I’m often asked – what makes a good picture book? There are so many elements it’s hard to be so prescriptive, but this book certainly ticks lots of the boxes. With a stunning main character, lashings of food, fun with language, a slightly distorted silly reality and a green message, this book won me over (and my little testers).
Lumberjacks are great fodder for stories – they appear in fairy tales – from the woodcutter who saves Red Riding Hood, to, in some versions, Hansel and Gretel’s father. The idea of the lumberjack links to a shared cultural past – the history of when men cut down trees by hand rather than by machine, and also a bygone era in which they embodied ideals of masculinity – strength, solitude, and a conflicted solidity in common with the trees they were about to fell. Of course, many of you, me included, will launch into Monty Python’s Lumberjack song at about this point in my blog. “I’m a lumberjack and I’m okay….”
In The Lumberjack’s Beard, the protagonist is Jim Hickory, a lumberjack who lives in a stunning mountainous landscape populated with a plethora of triangular trees, eats a stack of pancakes each day (I’m sure Duncan Beedie knows that Lumberjack Day is synonymous with Pancake Day in the States) before venturing outside his log cabin and starting work for the day, chopping down trees.
But when the woodland creatures lose their homes, they demand a new place, and although Jim offers his beard as a new home, there comes a time when it all gets too much for him. A better solution is needed.
The language is great – not only do we hear the noise Jim makes when he fells a tree, but also this is an extremely active man. He does his limbering exercises before his lumbering job, but he also swings and cleaves and whacks and hacks. He chops and snaps…the vocabulary is pitched perfectly – it fits the story and adds to the excitement.
But as with all great picture books, it’s the illustrations that need to come up trumps. Beedie not only has the main illustrations serving his purpose well – from the colours that emphasise the woodland feel of the story, to the expressions of his characters, (an indignant porcupine, an outraged bird, and an incredulous beaver), but he also pays attention to the small details: Jim’s mug, the bird’s glasses, the variety of textures between the animals, Jim’s beard, and Jim’s comfortable dwelling – his bed cover, his shirt etc.
Of course, the message at the end is that planting trees to replace those he is cutting is the ultimate solution, and it even shows the patience taken in doing so. The reader too is encouraged to have patience – lingering over the spread in which the seasons change allowing the trees to grow – so that they can spot the animals’ various activities in the different weathers.
This is a thwumping story, full of passion, humour and heart, and sure to become a new favourite. You can buy a copy here.