Language is important. Of course it is, it’s one of the ways in which we communicate, and as a reader and writer it’s my primary source of information, and of huge value. But one of the things new writers are taught is the importance of words that are left unsaid. In dialogue, what’s underneath the words, what lies in the silence, which emotions are left hanging in the air – the words that are never spoken but which fly away. Listen carefully to the next conversation you have – who isn’t saying what?
Carroll delves into the world of examining language, secrets, lies, manipulation and communication in her emotionally deep novel, The Words That Fly Between Us.
Lucy lives in a large house with her parents, seemingly all privileged and happy. Yet, Lucy lives in a state of heightened awareness; attune to the words that aren’t being spoken, and the manner in which those words that are shared are spoken. Her father uses words to bully and manipulate, and although Lucy is a talented artist, her father’s words hinder even this form of expression. Her confidence is chipped away, her place of safety gone. What’s more, the abuse towards her mother is teetering from just verbal towards the physical.
Lucy takes consolation in the loft space above her room, but she discovers that it links to the attic space of all the other houses in her street, and before long Lucy’s curiosity gets the better of her, and she finds that other people have unspoken secrets in their houses too. But she comes to realise that knowing other people’s secrets can create even larger dilemmas.
In today’s world, the language we use seems to take on an even greater import because quite often it is not accompanied by body language or pitch. Many people today communicate more by written word than spoken word – in text, online comments, direct messages. Carroll touches on this too, with her depiction of Lucy’s friendship with Megan, who writes a blog, but starts to receive unwelcome and bullying comments online.
And incorporating a diary into the novel as part of the plot, means that the reader can start to understand the power of secrets, the power of the written word, and the lies we tell ourselves, or portray to the world. Communication is a powerful tool.
By weaving together these strands, as well as incorporating a homeless girl with a distinct message, a reclusive neighbour who isn’t all she seems, Carroll forms a multi-layered story that mirrors the multi-layers of her characters. Because the bullies in the stories aren’t simple two-dimensional fairytale villains – these are complex characters with deep flaws and insecurities that manifest themselves in harmful ways. By portraying them as humans too, Carroll portrays an ever greater emotional depth to her already heart-wrenching story.
In fact, it is the very appealing first person voice of Lucy that pulls the reader in. And just as Lucy sees the menace behind ordinary words, so the reader begins to see the depths behind the simplicity of the voice, and that although this is an easy read in terms of accessibility, there is a lot more going on beneath the surface.
Carroll deftly imbues her main character with a talent for drawing – a way of expressing her feelings beyond words. And although the book isn’t illustrated, the author shows enormous talent at describing Lucy’s drawings, so that we can see them in our mind’s eye and extrapolate the emotion they are depicting.
This is a powerful book for a 10+ age audience. With compelling, confident writing, a clear understanding of relationships, and a good illustration of how language works and can be manipulated.
Carroll shows what it is for a child to feel safe, to find their voice, and then develop the confidence to use it. Again, what’s key is the kindness of strangers, true friendships and an empathetic heart. You can buy it here.