It takes a certain amount of bravery, imagination, and sometimes desperation, to want to leave a remote island home that’s been base for a family for many years, and uproot from its rural idyll to the grimy urban streets of Glasgow, or for the new dawn of America – particularly in 1861. But that’s what the Little Bird of the title wishes in this new historical series from children’s books author Karen McCombie.
Bridie is a crofter’s daughter (her father occupies and works a small landholding known as a croft, rented from the landlord, or laird). She lives with her family on the little Scottish island of Tornish, an island that appears almost as a character itself within the novel.
With a wasted arm and leg, a deceased mother, two older sisters and a younger brother, life is hard, but also rewarding. Bridie very much sees the positives in life – not only her island idyll of rough seas and craggy landscapes, cherishing the views and wildlife – but also always working with the positive side of her disability. She doesn’t let it impede her, but rather uses it to her advantage where possible.
But things change in Tornish when the current laird dies suddenly, and a new family take over. Even then, Bridie sees positives in her new friendship with a ward of the new family, and a portrait painter drafted over to paint the new laird, but life gets harder for all the crofters and before long her dream to leave Tornish comes true – although perhaps not quite in the way she had envisaged. At this point the novel speeds up spectacularly – as though McCombie is in a hurry to leave it positioned for book two.
This is quite a unique book, documenting a particular way of life in a particular place, and written with a huge amount of understanding of the time and location, as well as with clear passion. This shines through in Bridie’s own pride in where she comes from.
The book is modern in its telling though – Bridie’s outlook is contemporary – she sees goodness in difference rather than shunning it, she’s up for adventure and exploration, and she feels almost feminist in outlook – the women in this story dominate and are strong risk-takers, working to do good and make their mark. There’s a feeling of class injustice with the portrayal of the privileged and careless wealthy gentry, who can be seen in a way as invaders – destroying the isolated island way of life – and forcing the residents to change how they live, or flee.
And so despite the strong traditions highlighted in the first part of the novel, McCombie portrays a world in flux. Changes come to old ways of life, people move on and move away.
With skill, McCombie presents this tear in the fabric of the crofters’ reality – the striving for modernity and adventure combined with the nostalgia for a simpler and more idyllic way of living. The history of the Scottish isles feels captivating – the landscape rugged and real, forging onwards even when the people themselves are long gone. And although the reader is thrust forwards into Little Bridie’s seagoing adventure, it’s the island that stays behind in the reader’s mind – a timeless sliver of land that feels just within reach. Particularly for little birds that fly, and McCombie gives the reader wings to do just that. You can buy it here.