Tag Archive for Haddow Swapna

Animals, Hotels and Crazy Antics

Once they reach an age of reading for themselves, it’s quite delightful to see young readers pick up a series – they can devour book after book, knowing what’s coming next, but also developing an affinity with the characters, and feeling secure in the familiarity. I know that some of the most popular series in the library for these newly independent readers are Claude by Alex T Smith, Isadora Moon by Harriet Muncaster and of course, Horrid Henry by Francesca Simon. But if your little ones have READ ALL THE BOOKS IN THE LIBRARY, as one said to me recently, then you might like to try these new books:

nothing to see here hotelThe Nothing To See Here Hotel by Steven Butler and Steven Lenton
One of the wackiest, zaniest and most inventive books of the new year is this fun, silly, and outrageously colourful adventure from the author of Dennis the Menace books. The Nothing To See Here Hotel sits on the Brighton sea front, but it is enchanted and therefore invisible to the human eye (except for when a seagull flies into one of the invisible towers). Our narrator, busting with the same enthusiasm and energy of the author, is Frankie, one thirty-sixth troll, who lives in a world of magical creatures, and is descended from a long line of trolls, harpies, witches and puddle-nymphs.

Told in a chatty, conversational style, this is an exuberant romp through a day in the life of the hotel, which is owned by Frankie’s parents. A goblin messenger arrives in quite a whirlwind, announcing the imminent arrival of the goblin prince. The hotel is excited, until they see the prince’s mammoth entourage (which reminded me of the entourage song in Disney’s Aladdin), and the stuck-up prince himself, who is hiding a little secret.

The book moves fast – the characters are constantly in action, and Butler piles on the craziness, scene after scene. There is much unexpected plot, as it veers off in different directions, endlessly daft, weird and fun.

Like Phil Earle with his Storey Street series, and Tom Fletcher in The Creakers, Butler weaves himself into the novel by playing with the role of author – exploring elements of story and congratulating the reader on reaching certain points. This is never patronising, but an extension of the fun and games Butler is clearly having with the text. He also invents new vocabulary, along the likes of Dahl, weaving in words such as ranciderous and squivelling. Each addition is exciting, fun and fits the story well.

Hotels are also great fodder for literature – endless rooms, misfit characters, people away from home, and Butler makes full use of his imaginative Brighton resort. The final copy will be highly illustrated by Steven Lenton, but I received a very early review copy without illustrations. You can buy it here.

bee boy
Bee Boy: Clash of the Killer Queens by Tony De Saulles
Another cracking start to a series is this cartoon-based book about a new kind of superhero, a bee-boy. Melvin, by way of a touch of magical surrealism, falls into a bee’s hive that he’s tending, and is nominated protectorate from all anti-bee things by the bees.

It may sound a little strange, but works brilliantly, as De Saulles, illustrator of the Horrible Science series, meshes together ideas of bullying and survival, in Melvin’s experience of school, and the bees’ experience of human and natural dangers.

The parallel might seem extreme, but as Melvin battles with the horrific Norman Crudwell at school, so his bees battle against a myriad of menaces, from killer wasps to hawkmoths. Of course, De Saulles pulls in much ‘bee education’ in this fiction tale, but he manages to keep providing great sting and wit at the same time.

The reader will feel for Melvin as he overcomes his obstacles, but pathos is particularly evoked in the illustrations – Melvin has oversize glasses and sticking-out-teeth but manages to be presented as fairly adorable too. In fact, with the popularity of awkward cartoon-like heroes such as Tom Gates and Wimpy Kid, Bee Boy enters the fray as another contender for most gawky, and will win fans and readers. The book is simply full of illustrations, which gives a fabulous clue to each and every character. Most importantly, check out those endpapers. De Saulles has gone to town with his miniature depictions of Melvin’s classmates – imbuing each with an identity and personality. Lashings of fun, and a wonderful little crush on school friend Priti make this a buzzing read. You can buy it here.

night zoo keeper
Night Zoo Keeper: The Giraffes of Whispering Wood by Joshua Davidson, Giles Clare and Buzz Burman
Will is taking part in a school project to paint a mural at the local zoo, but gets admonished for his creative use of colour. When he returns at night, he opens a portal into the land of the Night Zoo, where animals talk, and danger lurks.

He makes friends with a giraffe called Sam, who explains that not only is Will the Night Zookeeper, but that he must keep the animals safe from the Voids – scarily destructive robotic spiders.

This is a short, fantasy adventure story, with stunning black and white illustrations throughout, but it is also a jumping off point for children and teachers to explore an accompanying website, called NightZooKeeper.com with the idea to stimulate creative writing.

A mix of animals, action, robots and a helping hand from a girl called Riya, the book ends on a cliff-hanger leading into the next story, publishing in August. It’s not ground-breaking storytelling, but my little testers liked it well enough. You can buy it here.

dave pigeon
Lastly, and by no means least, is what happens when a series for newly independent readers takes off (no pun intended). Dave Pigeon (Racer!) by Swapna Haddow, illustrated by Sheena Dempsey is the third title in the successful series about a couple of pigeons who talk their way through their adventures and demonstrate oodles of personality and pigeon wit. In this particular episode, Dave Pigeon is recovering at the vets, having had a prosthetic wing fixed, when he’s challenged to a race by a pirate bird. Playing on the idea of racing pigeons, and with allusions and jokes galore for adults as well as children, this is a sniggertastic read. With language puns, sparkling wit in both text and illustration, your newly independent reader couldn’t ask for more. Unless they want a fourth Dave Pigeon book? You can buy it here.

 

So Good They Did It Again

Don’t we just love a good series? Box sets are all the rage. And children are no different. They love a series that gives an extra helping of the characters and adventures they liked the first time round. It makes a new book choice easier, perpetuates that reading experience, and develops character even further. Last year I highlighted four great new books, and this year each has a sequel out. And they’re just as good, if not better than the first.

Rabbit and Bear: The Pest in the Nest by Julian Gough and Jim Field

The first Rabbit and Bear book was an inspired mix of great bedtime story with subtle educational facts, dominated by wit and humour. This second in the series is no different.

Bear has woken from winter hibernation, and Rabbit is spring cleaning his burrow. But then various elements in the woods disturb Rabbit’s peace, and it is up to Bear to use his wisdom to educate Rabbit about not getting quite so het up about things, and seeing the disturbances from a different point of view. I could learn a thing or two!

Vastly reminiscent of the character of Rabbit in Winnie the Pooh for this Rabbit’s general grumpiness, but also reminiscent of the Pooh books more generally, in the ability of the characters to demonstrate the finer qualities of friendship – loyalty, kindness and gently educating each other, this is a warm story for newly developing readers.

The writing excels here. Gough has a way with words – which he transposes to Bear, of pointing things out in the most straightforward way possible. Rabbit has issues with things that are both too noisy and too quiet – Bear explains that the only thing in common with these irritations is Rabbit himself.

In this clever way, Gough gently points the reader towards learning about tolerance, and seeing things from a different perspective, but all the time through the gentle humour of Bear and the funny grumpiness of Rabbit, and with a plot that develops at pace.

There are other elements introduced, such as the usefulness of practising something, overcoming fear, and finding happiness.

The illustrations help to exemplify both the gentle message and the humour – different perspectives of the forest and the animals, but also the characters’ brilliantly expressive faces. There’s so much packed into this small book – and wonderfully the publishers have produced it to a high quality – with thick pages and hardback cover, knowing that children will want to revisit it many times. Ages 6+. You can buy it here.

King Flashypants and the Creature from Crong by Andy Riley

This series about a nine-year-old king and his hilarious adventures is suitable for the whole family and has strands that are reminiscent of The Simpsons (mimicking the stupidity of Homer and the mischievousness of Bart), but also the all-out craziness of rulers, and I’d expect nothing less from one of the writers of Veep.

When a huge monster called the Gizimoth stalks a nearby land, King Edwin (Flashypants) decides that in order to prove his kingliness he must go and fight it, but evil Emperor Nurbison has plans of his own, and they include squishing King Flashypants and his kingdom.

The book is packed with illustrations, which always convey wit, and either gently nudge on the story or give an extra emotional depth to the characters. The characters remain consistent from book one, with Nurbison’s evil laugh, Edwin’s penchant for sweet foods, and Jill’s sensibleness, but each develops further with this second book.

There’s the usual amount of silliness – things being too small, or oversized, words being overused, vomit and poo etc., but there’s also a clever wit behind it all, and twists on modern everyday references that children will recognise – such as portions of fruit and vegetables, and talking about what they’ve learned after the adventure (circle time).

In fact, the book is incredibly cartoon-like – from characters falling off cliffs, to breaking their weapons, to my absolute favourite – the illustration of the evil Emperor’s sidekick Globulus on his knees, wailing “Emperooor” as his beloved Nurbison is….(no spoilers here!)

Riley is clever – there is a joke on almost every page, either tucked into plot or character, or poking the reader right between the eyes. It’s almost as if the humour is infectious – you can tell the author must have had a huge amount of fun writing it.

All in all, a preposterous story, but utterly brilliant. Packed with great character, subtle heart, charm, and nods to the history of storytelling and modern culture. King Flashypants and the Dolls of Doom is due in the autumn. Ages 6+. You can buy King Flashypants and the Creature from Crong here.

Dave Pigeon (Nuggets!) by Swapna Haddow, illustrated by Sheena Dempsey

Whereas in the first Dave Pigeon book humans were friends – keepers of jam biscuits and distributors of bread, in Dave Pigeon (Nuggets!) the new human is most definitely the enemy.

With their normal human and her Mean Cat away on holiday, Dave Pigeon and his friend Skipper need to find another source of food. When they stumble upon Reginald Grimster beckoning them with crumbs, they think they’ve found another patron, but would a man with mini-umbrellas on his shoulders, who keeps other pigeons in cages, really be friendly towards birds, or is he looking to make some nuggets?

This is another fabulously funny tale about Dave, our pigeon with a complete lack of self-awareness, or in fact general awareness, other than for food. Luckily he has a great friend in Skipper, who is a tad more worldly, and manages to keep them both from fatal danger.

The laughs in this story come from either Dave’s lack of self-awareness, or from the fact that all the pigeons featured are so uncompromisingly human in their thoughts and actions, such as putting up one feather in front of their beaks to keep each other quiet.

Also much of the humour comes out of misunderstandings and slapstick – a pigeon called Fienne, pronounced fine, whom none of the others realise is saying his name rather than his state of being, some nervously pooing pigeons, and a pigeon spy agency… Of course the whole premise and plot are so ridiculous that this is what makes it funny, particularly when the enemy this time is a man with a chip on his shoulder about pigeon poo.

As before, the story is punctuated with little speech bubbles from the pigeons arguing with each other about the book they are writing or talking directly to the reader, and these are all funny as well as providing interesting interludes. And because the pigeons are purporting to write the books themselves, there is an added element of self-reference in the writing too.

The illustrations are glorious – particularly as there is a fair cast of pigeons in this book as opposed to the few in the first book, and some particularly enthralling scenes in a supermarket. Never have pigeons seemed quite so appealing. Ages 6+. Buy it here.

Waiting for Callback Take Two by Perdita and Honor Cargill

Picking up more or less where the first book left off, this witty contemporary YA (although suitable for tweens) second book, Waiting for Callback Take Two, tells the tale of Elektra, a young teen wannabe actress. It can be read as a stand-alone though, as book two joins Elektra about to embark on her first film role in a dystopian thriller with some A-list stars. The book follows the trials and tribulations of filming – the delays, the stars, the arguments and the rewrites. At the same time, Elektra is just a normal teen living at home, and the reader sees her juggle her normal life of summer holidays, friendships, studying and boyfriends along with her new career.

As with the last novel, Elektra is a wonderful protagonist. Witty, somewhat self-deprecating, a little prone to peer pressure and manipulation, she is a character with whom to identify. Her supporting cast works well too – a loyal best friend, an ongoing boyfriend (will they/won’t they communicate properly?), an eccentric and loveable grandmother, and of course a home life with an over-wrought mother who struggles to make peace with her daughter’s new found passion for acting. If anything the character of the mother in this second book is slightly overdone compared to the first – less subtly witty and more full-on anxious, but she also becomes more of a minor character here.

The book feels warm and friendly throughout – mainly down to the main character, and has pace and a good evolving plot. There are interspersed gossip columns reporting on showbiz, as well as letters from Elektra’s agent, and the most winning bit for me were the text messages between Elektra and various people, but most particularly her boyfriend. Archie is a phenomenal character – a great teen boy trying to navigate his way in the world, and with women.

It’s a book that hooks the reader right from the beginning, with great dialogue, realistic inner consciousness, and oodles of heart and humour. Age 11+. Take a look here.

 

No Angry Birds Here

It’s walk to school week this week. I’m one of those smug people who walk to school every day, but although the walk is the same, what we see and hear changes from day to day, season to season. There’s traffic of course, but a field to stroll across too, and that’s where we see wildlife. We skip over the slugs, avoid squashing the snails, dart away from dogs, and flap at flies. But we see some beautiful birds, so here are five fiction books – one for each school day this week – about birds!

dave pigeon

Monday: Dave Pigeon by Swapna Haddow, illustrated by Sheena Dempsey

Not unlike The Unbelievable Top Secret Diary of Pig by Emer Stamp, Haddow has written a riotously funny book from the point of view of a pigeon – in fact the strapline betrays the fact that the book is almost a manual for pigeons – ‘How to Deal with Bad Cats and Keep (most of) Your Feathers.’ Dempsey’s hilarious pigeon on the front, wrapped in bandages, declares in a speech bubble that this is the best book you’ll ever read. It is certainly one of the funniest.

Pigeons Dave and Skipper are friends. But their common enemy is Mean Cat, and through the book they relay (in narrative and conversational speech bubbles) their attempt to defeat the cat and oust it from its comfortable home with Human Lady – taking the cat’s place, especially because the Human Lady has the nice biscuits with jam in the middle. The text reads in part through speech bubbles, but even when there is traditional narrative, it’s interspersed by the two pigeons bantering as they attempt to tell the story.

Their plans to outwit Mean Cat grow more and more absurd, but are always extremely funny. The pigeon’s point of view and language is exceptionally rendered with silly humour and observation:

“I lay back on the lawn. The grass dazzled greener, the sky shone bluer and the washing line looked lineier. Life was cat-free and felt birdrilliant!”

With a surprising ending, and equally comical illustrations from Dempsey, this is a title for younger readers to grab and adore. Look in particular for the full page illustrations in which the pigeons wait for rain. For ages 6+. Fly to your copy here.

tufty

Tuesday: Tufty by Michael Foreman
A gentle picture book about losing one’s family but finding a mate in Michael Foreman’s new book. As with many of his illustrations, they feel traditional – rendered first as sketches and then painted.

Tufty is placed firmly in London – he’s a duck that lives in the middle of the lake near the royal palace – in a nice touch the human royalty are drawn as being rather birdlike, and are addressed by the Mother Duck as ‘The Royal Duck and Duckess.’ But the story isn’t really about royalty – it tells the tale of Tufty flying south for winter, but losing his family in the process.

Perhaps an environmental comment lies within, as Tufty flies beautifully over Hyde Park – the Albert Memorial depicted lovingly from a bird’s eye view, but then the small duck gets lost among the cranes and towering buildings of London. The orange cranes and glass buildings are distinctive by their lack of distinction from each other.

Tufty is rescued by a homeless man, and then eventually finds his own duck mate back near the palace. The scenes of nature feel homely and gentle, with a wash of colours across the sky that reflect in the lake. All in all, an uplifting story – young readers will like the homeless man’s hollow in the tree, and the tenderness of finding a home, wherever it may be. Take one home with you here.

swan boy

Wednesday: Swan Boy by Nikki Sheehan

Swans and metamorphosis have long gone together – from narrative roots in Leda and the Swan to Russian folk stories such as The White Duck, and the Grimm’s Six Swans, as well as the ballet Swan Lake, and the contemporary film Black Swan.

Nikki Sheehan infuses her latest book with magic realism. She tells of a boy grieving for his father and suffering the agonies of starting a new school, and yet weaves in subtle fantasy and magic by gradually layering swan attributes and feathers on his body at the same time as an inspirational teacher at school persuades him to dance in her production of Swan Lake.

The story works because the contemporary London setting, the character of Johnny and his mother and brother, as well as his peers around him, feel so real that long before the swan metamorphosis becomes an issue, the reader is sucked into the story. The writing is so solid and the characters so rounded that its even believable that bully Liam and his cronies, and Johnny become fully immersed in a Matthew Bourne type production of a ballet to be performed in front of the school.

If anything, Sheehan could have pushed the ‘darkness’ of Johnny’s discovery of feathers on his body a little further – but the novel wins hands down in its portrayal of his character – his rising to the responsibility of caring for his little brother Mojo (who himself is fully realised with his penchant for drawing and his own reaction to his father’s death), and also in Johnny’s realisation that friendship takes work and sacrifice. The slight shift to Liam’s point of view didn’t garner my sympathy, but the story as a whole was compelling and page-turning.

This is a good poignant study of the effects of bereavement on a family (for this audience) and a solid plot that moves quickly and effortlessly. Thoroughly enjoyable. For 10+ years. Buy a copy here.

seagull and cat

Thursday: The Story of the Seagull and the Cat who taught her to Fly by Luis Sepulveda, illustrated by Satoshi Kitamura

Books in translation can be hard to get into – the rhythms and what’s suitable for children can vary country to country – but this quirky story of a seagull (and mainly a cat) is worth persevering with. A gull, stricken in an environmental oil spill, gives birth to an egg, and leaves a dying wish that the cat, Zorba (who is the last animal she sees) nurture her baby and teach it to fly.

As with all good literature, it’s the characters that forge through and make the book. And this cat, together with his gang, is no exception. Completely anthropomorphised, he shoulders the responsibility with pride and a little anxiety, using his friends the Colonel, the Secretario and Einstein – the last of which rapidly searches for answers to everything in an encyclopedia. The cats themselves are fairly eccentric, and owned by even more eccentric humans, and the book is flooded with humour because of this.

The second part is most endearing as the gull hatches and the impetus is on the cats to teach it to fly – they try to study da Vinci’s flying machine for clues. It’s for a mature reader – one who can handle the vocabulary, but underneath that is a beautiful tale of friendship, perseverance and identity, as well as age-old themes of life and death.

Kitamura’s illustrations bring the story to life, adding humour, expression and unique characteristics to each personality – and should be savoured. A classic from Chile. For age 8+ years. Buy it here.

dawn chorus

Friday: The Dawn Chorus by Suzanne Barton

From the complex to the unassuming – this picture book is beautiful by way of its simplicity. Peep hears a beautiful song upon waking and wishes to know what it is. On discovering it’s the Dawn Chorus, he is invited to join in if he can audition. Unfortunately for him, he’s just not an early bird kind of a bird, and fails to turn up on time, then fails to stay awake during the audition the following morning.

Of course it’s not his fault, it turns out he’s a nightingale – and dawn is the wrong time of day for him to sing.

Suzanne Barton has managed to express the beauty of bird song through her renderings of colour in this picture book – from the leaves on the front cover to the luscious harmony of reds, oranges and yellows of the gathered birds of the dawn chorus. Each bird is drawn to be plump with patterned wings and tails – almost collage-like in their depiction. It gives them a cuteness, and yet doesn’t completely sentimentalise them.

Young children will delight in the hanging musical notes in the air, the bird conductor with baton in hand, and the delightfully tender ending. It’s uplifting, a lovely introduction to birds and nocturnal animals, and about persevering for what you want and who you are. Take home your own dawn chorus here.