In our busy lives, it’s not often that a book arrives and sweeps everything else away – work, washing, worrying. The late Mal Peet had a way with words that was more than immersive – his stories have the power to create not only belief in the authenticity of the story, but a whirlwind of sensation and wonder, a lasting sense of intelligent thoughtfulness. Good Boy is an unsettling novella, published by Barrington Stoke in a slim yet captivating volume that features Shoard’s emotive illustrations, enhancing and emboldening Peet’s text. With content aimed squarely at the YA audience, yet a reading age of 8, this is an accessible story, an examination of fear that leaves the reader ruminating and discussing long after the final page.
Sandie has been battling it since childhood: the hulking, snarling black dog of her recurring nightmare. Although a solution is found during childhood, it is the black dog’s return in adulthood that will test Sandie’s courage to the limit…
I’m delighted to showcase the cover for Good Boy. For me, Emma Shoard’s cover bristles with both menace and vulnerability. What do you think? Read Emma’s view below:
Emma Shoard says:
“Though this cover went through quite a few variations, we always wanted it to show the black dog and for the overall impression to be dark.
I wanted to make something of the juxtaposition between the image of the nightmarish black dog and the title, Good Boy. I like the way that it makes you look again and see his moon eyes and hunched shoulders in a different light, perhaps interpret the posture as protective, curious, monumental even, not just menacing. I needed this to come cross in my illustration so it took quite a few attempts to get him right. The result is a design which I hope reflects the ambiguity of Mal Peet’s story.”
Fear stalks us all in some way or another, and this is a masterful way of exploring where it comes from, how it manifests itself, how we deal with it, and if we can overcome it.
On reading the novella, the reader senses immediately the confidence of the writing, the simplicity of the story, yet the powerful insight of Peet’s observation and reflection. A girl is comforted by ‘the biscuity smell of her mother’s bed-warmth’, a dog has ‘wet black button’ eyes in a patchwork head, a building on an estate is ‘a huge slab of a place jutting rudely up into the sky’. And Shoard’s illustrations run through a gamut of feelings with just a few brushstrokes – a mother’s embrace, a pet dog’s vulnerability, the darkness that lurks in us all. A haunting, captivating, ambiguous story. Don’t miss this one. It’s published on 15th March 2019.