I’m delighted to host Guy Jones on the site today, talking about his ‘other worlds’ influences. Guy has spent much time writing for the theatre, including the West End musical Never Forget, but now he has turned his talents to children’s books, and his debut novel, The Ice Garden is a wonderful adventure. You can read my ‘book of the week’ review here. Guy talks below about why, despite enjoying gritty realism, sometimes we like to leap into ‘another world’.
It started with Tolkein. My dad reading a little of The Lord of The Rings to me at bed each night. Spooling out, bit by bit, a reality that seemed as rich and complex as my own, but with the added benefit of dwarves and elves and wizards. But it wasn’t just the narrative itself that carried me along, it was the sense of there being an entire world – history, language, culture – of which the tale I was hearing was just a fragment. If we went for a walk I would imagine armies of orcs pouring down the hillside or hobbits padding through the trees. It wasn’t only a story, it was fuel poured onto my own imagination.
And then so many more… The grimy, serious fantasy of Earthsea, the raging creativity of Ray Bradbury, the beautiful Dark is Rising series, and the near-perfection of Discworld. And through all that, slowly grasping a new pleasure – stories where the uncanny and the magical rub up against the real world until it’s not clear where one starts and the other ends. It’s why I’m a sucker for the ghost stories of MR James and Susan Hill. It’s why Neil Gaiman is the writer I most look forward to reading. It’s why discovering The Book of Lost Things by John Connolly has been one of my highlights of the year so far. It’s why I wrote a book as deliberately ambiguous and strange as The Ice Garden.
Of course, some of this is just personal preference. I can ‘do’ gritty realism. I enjoy gritty realism! But I don’t enjoy it as much as something that has a little flavour of the other, or what Robert Aickman called his ‘strange stories’. But, also, I think there’s something more to it than that.
Writing fiction is an act of imagination. But reading fiction is too. A series of marks on a page translate inside the reader’s head into something completely different; something replete with meaning and emotion that stimulates every sense. (If you don’t believe me then read Stephen King’s description of Stan Uris’s first encounter with IT. You can feel the atmosphere he evokes.) And nowhere is the imaginative leap required of a reader greater than when they’re plunged into an entirely different world.
Put simply, I believe these strange stories build the muscle of imagination. And the importance of that at a young age can’t be overstated. Not many jobs require you to invent a fictional history for the Seven Kingdoms of Westeros, but there are very few that don’t require some kind lateral thinking or problem solving. Some kind of imagination, you see. And it’s not only key in a practical sense – I believe all this also only adds to the richness of a child’s inner life.
I understand it’s not for everyone. Some like stories set in the here and now, that deal with the world as it is. Some people hate Tolkein! And if your tastes run that way then I appreciate why. But remember… just because a book is set in another world, doesn’t mean it isn’t true.
With thanks to Guy Jones. THE ICE GARDEN by Guy Jones out now in paperback (£6.99, Chicken House). Read MinervaReads review of The Ice Garden here, and purchase a copy here. You can follow Guy Jones on twitter @GuyJones80 and find out more at www.chickenhousebooks.com