Tag Archive for Gaiman Neil

Never Judge a Book By Its Cover

Children do judge a book by its cover. The children who come to my library sessions tend to look at the back cover blurb only after they’ve decided they quite like the cover art. For younger children of course the picture on the front is everything – they cannot read the blurb yet. Even for adults, the cover picture dictates whether they buy the book for their children – this is particularly true in a gender divisive way – I don’t see many parents even picking up, let alone buying, this for boys:

cathy cassidy sweet  honey

Or this for girls:

books for boys

Don’t get me wrong – I am not suggesting that there should be ‘separate’ books for boys and girls, I have lots of girls reading football books, especially the Tom Palmer series, although not so many boys reading Rainbow Fairies. Gender aside, how do we make a judgement on whether a book is right for us?

The emotional pull of the front cover is what draws in the reader at the start, and the artwork nowadays is often stunningly beautiful. The pairing of a good illustrator with the right writer can produce an artwork that is completely indicative of what’s inside. This is particularly relevant in modern children’s literature as illustrations become more and more central to a book’s success. One only has to look at sales of Wimpy Kid or Tom Gates to see that heavily illustrated text is today’s big attraction.

Tom GatesSkullduggery pleasant parent agencySophie bookhansel and gretel

I know that Liz Pichon’s Tom Gates is going to be a funny story fully annotated with diagrams and illustrations simply by looking at the busy covers. In the same way I can tell that Skullduggery Pleasant crosses the horror/fantasy lines; The Parent Agency (illustrations by Jim Field) is going to be a comedy; and the Dick King Smith stories (now with rebranded covers by Hannah Shaw) will be gentle, old-fashioned and comforting. Neil Gaiman’s retelling of Hansel and Gretel, even if I was unaware of Neil Gaiman’s style, is clearly going to be chilling. Lorenzo Mattotti’s dark cover illustration reflects those within, which in turn reflect the darkness of Gaiman’s retelling. In fact publishers seem to be taking more time and interest in picking the right illustrator for their covers as bookseller shelf becomes even harder to win.

mr stinkTwits

Some illustrators are used widely and can give the book great appeal – the use of Quentin Blake to illustrate David Walliams’ books gives them a market advantage and immediately allows for comparisons between Walliams and Roald Dahl. On the other hand, it can also be quite confusing for children: Chris Riddell’s Ottoline and Goth Girls titles have similar ‘looks’, but so does Witchworld – which is by a different author – Emma Fischel.

Goth Girl FeteWitchworld

Likewise The Terrible Thing That Happened to Barnaby Brocket looks vastly similar to The Boy Who Swam with Piranhas – both illustrated by Oliver Jeffers, and yet both completely different books by completely different authors, John Boyne and David Almond respectively. Within the industry we may know what’s going on – but does the consumer?

Barnaby BrocketBoy Who Swam With Piranhas

Likewise the choice of Nick Sharratt, illustrator and author of such titles as Shark in the Park, You Choose, and the Daisy picturebooks, to illustrate Jacqueline Wilson books is an interesting one. Whereas the Daisy picture books are aimed at 4-6 year olds, Jacqueline Wilson stories are for 8 years and over – sometimes 10 years and over, because of the issues dealt with in the story, but the covers appeal to the younger end of the age group.

Daisy picture book Nick Sharratt Tracy Beaker

When a publisher rebrands a classic book, there’s a collective interest in what they’ve chosen, as we already know the content and so we’re party to the same thoughts as the publisher. When Bloomsbury rebranded Harry Potter with Jonny Duddle covers (see Harry Potter blogpost), the publishers knew they had to please the people who had already read the book, as well as appeal to the new young readers who hadn’t. Personally I feel they got it right. One Hungarian student decided to design her own Potter covers – they glow in the dark. You can read about it here.

Sometimes the rebranding of the cover is an update, sometimes a publicity stunt. The Penguin Modern Classics edition of Charlie and the Chocolate Factory in August 2014 took many by surprise, but was defended as being aimed at the adult market. Here are some of the Charlie covers through the ages.

Charlie and the Chocolate Factory1charlie4charlie5Charlie cover2 charlie6   charlie3  Charlielatest

But how else can we judge a book? The book cover and blurb aside, Chickenshed publishers and Little Tiger Press often give a page number on the back of a book, almost like a film preview – indicating that you should read that page as it will give you the clearest insight into what the book will contain, or as the most enticing and intriguing part of the story, ensuring you want to read more.

When you’re buying online there’s a tool on many sites to ‘look inside’ the book, or view a couple of sample pages. More often than not it’s the contents page or endpapers, neither of which give much of an idea as to what’s inside. Some publishers and sites are more generous, giving the whole first chapter, although this is impossible with picture books, and rare with non-fiction titles.

On e-readers, samples are usually available to download before buying, but once the book is purchased, I find the most frustrating element of the e-reader is that you never see the cover or title again. Research shows that you’re more likely to forget a book having read it this way –is that because we need a more visual element with which to connect? Personally I find I can remember a book by its cover, even if I don’t always judge the book by it.

 

Libraries: Here Today, Gone Tomorrow?

My local council is proposing to close my public library. I’m not alone – this is happening all over the country. My blog isn’t political though, so I’m not going to explore our campaign, although if you’re interested please go to the links at the end.

According to the National Literacy Trust a child who visits a library is twice as likely to be a fluent reader as one who does not. There is a flush of excitement on the faces of the children who come into my library for library club. They are keen to read, to push open the doorway to their imaginations, to discover mindblowing facts and to share them with me. We learn new words, read incredible stories, laugh at jokes, and gasp at information. This week in the library we discussed the word ‘shone’, we giggled that mice park their boats at the hickory dickory dock, we discovered that you can have a trip to the moon, a pet monster, pirates and a genie’s lamp all in one story (Monstar Marks a Wish by Steve Cole, illustrated by Pete Williamson), and we learned that the study of clocks is called horology.

The author SF Said says that libraries are cathedrals of books, temples of information. My library constantly surprises me. It’s a treasure trove of inspiration and creativity.

My favourite books celebrating libraries are as follows:

Homer the library cat

Homer, the Library Cat by Reeve Lindbergh, illustrated by Anne Wilsdorf
A delightful rhyming book that explores the sense of peace that can be obtained in a public library space. Homer the cat is spooked by a loud bang from the bins and rushes off to find his owner, ‘the quiet lady’. He finds noise everywhere throughout the town, until he reaches a beautiful building, within which he can hear his ‘quiet lady’ and some children. The library in this book clearly has no budget shortage – a large building with marble floors, and a dedicated librarian for storytime. Homer soon discovers the joy of the library – the comfort of the storyteller’s chair, the colourful books, the playful children, the quiet of storytime and snacks:
“The boys and girls loved Homer.
Homer loved them back.
He slept right through the stories
but woke up for the snack.”

Otto the Book Bear

Otto the Book Bear by Katie Cleminson
Otto is a bear, but like Homer the cat, also on the prowl for a place of refuge, acceptance and books. Otto the Bear lives within a storybook, and is happiest when the children are reading his book, but he also comes to life when they’re asleep. Sadly, one day the children move away and Otto is left behind. The story follows his adventures as he struggles to find a safe, welcoming sanctuary. He finally discovers a “place that looked full of light and hope.” Of course, it’s a library, and Otto discovers books, other book creatures like himself, and of course many many readers. Simply told and illustrated, this is a heartwarming story to introduce the youngest audience to a love of books.

library lion

Library Lion by Michelle Knudsen, illustrated by Kevin Hawkes
This exquisite, slightly longer picture book, pitched at an older age group, features a library’s set of rules: no running, quiet at all times etc. One day a lion appears in the library, but he doesn’t break the rules and he appears to want to help the librarian, and so he becomes a regular fixture, helping small children to reach books, providing a back rest during storytime.

library lion inside3library lion inside2

Until, the day when he does break the rules of the library, and not able to overcome his own shame, he leaves. The librarian and the people in the library are distraught – he broke the rules for good reason, and so in the end he is sought, found and welcomed back. The soft images are suffused with light, warmth and pathos – this is a stellar example of library envy – you almost feel you want to jump into the book. There is also a distinct cleverness in this book – for although a picture book – the portrayal of the librarian is so strong, that you really feel you know Miss Merriweather’s character by the end of the book.

the librarian of basra

The Librarian of Basra by Jeanette Winter
Another lady librarian, this is a careful depiction of the true story of Alia Muhammad Baker, a remarkable woman who did all she could to save the wonderful books in her library from destruction as bombs rained around her in Basra, Iraq. In fact she saved 70 per cent of the books in her library, at considerable danger to herself. This is a great story for children aged 6 and over to explore the impact of war, to discover that one should stand up for one’s beliefs, and have courage in the face of danger. Ultimately, it speaks to everyone about the power and importance of books, and preserving culture and history. It tells the story incredibly simply, leaving out lots of details, but the scarcity of words adds to the atmosphere and lends itself to being read by children – the true circumstances of the war would be too cumbersome at this age. Illustrated with bright bold acrylics, it also gives children a sense of a culture from a different part of the world. There is an author’s note at the end to give background information.

photo posted on post-gazette.com

It’s a shame that so many booklovers and librarians nationwide have to now battle with their councils to keep public libraries open. I’ll leave Neil Gaiman to have the last word on libraries:

“If you do not value libraries then you do not value information or culture or wisdom. You are silencing the voices of the past and you are damaging the future.”

2014 Seighart Report on Public Libraries

Save Barnet Libraries information

Save Barnet Libraries petition