This is a first for this blog – a review of a comic book. Last year I came across The Phoenix, a weekly children’s comic that’s growing in popularity, and on Feb 4th they are publishing one of their strips as an entire book.
Tamsin and the Deep borrows from folklore and myth, with echoes of The Little Mermaid, as it tells the story of Tamsin, and the legend stalking her family.
While surfing at the beach, Tamsin wipes out and goes missing for a month. She can’t remember what transpired in the weeks she went missing, but before long other strange things start happening to her – from the appearance of a magic stick to a talking bird. Then, she realises that her brother is in terrible danger, and she must break the mermaid’s ancient covenant to save him.
This is a dense storyline, with compelling plot and imaginative vocabulary. The comic book style lends much immediacy to the story – at times enabling several simultaneous events to be unfolded on the same page. It hones terrific inference skills as the reader gathers much of what’s happening from the pictures rather than the text.
But this is no standard comic, no standard story. The characters are rounded, and richly developed. The dialogue between the siblings and their friends is realistic, engaging and witty. There’s a beautiful sibling relationship, but underwritten with the impatience and frustration that accompanies familial dynamics.
The darkness of the legend, and the story within a story give this comic a real potency – it’s both adventure story and fantasy, containing both humour and dark undertones.
The illustrations too are a cut above – the initial drawings of wet-suits at the surf lend this a space age feel, but then it seems to borrow from manga too in its depiction of our feisty heroine. The legend is told almost in sepia, and looks fantastical and romantic – different styles highlighting the illustrator’s wealth of talent.
In a blogpost, Neill outlined the trickiness of writing a comic – it’s not just about the text of course, but a directive and collaboration with the illustrator, almost as in a film script – to work out from which point of view the drawing is in each box, to depict not just the action but the expression on the face, whether there’s a close up or background. This is an intriguing and completely different way of writing from prose, and it draws out attention to detail, each emotion, and each development.
This was a delight to read – darkness, humour, and a great story. A great many books fall through my letter box weekly and not all are snatched away by the children who live here – but to review this one I had to wrestle it from their hands. If that’s not proof enough, then what is? Suitable for all readers, 8+ years.
Publishes 4th Feb 2016. You can pre-order or buy it here.