Tag Archive for Beard Lauren

Seasonal Books For Younger Readers Part 2

refuge

Refuge by Anne Booth and Sam Usher
If you’re only buying one Christmas book this year, make it this one (although the mind boggles as to why you’d just buy one!). Refuge is a charity book – £5 for every sale goes to War Child. It’s a partnership of two very special people in the children’s book industry – Anne Booth – a magical writer who manages to be continually altruistic whilst writing thought-provoking literature for children, and Sam Usher, whose beautiful illustrations light up my eyes.

Refuge tells the traditional Christmas story in a new way, highlighting very cleverly and simply the struggle faced by a family seeking refuge – a family who could be anyone –  not just people from biblical times. It particularly demonstrates the kindness of strangers who help them along their way, and then take them in. Told from the point of view of the donkey, he explains the generosity of the innkeeper, the harshness of the journey, and the final granting of refuge. Of course it draws attention to the particular nub of our time – refugees and homelessness, and questions our basic humanity.

The illustrations sing from the page – Usher has depicted the nativity seamlessly in pen and wash, but inserted a shrewd narrative device of light on each page to express hope and freedom and sanctuary.

It’s published by Nosy Crow publishers, who are kindly absorbing the cost. They are a fairly new publishing group, who shine with innovation and are proving to have oodles of integrity. Their books are always of the highest quality, and this book is no different, which makes it easy to support.

For all ages. You can buy it here from Waterstones, or in any good book shop.

Snow bear

Snow Bear by Tony Mitton and Alison Brown
A winsome rhyming tale with one of the cutest bears in picturebooks. Alison Brown’s bear is far more abstract and less traditional than most bears, a cute white ball of fluff with dots for eyes and a cylindrical shape, but endearing nevertheless. There is glitter on this cover, snowdrops in silver that will catch any shop’s lights – who can resist glitter at Christmas? The story is more wintry than strictly Christmas – it could appeal to any faith denomination.

The bear is cold and looking for warmth. The other animals can’t help, and then he finally stumbles across a house with warming features – a comfortable armchair, a roaring fire, and a small girl who needs a hug. There is no explanation for the girl’s loneliness or why the bear needs human kindness, but the illustrations show incredible tenderness between the two when they do finally meet – the girl reads to the bear, helps him climb the stairs, and wraps him up warmly. The book is about solving loneliness, finding friendship, and showing kindness. The rhyming works well, the vocabulary is lovely. But it is the atmosphere created that warms the heart – the cold blue winter turning to reds, oranges and purples inside. It makes the reader want to climb inside the book itself. Perfect for reading aloud with a cuddle. 3+yrs. Buy it here.

toothfairys christmas

The Tooth Fairy’s Christmas by Peter Bently, illustrated by Garry Parsons
It’s always great fun to bring together more than one childhood character – in this case a very cold tooth fairy seeks the assistance of Father Christmas so that she can pick up a tooth from a particular child on Christmas Eve. Not everything goes smoothly though, as Santa is a little clumsy and they very nearly wake the sleeping child.

Told in rhyme, this is a fun giggle:
“Thank you for helping me out in this weather!”
She said. “It was lots of fun working together!”

There are some beautiful touches from both author and illustrator, the tooth fairy’s lounge is beautifully decorated – with Christmas tree and stocking – but alongside the seasonal touches are the numerous portraits on the wall of gappy smiles! In this story the tooth fairy doesn’t like the cold, and the wind whirls up her knickers, whereas Santa’s bottom gets stuck in the child’s window. I love the pages in which Santa’s huge face takes over the entire page, and the daintiness with which he tries to leave the tooth fairy her own Christmas present. A real joy to read. You can purchase it here.

fairytale hairdresser and father christmas
The Fairytale Hairdresser and Father Christmas by Abi Longstaff and Lauren Beard
Another not entirely new book (published last year), but part of the fun series about Kittie Lacey, the Fairytale Hairdresser, that likes to splash with the glitter whatever the time of year. Like every other hairdresser, Kittie’s busiest time is Christmas. When she makes a home visit to Father Christmas to trim his beard and tend to all the elves, she discovers the Snow Queen has stolen all the presents.

Together with her hairdryer (isn’t it amazing what hairdryers can do?), and Father Christmas, Kitty melts the Snow Queen’s heart and they all deliver the presents together.

Some hilarious illustrations make this a sure-fire winner – look carefully for the page on which The Snow Queen tries different outfits for the party (the onesie is great), and the presents all the fairytale characters receive for Christmas (particularly Snow White’s). A lovely Christmas book (and Lauren Beard has even drawn in Father Christmas’ utility room). Fun indeed. You can buy it here.

 

Dynamic Duos

The world of children’s publishing is thriving. In part, this is down to massively popular illustrated books such as Wimpy Kid by Jeff Kinney and Tom Gates by Liz Pichon. This seems to have had two effects – one that children’s book publishers have slightly more money to play with, and two, that illustrated stories (beyond picture books) have become all the rage. These illustrations don’t just stand idly by portraying that which has been described by words – the illustrations push on the plot, define characters, and display visual jokes, using the full space of the page. There are excellent wordsmiths pairing up with superbly talented illustrators to create some DYNAMIC DUOS in children’s books. Here are three such pairs:

Mango and Bambang

Mango and Bambang: The Not-a-Pig written by Polly Faber and illustrated by Clara Vulliamy
A brand new pairing, Polly Faber’s debut writing is accompanied by Clara Vulliamy’s experienced illustrations. This exquisitely packaged book tells four delightful stories about Mango Allsorts, a girl who discovers a lost tapir and adopts him as her pet. The first page introduces (through words and pictures) the main characters in the story, and the first story explains how Mango met Bambang. The writing is simple and effective, and plays beautifully with the English language – explaining such things as how Mango’s papa spends his time ‘balancing books’. Polly Faber describes how Mango herself is good at all sorts of things (hence her name) but that wasn’t the same as being a good girl. The phrasing is enticing and winsome and the reader can bask with enjoyment at the wordplay. The illustrations play the same game – a simple two tone purple and black in colour, yet massively effective – the purple stripes of the opening pages contrasting with the black and white stripes of the zebra crossing where Mango meets a camouflaged Bambang, and then also complementing the stripes of Mango’s clothing. Clara’s pictures of the settings – eg, Mango’s city, the street traffic scene, etc, build a world around Polly’s words and the two mesh beautifully together to form a complete story. There is much to pore over. The stories are gentle – about kindness and friendship – the two characters complementing each other in a reflection of the pairing of author/illustrator. There is also a peacefulness that emanates from the book – childhood as a time for wonder and playfulness, as opposed to the busy world of the adults. The book feels very global, there is a real mix of dress, modes of transport, foodstuffs – and as in all good children’s literature there is a fair mention of food – banana pancakes in particular here. The other three stories involve a swimming pool, fabulous hats, and singing. It speaks to the inner child in everyone, and will enchant all newly independent readers. A lovely addition to books for this age group (6+). To purchase, click here.

pugs

Pugs of the Frozen North written by Philip Reeve and illustrated by Sarah McIntyre
This fabulous pairing can do no wrong at the moment. Following the huge success of Cakes in Space and Oliver and the Seawigs, comes my favourite so far. Pugs of the Frozen North is ‘Wacky Races on ice’. Shen and Sika enter the once in a lifetime race in True Winter to be the first to the North pole to see the Snowfather who grants wishes. Their sled is pulled by sixty-six pugs, who have been rescued from a shipwreck. It’s fantastical, magical and silly, with great charm. Reeve’s writing prose is a cut above – the plot races in time to the sled, the language is bewitching – a mass of alliteration throughout the novel using the letter ‘s’ – from the names of the children, Shen and Sika, to those of the polar bears, Snowdrop and Slushpuppy, to the number of pugs, ‘sixty-six’, to words associated with sleds and snow – ‘silvering of light’, ‘statues’, ‘slush’ and ‘snowmen’, not to mention the fifty types of snow – ‘screechsnow’, ‘shrinksnow’, ‘stonesnow’, ‘songsnow’…and made up words to describe the movement of the sled across the ice – ‘skreeling’. He isn’t afraid to use new language and to increase a young child’s vocabulary, and it’s all done to fit perfectly with the story.
Of course the humour shines through in abundance too. There are self-references to the Seawigs book, the yeti’s noodle bar instead of spaghetti (they wanted to avoid the obvious), and the camaraderie with the reader: “…looked very yeti-ish…you know the type of thing.” But the humour really shines with Sarah McIntyre’s fundamental illustrations. Sarah always shows how the story can be told through illustration, not just through text. We learn of the Chief Marshal’s mistake with the hot air balloon through the hilarious illustrated pages before it appears in the text, we are told through pictures only of the other racers’ mishaps (spot the selfie stick – it’s hugely comical), and of course the numerous wonderful drawings of 66 pugs. Particularly wonderful were those of the pugs warming in Helga’s beard, yipping at the Snowfather, and the endpapers with their names (look out for ‘Not-a-Pug’).
Children will adore this book – there is no let up in the pace: Shen, our main character, shows depth of character and thought – especially his anxiety about being disappointed at the end of the race, and the illustrations delight and amuse constantly. There’s a great use of landscape here too – from the types of snow, to the uses of it, and the Northern Lights. Read it, if only to find out what the Po of Ice is! This is a gem, all children aged 6+ will adore it and all parents will find it funny. Read it with your child so as not to miss out! Click here to purchase from Waterstones.

magic potions shop

The Magic Potions Shop: The Young Apprentice written by Abie Longstaff and illustrated by Lauren Beard
From the team behind the Fairytale Hairdresser comes a new series for slightly older readers. Although not afforded quite the same packaging as the two titles above, The Magic Potions Shop is a great stepping stone for newly independent readers – black and white illustrations on every page accompany large text that utilises italics, bold, and font changes to highlight particular words and phrases. The book tells the story of Tibben, apprentice to the Potions Master, who is trying hard to gain ‘glints’ on his robe, which will afford him the qualifications to become the next Potions Master. He starts the book by being rather inept, but through endeavour and bravery gradually earns his skill. The book is reminiscent of The Enchanted Wood by Enid Blyton, packed with mermaids, trolls, elves and sprites – and tells a typical adventure story complete with long journey (a map at the beginning shows the way), and magical happenings in the Kingdom of Arthwen. The vocabulary is largely accessible. Lauren’s illustrations don’t push the story along in the same way as in the titles above, but they do provide an extra layer of detail not given in the text. There’s a lovely section at the back detailing ingredients and potions – which will delight children. My only gripe is that the cover artwork for books one and two is tending towards being gender specific – whereas this is a series that could lend itself to being read by all. A good first reader though – I can see children devouring this new series. Buy it here.

Thank you to OUP for my review copy of Pugs, and to Abie Longstaff for my review copy of The Magic Potions Shop