Tag Archive for Corderoy Tracey

Fairy Tales Rejuvenated

Scientists have been looking at how folk and fairy tales, particularly stories of animals and magic, have been distributed from their place of origin. What they are interested in particularly is the different modes of travel – whether the tales are transmitted by a person moving from where they were and retelling the story in their new place – which is migratory storytelling, or whether the tales are told down a ‘whisper’ chain – one to another, but each person remaining static. The scientists are looking at what genomic data can tell us about the historic spread of culture, but that’s not what caught my eye in their studies. What fascinates me is the content itself.

For me, it’s interesting to see how different versions of fairy tales are told to different children, how different folk tales from different cultures overlap in themes and plot, and how we use fairy tale tropes to tell our own stories, or make our own arguments, especially when we update them. I have found that although children don’t always remember being specifically read fairy tales, there are familiar tropes that have sneaked into the vernacular or familiar strands that they have picked up by osmosis (or from Disney). They know, for example that it’s important to stop partying before the clock strikes midnight, that houses are sturdier built from bricks, that eating another’s porridge is rude, that one shouldn’t generally accept shiny red apples from strangers. So how do we make fairy stories exciting and relevant and different for the next generation -for the ‘instant gratification’ generation?

Hilary McKay’s Fairy Tales have been produced in a stunning publication in time for Christmas, with black and white illustrations within by Sarah Gibb, but also with foil on the cover and a ribbon bookmark (my new favourite thing). But it’s the spellbinding way that McKay recreates the fairy tales that is the real draw here. She has renamed her tales, but given the traditional name underneath, so as to help the readership, covering ten stories from Rapunzel and Rumplestiltskin to The Swan Brothers, Twelve Dancing Princesses and more well-known stories including Red Riding Hood and Snow White and the Seven Dwarfs.

But McKay is clever in her storytelling. She understands that her readership may have an inkling of the denouement of the stories, so she finds another way to tell them – be it changing the point of view, or the timeframe through which they are told. For example, The Pied Piper of Hamelin is told from the perspective of the Mayor, who may have a slightly different view from normal on the terrible tragedy of the children being taken away (those noisy, litter-dropping children!). Hansel and Gretel has been renamed ‘What I Did in the Holidays and Why Hansel’s Jacket is So Tight (by Gretel, aged 10)’, and not only tells the story backwards through Gretel’s point of view, but is narrated by the teacher and incorporates much humour and subtle insertion of other fairy stories along the way.

There are newer lessons in here too – with the story of Rapunzel, McKay manages to convey something leaning towards a discussion on freedom and captivity – what it really means to be free and the fears that this can bring. With Snow White, McKay extrapolates our sense of what is considered beautiful, and also whether beauty is held within. By telling some stories from a perspective of the fairy tale characters in old age, looking back, more wisdoms can be brought out with the beauty of hindsight, and sometimes the clever children listening question their grandparents on decisions they made as children – Snow White as a grandmother is particularly effective – also bringing to the discussion the difference between telling a story and making up a story, and things purporting to be truths.

These stories will appeal because they sound modern, despite the ancient stories buried inside, and because they right some ancient wrongs – McKay clearly feels sorry for Rumpelstiltskin, and gives him some relief. This is a wonderful collection of fairy tales retold, with bite and pathos and humour. You can buy a copy here.

If you’re looking for picture books that retell the stories, David Roberts and Lynn Roberts-Maloney have published four fairy tales in ‘retro’ style. Contradictory though that sentence may seem – for these fairy tales have existed for hundreds of years, and yet by ‘retroing’ them, the authors have moved them into different timezones. Sleeping Beauty is set in the 1950s, Little Red in the late eighteenth century, Cinderella in the roaring ‘20s and Rapunzel in the 1970’s.

Updating the fairy tales not only means that the authors can inject them with our own sensibilities, but also showcase thoughts about our own history by setting them in a specific past era. In 1950’s Sleeping Beauty, it is the needle of a record player of course, not a spinning wheel that sends protagonist Annabel to sleep. But more than that, Roberts beautifully highlights the architecture and comforts of the time – the burgeoning building works post-war, the fashions and hairstyles, and before Annabel (Sleeping Beauty) goes to sleep, she is shown to be an up-and-coming wise young lady, complete with reading a book, harbouring a fascination with space travel and robots, her discoveries (Elvis) indicative of the 1950s.

This sleeping teen sleeps for a 1,000 years and wakes to find another strong female protagonist exploring her 1950s house as if it were a museum. The robot poster on the wall is an extra special touch in a book that speaks to discovery and learning, science and science fiction. A unique way of crushing stereotypes and exploring lasting fairy tales.You can buy it here.

More subversion in This is Not a Fairy Tale by Will Mabbit, illustrated by Fred Blunt. This sequel to This is Not a Bedtime Story returns Sophie and her Dad as he attempts to read Sophie a typical fairy story from his book (princess in tower etc), but Sophie interrupts, and then changes the story to suit her. This story within a story picture book pokes fun at traditional gendered stereotyping in fairy stories; the princess using a combine harvester and then a transformer to reach the tower in which the prince is sleeping.

Not only is there role reversal, but because Sophie, her Dad and granddad are all pictured reading the story, there is the humdrum domesticity and mayhem outside the story too – with Sophie and her relatives’ speech in bubbles. It’s a brilliantly colourful book, with illustrations bordering on comic book style, with plenty of humour abounding. There’s more nuance in this metafiction, as the author alludes to where Sophie is getting her inspiration for her retelling, but it’s not all worthy – there are plenty of funny noises and bottom jokes too. You can buy it here.

Fairy Tale Pets by Tracey Corderoy and Jorge Martin pulls characters out of fairy tales and puts them in another story altogether. In this case, Bob and his pet dog Rex decide to open a pet-sitting service to make some money. But all the creatures left with them are from fairy tales – Baby Bear, billy goats gruff, and finally the three pigs’ pet…puppy. Of course, mayhem ensues, and Bob has to turn to making his money some other way. The book relies upon the reader having knowledge of the key fairy tales in order to understand the jokes, but it’s a fun way to show how stories can be manipulated, pulled apart and pieced back together, especially for young readers. The illustrations are large and impactful, with liberal use of colour in quite wacky chaotic scenes. Well worth a look.You can buy it here.

Halloween Reads

Scared? You should be. Halloween Treats (no tricks) from me.

hyde-and-squeak

Hyde and Squeak by Fiona Ross

It’s amazing how much influence classic tales can wield over modern culture and modern children’s storytelling. Fiona Ross has taken inspiration from Stevenson’s Strange Case of Dr Jekyll and Mr Hyde to draw a story about a mouse with a dark side. Squeak is a cute endearing mouse with oversize whiskers and a bowtie, who lives with ‘Granny’, a rounded, gentle looking elderly woman with purple hair fashioned into a bun.

But when Squeak samples some rather off-looking jelly, he turns into Hyde, a monster-mouse with an all-consuming appetite.

Told in large comic book frames, this is a wonderfully funny picture book, with the cartoon illustrations leading the story – one can almost see the Simpsons-style Halloween episodes in their similar transformation from normal to spooky characterisation. Hyde’s pages have black backgrounds, with many details in grayscale outlines, letting huge Hyde dominate the page. His expression is crazed, one eye in bloodshot swirls, a cobwebby bowtie and protruding vampire teeth.

Of course, every so often Hyde overstuffs himself, and his farts turn him back into Squeak. Towards the end, Granny has to zap the monster-eating-machine Hyde has become to regain her lovable Squeak, which she does mainly using pieces of fruit – never has a banana-wielding grandma looked quite so aggressive.

This is fun from start to end, silly and engaging, and an excellent introduction to literature’s classics! You can buy it here.

the-spooky-school

Shifty McGifty and Slippery Sam: The Spooky School by Tracy Corderoy and Steven Lenton

Originally in picture book format, Shifty McGifty and Slippery Sam are two dogs who started their careers as robbers, but realised that crime doesn’t pay and so turned their skills to cupcake making. Although adept at baking, they also solve mysteries and foil crime.

Now in two-colour chapter book format for newly independent readers, these books combine three stories in one book. The Spooky School is a vibrant two-tone orange and black for Halloween, and starts with a Halloween story as the two dogs help a class of schooldogs make Halloween treats for a midnight feast. But there’s a ghost at large in the school, and Shifty and Sam have to catch it before it eats all the tasty treats!

The other two stories feature power-hungry Red Rocket (a red panda with evil intentions), and some raccoons raiding a museum. In both, the reader cheers on the heroes as they foil both dastardly plans with some rather ingenious baking implements. Our pups ski on baguettes, use walkie-talkie croissants, and thwart villains by firing cream cakes at them.

Each adventure is warm, witty and engaging, and illustrated with fun and panache. The text and pictures marry perfectly and children will devour as readily as if the cupcakes on the page were real. An excellent introduction to adventure storytelling. For newly independent readers, 6+ years. You can buy it here.

horror-handbook

The Horror Handbook by Paul van Loon, illustrated by Axel Scheffler

This is a the ultimate nightmare for all librarians. A fact book about fictional things. Yes, The Horror Handbook does exactly as it describes – it provides information on ghosts, monsters, vampires and all kinds of Halloween-type creatures. Slightly tongue-in-cheek, the book guides the reader through the horror genre, revealing the definition of vampires, how to become a werewolf (should one wish to), and how to protect yourself from witches (should one need to).

But it also contains fact – a section on horror movies that describes the genres within this genre – films about monsters, werewolves, aliens and a host of others, as well as a section on classic horror books, including Frankenstein, Dracula and Dr Jekyll and Mr Hyde. And various factual tidbits are sprinkled throughout the book, such as that vampire bats do exist and what they are.

But as well as the fun, lively tone of the book, there are also the immensely funny illustrations, courtesy of Scheffler, including a brilliant transformation of ordinary bloke to werewolf, the milkman test for werewolves, and instructions for protection against the evil eye. All hilarious, all well worth a look.

Any child who’s interested in reading the book will obviously have a strong stomach anyway, but there are graphic sections on how to kill a vampire (ramming a stake through its heart and nailing it to the bottom of the coffin – meanwhile watching out for spurting blood), as well as instructing your child to google ‘vampire hunters’, so you may wish to talk through things with your child before they devour the book!

This is an immensely fun handbook with anecdotes, trivia, films, and endless references to all the horror one could possibly want on Halloween. Be scared. Be super prepared! Age 9+ years. Have a scare here.

tales-of-horror

Tales of Horror by Edgar Allan Poe

If you’ve an older child who can get past the somewhat difficult language, then you should definitely let them be scared stupid by Poe’s Tales of Horror. Or read them yourself. Poe, as everyone knows, had a knack for writing unfailing misery and horror, a sense of insufferable gloom:

“There was an iciness, a sinking, a sickening of the heart – an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime.”

From the tale of the man who buries alive his twin sister in The Fall of the House of Usher to the unreliable narrator and prison horror of The Pit and the Pendulum, to the famous and utterly horrifying Tell-Tale Heart, which keeps on beating and induces the narrator to succumb to his guilt, these are brilliant stories whether you are reading them for the first time, or revisiting.

His stories plunge depths of darkness, immorality and despair, often featuring characters devoid of family. Some are gothic and narrated by unreliable, anonymous narrators who appear insane or unhinged in some way and thus there is no distraction from the tension within. But most of all, they’re great fun – spot the allusions to mirrors, doppelgangers, masks, and returnees from the dead. For teens and adults. Get your Poe here.

 

First Witches

What is the appeal of witches for young readers? When I started the idea for this particular blogpost, the titles of ‘witchy’ series of books for little ones kept spilling off my tongue – there are so many. And more are being produced. The main hook of featuring witches in children’s literature is of course magic – witches can wave a wand and solve a dilemma – or in a well-used twist – use their wand badly and create a bigger problem.

Unlike fairies, witches appeal because they are human. They don’t have wings – they don’t have to occupy a different world (although some do). They are also edgier than most fairies – witches can have a mean streak whereas most fairies tend to be good (other than Tinkerbell from Peter Pan).

Witches are also usually accompanied by an animal – in fact looking at my list below, they are all in a close relationship with a ‘pet’, or animal friend, and this feature is a well-used device in children’s literature. So, where to start…..

hubble bubble monkey

Hubble Bubble: The Messy Monkey Business by Tracey Corderoy and Joe Berger
This series was first published in 2011 as picture books, but then quickly morphed into a series of young fiction titles for newly independent readers. There are three picture books for aged 3+ years with rhyming text, and then a series for 6+ years, each containing three stories. New titles published last year were The Wacky Winter Wonderland and The Messy Monkey Business. Delightfully enticing covers draw the reader into the story, with two-tone illustrations inside. The stories are about Pandora, an ordinary girl, whose grandmother happens to be a witch – she’s not alone in this, in Messy Monkey Business the third story reveals that many of the children also have grandmothers with witchy powers.

Messy Monkey Business features three stories including a school trip to the zoo, a babysitting disaster, and a camping trip. With ‘trouble’ and ‘chaos’ in the titles, it’s not long before Pandora’s Granny’s magic goes wrong, but in each story she does her very best to rectify the situation. She certainly means well. The stories zing with quick dialogue, and some lovely phrases:

“the children dived into the leaves like five excited little hedgehogs.”

The zoo adventure contains all the necessary elements – smells, mess, escaping creatures and a sea lion show – but all with a touch of magic in both text and illustration.

In all the Hubble Bubble books the short stories bounce along, there’s an element of ‘fairy godmother’ about Granny – she tries to be helpful by using her magic, but her results often lead Pandora and her friends astray. With wonderful names, such as Mr Bibble the schoolteacher, and Cobweb the cat, there’s plenty for a young reader to discover. The stand-out factor about the Hubble Bubble books though is the warmth that exudes from them. Despite mishaps and mayhem, the characters are loveable – the relationship between grandmother and granddaughter delightful, the humour spritely and the text pitched perfectly – some lovely expressions and adjectives, but all easy enough for first readers. You can purchase Hubble Bubble The Messy Monkey Business here.

worst witch

The Worst Witch by Jill Murphy
This series is still an absolute favourite with all – from old to young. The books remain fresh and lively. They tell the adventures of Mildred Hubble and her best friend Maud at Miss Cackle’s Academy for Witches. It’s hard to believe that the series is over 40 years old…but when re-reading you can see Jill Murphy’s original witty inventions – lessons on flying a broomstick, potions classes, creepy corridors and invisibility spells.

Jill Murphy originally pitched Mildred as a fairy, unfortunately attending the wrong school – but then changed her to a witch who’s just not very capable. From her tabby cat instead of a black one, to her long enmity with Ethel Hallow, and her even stronger friendship with Maud, this is a school story to treasure. Names are used cunningly here too – who can forget Miss Hardbroom – a precursor to Minerva McGonagall I should think. The black and white illustrations depict the greyness of the school as well as the hilarious friendship between short round Maud and long tall Mildred. Jill Murphy is both author and illustrator. Meet Mildred Hubble here.

titchy witch

Titchy Witch by Rose Impey, illustrated by Katharine McEwen
Perhaps our least famous witch here, Titchy Witch inhabits a world in which only her family are witches – her classmates at school vary from goblins to princesses, and her teacher is an ogre. She is also looked after by a particularly grumpy Cat-a-Bogus, a sort of au-pair/nanny. Full colour illustrations throughout add to the charm of this compelling world. Titchy Witch is different from the other witches, in that she is only seven, and acts as such. She finds some witchy things hard, has difficulty keeping her temper, and is very mischevious. The text is suitable for first independent readers and these children will recognise themselves in Titchy Witch.

Titchy Witch and the Frog Fiasco is typical of the stories. When Gobby-goblin at school pokes Titchy one too many times, she has her revenge by putting a spell on him. The teacher catches her and Titchy is blamed, and decides she no longer wants to go to school. Cat-a-Bogus shows her why she should attend when it turns out she cannot read or practise magic perfectly just yet. There is an adorable twist at the end, only understood by studying the illustration. You can conjure Titchy by purchasing here.

winnie the witch

Winnie the Witch by Valerie Thomas and Korky Paul
Another aging witch, Winnie is more than 25 years old. She has a beloved black cat, the prickly Wilbur. The wonderfulness of Winnie is the amount of colour Korky Paul throws at the books, in fact our standout title is the original story in which Winnie colours her world. There are some beautifully unique traits to Winnie – she has a crooked hat because Paul found that drawing it straight didn’t always fit on the page, she is not the most attractive witch to look at, and yet her personality is adorable. Wilbur’s personality is as acutely drawn as any human’s – his laziness, his addiction to a certain level of comfort, his weariness with Winnie’s adventures. The attention to detail is present in both the meticulously drawn illustrations, as well as the scope of the adventures. Each book is very different – from Winnie’s trip to the seaside, to her birthday celebrations. There is much to admire in each, and much to look at. Winnie also seamlessly moves with the times – see for example Winnie’s New Computer.

Like Hubble Bubble, there are both picture books and young readers, so that the books grow with the child. No library is complete without Winnie on a shelf somewhere. Wave your wand here.

meg and mog

Meg and Mog by Helen Nicoll and Jan Pienkowski
Another 1970’s invention and catering for the youngest readers out of the books featured, I couldn’t write a blogpost about witches and not include my favourite. It is the simplicity of the words and pictures that is Meg and Mog’s unique selling point. The repetition, the sound effects and the rhythm make this a treat to read-aloud. The sentence describing Meg going downstairs perfectly sums up the clomping noise she makes:
“She went down the stairs to cook breakfast.”
as each word of text is positioned underneath each stair, enticing the reader to pronounce the sentence in a particular way. The drawings are iconic – each of the five witches portrayed almost as stick figurines, and yet all distinguishable by their different hair squiggles and noses. The colours are bright and bold, no white spaces in this preschool colour block delight. But the best thing about the original book is that it doesn’t conclude neatly. When Meg changes the witches into mice, she leaves them like that until the following Halloween – there is no happy ending. Edgy and mischievous. Just how witches should be. You can purchase Meg and Mog here.

Look out for my forthcoming blog on witches for slightly older children…

 

 

 

Seasonal Books for Younger Readers Part 1

My next couple of blogposts feature my selection of Christmas books: firstly four books for the youngest readers. Another four follow on Wednesday.

is it christmas yet

Is it Christmas Yet? by Jane Chapman

Sometimes the simplest titles are the best. Jane Chapman has a wonderfully sympathetic drawing style when tackling bears, and this depiction of an over-excited cub and his weary parent is no exception. Produced this year in a padded board book for the smallest child with an enticing glittery cover – even if it goes in the toddler’s mouth, it shouldn’t get too damaged!

It depicts the bears’ preparation for Christmas Day – wrapping presents and finding a tree, although the cub has a little more enthusiasm than the parent. The illustrations caused this book to end up in my list of Christmas picks – the cub’s playfulness is irresistible, while the parent bear goes through all the emotions that parents do in the run up to make a perfect Christmas – from growling to sighing to mumbling to huffing and moaning. But in the end, Christmas arrives, and it looks fairly perfect to me. You can purchase it here.

socks for santa

Socks for Santa by Adam and Charlotte Guillain and Lee Wildish
There’s always room on my bookshelves for another ‘George’ picture book. After the success of Spaghetti with the Yeti, Marshmallows for Martians and the other titles in the series, I was excited to hear there would be Socks for Santa. It didn’t disappoint. In fact, I think it’s one of the best. Generous and thoughtful George decides to take Santa some presents at Christmas in return for him giving them out every year. However, there are of course some hitches along the way – the elves need help with wrapping, Rudolph has a cold, and the reindeers open Santa’s presents. The rhyming text skips happily along telling the story, but the true delight of this title lies in Wildish’s illustrations.

From puffins sliding on ice and pulling a sleigh to the wonderful snowball fight with bears to my favourite of all – the reindeer playing connect four. There is so much detail and glee in all the illustrations, that no child could be unhappy opening this under the tree. Wholeheartedly recommended – and illustrations I want for my illustrators’ wall! Click here to buy.

one snowy rescue

One Snowy Rescue by M Christina Butler and Tina Macnaughton
This is one busy hedgehog. The ninth little hedgehog book won me over with the furry red hat. (Yes, I’m that easy!). Advertised on the front as a touch and feel book, the reader can trace their fingers over the felt red hat on every page. It’s quite alluring.

Little Hedgehog finds it difficult to navigate the snow, and relies on his friends to pull him out of various hitches, including a snow drift and some icy water. Each time his bright red hat signals to his friends that he is in danger, and he is rescued. However, the whole point of his trek through the snow is to rescue someone even smaller than him, which he succeeds in doing in the end. It’s a lovely little tale for small children – about helping each other, in a lovingly drawn winter landscape. You can buy it here from Waterstones.

magical snow garden

The Magical Snow Garden by Tracey Corderoy and Jane Chapman
Most people have a penchant for penguins (in picture books). Not in reality of course, as they smell, but in picture books they tend to be drawn as slightly more fluffy and cutesy. This is definitely the case here. Wellington the Penguin enjoys reading books, but when he spies a garden in one of his picture books he sets out to recreate it. Despite his friends’ lack of enthusiasm he does build a garden out of recycled rubbish (there are no seeds available and things won’t grow in the snow.)

Once all the sweet wrappers have been shaped and twisted, the garden looks fabulous, but then overnight the magical snow garden is blown away by a nasty storm wind. This time his friends help him to recreate the garden, and it is so magical that creatures come from all over the world to see it.

This completely fantastical story is drawn beautifully by Jane Chapman – glitter on the cover of course, but a garden reminiscent of Willy Wonka’s chocolate factory, with fountains and flowers and cuckoos – all made from wrappers. A reference to recycling – or just a clever way to add colour to the snow – either way, it makes for a fine addition to the ‘snow’ picture book flurry. Purchase here from Waterstones.