Recently the journalist Ainehi Edoro wrote an interesting article in The Guardian about the bias of the book industry in terms of African novels, comparing the Western agenda when we publish, read and review African novels to the agenda applied when reviewing novels from the Western canon. We tend to attribute an imagined anthropological value to African fiction, assuming a cultural viewpoint about their issues and themes first, rather than seeing them as we would American or British books – in which we are simply guided in our reviews by characterisation, plot. Ie. Writing first and themes secondary.
So it was with great interest that two picture books set in Africa arrived on my desk in the same week. One, published by an award-winning children’s publisher, is All Aboard for the Bobo Road, written by Stephen Davies and illustrated by Christopher Corr.
What’s extraordinary about this picture book is the colour. It is as if the African sun is shining directly out of the pages – the amount of brightness and colour detail is completely captivating – the children testers I used for this book positively beamed back at the lustre and glow.
Fatima and Galo board the bus bound for Bobo. Their father Big Ali drives the bus, and on the journey the children keep track of all the livestock, people and goods that are boarded onto the bus, as well as watching the landscape go past.
Readers can help to count cargo on and off the bus, including three bicycles, seven watermelons, five sacks of rice, nine goats and much much more. Along the way, the children see a hippo lake, a waterfall, the forest, rock domes, market stalls, and the Grand Mosque. Each page brims with detail and above all, colour.
At the waterfall for example, the water is like big slaps of blue paint against a brown rock background with a multitude of colourful patterned rugs in the foreground, plants at the summit, and people everywhere, with colourful clothes, bags and hats. The goods are stark and bold – blue and orange bicycles, colourful bundles on heads, an assortment of vehicles ferried on top of the bus. The ground itself isn’t brown or beige – but a bright purple. Each spread is differentiated in its colour, from the vibrant oranges of the rock domes to the lush green of the forest, the blue of the town.
Even the endpapers blaze with light and interest – tracking the different sites of Burkina Faso, which is where the author based his story, after his experiences there over several years. The text too shines, with the unloading and loading of cargo, the counting within, and the descriptions: the children are ‘tired and hungry’, Galo unloads watermelons ‘huffing and puffing’ and Fatima unloads rice ‘craning and straining’.
The last pages are particularly effective, subtly showing the difference between what children see and what adults see.
There are familiar traits for a bus picture book, such as the wheels of the bus turning round, and the beep beep as the bus sets off, but in other ways this is a truly original picture book, and stands out from the crowd as being the brightest I have ever seen. You can buy a copy here.
The other picture book is published by Cassava Republic Press, whose very ambition is to change the narrative on African books, rooting African writing in all its different experiences, be it rural or urban, past or future. Princess Arabella’s Birthday by Mylo Freeman aims to show that not all princesses are blonde and blue-eyed, whilst also containing a clear message that princesses should be careful what they wish for.
Princess Arabella has everything she could possibly want, so her parents are stuck as to what to buy her for her birthday. The princess decides that she wants a real live elephant, and her wish is granted. The only problem – this is not a compliant elephant. The twist at the end of the book is delightful – but it’s the small illustrations throughout that endear Princess Arabella to the reader, and serve to make this a series to watch.
From the elephant-shaped balloon on the cover, to the hilariously bad parenting of the King and Queen and the size of the net used to catch the elephant – there is plenty in each illustration to make the reader giggle. The colours are vibrant, the jauntiness of facial expressions well-executed. It’s a simple story – for young readers – but conveys a vibrancy of personality and landscape, and conveys the beauty of another country – from the sandals on her feet to the sunset in the background – with ease and simplicity.
You can buy the book here.