Scaredy Cat, Scaredy Cat was published last month, the last book in Phil Earle’s Storey Street series. The series has tracked the lives of the children in Storey Street, from Jake in Demolition Dad, which sees Jake persuade his father to become a professional wrestler, and deals with issues around depression, to superhero-obsessed Mouse in Superhero Street. This second book concentrates on finding one’s place within a family. The War Next Door features street bully Masher when he encounters kindness for the first time, which transforms his bullying behaviour. The fourth and last, Scaredy Cat, Scaredy Cat follows the adventures and coming-of-age of Kay, a supremely nervous child who meets Wilf, in the guise of a wonderful wizard. Dealing with grief and fear, this is a charming finale to the series.
Kay’s father keeps Kay on a tight rein, terrified that she’ll succumb to disaster at every turn – he even cuts the corners from loaves of bread to keep her safe. Stemming from the loss of Kay’s mother in an accident, his obsession with health and safety stifles his daughter and manifests in her extreme timidity. But Kay has an obsession with wizards, and when she meets Wilf, she learns that inside her, a mighty lion roars, especially when it comes to standing up for what’s right. In the end, she finds that magic comes from everyday occurrences and kindnesses, not always from a wizard.
What distinguishes the series as a whole is its gentle humour, as well as it’s coming together of a street – peeking behind the doors to see the interiors of the houses and what’s inside the minds of each person, no matter how they portray themselves to the world. Phil Earle’s voice casually talks to the reader as the story moves along, in both a self-referential way as the ‘writer’ behind the words, and also as a kind and wise guide through the world. This is a world in which community is key, and lessons are learned through actions – whether it be not judging someone for the clothes they wear, or a community pulling together to give somebody in desperate circumstances the help they need.
Earle’s voice has enormous heart, and manages to portray the extraordinary wit, pathos and depth of ordinary people, and often people with little money or resources, and those for whom life has dealt a harsh handout.
There’s also, of course, the bold, detailed, and wickedly humorous illustrations of Sara Ogilvie that enhance each book and bring each character to life vividly and emotionally. To celebrate or rather commiserate with Phil Earle on the ending of this funny series, I’m offering five readers a copy each of the first in the series, Demolition Dad. Just find me on twitter @minervamoan and retweet the relevant tweet. Ends 1st November, 2017.