Tag Archive for Krisp Caleb

Ivy Pocket Character Development: A Very Lofty Opinion of Herself

ABIPCOVER

I’m delighted to host a guest post from John Kelly, the illustrator for Anyone But Ivy Pocket on my blog today:

Ivy in cake

I love designing characters.
My favourite thing about being an illustrator and writer of children’s books is the bit at the beginning of a project where you get to decide what a character looks like. To be honest, I’d be happy just doing that, and not bothering with any of that messy story business. So, back in November last year when I got an email from Bloomsbury asking me if I wanted to illustrate, Anyone but Ivy Pocket I didn’t even wait to find out if I had time in the schedule to do it. I just read:
“Ivy Pocket is a 12-year-old maid of no importance with a very lofty opinion of herself.”
‘Perfect’, I thought. I know exactly what she looks like. So I drew a quick sketch and sent it to the designer.
It was Ivy standing by the broken pieces of a priceless vase, with a dopey expression that said, “I’m afraid it was an escaped panther, M’Lady.”
IVY rough 1

And that, with a few tweaks of expression, was pretty much how long it took to design Ivy.
IVY rough 2

That’s not normal. Usually there’s loads of versions and roughs. Lots of furious scribbling, curses, and rubbing out before the character starts to slowly appear. So, just for form’s sake, I did a few more doodles of Ivy, and a simple character pose. But she pretty much stayed the same. And the character pose I did even ended up as the cover of the book. I credit the writer, Caleb Krisp, with writing such perfectly described characters. And he was brilliant at offering feedback when I got it wrong. For example, my first attempt at the beastly Matilda Butterfield wasn’t right at all. Her description read:
12 years old. Very pretty. Dark hair, hazel eyes, red lips and an olive complexion. Looks like a doll. Lovely, but somehow unreal.
For some reason I gave her bubbly blonde curls and an expression of worried angst. Caleb put me straight and pointed out that she was supposed to be a selfish, malevolent, spoilt brat. I gave her long dark hair and a vicious little expression.

Matilda wrong
The hardest character to pin down was the enigmatic (and villainous) Miss Always.
Prim-looking young woman (aged 25-30) with mousey brown hair. Wears a brown dress and matching gloves. She has unremarkable brown hair pulled back from her face. Round spectacles. Excellent teeth.
She’s supposed to look harmless, uninteresting, and unthreatening. It’s really hard to draw ‘unremarkable’ and make it interesting. Anyway, it took me a while to get there. At first she was too silly, then too scary, then a teensy bit prim, then too friendly, then stern, then sappy.

Ms Always (1)

Good grief! Eventually I somehow combined them all and got it right.

Ms. Alwats final

So, I do love designing characters, but give me a massive evil beard, a villainous octopus juggling a cutlasses, or a giant alien robot every time. Much, much easier.

With thanks to John Kelly. The illustrations, as you can see, do enhance Caleb Krisp’s characterisations and further bring the story to life. You can read my review of Anyone But Ivy Pocket here, and purchase it here

The Unreliable Narrator

Some of my favourite literature has unreliable narrators, The Great Gatsby, Heart of Darkness, Catcher in the Rye, The Adventures of Huckleberry Finn – the latter of which clearly reaches into the children’s literature genre. For children, it can be fun to spot an unreliable narrator and makes for great discussion.

Some narrators are unreliable simply by being young – the story is told from their first person perspective and they are too immature to appreciate everything that’s happening around them. In many ways the reader can see through this and may appreciate that they themselves have a greater understanding of the narrative than the person telling them the story. Diary form novels fit easily into this genre – Wimpy Kid, Emily Sparkes, Dork Diaries. We can see the author’s intent where the first person narrator of the story is playing catch up with the reader.

Then there are more subtle unreliable narrators, perhaps those who are lying to us, to themselves, deliberately or not. I wanted to review two books with unreliable narrators, both of which are for the middle grade readership (9+yrs.) but the two books couldn’t be more different. These are both highly recommended by me.

ivy pocket

Anyone But Ivy Pocket by Caleb Krisp, illustrations by John Kelly
Twelve year old Ivy Pocket is a maid, sacked by her employer at the beginning of the novel, and left destitute in Paris. She is summoned to the bedside of the Duchess of Trinity and asked to deliver a very precious jewel, the Clock Diamond, to Matilda Butterfield in England on the occasion of her birthday for the reward of £500. Ivy agrees, and starts her adventure of gothic charm, ghosts, catastrophe and murder.
The brilliance of the novel though, is not so much the somewhat violent action scenes, twists and turns, and great characterisation, as the way in which the story is told. Ivy Pocket is swamped with the most extravagant case of delusional self-belief, believing herself to be above her station, and brilliant at everything. She is hilariously quirky; ebullient, tongue-in-cheek, absurd and captivating.
She reminded me at times of that long-ago American heroine Amelia Badelia, who does everything she is told completely literally from making sponge cakes with sponges to stamping on letters, but with the best intentions. Ivy too believes she is constantly in the right, and all those around her are ridiculously wrong. She insults, misconstrues and acts dumb in turns, but in the most winning and humorous way, that you love her despite everyone else in the book finding her deeply irritating. The language is deeply satisfying – Kaleb Crisp employs delightfully tongue-in-cheek vocabulary throughout from ‘carbunkle’ and ‘stupendously’ to ‘claptrap’ and ‘bunkum’. Her insults are luscious:
“Lady Elizabeth, there is no great crime in being a dried-up bag of wrinkles. In fact, I’m not even sure it would be kinder to drag you outside and shoot you.”
and
“A great big slug of a woman – part goddess, part hippopotamus…her enormous body spread out on every side like an avalanche”
I wanted to read aloud parts to everyone I met whilst I was mid-read. Ivy Pocket also has stock phrases that she repeats throughout the book, giving her great characterisation, added to the fact that almost everyone else in the book is highly satirical, and you have one of the most fun books I have read in a long time. I’m imagining that a child will have to be quite sophisticated in order to appreciate all the nuances within, but once hooked, they’ll devour this and every sequel that follows. It’s reminiscent of Lemony Snicket’s books, and yet highly distinctive.
You can buy a copy here, the book is published on 9th April 2015

Liar and Spy

Liar and Spy by Rebecca Stead
Where Ivy Pocket is playful and verbose, Liar and Spy is realistic, modern and minimalist. Set in New York, the story is mainly told through dialogue. Liar and Spy is narrated by Georges, a young boy whose family is suffering from financial difficulties. Georges tells us about himself, the difficult time he is having in school, and the family he befriends when his family downsizes into a new apartment block. Georges’ Dad pushes him into joining a ‘spy club’ that they stumble upon in the building, and before long Georges is playing at being a spy on his neighbours in the building.
The humour within this novel is observational. Rebecca Stead has managed to capture the dialogue, worries, and thoughts of young boys particularly well, and it soon becomes apparent to the reader that everything is not as it seems. The cleverness lies in working out, from the small clues that Stead drops throughout the narrative, whom is lying to whom and whether our narrator can be trusted. In the end, it’s for the reader to understand that if our narrator is living under a delusion, then by default, so are we, the readers. It’s a small, clever book that betrays some youngsters’ fears and anxieties in a subtle, non-threatening and understanding way.
Liar and Spy also brings into play how other people live – not just a view of American life for those of us reading it in the UK, but also how different families operate in different ways. It also opens our eyes to some deeper thoughts – what matters in life – how our small actions every day build up to create a bigger picture. It’s a great book, a terrific story, but also makes for interesting talking points as children grow towards the teenage years. Buy your copy here.