Tag Archive for Milner Kate

Klaus Flugge Prize Shortlist: Kate Milner summarizes

klaus fluggeLast night the shortlist for the 2019 Klaus Flugge Prize was announced at Foyles, Charing Cross Road.

The Klaus Flugge Prize is awarded to the most promising and exciting newcomer to children’s picture book illustration, and the winner will be announced on 11 September.

This year the shortlist is all-female, and the books are particularly interesting for their mix of traditional themes of family and imagination with very modern commentary on the right to self-expression, and the structure of contemporary society.

More and more picturebooks are taking a stance with social and environmental messages. Here, last year’s winner, Kate Milner (My Name is Not Refugee) introduces the six shortlisted titles:

shortlist klaus flugge

The Extraordinary Gardener by Sam Boughton

Joe, the hero of this charming story, starts with a pip from an apple core and ends by greening the whole city; a message that feels very timely. The final fold-out spread is a riot of colour and life. There is so much to discover here, this is a city that anybody would love to live in. Sam Boughton has an extraordinary facility for turning apparently casual mark-making into glorious cityscapes as well as believable domestic interiors.

Looking after William by Eve Coy

This delightful book is a real evocation of the warmth and humour of family life. The little girl at the heart of the story has decided to look after her father for the day, and Eve Coy has caught the tone of a child mimicking the adults around her perfectly. The charming illustrations are full of empathy, generosity and wit. They really bring William, his little daughter, his cat, and their home to life in a way that will beguile parents as well as children.

The King Who Banned the Dark by Emily Haworth-Booth

It seems obvious that the way to make sure no one is ever afraid of the dark again is to keep the lights on all the time; but, of course, the citizens of Emily Haworth-Booth’s town soon start to miss the dark. There is so much invention and humour in this little yellow and black and white kingdom, from the rather troubling light inspectors to the light bulb hats worn by all the dogs. This book is a rollicking roller-coaster ride with some big themes and good jokes. The vibrant energy of the illustrations exactly match the funny, anarchic text.

I Can Fly by Fifi Kuo

Despite his best efforts, the young penguin at the centre of this story can’t fly but, with a little help from his father, he can swim. Fifi Kuo has beautifully captured this busy and determined little bird and the amazing landscape in which he lives. It truly feels freezing cold. The image of this little penguin lost in the vast, freezing ocean is chilling, and rather heart stopping. It is a relief when Dad comes to the rescue.

Julian is A Mermaid by Jessica Love

The little boy at the centre of this warm and delightful story is really a mermaid. Jessica Love has represented this little boy in the real world of trains and city streets, and the more colourful world of his day dreams, with such delicacy and tenderness. He springs to life on every page, and so do the vibrant characters around him. With the help of his wise and wonderfully drawn old Grandma, he does find his place among the mermaids.

Red And the City by Marie Voigt

The city that Marie Voigt has created for her Red Riding Hood to get lost in is, at the same time, wonderfully sinister and totally familiar.  This is a world of cash machines and advertisements and fast food; and, always lurking in the shadows, watching her, is the wolf. The reader is very glad that Red Riding Hood has her loyal and sensible little dog to keep her out of real trouble. Both are delightfully evoked. The imagery is simple but so eloquent about the thoughts and feelings of this intrepid pair.

Winner of the 2018 Klaus Flugge Prize

klaus fluggeThe winner of the 2018 Klaus Flugge Prize for the most promising and exciting newcomer to children’s book illustration was announced last night, Wednesday 12 September. I’m delighted to tell you that the prize went to Kate Milner for My Name is not Refugee (Barrington Stoke), and I was lucky enough to ask her about her win.

Kate studied illustration at St Martin’s College as a young woman – and illustrated magazines on Commercial and Housing Law for a while, but spent most of her career as a librarian. Cuts to the library service resulted in her losing her job, and that prompted her to do an MA in children’s book illustration at Anglia Ruskin University. She created the story that was to become My Name is Not Refugee as part of her degree show, and with it won Student Illustrator of the Year in the V&A Illustration Awards.

And now the prestigious Klaus Flugge. How do you feel?

I am absolutely delighted and quite astonished. I really did not think I had a chance.

my name is not refugeeThe award-winning book is called My Name is Not Refugee. In modern history there have always been refugees. Why do you think your book has been so popular/ caused such a reaction now?

I wrote the book to explain to children what a refugee is. I wanted to get a tool into the hands of teachers, parents and librarians to help them define the term for children and give some small hint of what the experience might be like. The issue has become much more contentious recently because many on the right like to depict refugees as invaders or spongers, not people in real need. I wanted to provide something to be used by people with a more balanced view.

You said you felt quite angry when you were drawing the illustrations for the book, in particular the one with the caption ‘We’ll sleep in some strange places’, but that the anger hasn’t filtered through in the final book – it’s stripped back. Which emotion would you like children to feel when reading the book?

I would like children to feel sympathy for the plight of refugees and curiosity about why they are in such a difficult situation. It was important to me not to make this an angry book, children don’t need adult’s anger; they need clarity.

Did it take a long time to write and illustrate the book? And did the stripped back illustrations and limited palette come naturally as you were planning?

I certainly wrote and illustrated the first draft ridiculously quickly with, lets be honest, not very much planning at all. I thought of the idea about twelve days before the final critique for my MA at Cambridge. It was obviously supremely stupid to embark on a new project so close to the end of the course; I tried to stop myself but I failed. The stripped back quality comes, partly, from trying to make a book that applies to all sorts of refugee situations so trying to avoid specific details like domestic interiors. At that stage it didn’t really have a palette, that evolved later in discussion with the publishers.

Do you feel that your book has a happy ending or is it ambiguous?

It is happier than the reality of most refugees lives would suggest. I wanted children to be able to read it as happy, and the boy at the centre of the book is a cheerful, outgoing character so I think he would flourish. I’m not sure his mother would find it so easy.

Is there a need for more political books for young children?

I don’t think children care much about party politics, and who can blame them, but they are curious about an increasingly complicated and inter-connected world. Picture books are a very flexible and relatively cheap way of introducing all sorts of new ideas, emotions and information. Nice, decent adults tend to feel that children should be shielded from politics, and I can see their point but, if we’re not careful the only voices they hear on these subjects are ignorant and shouty.

kate milnerYou started life as an illustrator but then became a children’s librarian. Do you think you have a special insight into what children want from a picture book by being blessed with these two different but rewarding careers?

Working in a library certainly made a huge difference to me. Being surrounded by children’s books all day was really inspiring. My job involved reading out loud to groups of children and reading a book out loud is such a good way of discovering if it works or not. Too much detail about the thoughts and feelings of farmyard animals bored me as well as the children I was reading to.  Knowing something about children has been a huge advantage in one respect, I know that they are curious about many more things than they are sometimes given credit for.

Can you tell MinervaReads readers a little bit about your next project/book?

I am working on a very different kind of book for Pushkin Press, a novel for middle grade children with illustrations. It’s called Duncan and the Googleys and it’s a serious book with jokes about the way modern media works for children and against them. I am also looking forward to doing more projects in the vein of My Name is Not Refugee and I’m working on an idea at the moment.

What is your favourite picture book?

My current passion is for The Railway Passage by Charles Keeping published in 1974. It is a  strange tale about a group of old people winning money on the football pools and the perils of wealth. I love it because it conjures a whole world of people and places, and because the drawing is superb.

What advice would you give budding illustrators or authors?

The very worst plan is to produce work that you think will be commercial. It won’t be, it will just be derivative and stale. Make work that matters to you, make it as fun and lively and real and magical as you possibly can.

Congratulations again on your win, and thank you for answering my questions. You can buy Kate Milner’s My Name is Not Refugee here.