A House for Mouse by Gabby Dawnay and Alex Barrow
There’s a wonderful satisfaction in spotting literary allusions in texts, as if the author has winked at you, and you looked up to catch it. Sometimes they’re very well hidden – but for children it’s important that the literary allusions are accessible. A House for Mouse plays upon the enticing estate agent theme of looking into other people’s houses, and also the literary allusions game.
Mouse is searching for a new house, but they all seem to have negatives – clear building regulation failures (The Three Little Pigs), architectural issues (Gingerbread house), inaccessibility (Rapunzel’s tower), overcrowding (There was an Old Woman) and so on. He settles on Sleeping Beauty’s castle but realises that in the end, home is where his heart is, of course.
With humour galore, a fairy tale map at the beginning and soft pencil illustrations delineating the different landscapes, this is a comforting and appealing story book that is more about friendship than location. See if the book suits you here.
There’s Room for Everyone by Anahita Teymorian
Mouse was wise to share his castle with his friends – Teymorian uses her picture book to point out that although the library has enough space for all the books (she’s clearly never been in my house), and there’s enough room for all the stars in the sky, human beings constantly fight over space – be it on the train or in a larger context of land and war. The message is simple – that with kindness and love there’s enough room for everyone. What might come across as a little sanctimonious and simple becomes more thoughtful if the reader studies the illustrations used to make Teymorian’s point – the clever use of the boundaries of the page, the distorted long-limbed humans, the neat use of lines to create patterns and textures. A warmth oozes from the pages. There’s room for you here.
The Dam by David Almond and Levi Pinfold
Immediately bringing to mind the beginning of Haweswater by Sarah Hall, a novel tracking the lives of dispossessed people after the flooding of a valley, this may feel like a strange topic for a picture book. Walker, pushing the boundaries, allows Almond to tell the story, based on truth, of a dam building in Northumberland, which led to the flooding of a valley and the village within it. Here, Almond and Pinfold retell the story of the musicians who played music in this lost place before the flooding.
With themes of loss, dispossession, rebirth and the power of creativity, Almond blesses his lyrical text with a deep simplicity, much repetition, and a clear placing of words within their white background. However, it is Pinfold’s brown and dreamy illustrations that provide the atmosphere and haunting quality to the text, showing both the before and after effects with deep pathos, understanding and clever use of soft muted, almost sepia colour. Pinfold brings a clarity to his study of water and structure, rendering the narrative with a distinct sense of place. And the light – the light pours through the book like water into a flooded valley. You can buy it here.
Mary and Frankenstein by Linda Bailey and Julia Sarda
Another atmospheric interpretation in this celebration of the 200th anniversary of the publication of Frankenstein by Mary Shelley. Bailey approaches her topic by investigating how the events of Mary’s life brought her to the moment of creativity, exploring how the story of Frankenstein festered and developed within Mary’s mind. From the death of her mother, to the animosity of her stepmother, the mood swings of her father and her travels and influences, Bailey creates a full image of Mary’s young years with just a few carefully chosen words.
Sarda’s illustrations use darkness, shadows and an almost Picasso-like angularity to illuminate Bailey’s words, creating an unforgettable aura in the people she draws and the landscapes she illustrates. The richness of the colour palette – vivid reds, oranges and browns elucidates the richness of the culture within which Mary was subsumed, but it is the clever rendering of the skies, storms, and imagination at work in dark greys that really sets the tone. Many details to look at, including the houses of the era, the interior décor, as well as gravestones and horses and carriage provide an extra thrill for readers. Like Frankenstein itself, an unforgettable book. Inspirational. (The book is titled Mary Who Wrote Frankenstein in the United States). Explore the life of Mary Shelley here.
On a Magical Do-Nothing Day by Beatrice Alemagna, translated by Jill Davis
Illustrations of a completely different order in this modern award-winning text about finding creativity and adventure out of boredom, now published in paperback. A purposefully gender ambiguous protagonist is told by the mother to put down the computer game and find something to do. The child leaves the house with the computer console in order to be out of sight, yet gradually becomes sucked into the natural environment.
At first miserable and bored, the child soon finds joy and creativity in solitude; the neon orange coat at first marking the child as separate from nature, but then seamlessly blending into the myriad of mushrooms and toadstools, and before long there is wonder to be found in the sensuous delights around – jelly snails, the aroma of fungi, the sifting of earth through fingers. The weather plays its part too, and at the end mother and child bond over quiet contemplation and hot chocolate.
This is a phenomenal book of everyday discoveries, with illustrations that make the reader draw breath. The change in perspective, the clever use of light, tone and vignettes gives the book an excitement, and yet also tender empathy. I’m longing for a Do-nothing Day of my own. You can buy the paperback here.
Travels With My Granny by Juliet Rix and Christopher Corr
On the surface a vibrant picture book about destinations throughout the world, told by an adventurous Grandmother, this is actually a book about dementia, and explaining to children how to try to understand what people with dementia are going through. The grandmother believes she is really travelling, and the other adults explain that she doesn’t know where she is, but for the child, (again an ambiguous gender) he/she is happy to explore the grandmother’s mind, even if it seems confused.
The illustrations are bright and garish, depicting New York on a bright yellow background with multi-coloured skyscrapers and entertainments – as brash and brassy as Times Square. London is blue, Jerusalem orange, Rome a tender mauve. A few facts punctuate each city – in Delhi the tricycle taxis are rickshaws for example. The information at the back explains about dementia. An important, interesting addition. Buy it here.