Tag Archive for Vulliamy Clara

Mystery Stories

We start solving mysteries from early on. Most toddlers play with some kind of shape sorting – working out that the square block fits through the square hole. Perhaps then moving onto jigsaw puzzles – at first the large ones with sticking up handles, and then finally the traditional puzzles, creating pictures of Disney heroines or maps of the world. All this goes towards child development in developing the gross and fine motor skills of course, but solving puzzles enables a child to hone memory, use logic and refine observation skills, and to sort the red herrings from the real clues.

Then eventually, putting pen to paper, children may tackle a spot the difference, a wordsearch, a crossword, a su doku.

What’s satisfying about these tasks is that by solving the problem, a child is restoring order at the end – bringing closure to the problem, much in the same way that authors end children’s books – with uplifting closure.

And the same applies to reading a detective or mystery story. Enid Blyton used to be the doyenne of such spiels – her Secret Seven and Famous Five solving mystery after mystery. Scooby Doo followed on TV, and we became a nation of child detective experts. Mysteries force the reader or viewer to hold information in their head, whilst following the story and working out critically where the story is headed – analysing characters for motive and honesty.

In contemporary children’s literature the depth and breadth of mystery stories is quite astounding; more and more of these land on my desk every day.

detective dog

Detective Dog by Julia Donaldson, illustrated by Sara Ogilvie
In picture books, the most recent is Julia Donaldson’s The Detective Dog. Not her strongest, but this time she’s paired with illustrator Sara Ogilvie, whose illustrations are bright, comic and refreshing. The Detective Dog’s mission is to see where all the books from the school have disappeared to. Despite some rather tenuous plotting, the book celebrates love of libraries (if only I knew of a real library that looked like the illustration in here – every booklover’s dream), but the story is sweet and the illustrations exquisite. There’s no doubt Donaldson is our queen of picture book rhyme:

“Thousands of books, from the floor to the ceiling.
The books gave the thief the most heavenly feeling.
He gazed in amazement. “Where am I?” he said,
And Peter replied, “In the library, Ted.”

You can buy it here.

dotty detective

Dotty Detective by Clara Vulliamy
For newly independent readers, Clara Vulliamy’s offering, Dotty Detective, fits the bill beautifully. Filled to the brim with illustrations, capital letters, italics, and written in a clearly paced diary format, this is the story of Dot, a little girl with more personality than doodles in the book. The text reads breathlessly – Dot talking to the diary – and soon she forms a detective agency with her school friend and faithful dog. There are some lovely ideas tucked in here, from the pink wafer code to homemade periscopes – lots of references to what’s important to this age group – sparkly red lucky shoes and yummy dinners, and enough dropped clues that the young reader can solve the mystery ahead of Dot. This is a perfect step up from picture books – the number of maps, illustrations, fake photographs, notes and even word searches mean that this is a story that lends itself as much to visual literacy as to textual. Seek the first in the series here.

nancy parker

Nancy Parker’s Diary of Detection by Julia Lee
Another diary format, and more mysteries in this historical book from Julia Lee. It is the 1920s and Nancy Parker has been employed as a housemaid for her first job. She has a penchant for reading six-penny thrillers, and wants to be a detective, so she seeks our mystery where she can. And luckily for her, there does seem to be some strange activity from her new employer – she has lavish parties, a murky past and a cook with a secret. Add to that a spate of local burglaries, and Nancy’s detective skills are put to use.

There’s a lovely rounded cast here, from the boy next door – Quentin Ives who wishes he was a dashing undercover spy called John Horsefield, but is really rather a nincompoop, and Ella, the brave and daring daughter of a local archaeologist. The three children are thrown together in solving the mystery, and although reluctant at first, realise that they are stronger together.

This book is full of wry comic fun, and great characters. Each child is so well painted, so thoroughly flawed and yet likeable that the reader will never tire of reading of their adventures (albeit there is no massive mystery to solve in the end). Partly written as Nancy’s diary in stunning handwritingish typeface, and partly in third person prose from the different children’s points of view, this was a really enjoyable read with great historical detail. Highly recommend. For 9+ years. Buy it here.

alice jones

Alice Jones by Sarah Rubin
Far more contemporary, Alice Jones is presented as a bit of a whizz kid. She excels at maths, and has a reputation for solving mysteries before the story begins. When a famous scientist goes missing after reputedly inventing an invisibility suit, Alice has to work out how to find him, at the same time as protecting her friends.

Alice is a great character, not merely a Nancy Drew who only solves mysteries, but someone with a life outside, including school, friends and family. She is clever but displays dry humour, and develops well during the novel, realising that classroom troublemaker Kevin Jordan may work as a good ally in problem solving. She also has to deal with her home life – a family that needs some problem-solving too.

The story is set in Philadelphia and there are definite Americanisms throughout, but the hardest task was solving the mystery – readers will need to be steered thoroughly by Alice – there is none of the blatant clue-dropping as in the titles above, where the reader learns more than the protagonist. However, it’s great to see a heroine deciphering clues with her intelligence rather than random flashes of intuition, and it makes for a gripping read. Age 10+ years. Buy it here.

There are so many more mystery stories for this 9+ age group, that it’s hard to cover them all, but here are some of my favourites:

mmu

The Wells and Wong Mysteries, starting with Murder Most Unladylike by Robin Stevens is one of my favourite series. Set in the 1930s, it mashes Agatha Christie mysteries with Enid Blyton boarding schools. In the first in the series, Daisy and Hazel set up a detective agency in their school to look for missing ties and suchlike, but then stumble across the body of the science mistress lying dead in the gym. Suddenly they have a real mystery to solve. A brilliant story, complete with boarding school rules and regulations, but also the twist of a murder to solve. Great gentle fun; if you haven’t discovered them yet, you’re in for a treat. Seek it here.

marsh road mysteries

The Marsh Road Mysteries, starting with Diamonds and Daggers by Elen Caldecott. This series, all set in the same street with the gang of children who live there is reminiscent of Emil and the Detectives simply because the setting is almost as much a part of the story as the mystery itself. Caldecott is a very skilful writer, and hops from head to head in the narrative, so that each child’s viewpoint is seen. The first book in the series tells the story of a missing diamond necklace – a famous actress comes to the local theatre, but when her necklace goes missing, the prime suspect is one of the local children’s dads. Piotr has to fight to find out who really did it to avoid being sent ‘home’ to Poland with his security guard Dad. Each character is well defined; and the readership will adore the familiar territory of friendships and loyalties as the series progresses. Compelling and really vibrant – a modern day Famous Five (but better!). Buy it here.

cover

Mystery and Mayhem anthology
This is one I have featured before here, when Helen Moss kindly guest-posted. This is a sumptuous book of mini-mysteries from many of the authors featured today, so the reader can have a sample of small mysteries (which are easy to solve by the reader) and find out which author’s style they like. My favourite, The Mystery of the Green Room by Clementine Beauvais.

Try also Helen Moss, The Adventure Island and Secrets of the Tombs series, Lauren St John, The Laura Marlin Mysteries, and Katherine Woodfine, The Mystery of the Clockwork Sparrow.

 

Top Ten(ish) Books Published 2015

I’m not convinced on the end of year lists thing. MinervaReads raison d’etre being that one list of ten books would not suit any two children – different books suit different children. However, this being the time of year when we all go crazy and make top ten lists of absolutely everything, here are the top ten children’s books of MINE for 2015 – simply the books I most enjoyed reading (for review purposes). And by the way, this was ridiculously tricky (which is why I kind of cheated and mentioned 16).

bear on chairplease mr pandaBear and the Piano

There’s a Bear on My Chair by Ross Collins
I first saw a copy of this book pre-publication in April when a sample was thrust upon me at a conference. I agreed with the publisher that this was bound to be a hit and subsequently reviewed on publication in June. For me, I like picture books that, as a parent, you are happy to read over and over – as that’s what a child demands. I also like inference – when you have to work out a bit of the story for yourself – and illustrations that elicit a wry smile or an outright guffaw. The text is reminiscent of Dr Seuss, the pictures humorous and warm. This ticked all the boxes and it’s my picture book of the year. A small mention to Please Mr Panda – which just crept into 2015 books, and is probably my joint favourite – Steve Antony is proving to be a master of his trade – and the panda is one of my favourite modern picture book characters, demanding politeness from children in the simplest yet most exquisite way. I can’t wait for him to demand patience from them, as he will be doing in 2016 with I’ll Wait, Mr Panda. One other picture book I’d recommend as a startling debut and one to not be missed from the 2015 publications list is The Bear and the Piano by David Litchfield. The messages within the story, and the way the illustrations capture light, make this a totally exquisite book.

tree

Tree by Britta Teekentrup and Patricia Hegarty
Non-fiction is being packaged more and more effectively by clever children’s publishers, and for me Tree stood out as one of the best cross-overs between fiction and non-fiction this year. The text is poetic (it also rhymes) and fictional – but through its illustrations, Tree shows the changing of the seasons, making clever use of die-cuts so that the reader can see inside the tree too. The colour palate in this book is a treasure in itself – as the same tree morphs from season to season – the leaves, creatures and surrounding atmosphere changing, the basic trunk stays the same. This was a book that was pounced on by all children as soon as they saw it, and held wonders within.

the school of art

School of Art by Teal Triggs, illustrated by Daniel Frost
This features as my non-fiction title of the year, as never has a book managed to explain complicated concepts and high-art techniques and subjects to me in such a simple way. Knowing nothing about the subject, I came to this as a child would and was entranced with the wonderful explanations – the introduction of professors who taught different knowledge bases, and the fantastic examples and try-it-at-home sequences – all of which worked exceptionally well. The design of the book was different too – clean, tidy and neatly colourful. In my initial review I found some of the text quite dense, but actually have since dipped in and out very successfully, and love that the book is so comprehensive. A rich overarching story within which the separate sections operate well on their own or as part of a whole. The book imparts great knowledge.

completely cassidy

Completely Cassidy: Accidental Genius by Tamsyn Murray
I have to admit, many books purporting to tell a story from a 9-13 year old contemporary girl’s point of view about her family/friends/school/boys, crop up on my radar. This one stood out for me because I simply couldn’t put it down. Cassidy rang so true, her character was so alive – I demolished this book in a sitting and was laughing out loud. With random doodles, fun graphics and capital letters, this was the most fun I had reading this year.

Mango and Bambang

Mango and Bambang by Polly Faber and Clara Vulliamy
This is the year for me in which illustrated stories piqued the attention like no other category within children’s books – from the phenomenal duo of Philip Reeve and Sarah Macintyre with Pugs of the Frozen North to Squishy McFluff by Pip Jones and Ella Okstad , to Dave McKean’s Illustrations of Phoenix by SF Said, to the ongoing success of Claude by Alex T Smith and Tom Gates by Liz Pichon, and of course our children’s laureate’s wonderful Ottoline. However, Mango and Bambang was like a breath of fresh air in the genre – a tidal wave of happiness – with its two tone colour perfection – its stripes, its worldly setting, its characters. This first book contains four individual stories about a girl who discovers a lost tapir. It is gentle, yet alluring.

untitled

Stonebird by Mike Revell
Although published early in 2015, and one of the first books I reviewed, this story still sticks fast in my memory – its poignant storytelling with a touch of magic about a boy who moves house, so that his mother can be nearer his grandmother who suffers from dementia, both engages and enthralls. The book deals sensitively with the consequences of the move, including the bullying Liam experiences at his new school, as well as the effect on his mother. Liam overcomes some of his problems by seeking the help of responsible grown-ups, and using the magic of storytelling. It deserves to be in every school library, and I hope for more from this author. Later in the year, reading In Darkling Wood by Emma Carroll, I was also smitten with a protagonist dealing with the fallout from illness in the family, and some magic in the surroundings – both these titles, for age 9+ yrs struck me as being brilliantly evocative.

An Island Of Our Own

An Island Of Our Own by Sally Nicholls
I was gearing up to interview Sally Nichols for #YASHot in September (although this didn’t quite happen as Sally had her baby – congrats!) but in preparation I read all of Sally’s books. This one stands out for several reasons. Beautifully short chapters that enable even the most reluctant reader to sample small delectable portions of Sally’s writing, and wonderful characterisation – Sally definitely wins the Oscar for Best Supporting Cast, as her secondary characters are so wonderfully defined I know I’m not the only reviewer to have fallen for Jonathan, the protagonist’s big brother. She also weaves a neat mystery plot. Sally incorporates great use of setting from the flat the children live in, to the island they visit, as well as introducing exciting extra information into her books, in this one, the MakerSpace organisation. A great book.

demolition dad

Demolition Dad by Phil Earle, illustrated by Sara Ogilvie
Phil Earle has been writing for a while, but mainly for slightly older children, so it was a blessing that he decided to reach down the age ladder slightly with this terrifically funny, yet also poignant, well-crafted novel. A great plot, sense of community, carefully dealt with emotion, an insight into father/son relationships – this book has so much. The humour is intensified by Phil’s self-referential jokes, as well as Sara Ogilvie’s amazing illustrations. A gem (and also more to come focussing on the same community next year).

The Dreamsnatcher cover FINAL

The Dreamsnatcher by Abi Elphinstone
Another book I stumbled across pre-publication, and adored. Dark fantasy with such dense imagery, but led by a forcefield in the shape of Moll, our protagonist. Brave, feisty, impetuous, like a younger contemporary Northern Lights Lyra mixed with the determination of Sara Crewe from A Little Princess, and Wonderland Alice’s curiosity, and Elphinstone has drawn quite a heroine. With the darkest prologue I’ve read for a while (I like dark), and a vigorous plot, this was an influential read. Looking forward to reviewing the sequel The Shadow Keeper next year (with some more deliciously dark scenes from Abi Elphinstone’s wild imagination).

The Boy Who Drew the Future

The Boy Who Drew the Future by Rhian Ivory
This was such an enjoyable read, it was another I consumed in a day. Told from a dual narrative point of view, one set historically, the contemporary, the themes and settings danced between the two – Ivory cleverly dropping clues in each to build to a dramatic climax. The characters were intensely loveable, there was clear anguish and conflict, and some brilliantly spooky coincidences. Simple, compelling storytelling.

OneRailhead

Young Teens
Two books that stood out for me in the highest age range I cater for, were One by Sarah Crossan, and Railhead by Philip Reeve. The former for Crossan’s stunning use of free verse to tell her story of conjoined twins – packed with beautiful memorable language, and strung with emotion. The latter for its uncompromising science fiction world-building, to the extent that the reader is pulled in without any misgiving. Intriguing characters, tense, grotesque (I will never forget the hive monks), exciting, scintillating – and the sort of book you wouldn’t just thrust upon your young teen, but also share with all the grown-ups too.

Wolf Wilder

Lastly, (I know I’m already well over ten), my award for most stunning writing goes to Katherine Rundell. I imagine her as a kind of Elsa from Frozen – words flung from her fingertips onto the page with magnificent magical majesty, just as ice flies from Elsa’s fingertips. She writes with meticulous precision – every word well placed, every phrase constructed like dainty decorations on a wedding cake. It is clear, crisp, attractive, easy to read, and highly perceptive.

Long before publication of her 2015 novel, The Wolf Wilder, the enchantment of the first line was on everyone’s lips “Once upon a time, a hundred years ago, there was a dark and stormy girl” and the images of the snowy landscape, the descriptions of the soldiers, the telling of the life of the wolves suck the reader into the story. I can’t wait to see what’s next.

Dynamic Duos

The world of children’s publishing is thriving. In part, this is down to massively popular illustrated books such as Wimpy Kid by Jeff Kinney and Tom Gates by Liz Pichon. This seems to have had two effects – one that children’s book publishers have slightly more money to play with, and two, that illustrated stories (beyond picture books) have become all the rage. These illustrations don’t just stand idly by portraying that which has been described by words – the illustrations push on the plot, define characters, and display visual jokes, using the full space of the page. There are excellent wordsmiths pairing up with superbly talented illustrators to create some DYNAMIC DUOS in children’s books. Here are three such pairs:

Mango and Bambang

Mango and Bambang: The Not-a-Pig written by Polly Faber and illustrated by Clara Vulliamy
A brand new pairing, Polly Faber’s debut writing is accompanied by Clara Vulliamy’s experienced illustrations. This exquisitely packaged book tells four delightful stories about Mango Allsorts, a girl who discovers a lost tapir and adopts him as her pet. The first page introduces (through words and pictures) the main characters in the story, and the first story explains how Mango met Bambang. The writing is simple and effective, and plays beautifully with the English language – explaining such things as how Mango’s papa spends his time ‘balancing books’. Polly Faber describes how Mango herself is good at all sorts of things (hence her name) but that wasn’t the same as being a good girl. The phrasing is enticing and winsome and the reader can bask with enjoyment at the wordplay. The illustrations play the same game – a simple two tone purple and black in colour, yet massively effective – the purple stripes of the opening pages contrasting with the black and white stripes of the zebra crossing where Mango meets a camouflaged Bambang, and then also complementing the stripes of Mango’s clothing. Clara’s pictures of the settings – eg, Mango’s city, the street traffic scene, etc, build a world around Polly’s words and the two mesh beautifully together to form a complete story. There is much to pore over. The stories are gentle – about kindness and friendship – the two characters complementing each other in a reflection of the pairing of author/illustrator. There is also a peacefulness that emanates from the book – childhood as a time for wonder and playfulness, as opposed to the busy world of the adults. The book feels very global, there is a real mix of dress, modes of transport, foodstuffs – and as in all good children’s literature there is a fair mention of food – banana pancakes in particular here. The other three stories involve a swimming pool, fabulous hats, and singing. It speaks to the inner child in everyone, and will enchant all newly independent readers. A lovely addition to books for this age group (6+). To purchase, click here.

pugs

Pugs of the Frozen North written by Philip Reeve and illustrated by Sarah McIntyre
This fabulous pairing can do no wrong at the moment. Following the huge success of Cakes in Space and Oliver and the Seawigs, comes my favourite so far. Pugs of the Frozen North is ‘Wacky Races on ice’. Shen and Sika enter the once in a lifetime race in True Winter to be the first to the North pole to see the Snowfather who grants wishes. Their sled is pulled by sixty-six pugs, who have been rescued from a shipwreck. It’s fantastical, magical and silly, with great charm. Reeve’s writing prose is a cut above – the plot races in time to the sled, the language is bewitching – a mass of alliteration throughout the novel using the letter ‘s’ – from the names of the children, Shen and Sika, to those of the polar bears, Snowdrop and Slushpuppy, to the number of pugs, ‘sixty-six’, to words associated with sleds and snow – ‘silvering of light’, ‘statues’, ‘slush’ and ‘snowmen’, not to mention the fifty types of snow – ‘screechsnow’, ‘shrinksnow’, ‘stonesnow’, ‘songsnow’…and made up words to describe the movement of the sled across the ice – ‘skreeling’. He isn’t afraid to use new language and to increase a young child’s vocabulary, and it’s all done to fit perfectly with the story.
Of course the humour shines through in abundance too. There are self-references to the Seawigs book, the yeti’s noodle bar instead of spaghetti (they wanted to avoid the obvious), and the camaraderie with the reader: “…looked very yeti-ish…you know the type of thing.” But the humour really shines with Sarah McIntyre’s fundamental illustrations. Sarah always shows how the story can be told through illustration, not just through text. We learn of the Chief Marshal’s mistake with the hot air balloon through the hilarious illustrated pages before it appears in the text, we are told through pictures only of the other racers’ mishaps (spot the selfie stick – it’s hugely comical), and of course the numerous wonderful drawings of 66 pugs. Particularly wonderful were those of the pugs warming in Helga’s beard, yipping at the Snowfather, and the endpapers with their names (look out for ‘Not-a-Pug’).
Children will adore this book – there is no let up in the pace: Shen, our main character, shows depth of character and thought – especially his anxiety about being disappointed at the end of the race, and the illustrations delight and amuse constantly. There’s a great use of landscape here too – from the types of snow, to the uses of it, and the Northern Lights. Read it, if only to find out what the Po of Ice is! This is a gem, all children aged 6+ will adore it and all parents will find it funny. Read it with your child so as not to miss out! Click here to purchase from Waterstones.

magic potions shop

The Magic Potions Shop: The Young Apprentice written by Abie Longstaff and illustrated by Lauren Beard
From the team behind the Fairytale Hairdresser comes a new series for slightly older readers. Although not afforded quite the same packaging as the two titles above, The Magic Potions Shop is a great stepping stone for newly independent readers – black and white illustrations on every page accompany large text that utilises italics, bold, and font changes to highlight particular words and phrases. The book tells the story of Tibben, apprentice to the Potions Master, who is trying hard to gain ‘glints’ on his robe, which will afford him the qualifications to become the next Potions Master. He starts the book by being rather inept, but through endeavour and bravery gradually earns his skill. The book is reminiscent of The Enchanted Wood by Enid Blyton, packed with mermaids, trolls, elves and sprites – and tells a typical adventure story complete with long journey (a map at the beginning shows the way), and magical happenings in the Kingdom of Arthwen. The vocabulary is largely accessible. Lauren’s illustrations don’t push the story along in the same way as in the titles above, but they do provide an extra layer of detail not given in the text. There’s a lovely section at the back detailing ingredients and potions – which will delight children. My only gripe is that the cover artwork for books one and two is tending towards being gender specific – whereas this is a series that could lend itself to being read by all. A good first reader though – I can see children devouring this new series. Buy it here.

Thank you to OUP for my review copy of Pugs, and to Abie Longstaff for my review copy of The Magic Potions Shop