Tag Archive for Wood Laura

Vote for Effie by Laura Wood

vote for effieWhen I was at school I was voted most likely to be prime minister when I grew up. Looking at the haggard face of Mrs May I’m very glad I’m not, but I have pursued my own little political activism agenda. When the council demolished my local playground for fears it was unsafe, I lobbied them to build another. They told me if I wanted one, I needed to do it, so I secured a lottery grant and did so. When I wanted my local primary school to build a library, they said if I wanted one, I should do it, so I did.

And I was ready to paint black and white lines on the road outside the school, until the council said that installing a zebra crossing was actually something they’d do themselves. I’ve even tried lobbying my son to play less Fifa and do more homework, but it turns out he’s more stubborn than the council, and that’s saying something.

Anyway, to local acts of political activism in fiction and Vote for Effie by Laura Wood is a welcome addition to the canon. Effie joins a new school and instead of quietly observing how she could fit in, sees an injustice on day one, jumps straight in and fights to become Student Council President.

Effie is an exuberant, outgoing and forthright character, who speaks from the heart and wins the reader’s vote straight away, although it takes a bit longer for her to convince her peer cohort.

Wood’s breezy prose – the story is told in a wonderful first person narrative that is purposefully and woefully unself-aware – lends passion and conviction to Effie, who wants to change perceived ideas of sports and gender, bring awareness to student body about the benefits of recycling and libraries, and shake up the status quo.

There are wonderful moments of comedy throughout the novel, (pasting her face onto the body of Emmeline Pankhurst on a campaign poster, for example) but serious undertones too, not only in the issues that Effie addresses within her school, but also the gentle sidebars to her story – the loneliness of the elderly as exemplified by her interested next-door neighbour, the benefits of immigrants to society.

The text veers off prose too – interspersing the story with newspaper articles, notes, and minutes from the school council meetings to further the plot and beautifully twist points of view. Wood has a deft touch in children’s comic writing – she understands fully that the most important element of school life is not academics, or team sports or even gender equality, but FOOD.

In all seriousness, this is a great novel showcasing women’s leadership, youth political engagement, and the hope that springs from children that they can make a difference, that they can make the world a kinder and better place – and don’t we need that at the moment! 

You can read Laura Wood’s thoughts on writing the novel here and buy the book here.

Laura Wood: A Q&A about Vote for Effie

laura woodLaura Wood has certainly made her mark in the world of children’s literature. From the Poppy Pym series to last year’s triumphant YA title, A Sky Painted Gold, Wood can plot an adventure, create a dreamy 1920s landscape, and make the reader laugh. Vote for Effie (review coming tomorrow on MinervaReads.com) is a laugh out loud look at school council elections, with a bold exploration of female leadership. Here, Laura explores what made her turn from 1920’s Gatsby parties to present day school room drama:

What inspired you to write VOTE FOR EFFIE?

There were a few things that inspired me to write Vote for Effie. In my job I’m so lucky that I get to go into different schools and meet loads of brilliant students, and something I was noticing was how incredibly politically engaged and switched on these young people were. I think that when I was eight years old I would have struggled to tell you who the Prime Minister was, and yet even the youngest children I work with know so much about what’s going on in the wider world – about Brexit, and Trump and the refugee crisis. And not only do they know, they CARE. This was really crystalised for me when the first Women’s March took place in 2017. Seeing so many young people taking part, hearing the stories of young activists, made me feel hopeful during a dark time. I wanted to write a book that was about that, about a character who is an optimistic force of nature, one who sees things that need changing and does something about it.

vote for effieWere you like Effie when you were at school?

There are definitely bits of my personality in Effie, and we share a love of musicals, Disney films and glitter glue, but I think Effie is a lot braver than me. We didn’t have student council, but I don’t think I could have handled the high-stakes rollercoaster of an election campaign… I’m much more of a behind-the-scenes person!

If you could join Effie’s campaign team, what role would you want?

I’d love Angelika’s job as campaign manager. Running the campaign, organising things, and owning lots of colour coordinated post-it notes and shiny ring binders would be ideal!

Do you have any tips for young people who want to make a difference at their school?

I think the first thing is to make a manifesto, to think about the things that you want to change and why. Once you have a practical, manageable list of issues you want to tackle then it’s much easier to start taking action. At first Effie finds it difficult to narrow down her list of issues, but talking things over with her friends always helps her to make sense of things.

With thanks to Laura Wood, and publishers Scholastic. To buy a copy of Vote for Effie, click here, and to read my review, come back tomorrow! 

A Sky Painted Gold by Laura Wood

a sky painted goldThere’s always that one book you read over a lazy summer, (maybe whilst swaying in a sun-dappled hammock or sitting at the edge of a swimming pool with legs dangling in the cool water), which is like a drop of sunlight itself, with its long languorous descriptions of hot lazy days and summer evening outdoor parties.

The Great Gatsby is that novel for me. Although I take great pleasure in re-reading it at any time of year, (I view it as the quintessential novel and marvel at its perfect opening and closing, its narrative arc, its unreliable narrator), it always conjures a feeling of sticky heat, of lavish summer nights and heated tension.

A Sky Painted Gold by Laura Wood is another summer novel, and although it’s certainly been smudged with more than a hint of a Gatsby brush, and has more than a touch of I Capture the Castle to it, its narrator seems to be pretty much reliable.

Lou Trevelyan lives in Cornwall with her large family and dreams of being a writer. In search of solitude, she steals away to the large empty Cardew house on an island across the causeway, but when the owners arrive for the summer, her place of abandon is turned into an opulent party house. After gate-crashing one of their Gatsby-esque parties one night, Lou receives an official invitation to the house, and before long she’s swept into the Cardews’ decadent world and captured by their attractive carelessness.

In the same way that Lou is seduced by the brother and sister who own the house, despite them being, at times, careless with other people, so the reader is seduced too by the lush descriptions of parties on summer nights and beautiful people living luxurious lives. There is nothing new about this coming-of-age romance, but it sumptuously immerses the reader in the 1920’s era, with great period detail recounting the hairstyles, art deco, dresses and jazz music of the time as the wild youngsters experience the post-war age.

Wood carefully explores Lou’s transformation into adulthood; the conflict with her country bumpkin older sister, the astute knowingness of her parents that each of their children will grow to have different lives, Lou’s own excitement at seeing London, and her growing sense of freedom and independence counteracted with her wariness of the wider world, the temptations of the time and the wilder morals of the people she encounters.

The mood of change as the world takes breath after the First World War is well captured by Wood; her youth are more daring, embracing different styles of music and dance, and displaying the restlessness and grasping for fun so indicative of the wealthy youth of that time. Wood documents their proclivity for drinking and extravagance, and notes the growing freedoms of women and the emergence of black culture – and in doing so she shows how she has plucked her enigmatic Cardews from that famous ‘lost generation’, as well as expressing her insight into our own times with her glance at that period of history almost a hundred years ago.

And yet, this is a dreamy YA read rather than a satirical criticism of the time. The Cardews may be careless with their money, but they are not as careless as Fitzgerald’s characters: here the Cardews win the readers’ love and sympathy, and pose as victims and heroes in a mesmeric summertime escapist novel. With their increased leisure time, these protagonists have the wherewithal to devote time to sketching and writing, climbing trees and observing. And so the book matches perfectly a reader’s desire for their own pleasurable leisurely summertime read. For ages 12+ years. Publishes 5 July. You can pre-order it here.

All the Fun of the Fair, and Circus too

Bright and loud, brash and fun, circuses and funfairs are excellent places to set a children’s book.

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Samson the Mighty Flea! By Angela McAllister and Nathan Reed

Flea circuses started in the early 19th century, when an Italian impresario advertised an ‘extraordinary exhibition of industrious fleas’.

Samson is quite possibly the most extraordinary, but also warmest and friendliest looking flea we have ever seen. He is the big star of Fleabag’s Circus and shows his prowess to the somewhat strange crowd of colourful insects by lifting such heavy items as peas and matches, as well as hoisting his colleague, Amelie. But this smallest strongman dreams of being an even bigger star and sets off to make his fortune.

When Samson leaves his circus to join the big wide world, he finds out just how big it is. (Perception is everything.) When he joins The Circus of Dreams, he performs his act aloft the head of the Mighty Moustachio, to rapturous applause – deluding himself that the adulation is for him.

Combining a touching flea love story (don’t start scratching) with a message about being happy with what you have, and understanding that being a big star is all about your audience, this is a book that bursts with colour, enthusiasm and humour.

Told in rhyming verse that’s slightly reminiscent of the Ugly Bug Ball, this is a book with a heart. The story contains a plethora of insects and a zingy rhyme, as well as occasional moments of pathos.

The illustrations merge a circus with the insect world brilliantly – the insects’ antennae portrayed as bobbling dress-up hairbands, our protagonist flea wearing armbands to match his shorts, while his girlfriend Amelie wears a pink ra-ra skirt, pink glasses, and shows off her pink hair fuzz.

This is a vibrant picture book that is a joy to read aloud, and contains much within for discussion. A heart-warming tale about keeping perspective and seeing how your friends perceive you. We particularly loved the bravery of the lady flea left behind. Most tellingly, in a house fit to bursting with new picture books, this one has been declared a new favourite. A showstopper indeed. For ages 5+ years. You can buy it here.

jinks-and-ohare

Jinks and O’Hare Funfair Repair by Philip Reeve and Sarah McIntyre

Another successful collaboration from Reeve and McIntyre, following Cakes in Space, Oliver and the Seawigs, and Pugs of the Frozen North. This one allows Reeve to go even further in his excellent world-building, fabricating a universe filled with planets, such as Funfair Moon, in which the book’s action is set, and OfficeWorld with its Water Cooler Flume Ride, opening hours 9-5 of course.

Emily is a girl engineer, who hangs out with the funfair fixers – Jinks and O’Hare – for enjoyment, and in the hope of becoming their apprentice. Jinks and O’Hare are excellent at their job, but when a safety inspector turns up, there is a horrible coincidental breakdown of rides resulting in terrible catastrophes, ranging from a fudgeplosion to a serious gravity inversion on the helter-skelter.

Emily is on the case to solve the mystery of why the rides keep breaking down, and what the strange ‘rustlers’ are doing in the funfair.

This is zany storytelling at its very best. Inventive, witty and engaging, Reeve and McIntyre work together like rhubarb and custard. There are Miss Haversham-esque dining table allusions in the ghost train, Star Wars and Alien witticisms throughout – both in text and illustration.

The observant reader will spot many hilarious incidents, and much attention to detail, from the illustrations of a mermaid with coffee cup and mobile phone to the self-referential newspaper, the innovative vocabulary, and the allusions to prior books (pugs).

But even if the reader isn’t aware of the allusions, the book remains a fun, madcap caper with loads to look at, with a great adventure and a stellar example of how to let loose with the imagination. An absurd treat of a rollercoaster ride. For ages 7+ years. You can purchase this here.

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The Girl Who Walked on Air by Emma Carroll

Inspired by history, Emma Carroll’s circus tale is set in the world of Victorian circuses. Another girl protagonist, this time Louie, who sells tickets at Chipchase’s circus. But she dreams of being a funambulist, training in secret before anyone else is awake.

There are other people keeping secrets though, including Mr Chipchase, and before long Louie is unravelling the mystery surrounding her absent parents, and her phenomenal talent for tightrope walking.

The structure of the book is purposefully like a show – with the first act at Chipchases, an interval in which Louis traverses the Atlantic, and the second act in which she defies death and crosses Niagara on a tightrope (inspired by the true story of Jean-Francois Gravelet, known as Blondin’ for his blonde hair).

Enthralling and riveting for its circus content, Carroll draws on a number of well-played tropes to establish her novel, from a red-haired extrovert orphan protagonist searching for a mother, to a Titanic-esque style sea-crossing (without the iceberg crash), and maltreatment of children/employees. However, Carroll has drawn from history, and the truth behind the stories she tells of daring stunts with wheelbarrows and all manner of props on a tight-rope make this story for children absolutely breath-taking.

It’s a gripping adventure mystery, mainly due to Carroll’s excellently tight plotting and her winning style, which carries the reader along with ease and grace. Bound up within the story is the determination of the heroine, and the life lessons of trust and bravery – two key skills from tightrope walking that can be transferred to real life.

This is a thrilling tale of circuses and self-discovery which leaves the reader satisfied. Another testament to a good book – every child I’ve met who has read this story has loved it. For age 9+ years. Buy yours here.

the-greatest-show

The Greatest Show of All by Jane Eagland

This rather easy yet compelling story by Jane Eagland retells the story of Twelfth Night in a dyslexia friendly print for a reading age of eight, yet with a teen audience in mind. It transposes the hidden identities, misplaced romance and fun world of Shakespeare’s play into the world of the circus.

Kitty follows her brother in running away from her family farm and joins a circus. But to work with the horses there, she has to disguise herself as a boy, which she does, successfully. Kit works with horse performer Jack and falls in love with him, but he in turn is in love with the tight-rope walker, Sarah. And Sarah is further tied into the love triangle.

With escaping lions, evil clowns, daredevil performances, this is a whirlwind of a book, but at no time too challenging to understand the plot twists, identities and emotions. Our protagonist Kitty is more than likeable – she is empathetic herself, kind and generous, and its lovely to see a story where good triumphs over bad and there’s a happy ending.

A great re-telling, perfect for its audience. Check it out here.

poppy-pymthe-war-next-door

Other great circus reads include Poppy Pym and the Pharaoh’s Curse by Laura Wood, and The War Next Door by Phil Earle, illustrated by Sara Ogilvie. Poppy Pym is about a girl who grows up in the circus, but when she turns eleven, the circus decide to send her to a proper school. The book turns into a mystery, after an incident with an exhibition of Ancient Egyptian artefacts at Poppy’s new school, but Poppy discovers she needs her circus family to help her solve the crime. The first in the series, this is a great adventure for readers aged 9+ with another feisty heroine. Buy it here.

Phil Earle’s book, The War Next Door, is the third in his series about Storey Street. The plot pivots on a turf war over a houseless patch of land in the middle of a row of terraces. The tussle over space and ownership and the reaction to the circus family who pitch up one day holds a dark side that contrasts nicely with this series’ generally upbeat and funny tone and self-referential author jokes. As in the first in the series, Demolition Dad, in which the father’s tendency to depression was tested, this too provides a good story with a deeper moral angle behind it, in this case, how one treats neighbours and ‘outsiders’. The circus performers are particularly brought to life by talented illustrator Sara Ogilvie. You can buy it here.