Tag Archive for Stead Rebecca

Goodbye Stranger by Rebecca Stead

goodbye stranger

Every so often a writer comes along who weaves magic with every book. Rebecca Stead’s books are insightful and compelling, her words flow off the page like cake batter into the tin. Her books are always unputdownable; and always ask questions.

So, it comes as no surprise to find that her latest follows suit. Set in New York, Goodbye Stranger tells three interlocking narratives: Bridge, a girl stepping into seventh grade (Year 7), and navigating her friendships, and pondering the question of life after miraculously living through a terrible car accident when she was eight years old; Sherm, who is coming to terms with the breakup of his grandparents’ long marriage and puzzling the meaning of love; and a third mystery strand told in the rare second-person narrative: “You paint your toenails. You don’t steal nail polish, though”. The three strands build together until all is revealed at the end of the book.

Topically dealing with internet safety, body image and of course the ever-present problems of friendship and peer pressure at this pivotal point of adolescence, Stead handles her young teens with emotional depth, wonderful empathy and adroitness. These are children with whom the reader immediately identifies, and wishes well. The reader waits on tenterhooks to see if everything will turn out alright. The dialogue sits well, and as always, New York springs to life under Stead’s pen.

All in all, this is the quintessential story for this age group – it discusses and makes you ponder what it means to be yourself – it pulls out arguments about identity. How much do we fit in with our peers or strike out on our own? How much of ourselves do we show to our parents or our friends? These are key questions of identity for this age group, and the book handles them responsibly without once becoming patronising.

As mentioned before the prose is idyllic – “Bridge woke to the sound of the cello. Her {mom’s} music reminded Bridge of picking wildflowers – she started with something thin and simple and then kept adding new sounds, all different shapes and colors, until she had something explosive. But in the mornings her mom tried to explode very quietly, so that the people downstairs didn’t get annoyed.”

Stead’s book is a pleasure to read from start to finish. I only wish I hadn’t read it so quickly! You can order your copy here.
For the 11+ years crowd.

Please note the book does contain a narrative about sending selfies of various poses by mobile phone.

Andersen Press very kindly sent me a copy of this book to review.

The Unreliable Narrator

Some of my favourite literature has unreliable narrators, The Great Gatsby, Heart of Darkness, Catcher in the Rye, The Adventures of Huckleberry Finn – the latter of which clearly reaches into the children’s literature genre. For children, it can be fun to spot an unreliable narrator and makes for great discussion.

Some narrators are unreliable simply by being young – the story is told from their first person perspective and they are too immature to appreciate everything that’s happening around them. In many ways the reader can see through this and may appreciate that they themselves have a greater understanding of the narrative than the person telling them the story. Diary form novels fit easily into this genre – Wimpy Kid, Emily Sparkes, Dork Diaries. We can see the author’s intent where the first person narrator of the story is playing catch up with the reader.

Then there are more subtle unreliable narrators, perhaps those who are lying to us, to themselves, deliberately or not. I wanted to review two books with unreliable narrators, both of which are for the middle grade readership (9+yrs.) but the two books couldn’t be more different. These are both highly recommended by me.

ivy pocket

Anyone But Ivy Pocket by Caleb Krisp, illustrations by John Kelly
Twelve year old Ivy Pocket is a maid, sacked by her employer at the beginning of the novel, and left destitute in Paris. She is summoned to the bedside of the Duchess of Trinity and asked to deliver a very precious jewel, the Clock Diamond, to Matilda Butterfield in England on the occasion of her birthday for the reward of £500. Ivy agrees, and starts her adventure of gothic charm, ghosts, catastrophe and murder.
The brilliance of the novel though, is not so much the somewhat violent action scenes, twists and turns, and great characterisation, as the way in which the story is told. Ivy Pocket is swamped with the most extravagant case of delusional self-belief, believing herself to be above her station, and brilliant at everything. She is hilariously quirky; ebullient, tongue-in-cheek, absurd and captivating.
She reminded me at times of that long-ago American heroine Amelia Badelia, who does everything she is told completely literally from making sponge cakes with sponges to stamping on letters, but with the best intentions. Ivy too believes she is constantly in the right, and all those around her are ridiculously wrong. She insults, misconstrues and acts dumb in turns, but in the most winning and humorous way, that you love her despite everyone else in the book finding her deeply irritating. The language is deeply satisfying – Kaleb Crisp employs delightfully tongue-in-cheek vocabulary throughout from ‘carbunkle’ and ‘stupendously’ to ‘claptrap’ and ‘bunkum’. Her insults are luscious:
“Lady Elizabeth, there is no great crime in being a dried-up bag of wrinkles. In fact, I’m not even sure it would be kinder to drag you outside and shoot you.”
and
“A great big slug of a woman – part goddess, part hippopotamus…her enormous body spread out on every side like an avalanche”
I wanted to read aloud parts to everyone I met whilst I was mid-read. Ivy Pocket also has stock phrases that she repeats throughout the book, giving her great characterisation, added to the fact that almost everyone else in the book is highly satirical, and you have one of the most fun books I have read in a long time. I’m imagining that a child will have to be quite sophisticated in order to appreciate all the nuances within, but once hooked, they’ll devour this and every sequel that follows. It’s reminiscent of Lemony Snicket’s books, and yet highly distinctive.
You can buy a copy here, the book is published on 9th April 2015

Liar and Spy

Liar and Spy by Rebecca Stead
Where Ivy Pocket is playful and verbose, Liar and Spy is realistic, modern and minimalist. Set in New York, the story is mainly told through dialogue. Liar and Spy is narrated by Georges, a young boy whose family is suffering from financial difficulties. Georges tells us about himself, the difficult time he is having in school, and the family he befriends when his family downsizes into a new apartment block. Georges’ Dad pushes him into joining a ‘spy club’ that they stumble upon in the building, and before long Georges is playing at being a spy on his neighbours in the building.
The humour within this novel is observational. Rebecca Stead has managed to capture the dialogue, worries, and thoughts of young boys particularly well, and it soon becomes apparent to the reader that everything is not as it seems. The cleverness lies in working out, from the small clues that Stead drops throughout the narrative, whom is lying to whom and whether our narrator can be trusted. In the end, it’s for the reader to understand that if our narrator is living under a delusion, then by default, so are we, the readers. It’s a small, clever book that betrays some youngsters’ fears and anxieties in a subtle, non-threatening and understanding way.
Liar and Spy also brings into play how other people live – not just a view of American life for those of us reading it in the UK, but also how different families operate in different ways. It also opens our eyes to some deeper thoughts – what matters in life – how our small actions every day build up to create a bigger picture. It’s a great book, a terrific story, but also makes for interesting talking points as children grow towards the teenage years. Buy your copy here.