Tag Archive for Clarke Jane

The Very First Spring Picture Books

As the days gradually get longer, and there’s the promise of new beginnings in the air, thoughts often turn to nature. Here are two new picture books that are positively brimming with the idea of spring and natural light, and both feature insects – one anthropomorphed as male, one female.

The Weaver

The Weaver by Qian Shi
Just published this year, The Weaver is one of those special picture books that appeals to the very young with its tone, and yet transmits a message that is for all ages. Stanley the spider is born, and after catching a lift on the wind, starts to build a collection of precious things in his web. But unfortunately, the weather plays havoc with his plans, and blows away his possessions. It’s what he’s left with though, that really touches the heart.

This is a powerful story, illustrated with clean simple lines and colours, which instructs us about the impact of memory. In a world in which we attempt to capture everything on a mobile phone, or through a lens, this is a great reminder that our brains are the best receptacle for what’s precious.

Illustrated pitch perfectly, with a friendly spider who is almost cartoon-like in his demeanour, with expressive legs/arms that Shi has manipulated so that the reader sees the spider’s emotion through the shape of his body and placement of legs as well as his mouth. But it’s also the nature surrounding Stanley that works so well – the simple shapes of plants, the clever fading on the web for effect, and of course the shiny front cover.

Just like Stanley’s collection of objects, this is a book that makes an impression on the memory and will last for some time. A great start to the year. You can buy it here.

Firefly Home

Firefly Home by Jane Clarke and Britta Teckentrup
Another picture book for the very young, this too speaks to the reader, and even asks for interactivity, but there is more than just a simple story in this clever book. Florence is a firefly and she’s lost. The reader is asked to help her find her way home, but every time Florence sees a bright yellow light on the page, when the reader turns over, Florence is disappointed – it’s not the light she’s seeking. Once a moon, once a lighthouse, then a train, then city lights.

None is the home Florence is looking for, and the author makes it very clear that the bright lights of the city are too bright for Florence. This light pollution is making wildlife lose its way. At last, there’s a happy ending and Florence is reunited with her family.

The dazzling yellow in the illustrations works wonderfully – both in the way it shines through a hidden space, but also in the big reveals, when light spills from the top of the lighthouse, or dazzles the reader in the bright city. And Florence, as with Stanley, is endearing and rather human – in that her body language is expressive, her large eyes especially so. By the end, the reader will feel they had a part in helping the firefly, and will probably want to read all over again. Amazing colours in the blue of the sky, the yellow of the lights, and fantastically simple shapes of the buildings and flowers. You can buy it here.

Detective Stories

“If in doubt, have two guys come through the door with guns,” said Raymond Chandler on writing detective stories. But in the business of children’s books, should we really be discussing dead bodies, hardened criminals, violent crime? If, like me, your kids (at a very young age) went through a stage of playing nothing but Cluedo, then you might beg to differ. If they can spend an afternoon arguing whether it was Col Mustard or Rev Green who hit someone over the head with a candlestick in the library, then you would assume that their own library could contain a little noir.

Pigeon P. I. by Meg McLaren is a tongue-in-cheek parody of classic detective fiction, which is why, although the publisher has it as for ages 0+ in their catalogue, I rather feel it is best suited to slightly older children. The plot however, is easy to pick up.

Pigeon PI, complete with detective hat, is resting when the Kid (a blonde chirpy little thing) turns up and asks for help finding her missing friends. Her persistent nagging leads Pigeon PI to take the case, and when the Kid herself goes missing, he knows he has a real case on his hands (especially when the birdbrain police won’t take it on – they are busy with doughnuts). The mystery is solved swiftly, but it’s the expressiveness of the birds, the brilliant use of colour, lighting and shadow, and the detective and noir references that make this book so enjoyable.

There are too many in-jokes and references to mention, but my favourites include the ‘Legal Eagles’, wing-clipping, the ‘heavies’, and a hilarious number of visual illustrative jokes too.

Each spread is busy, and different, using many clever devices and effects – from the comic book style of the first few pages to split pages and the use of a red filter.

The end papers themselves are incredibly funny too – from detective thinking poses to asking tough questions – it guides the reader through being a private investigator (as a pigeon). In fact, throughout this busily illustrated book, there are numerous clues and ideas about PIs. The title page shows the private ads of the newspaper, advertising the PI, and there are quite a few bill posters and rubbish detritus throughout, strewn across the pages, but showing images of missing birds, advertisements, articles etc.

The book conjures images of Philip Marlowe, or Eddie Valiant – the PI in Who Framed Roger Rabbit? It’s a book that gives a wry spin on the American detective movie, with plenty of feathers. You’ll find yourself reading it out loud with an American twang. What’s not to like? Seek it out here.

Sky Private Eye and the Case of the Runaway Biscuit by Jane Clarke and Loretta Schauer

One clever way of navigating the world of fairy tales is to re-examine them with a detective, which is exactly what Jane Clarke is doing with her new series about Sky Private Eye.

When the Little Old Man and Little Old Lady report their gingerbread boy missing, Sky must use her wits in Fairytale Town to try to find him. Using clues, and conducting interviews, as well as eventually catching the culprit, the book puts a whole new spin on the classic fairytale. There’s also a good deal of baking and mentioning of cakes, as well as the introduction of the Fairytale Olympics – after all The Gingerbread Man is about running as fast as you can.

The illustrations are bright and appealing – leaving little white space – and provide plenty of visual literacy, being busy and full of items to peruse. The idea is very much for the reader to be his or her own detective, deciphering what is different from the original fairy tale, and predicting what might happen. The book was devoured by my testers here, who definitely wanted more. You can buy it here.

Detective Gordon: A Case in Any Case by Ulf Nilsson, illustrated by Gitte Spee

This is the final book about Detective Gordon in this Swedish writer’s trilogy, and is a gentle, illustrated (in full-colour) book that suits newly independent readers, or fills the gap of a softly written story for more confident readers.

Detective Gordon is on a break, perhaps even on the cusp of retirement, leaving assistant Buffy in sole charge of the police station as the new Police Chief. Buffy is a mouse, Gordon, a frog. But Gordon misses the police station and Buffy misses having a companion. When there are strange noises at the police station one night, Buffy asks Gordon for help – after all, being a lone police mouse is dangerous and scary work. Together, the two officers are braver and cleverer.

Again, the plot here is easy to decipher and simple to detect, but there is a much greater depth to these warm stories from Ulf Nilsson. Themes of companionship, and self-discovery, tales of friendship and teamwork. The text and illustrations combine to give this book a feeling of lightness and bounce, and a quiet steady contemplation permeates the entire book – something that’s often missing from children’s fiction – it’s both insightful and yet full of charm. A great introduction to detective fiction for the very youngest – with plenty of cakes and wholesome allusions. Watch out for the slight touches of melancholy interspersed with wry humour – a perfect pitch to capture the emotions. You can buy it here.

The Great Shelby Holmes Girl Detective by Elizabeth Eulberg, illustrated by Matt Robertson

It’s glaringly obvious where the allusions lie in this new book. When John Watson moves to New York from Maryland, he’s fairly stuck for friends. Until he meets neighbour Shelby Holmes. Despite being only nine years old, Shelby is the best detective in the neighbourhood – using her inflated confidence and acute skills of observation to discover everything about everybody.

Within days of John’s arrival, there is a dog-napping of a prize poodle, and Shelby jumps straight on the case, using John as her somewhat unwilling sidekick. It’s rather less menacing than The Hound of the Baskervilles, but very modern, fresh, sassy and cute. The plot skips along at a relentless pace, at the same time showing insights into friendship and sibling rivalry.

The characters are likeable – Shelby is slightly infuriating at times, but always full of words of wisdom, and friendly and abrupt at the same time. She has low tolerance for fools. The black and white humorous illustrations throughout serve to make our protagonist and sidekick rather endearing. Continuing nods to Eulberg’s inspiration add a lightness and many wry smiles.

What’s more the landscape is well-realised. Eulberg may have transplanted Baker Street to New York City, but she paints a realistic, fully-fleshed and diverse neighbourhood, which makes the read even more up-to-date and pertinent. The first of many we presume. Detect it here.

Rose Raventhorpe Investigates: Black Cats and Butlers by Janine Beacham

Okay, so there’s been a plethora of these types of books recently. Mysteries for the 9+ age group abound on the bookshelves at the moment. From the Scarlet and Ivy Series, Murder Most Unladylike, The Mystery of the Clockwork Sparrow, Nancy Parker’s Diary of Detection – the list goes on and on. This new series, set in Victorian London, is as immersive as any of those aforementioned, and also I would suggest, pitched for a less well able reader.

Rose Raventhorpe is born into the aristocracy and ought to behave as a Victorian young lady (already, the place of women in historical society is a hook), but when her butler is murdered – the third butler in Yorke to be found dead in a week – Rose feels compelled to investigate.

With sinister grave-robbers, underground tunnels and cats with strange powers, this is a dark and twisty little tale, yet highly readable with good pace, and also packs in a good supernatural element.

Rose is a fine protagonist – smart, curious, brave. She isn’t ‘fiesty’ necessarily, seems calmer than that, and is prone to making mistakes, but is always well-intentioned. But for me, the stand-out element is the amount of humour in the story – caricatures abound from the butlers and their gloves, to Emily, Rose’s friend in mourning. A historical giggle with darkness and magic. Investigate how to buy it here.

 

 

An Animal Round Up: Spring 2017

Wild Animals of the South by Dieter Braun
Braun made a huge splash with his first book, Wild Animals of the North, because of its gloriously large full-page imagery – and the fact that it was lovingly produced in a cloth-bound luscious hardback with images on uncoated paper. It felt and smelled worthy. This book serves to do the same with animals from the southern half of the globe: from the hot tropical rainforests of Brazil to the cold depths of Antarctica. The portraits dominate the information – so this is a visual treat rather than an information overload. In fact the text is pocket-sized against the largesse of the illustrations, which gives the animals themselves even more emphasis.

The illustrations look tactile, and are highly textured and highly coloured. The artistry is stunning to behold – my favourite a troop of elephants headed directly in the reader’s direction – a backdrop of brown tones, blending with the grey to tea-coloured elephants – with just a suggestion of the dust flying up from their hooves in curvy waves.

The colour is stunning – some animals blended into the background, such as the mantis, others, such as the little egret, standing out proud against its blue watery background. The scratchy illustration and reflections imply a watery feel.

Information is scant, as in the first volume – for example, there is just a picture of the little egret with a naming caption, but text does accompany some – such as the Indian rhinoceros.

Split into regions, there is also a thumbnail index at the rear. A book to inspire and delight for budding illustrators and graphic designers, and a must-buy for those stunned by the beauty of the natural world and who would appreciate that beauty mirrored in a book. You can buy it here.

Safe and Sound by Jean Roussen, pictures by Loris Lora
A book about baby animals for near babes, this is another visual treat from publisher Flying Eye. What’s stunning about these far more simplistic illustrations than those by Dieter Braun above, is that the eyes from each animal stare out of the illustration and pull the reader inside – almost like looking longingly into baby eyes yourself.

The idea is that the baby animals need some protection before they’re ready to face the world, from chipmunks burrowing underground, to kangaroo joeys in comfy pouches. There’s nothing new here, but the information is given in rhyming couplets (some work better than others), and will surprise new readers who will not be aware that baby crocodiles hide inside their mothers’ mouths – not somewhere you’d expect to be that safe.

A delightful start to learning about non-fiction, this is exactly the sort of book schools and parents want more of for their little ones who want stories, but also want facts. You can buy it here.

Neon Leon by Jane Clarke, illustrated by Britta Teckentrup
How ironic! A chameleon who stands out. All the other chameleons change colour to match their surroundings of course, in this book that explains camouflage for the very young. Neon Leon, sadly, can’t turn off his neon glare to blend in. In fact, his fluorescent brilliant orange shows up even in the dark, and Leon soon feels sad and ostracised from the other chameleons. He searches for other animals who might also be bright orange, but as soon as he finds them, they fly away. Will Leon ever find his own happy place?

This book works beautifully. Not only are the colours vivid and glowing, and the illustrations endearing and sympathetic, but the text speaks directly to the reader, provoking interactivity – helping Leon to choose the right colours, or what to do next. As with Safe and Sound, the book works wonderfully for young readers, giving non-fiction a new spin, but it also encourages massive affinity with the book, and the characters within. A great fluid read, bright and engaging. Purchase Leon here.

Bee and Me by Alison Jay
Lastly, and by no means least, a wordless picture book that encompasses a tale of friendship with an environmental message, through fascinating and busy illustrations, telling the story in an almost comic book sequence, but with traditional drawings.

A little girl in a bustling city is disturbed by a bee who accidentally flies in through her window. A natural reaction would be to swat the bee perhaps, or to capture it in a vessel so that it can be safely released. The girl does succumb to the latter, but when she sees it has drooped in its glass cage, she reads a book to work out what to do. What a clever girl! She revives the bee, and lets it go, but when bad weather drives it to her window again, a friendship is struck. Before long, the bee grows, and eventually teaches the little girl all about bees.

The pictures are captivating – both in their execution and in what they’re saying. This is a wonderful way to engage young readers to get them to ‘say what they see’ – telling the story as the narrator, engaging their analytical and storytelling capacities, as well as their empathy. And the book also holds an environmental message about the importance of bees, and pollination. By the end, a kaleidoscope of new butterflies and flowers have emerged in the city.

The book isn’t preachy though, but rather imbued with a grand sense of humour. From looking bedraggled to being pouffed with a hairdryer, our bee is full of personality. And the little girl too – she takes the bee out in her bike basket and gives it an ice-cream lolly, she measures it on a height chart, but best of all the bee enjoys a visit to the florist, and finally a day break from the city. A mellifluous read. Buy it here.