters must do away with traceable technology when they’re on the run, and the lack of it adds an extra dimension to the story, as well as intriguingly letting the plot remain highly contemporary and realistic. At first, the book reminded me of The Secret Life of Daisy Fitzjohn by Tania Unsworth, another novel in which a child is seemingly abandoned by her mother and left within a crumbling house. And although there are similar fears and imaginings, The Light Jar soon veered off into different territory.
What both have in common though, is an expert handling of suspense, and text that flows effortlessly, engaging and enthralling the reader. Although The Light Jar has an horrific topic in the shadows, it feels both clever and warm and points to the wonder and light of friendship and hope.
There’s much light in Thompson’s writing; you’d be mad to keep it in the dark. You can purchase your copy here.